“A DOS BANDONEONES”

Concertante en estilo porteño

opus 125

Pag.

I - Allegretto espressivo 1

II - Andante e serenamente 18

III - Moderato lucido 24

Rodolfo Daluisio
A.D. 2002
 1
"A DOS BANDONEONES"
Concertante en estilo porteño - opus 125

Rodolfo Daluisio
2002

Allegretto espressivo
con garbo brillante de tango
2 3 4

     
           

 
p f
    
  
Bandoneón I
           
 

 
Allegretto espressivo
 
        

   
f   
p
  
    
Bandoneón II
     


5 6 7

      
        

   
    

Band.I
              

   
   

  
           
        
     

           
     
Band.II
    

A dos bandoneones-opus 125 - R. Daluisio

 8 9 10

2
     
       
      
  
Band.I
       
 
      

   
    
 
   
        
Band.II
    
   
        


11 12 13

           

  
             
mf f
Band.I
     

  
  
   
f
    
         
Band.II
    
  

 
14 15 16

  
             
    
 
 
p
 f  
         
Band.I

      

    
 

  
               
    

    
f
           
Band.II


A dos bandoneones-opus 125 - R. Daluisio
  
17 18 19
 
3
 
         
          
  
 
      
 
Band.I
    

      
                 
           
f
    mf
     
Band.II
     
 

    
20 21 22

           

  
 
   
    
 
mf
       
Band.I
 

       
     


     


              

 

   
mf
  
Band.II
   
          


25
 


24 

     
23

             

  

mf       
f
   
  
Band.I
  

            

            

f  
     
Band.II
   
 

A dos bandoneones-opus 125 - R. Daluisio
4 26 27

           
serenamente

       

  
mf
 
Band.I
  

                
   
   
  mf    
      
Band.II
    

28 29 30
   
   
 
      
          


f
  
Band.I
     
 

 
 
 
      
           
sf 
f
 
sf
 sf
 
    
Band.II
    

32
31 cedendo a Tpo. 33

   
   
  
   
p
  
f 
 
Band.I
 
 
cedendo

    
a Tpo.

                

 
p

    
mf

Band.II
 
     

A dos bandoneones-opus 125 - R. Daluisio

 34 35 36 5
        
    
        
            
     f      
Band.I          
    

    
        
      

 
    

  
Band.II
     
  

37 38 39 40
 
                 
      
   3       
Band.I
                


      
               


          
Band.II
    
  

41 42 43

      
    
Band.I         



   
 
  
Band.II
 

                 
    

A dos bandoneones-opus 125 - R. Daluisio

6 44 45 46

    
p
      
mf

   
 
 
  
p
  
f

Band.I
    

    
           
    
  f 
        
pp

pp
 

Band.II
        

49

47 48

          

             

   
       
Band.I
  


        
  
                  
 
   

     
       
Band.II

    
 
 

50 51 52

             


       

  
  mf
    
Band.I
        
  

               
    
    
     mf 
  
Band.II
          
  
A dos bandoneones-opus 125 - R. Daluisio
 53 54 55 7

     
decresc.
     
       
       
f
      

     
  
Band.I
     
decresc.
        
    
Band.II
f
          
  

      
56 57 58

 
               
         
mf f

          
Band.I

  

             
           
 mf
 
Band.II
                

non stringere, ma brillante



59 60 61 62
  
         
        

   
        
sfz
Band.I
   
        




      
   
          

 

   
f f sfz
Band.II
   
              
 
   

A dos bandoneones-opus 125 - R. Daluisio

8 63

64 65 66
Lo stesso tempo
 
         
ben cantato
     
   

                
mf
Band.I
   
 
Lo stesso tempo
        
         
       
    
  
mf f
Band.II
   
          
     
 

67 68 69 70
   
         
            


f 
      
           
Band.I
   



      
   
  
  

       
Band.II    
   

71 72 73

       
      
    

   mf
 
Band.I
          

     
            
 
 p
 
 
mf
 

Band.II
       


A dos bandoneones-opus 125 - R. Daluisio

 74 75 76 9
       
 
 
     
       

      

Band.I
    
       
 

       
      
              
  
  
    
   
Band.II
      


serenamente 77 78

          
                
      
mf
 
Band.I
 


intenso
  
Band.II
mf
   
  

79 80 81 82

   
  
     

 
   

  
f
   
Band.I p
      
   
 
      
     
     

legatiss.
     
  
      
Band.II

        
      
A dos bandoneones-opus 125 - R. Daluisio
10 83 84

  
           

   
   

Band.I
  
   

         

 
 
      
        

  

   
Band.II
       
 

85 86
     
 
      
           

    
semi staccato

Band.I
       
 
 
   
            

   
semi staccato
Band.II
      

   SOLO
87 88 89

 
          
sonoro e marcatiss.
 
