-.

Abracadabra
'-

-.
BOOK1
SECONO EOITION
Fully revised and expanded

Peter Davey
with
Christopher Hussey

A & e Block. London

 ~
Photocopying prohibiteél '
Second edition 2002
Reprinted 2003 and 2005 AlI rights reserved. No part of this -:)
publication may be reproduced in any
A&C Black Publishers Ltd
38 Soho Square, London W1D 3HB
form or by any means - photographic, ~J
(t) 2002, 1985 A&C Black Publishers Ltd electronic or mechanical, including
photocopying, r~cording, taping or ",)
Book ISBN 10: O 7136 63081
information storage and retrieval systems
Book ISBN 13: 978 O 7136 63082 ",.)
BooklCD ISBN 10: O 7136 6309 X - without the prior permission in writing
BooklCD ISBN 13: 978 O 7136 6309 9 of the publishers. <.)
Technical diagrams by Kanako Damerum A&C Black uses paper produced with 'C:)
and Yuzuru Takasaki elemental chlorine-free pulp, harvested
IlIustrations by Paul Parks from managed sustainable forests. 4
Cover iIIustration by Dee Shulman
Design by jacelyn Lucas Printed by Caligraving Ltd, Thetford,
~
Music setting by Christopher Hussey and jeanne Fisher Norfolk x:J
Edited by Christopher Hussey and jane Sebba
~j
~)
CONTENTS
'-()

step 1 O.e. al Fine 23 Au clair de la lune -e)

.J 1 1 Pizz on D 24 Twinkle, twinkl~ little bow ~; "
pizz. 2 Pizz A pizza! 25 Miss Mary Mac
3 Bobby Shafto 26 The song that never stops -'""
t;1;ii

27 Whistle while you work

~
step 2
- Ji 4 When the saints go
step 6 ~j
.,.

arca 1"1 ~ ~ 5
marching in
Supercalifragilistic-
~ ~ :~ 0.5.
28 Secret agents
29 Little bird
expialidodous o s.b. 30 Summer shine
6 A tisket, a tasket 31 Halfway down the stairs
V 7 Little playmates 32 Old MacDonald ~~
8 Mobile phone G major scale ~
+ 9 Fiddle fanfare -~
step 7 -~
,
2

step 3 11..
33 Brown bread ~C
~ 10
:~ 11
A friend in DEED
One f.jnger dance
34
35
Big Ben
Tum the glasses over (a round)
-~

~ 12 Eee-abba-dabba-dee! 36 Off to France in the morning

D major scale
~(c

13 Spinning wheel
~ ....
14 A stitch in time
step 8
-(
~(
2

ostinato
step 4 37 Racing driver (a round)
'-'e
~ 15 Frere Jacques 38 Long, long ago
11"

~
39 Ode to joy
-'e
16 Welsh lullaby (Suo-ganJ
-
.
'-'
17 Windmill song 40 The way you look tonight \-
) n 18 Hot cross buns 41 (Meet the) Flintstones
"
19 Merrily we roll along
step 9 - (-

step 5 42 l carne from Alabama ~(

20 Pease pudding hot 43 Morningtown ride ~(-

21 Clown dance 44 Troika
22 Road monsters 45 Daydreamer
/
\
.._---
~ . . . -"-..

-./
I
 is icumen in
step 10 73 Summer
(a raund)
J f 46 Roses from the South
74 Part of your world
47 lavender's blue

~ -----------
48 Call of the carousel
step 17
)
slow fast step 11
75 Short'nin' bread
76 What shall we do with the
J .J P f 49 We all stand together
drunken sailor?
50 Edelweiss
q 51 n 77 Winterwonderland
On top of Old Smokey
78 EastEnders
52 london's burning
(a round)
53 The hippopotamus song step 18
r.\ 79 Happy birthday

step 12 80
81
Heigh-ho
The Addams family
.J. f.b. 54 london Bridge
82 The mocking bird
55 Tea for two
83 Chim chim cher-ee
56 Stand by me

step 13 step 19
84 Ragamuffin's rag
~ -=- 57 Skye boat song
A major scale
58 Jupiter
A major arpeggia
-= 59 Feed the birds
85 Who will buy?
G majar seale (two octaves)
step 14 G major arpeggia (two octaves)
.J r cresc. 60 Kalinka
86 Beauty and the Beast
61 The old bazaar in Cairo
; r m:p '"!f 7
62 Muck! (a round)
= U 63 WaltL
step 20
87 Barcarolle
r-r 64 Puff the magic dragon
88 Millennium
).J) 65 Dumplins
89 Watch out kookaburra!
(a round)
step 15 rall. 90 Nocturne
g 66 Row, row, row your boat
(a round)
67 Pop! goes the weasel Acknowledgements
68 Dance of the cuckoos
Index
Glossary
69 The shepherdess (a round)
O majar arpeggio
G major arpeggio
70 We're off tosee the Wizard

() 2 step 16
-~-- .. 71 Egyptian snake dance
72 Shalom (a round)
 -")
'"1

-, ;':/
"

...
.
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u
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G D A E

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'-("

Pluek your violín strings to play the tunes in step 1.This teehnique is ealled pizzicato, or pizz.

~,
(
~o
1 Pizz ~11D u
CH/V5P {
~;

Play your part twice. D -(

'-'(O
You

~zz j
j ~j ~.J ~vl.

~l
~Piz zi ea to, squashed to ma to.
'-'(.
-..
e
~(
J .J
~,

the sound ring. ".

zi - ea to o string. lis - ten to
~(
5
~,~
~
(

bar, keep a stea dy beato

in, ev 'ry
Count - ing two
 2 CH/1S
- Play your part twice. A
You
~zz.
.J fJ .J .J fJ .J
~piz
Moz za rel la, pizz A za!

Your teacher

Chee - sy piz - za, Mar - ghe - ri - ta, That's my fav -' rite tea - time treat.

traditionaJ

You

~zz.
.J ~.J fJ .J I~ .J
80b by Shaf to's gone to sea oh,
5 .

~ Sil ver
.J I~
buck
.J
les
fJ
on his
.J

knee
.J
oh.

Your teacher

Bob - by Shaf - to's gone to sea.- Sil - ver buck - les on his knee.-

J F
He'U come back and mar - ry me.- Bon - ny Bob - by Shaf to.

Pizzicato is an Italian word,

meaning 'plucked'.
 ~\

....
v~

'-€
From now on, play 011the tunes arco - with your bow - unless pizzicato is indicated.
~(
n marks a down-bow. ,--,e
/C
~ tells you to lift your bow in a circular motíon to prepare for the next down-bow.
(2

4 W~en t~e saints 5~ \'nar(~in5 in

(pupil's part)
~ -o-
G
traditiona/spiritua/
--(~
--./c
-- e
- (
lift lift lift -'(
lift ~
~ ~ ~
- - - - I =~
~(

lift lift lift

6
~ ~ ~
- - -
-
- !
~
-

.
9

.
S uperea

If you say iL
lift

I i... Even though the...

Supereali...
Richard M Sherman andRobert B Sherman

.
~:-

~/
-~~
6

sound
Su -

of
per

it
- ea

is
- li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!

some - thing quite. a - tro. - cious, If you soy it loud

E - ven though

e - nough.
the

you'lI

-
al ways sound pre - eo - cious. Su - per - ea - li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!

..

4 When the saints go marching in

(teacher's part)
arco
V

~
7 ¡ ¡

Oh, when the saints go mareh - ing in, Oh, when the

saints
J
go mareh - ing in,
~. want to be with - in that
7

~.
~ - J
num - ber- When the saints go mareh - ing in.
6 -A-tts"et, a-tas"et words CH, music traditional

~t~o~t~ ~ - t.:;
L

6
i1 ~~i1 ~i1 ~i1 i1
~tJ -
~,
- ~~j===E=il C)
't)
f'j
V 4 ()
¡
~ Tj

.
lA tis - ket, o - tos - ket. There's some - thing in my bas - ket, It
-rJ
tos - ket, o - tis - ket, A choc - 'lote or - ange bis - cuit, 1'11 T")
J
11>
T)

t)
smells so sweet: ¡t's good to eot, I'd bet you'd like to toste it. 2. A I don't wont to waste ¡tI
eot it now -
be fore you con, 'Cos 7J
'7)
7J
'()
V marks an up-bow. fj