   
                     
 
sfz

 
f

  
Band.I
    
      

 
                
  
Band.II
 

A dos bandoneones-opus 125 - R. Daluisio

 90 91 11

      
      
      
 
  
f
Band.I
    
        
      

 


  

Band.II
  

93

 
92

     
 

                 

p
    
Band.I
         



   

 
Band.II
   

rit.
94 95
 
            

      
       
   
    mf
     
f
Band.I
  
 
             
  

   
   
  
Band.II
    

A dos bandoneones-opus 125 - R. Daluisio

12 96 97 98

  
   
    
Band.I
 
a Tpo.
ampio ed emotivo cresc.
   
          
SOLO

              


        
  p

      
f
     
Band.II
        
 
  
 

99 100 101


   

Band.I
   

   
         

   
       
           

            
Band.II f
 
   

102 103 104 105

    
         
 p

mf

Band.I
          
 

   
         
            
 sùb.  mf
p 

p

      
Band.II
      
    

A dos bandoneones-opus 125 - R. Daluisio

 106 107 108 13
          

 
         
 

       
     
  
f
  
Band.I
    

    
           
  

      
f
    
Band.II
      


109 110 111

  
         
       
     
  
       
    
   
Band.I
    

   
        
    
      
  
Band.II
             
    
  


112 113 114

       

    
              
 
 
mf
           
Band.I

  

    
            
 
 
Band.II
  
        

A dos bandoneones-opus 125 - R. Daluisio

14 115 116 117


  
      

           
f

   
Band.I
          

  
     
  
 
f   
 
Band.II
       
  
      



  
118 119 120

     

    

   

 

p
     

f

  
Band.I
    

      
               
 
         
  
f
     
Band.II
     


121 122 123 124

       
 



    
  
mf p
    f

      

Band.I


           
     
   
   
Band.II
       
     
   

A dos bandoneones-opus 125 - R. Daluisio

 125 126 127 15
 
    
 
           
 

Band.I
      
    


  
     

mf   
Band.II
        
    

   
 

130

 
128 129
     
    
         
 
  
      
  
Band.I
    

   
     
           
 
  
Band.II
 
    


131 132 133

  
        
 
  
Band.I       
 

  

   
        
  
     
      
Band.II
             
   
 

A dos bandoneones-opus 125 - R. Daluisio

16 134 135 136 137

   
          
       
    
Band.I
   
  

  
         
        
        
       
      
Band.II

138 139 140

  
         
    
     
  
   
       
  
Band.I
     
  


               
   
 
 
         
Band.II
 

141 142 143


       
                
           
Band.I
   
     


                 
       
              


Band.II
  

A dos bandoneones-opus 125 - R. Daluisio
 144 145 146 17

       
 
        
  
 
   
f

Band.I
 

  
 
 
          
    
   
Band.II mf
    
f
  
   
       
 
  


147
Appena più mosso

148 150
           
  
149
   
          
    
f     
      
f
Band.I
         
     
  
Appena più mosso
     
             
    
         
  
  
f
        
Band.II
            
  

151 152

       
pesante

           
  

f sfz
Band.I
    
pesante

  
      
 sfz 
Band.II

  
    
  6-11-02

A dos bandoneones-opus 125 - R. Daluisio

18
"A DOS BANDONEONES"
Concertante en estilo porteño - opus 125

Rodolfo Daluisio
2002
II

Andante e serenamente
intenso e ben cantato 2 3

   
           
    
mf  
p
 p

       
Band.I
   
    

        
Andante e serenamente
  
 
              
p mf p
             

Band.II
   


più calmo

 
grave e profondo
4 5 6 7

       
    
 
   
p
 
Band.I
 
   

  
 
       
   
  p   

Band.II
     
  
A dos bandoneones-opus 125 - R. Daluisio
 8 9 10 19
      
    
    
mf   
    
p
 
      
Band.I
   


   
       
          

p   
      
mf
Band.II
    
                 
 

11 12 13

          
          
  

f   
Band.I
        
    
    

                

           
   
      
mf
     
                     
Band.II


14 15 16
          
    
   

p
   sùb.

p sùb.
  
Band.I
      
   

      
     
         
p
      
      p
    
Band.II
  
       

A dos bandoneones-opus 125 - R. Daluisio

20 17
Adagietto 18 19
legatiss, e "ad lib." cresc.
      
         
p
 
 
Band.I p
    
Adagietto p mf
p
 mf
   
     
     
   

p
Band.II    
         
 
       

20 21 22
               
sonoro assai
     
    
Band.I
   
mf f     ff        
     

   

  
           
     
mf

f
 ff       
f
  
Band.II

       
   


23 24 25 26

       dim.