The bowing i1 V i1 tells you to

". féJ
.
playa down-bow, an '~
up-bow and a down-bow, if)
without lifting your bow off the ??)
string in between. ¿:)
c~;

1 l,ttl e plaj'tnates F X Chwatal

r' ) ,
j

~i1 V i1 )
V i1
- ~J -
~iJ ~J
I~ I=;] ')

,
)
)
5 V i1
i1
V
~i1 ~-
~J ~- ~rJ
11. 112. I j
.
 c\\'
rrvr
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1() i\ fTictld 'h DEED
Play and sing this song with a friendo
CH/1S

l:r"
()
You

~~!j
It is likea conversation, in which you and your friend play question and answer phrases.

O 1 O O O O

~- r)
r"
jl
D
J
E
S
E
J
D, You're a
~j
friend in deed. r"
,J
(~
P
Your friend
5

f)
O O O O 1 O

~~d S ~j j ~-
J t)
f')
t~
Al ways there to help when I'm in need.

80th
9 O 1
.O 1 O O 1 O

~d ~d I~ .J .J ~-
J
..
~So
we're friends to ge - ther, yes in deed.

.
Swung

>-
..
 -_.~--"--~.¡ ',' ~

"""
'.
'"

"

~
,...

In the second part of One finger dance the open strings D and A are played together - this is called double
stopping.

iI 11 PO
~
You
~f¡ r1
~- I I I '1 I
r "',.
4J . I
- . . ~'-"
I
u
..

Your friend
f} r1 V r1 V
~I I I I I I
..
~c.. . . c.. .
..
12 CH

~V -~
E
~~AB
I~
B A, D A B B A,
9

.
D E E, Fred and me, Eee ab - ba - dab - ba - dee!

' . '--" .'

 1,:-")

\:<}

e)
v)
r-)

t~
PO l"

1.

~i~~J
V

Push tread - le, drive spm - die, Round goes the

~J
spm - ning wheel.
:~

..
'0

,.

14- CH

pIZZ. 1

~ i~ Stitch in, stitch in, stitch In time, A stitch in time saves nine.
 s

( 1S ) t'rere
.
Jat1t/es traditional French
e

1\;~nato 1
arco
o 1 2 v

-~ t~ .
~.

Fre - re Jac - ques, Fre - re Jac - ques, Dor - mez vous? Dor - mez vous?
s

~ Son - nez les ma - ti - nes! Son - nez les ma - ti - nes! Ding, dang, dong! Ding, dang, dong!

Ostinato 2 Ostinato 3
~012

tj~
Fre - re Jac - ques
~ Fre - re Jac- ques
:
1é
,

(Suo-gon) traditional Welsh

'"
You 'c"
2
~~I
1 I
1 11.
"
40 "
1
"
...-1
~,, -
I
11 - 11 U

Your friend '

tJ I I I '1 I I I I
.....
" ...-1
" no
w.
~@), U U
\)
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1:J
-r)

t)
11 words CH, music PO ',J")
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You r:)
2
~I I I
o
", ..
" LL r)
@) n-
TI 11 11 U U
" " 'f')
Sails go round, the corn is ground for flour in - side the wind - milI. T)
Your friend
2 2 f:)
) I
, .
I

'41) " - " " ." "

11 11 U

( -
---
--<
l. i

f')

c--
{,

'"--'.
í .~

I ~

- (

--
'-
 The next two pieces begin on FU,played with the 2nd finger. Make sure the F~is in tune before you start the piece. Climb up to it by
.
playing D (open), then E(1st finger). then F~(2nd finger).

traditional
You
2 o
,ti 1"} v .
~,
r ,. u.
" 11 O TI U
4J

Hot cross buns. hot cross buns.

Your friend
1"} i1
, I
.- IT
- ,) ., fT ., .,I
s
~~i1 ,
.' ~I I
I

40
., ., ., ., --= - - - T U
.

One a pen - ny. two a pen - ny. hot cross buns.

~i1 I

-
I
r,

"40
,,
V
TI
- - .,
~. I

- 11

Look at the last bar in no. 19. Do you remember the name of this technique? (Look at no. 11.)

traditional

arco
o

~ J

~
..
i1

~J J S

s'
Swung

.. ., ..
. .. .
s ¡¿ .,
\:~)

y¡

':)
C)
tJ
e)
(')
r)
e)
r)
la traditional
(;)
t-)
T)
- - r)
1"')
Pease pud - ding hot, pea se pud - ding cold.
e)
5 .
'f:J

~ ~j
pud - ding the
~.JJ
pot
S
grow
J
ing mould!
~- :1 ..."..,,
f)
71)

.
Pease in
1~)

.
'r)
p)

.. .. ..'

,
,-,-" >: ..'\
'
' , , ,", , ,., /
#,
'
")

l1 traditional French --
")
---
¡:)
Ask your friend to play the ostinato accompaniment on page 17.
'"-'
V V

j
~
II

~t
~ad

~o~t~
h\~l1sters

Big red bus,

- v

big
.

red bus, on
words CH/SR, music traditiona/ /srae/i

H. G. v. and o
'

~ big red bus. A big red bus. A trae - tor, a trae - tor, .0

9 11. 112. I

tJ big red
~~jj bus.
j :~
A
~big
j
red
j
bus.
rood troin and a

v
.
A big red bus, a big red bus, on or - ti - eu - la - ted lor - ry ond o.

11. 112."
5 . V

~ big red bus. A big red bus. A trae

~
tor, a trae
r
tor, on or-

9
- 11. I

r~ - ti - cu - la - ted lor - ry ond a big red bus. A big

r
red
r
bus:
E=U

21 Ostinato accompaniment for Clown dance

11. 112. I

~-~
 " , "

traditianal French
"'.,
This piece begins on G, played with the 3rd finger. Make sure the G is in tune before you start the piece.
Climb up to it by playing D (open), then E (1st finger), then F~(2nd fjnger), then G (3rd finger).

Fine
.'(.'

-
\:)
t)
- r)
t,)
D.e. al Fine \"1

~ t)
- C)
~~)
lO)

f'')
~ /
° To Codal ¡' 112 rOl

=r2~ n
r :1

~
DÜI" r)

f~ " "--'
\ ::::
,
-
J
c)

r)

--
1")
T)
24 words 15, music traditianal fj
(pupil's part) f.c.)
Fine

~t~ Twin - kle, twin - kle lit - tle bow, play this fast then play it slow.
..

0'J

D.e. al Fine
,
-...
I~ l' "¡

Draw .your bow a - cress the string, care - fui not te let it ping!
-->
.-

MiSS Mary Ma~ traditional

r1 ~ r1 ~

.
~~
Miss Ma - ry Mac, Mac, Mac, all dressed in

s ..

black, black, black, Her hair was long, long, long, all down her

pIZZ.

r
-
..
112. r1 +
I

~~r1
~~j ~- - 11

back, back, back. Miss Ma - ry back.

. . . . .. .
""',""'"..

. ... ..
7 11. 112. . pizz. I
=fJ-. . ... . . . . ~
>-

. .
-.
,.

24 Twinkle, twinkle little bow

.
(teacher's part)

~~ ~' / ~~
6 . 112. I

.
 26 T~e S~115 t~at l1ever ~t~p~ CH
Play this song over and aver withaut pausing in between. Find a way ta end the piece.
Then play it again, starting slowly and gradually getting faster each time.
v i1

~SJ
This song can start and nev - er stop, You'lI keep on play - ing 'til you drop! ~)
V i1 ¡:j
1[5)
t;;)
~)

W~j~tle w~jle i'~t{ W~T" words Larry Morey, music Frank Churchill f::?J
'ri)
ti ti V i1 V V
I I I I I I I F:)
.. fe)
TI 11
40 l)
Just whist - le while you work, Just whis - tle while you work. Come
~V
, i1 . V,
,
V r)
I

4)
..
11 . 11 11 .
1

- 11
...
"
. I
I
ej
P)

5 ~
V 112.
14
p)
F)
on get smart, Tune up and start to whis - tle while you work. Just work. /t'1
V ($1

«¡
 s
.. ..
. ...
!-~ . -...

-~

words 15. music traditional

arco

Be a - wa re and take good careo Watch out for sec - ret a - gents.
pIZZ.

5
.
v

Codes to crack and cars to chase. Trails to track and foes to face.

"

9
n

Be dis - creet all you . do, 'Cos a - gents might be watch - ing you!
 e)
s.b. is short for 'slow bow'. Use the whole of your bow to play any note marked s.b.
c)
en) tells you to playa down-bow on the repeat. c~

little bird traditiana/ German

C)
r)
n
s.b. Fine F)

-
n

9
J ~J .J .J~ ~""U'" r)
r)

r~
0.5. al Fine t()
v
fe)
M
h
?,:>¡

6
~ Finel
D.e. al Fine
without repeat
(

c) "
)

P)
(','\

f"1

f')
wards CH, music PO
P1

Ho - Ii - days are on the way, Clouds are gone, days are long.
,:- '\

r
5
s.b. '-/
I

""U'"
Sum - mer shine is here to sta y, Lark will sing his songo
s.b.
i
 words A A Milne, music H Fraser Simson

Introduction

~
s
~J ~-
v

~ Holf - way down the stairs is a stair where

-
sit:
~.§
There

-
9
V

~J~J~ J ~.J~
- is n't a - ny o - ther stair that's quite like. it. . I'm

~?
not at the bot - tom and I'm not at the top: So
17
.
fj J~~is ~J
this the stair where al ways stop.
Introduction

~
5,~
J r.. . ~
.16.
11 .

~~~
 words adapted by SR, music traditional

.
11. 112. ~_J
You Your friend You
3 b
~S~
<;::)

:~ I.--}

)
\:C-

Old Mac-Do- nald had a horse, ee - i - ee - i oh! oh! With a

~;)
G. G here and a G. G there. Here a G. there a G. ev - 'ry- where a G. G. \;¡)

C)

tJ
~th l-:J
j j I~ j
J
J ~0
- Do -. nald had a horse, ee ee oh! tj)
Old Mac

.
tU
11. pizz. arco I (,)
. '. .' .
-

. . . ~
. ..
~ :> >-.::;>"
arco.' .
5 12. . pizz.
o "~
.>++v ___00-::-- oo.
.oo.!

_. K)
. '. >- -:> :>
.. .:> ~
>-"::::- . :> #>- >-
f::)
10 . ~ZL
f:)
~~
d~
>- .»:>" >- >-
l:t)
E})

"1
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f::~:':J
---
()

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, ;
"

G majar sea le
3

r
2 3 o , 2 V 2' o 3 2 1 o ,(
~
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 s
..
-,

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bTead
~~~T~Wn CH.

-~
O,,

Cheerfully 2 3 Fine
2 3 2 .~ n
--é

~--

V n V

5 n D.e. al Fine
232
 traditiona/

Like cIockwork
'"
~~4)
D D ,. ., ,, ,, (J D

Big Ben 011 doy long goes 'Oing, dong, ding, dong'. Smoll clocks
,
~":

/'¡~ s.b.

U D (J
u ~u
'u
leJ
6 )
~~I I I I I I I 1" \:
'"

40 t1
Bu - sy lit - tle
)
on the woll soy 'Tic k, tock, tick, tock, tick, tock, tick, tock'. ~
~~pIZZ. 3 2 ()
~~~
D D D D U
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10 3
~~~I I I I {J
()
-:-

40

wotch - es whis - per 'Tick - a -:-tock - a, tick - o-tock - a, tic k- o-tock - a, tick'.
3 2
~~I I

~110-.40 T I
"

TttTh t~e 5'asses ~veT (a round) traditionaJ

Allegro

~r.~.~
been to Hor.- lem, I've been to Do - ver, ¡'ve tro - velled this wide l" J
"ve
4 r
*
~J ~J J .E8
'-.
;

r J===1
J r (

world 011 o ver. O ver, o ver, three times o ver,

~~j .J 11

Orink whot you hove to drink ond turn the gloss - es o ver.

* entry point when ployed as a round

 wards CH, music PO

-.

., ~ Off to France, just for a day, Glad that it's not toa far a - way.

Get - ting up at the crack of the dawn, When ev - 'ry - one is yawn - ing.
9

~
13
Off on the train and I hope it won't rain, We'lI sing out a song as we roll a - long,

~~ can't wait, let's ce - le -brate, 'Cos we're off to France.. in the morn - ing.

V . v .
V V
..

j'~I- j'#_.
-"--",,

."VV VV"V.V
~"
'-.-'.
-- ~ ~.,-~
~~ '--' ..-.- .

o majar scale .
.- o 1 2 3 .0 1 2 3

~~~~ 11
s

"j
~)

~.
~
rJ
t)
You can .use either the open string or your 4th finger to play the note A. The choice you make will depend on
the notes before and after the note A. rJ

In the following pieces the fingering is marked.

:;;;..R~.tit¡!i driver (a round) words CH, music traditional French

l..)

L)
Do you recognise this tune? (Look at no. 15) r)

.
4

~ 'rJ
fe.)

Ra - cing dri - .ver, ra - cing dri - Ver, In your car, in your car, Fe!}

ts';¡
* .-,..,/
I
.

e
FiII it up with pet -, rol, fill it up with pet - rol, You'lI 90 far, you'lI 90 faro
r
entry point when played as a round .~
* r,

....
.. ..
 '-.
Thornas H Bayly

Andante oI 4
'"
1\ .!.lo . I
--
., .. -
I "" Te 11 me the tales that to me were so dear, Long, long a - go, long, long a - go.
s.b. s.b. I
- I I

u .,

5 o o
") 4 s.b .
" - ~I r--'íí 1

4J ., ., - '-J
Sing me the songs I de- light - ed to hear, Long, long a - go, long a - go.
() ~s.b. 1 I 1
s.b.
1"""""-1

,4 ) u .,

Ludwig van Beethoven

Allegro 4 4
.; 1\ JJ, I I

40 - ., ,,, - - - GI

1 ~3 1 I
3 2
I I
..
"'-.4 .. I

6
~") v ~1"1

4U .. .. - -
~2
2 3
2 V
") JJ, I V 3 1"1 S(J 1"1 2
I I . I

,4) I l I I
'

4 4
') ~I I

4
., ., I - u
3
"1 JJ, -1"1 I I I

. 4U '
., .-1 - -.-1 -...¡
 '\
40 jerome Kern

Cantabile ¡- ,
v 4

~
5
J ~
Il. 112. pizz. I

~ I
-
:~

.
r',
-r/'
I I
.
(1
. arco . arco . arco V . .
r }

.' . arco . 11. arco 112. arco

pl~Z. arco pIZZ. V plZZ. n
V .

J~
'. ' "
. .'
:n_:
: ;:/
f)

r,

( ¡

i
"
~
41 joseph Barbera, Wil/iam Hanna and Hoyt Curtin
t:';
t--._',
(pupil's part)
l' "¡
Aim to play this tune quickly, but practise slowly at first. Notice that there is a rest on the first beat of some bars.

o 4 4

~ ~ ~ ........
.-

1. Flint - stones, meet the Flint - stones, they're the mod - ern stone age
2. From the town of Sed - rock, they're a place right out of

,"
Il. 112.

Eu :~
u
fa - mi Iy. - ry. Let's ride with the
his - to
13

~ fam -'Iy down the

o

street, through the cour - te - sy of Fred's two feet.

---

-
 When you're with the Flint - stones, have a ya ba da ba doo time,
pIZZ.
o

J~ ~V r~ I
o
I
-
~
a ya ba doo time, you'lI have a good old time.

41 (Meet the) Flintstones

(teacher's part)
.

.
~
11 n n
J.§

. 7
CODA
''-.7

.
~
 A slur joins two notes of different pitch and isplayed in one bow,
which enables you to play smoothly.

The Ita/ian term for playing smooth/y is legato.

42 r-)
traditional North American, arr. CH
'0
t')
v r1 V V r1 V rJ
J ~ J ~ 7)
11
/)

-
5 pIZZ.
r1 4
~
V V V

.
J J J~
' '"
~ i)
"F")
. Melody .
1 1 112 pizz. I rf"'
~ ~
Malvina Reyrrolds .}
o V 4 r1
~')
')
j~
~
- ...¡
')
r)
5 Il. .
V r1 V r1 V r1 "1
J .J W - :~
~ ~. J J o~
~
9 12. . . I
V r1 V V r1 V r1 p~z.
t9 ~ ~ .J~~

0 0. .3 :1
. . .. ¡+ . .
~ 3
 Tr~j~c\ Serge Prokofieff

Light and lively

v
~

..
~
S 4 O

~IS.b
. .0

Your teacher r:...r:..r..r-

Dc\}'dre~h\er CH

~
2
n 3
V O v

Think how day- dreams soothe,

J
when
~
all the ed - ges blur.
J=i.
To

n V s.b.
~o
make the mu .
- sic smooth, then join notes with a slur.

. ..
-

~ ~ .",".. ~
."' '...

~ -----

43 Morningtown ride (teacher's part continued)

9 12. . I

.
 -"

'(c
)

T '}

l")
johonn Strauss 1/
'f::'}

r')
With a HIt Il. 4
'()

~~o
'

.~. ~. ~. ~ j ~. y'¡

l:')

T
pizz.

.
I
112. r,:

~. :~
~
Your friend I l.
pizz.'

('

-t

'-',

(
-,.
~
41 traditional i

Dolce 4

blue, di! - Iy, La - ven - der's green;

'-"I
 "-'----

5
4

am king. dil - Iy, You shall be queen.

..

~.

..

(all ~f t~e. tar~t{sel CH

"

s.b.
~. ~. ~. ~.~. --------
4
s.b.

~.
.6~~II- ~. -------.~.,

'~~r~L~'~'~
 \ 1
In this step you will practise a slow-fast bowing pattern in g

s
r)
1 slow fast
t'1
J j

Dynamics tell you how quietly o,

or loudly to play.

p tells you to play quietly. r)

It stands for piano ,.;
meaning 'quiet';
Ti
f te 115yo u to play loudly.
It stands for forte
T)
T)
meaning 'Ioud'.
1"',
,""

Paul McCartney

o ~é"
o o v o
~r'

p f or lose, Sink or swim, One thing is

Win
v "
C'

8 o 4 n
~~~I I I

-~ Tl '....

4J . P
in
in. Side by side, Hond (
cer - tain we'lI nev - er give
I I I
) I I

.
J.I,

I -,-
I ..
'-41 r -- -.r T I I I
p

14 ,
112
,
"¡
/ J.I,
..
.
41) - o. ~- ~~..... ..7u.
f stond to - ge - ther We -ge-ther
hond, We 011
I
) J.I, I I I I I I I I

.
:.;;¡
'~ . I

-
-"1
,. \J
,,41 ) 1

f
 -'
'-;:'\--

words Osear Hammerstein 1/, musie Riehard Rodgers

r;;eSSiVO
~
-,
~. J~
P E~ - del - weiss, E del - weiss, Ev 'ry- morn - ing you
7 o -
~-...

f1. I~. ~ ~.
-~
greet me. Small and white, el ea n and bright, -
13 o

tJ
19
You look hap - py to meet
4
~.
me.
~ Blos - som of snow, may you

r~ ~
bloom
~.
and grow,
~~~m.
Bloom and grow for ev
~.
er.
~.
P~E - del-
J~

~. ~.
-weiss, E del - weiss, Bless my home -Iand for ev er.

11.

-/

11
., '
 ,,-.)
e)
51 traditional North American
~)
o o
v rJ
~)
lZJ)

Smo key, Al! COy - ered with ~g

top of Old
~
~
~
~)
6 s.b. 4 4 l@
") JJ. O, I I v I I

. l .
4J p
., .~
snow, I lost my true lov -
I l
..~ JJ. V

~'\:V ., ., .,
~u p
fj]\.;,.
11 s.b
~f¡J,j. -~
~r J;o,f/
.~
" r:;T' ~e;
,J ~
~-
er, From court - in' too slow. '--E

.- I I I I ~(
'\ U
~r '-'(2
" ~C
"
"40 '-01 I I
~<1
traditional .ti
'--'{
Con fuoco
* /""I¿

,
~ Lon - don's burn - ing,
j
-
Lon don's burn -
j
ing,

*
Fetch the en -
J
gines, fetch the
~.<
--(
'-' {

~J en - gines, Fire, fire! Fire, fire!

~
Pour on wa - ter, pour on wa - ter.
(
.-;5.
'\.".:
,
'\;.:..,.

entry point when played as a round (I

*
c:

(
-
 ..

words Michael Randers, music Donald Swann

Waltz
~. 4

rry~ ~. I~. ~
Mud, mud, glo - ri - OUS mud! No - thing quite like it for
~

7 Accompaniment
I

Melody .

~
.

p
~ .§
f
cool - ing the blood. (~o fol - low me, follow.- down to the hollow,) And

13 .

~~~ .
there let us wal - low in glo ri - ous mudo

.
Melody
. arco

o o .. o o
o o
o p
f (So fol- low me,

1~~~_. . . ...
""-'" .' .'. '.
fol-Iow,- down to the hol-Iow,) f
.

.--

.., /
 1

These two rhythms look different,

~)
but sound the same:
\:,)
1 2 + 3
--- ;c')
r u r
Lon don Bridge
~}
()
r' ~r ~J
Lon don Bridge f.b. is short for 'fast bow'.

1f)
traditional r)
o 4 4 r)
~~I ~. I I I
" r)
4U '---"" ---../ '--""
f r:¡
Lon - don Bridge is fall - ing down, fall - ing down, foil - ing down.
¡---:,
') .u.

.4)
p '--" . ,-, ' ~. ~. ~"--....I C)
l"}
5 o f:)
4 f.b.
T)
f()

_.
Lon don Bridge .is fall ing down, My fair la
s.b.
dy. T'j¡

~o

~.
Tea
Leggiero

p
Tea
~.
f~T tw~

for two
(pupil's part)

and two - two - two

~.
for tea,
words lrving Caesar, music Vincent Youmans, arr. CH

Me for
~. you and
( .

,
you - you - you for me, f Cao'l you see how na - 'ha - hap - py we wili

-)
 55 Tea tor two (pupil's part continued)
7
11. 112. i1
pizz.
+ I
~
i1

1- ~ ~
be. P f J ~

Ben E King, jerry Leiber ond Mike Stoller, orr. CH

Rhythmically

~. ~.
4

f-J. ~. .~ ~.
7 11.2. I
+

.~
~. ~ ~
~}.
I ~ ~.
When the night has come- and !he land is dar!<. And the moon is the

..

..~

18

.
on -Iy-

-fraid,
Just
as
_.light we'U

long
o

see.-
I

as you stand,-
No I

stand by
won't

me.
~.
be a - fraid,

So
No I

dar - ling, dar - ling

won't be

by
a-

me, Oh.- stand by me, Oh, stand,- stand by- me, stand by- me.

55 Tea tor two (teacher's part)

 Learn this zig-zag technique, which uses the whole bo\N.

./ shows a r1 V r1 pattern
1 shows a V i1 V pattern

~"}'f b~at s~n5 traditional Scottish

Dolce ..........
f.b.
n

rJ
FJ
r)
C)

7 Fine n r)
(')
t:?;
p P)
t)
T)

(p) t'')
I¡
11. 112. o.e. al Fine
13 (with repeat)
f.b. v V n
-<:
C)
r)
T)
'...,¿
/1)

F}
¡;'~

JtlpitfT (p~pil'spart) Gustav Holst

Inthis piece, use your 4th finger to play the note D on the G string when marked.
~/
¡
, Maestoso ".)

~
..
11
,,0
f

,
4.
,

..
p
Accompaniment

'---'
..
0.5. al Fine

"-
j-
Melady
 I~
~ is a crescendo. It tells you to get gradually louder.

feed t~e birds Richard M Sherman and Robert B Sherman

[ntrodu~ion fb.~ .

~g I~ J~. ~.
p
f.b.
~ ~. ~.
fb. f.b. f.b.~ 4

~ ~ I~.

..
f

P
7
.

. f

- .
58 Jupiter (teacher's part)

.
.

*
6 .

Rn~

11 D.S. al Fine
(Accomp.)
~J
.. J
-~:,.:;;:;,;.~::;~-
~
";."J.,""; ,','.;. : ~.Cj..:..,-;:-:.' ~"Z/,~'~_.o..:;:u.:. -i",Z:",O,i"...;c1';"'':!''';':;...:J.,;~i:''''l''''';~.:1-~-.;..-:,'.''- .,'I.~.:.~:'i :-:':"-=-->~'.~.-:...
-~-' -=':"-':-~'-':'-''.