         
     
f   
Band.I        mf p
         
   
  
  
       
        

   

 
 sfz
 mf  mf
    
        
Band.II

     
        


A dos bandoneones-opus 125 - R. Daluisio
 Moderato 28 21
27 ben espress. 29

 
      
assai tratt.
   
   mf


  
Band.I
   

 
     

assai tratt. Moderato

     
             
  
p  p 
  
                
Band.II
  
 

30 31 32

   
         

f    mf
Band.I
        
        

  
 



       

    
p
 
p
   
   
Band.II
      
      
   

33 34 35

    
 
    
 
f

 
mf
  

Band.I
     
       


  
            
 p
      
p
 
    
Band.II
       
      
A dos bandoneones-opus 125 - R. Daluisio
22 37
  
36 38

    
    



mf
f
      
   
Band.I
    
 

  
              
 p
 
    
p
Band.II
       
         
      
  

39 muy calmado 40
    
           
     
 
  

mf
    
            

Band.I
        

   
          
 

 

      

 
Band.II
       
mf
          
          
  
 

41
Andante42 43

     
          
        
     p
  
 
mf
 
Band.I
  
       
Andante  
   
        


           mf 

p

  
Band.II
 
       


   

A dos bandoneones-opus 125 - R. Daluisio

  
44 45 46

23
        
     
   p
 
Band.I
 
p    
     
  
   

     

 
pp 
 
   
p
 
 
Band.II



47 48 49 50

            
   
        
pp

Band.I

  
  

   
     
   pp 
 
 

Band.II
  
 
12-11-02

A dos bandoneones-opus 125 - R. Daluisio

24
"A DOS BANDONEONES"
Concertante en estilo porteño - opus 125

Rodolfo Daluisio
2002

III

Moderato lucido 2 3

  

intenso e ben cantato
       

  
f
 
Bandoneón I
   

Moderato lucido
  
   
   
  
   
mf    p

 
Bandoneón II

         
 
  
 

4 5 6

            
         

      
 
Band.I
     

     
          
 
p mf
Band.II
    
       

A dos bandoneones-opus 125 - R. Daluisio
 7 8 9 10 25
sonoro e sostenuto  
         

    
Band.I

     

     
              

f 
Band.II
   
  
      


11 12


13

   
           
       
p
 p mf

Band.I
      
    


   

        
mf p mf
    
p
 

    
Band.II
 
 

14 15

    
        
 

 
   

     

Band.I
   
 


  

             
Band.II
   

A dos bandoneones-opus 125 - R. Daluisio

26 16 17


       
       
           
p

Band.I mf
     
 
 


    
         
p
             

Band.II mf
      
 

Allegro

18 19 20
 
secco
     
       
     
  f
 
      
Band.I
  

    
     
Allegro
      
secco
   
  
   f
   
Band.II
      



21 22 23 poco pesante 24

                  
     
   

Band.I
  
                 
     

poco pesante
     
             
   
   
      
Band.II
       

   
A dos bandoneones-opus 125 - R. Daluisio
 25 26 27 28
          
27

     
   
Band.I                p 
 
    

       
          
      
 
       
p

  
Band.II
     
  

29 30 31 32

 
    
          

   
     mf   mf  
   
     
Band.I
   
     
    

      
                  
  
 
       
Band.II

    
  

Poco meno mosso

33 34 35 36

     
           
  
   
         
Band.I ff
      

Poco meno mosso

    
          
   
 
 
ff
Band.II
     
     
 

A dos bandoneones-opus 125 - R. Daluisio
 Larghetto
28 37 38 39 40 41

  
     
      



   
    p
Band.I
     

   
Larghetto
       
soaviss. e sostenu
    
   
            

pp  
 
   
    

Band.II
          

43 44 45
42
serenamente
   
   
           
    
 
 
3
  
3 mf 
 
      
Band.I
        


    

  
Band.II
  

46 Più mosso
47 48 49
          

   

   
f

p mf
    

Band.I
        



Più mosso
   
   
 
 
pp f

mf
Band.II mf

       

A dos bandoneones-opus 125 - R. Daluisio
 51 52
Andantino fluente
  
50 53
   
  29
 
    
         
3 3  p
mf mf
    
f
Band.I
   
  
 3  
 
3
 

  3  3  Andantino fluente
         
       
 3  3
mf

    

Band.II
          

  


54 stringendo 55 56

    
         
  
   
Band.I     
        

    
 

stringendo
 
   
Band.II
      
    
  
    
   


Moderato
57 58 59

      
                
     
f
Band.I
       
    

Moderato

  
             
Band.II  p p
 
mf

          
  

A dos bandoneones-opus 125 - R. Daluisio
 sonoro e sostenuto

30 60 61 62 63

            
   
         
Band.I
 


               

       
f
Band.II
        
     


64
 
65 66

   
    
     
   
p
p

Band.I
    
 
    
   
 

p
      
mf

p

     
Band.II
    


67 68 69

      

               

       

 
mf
      
 
Band.I
    
     

   

          
mf
           
Band.II


A dos bandoneones-opus 125 - R. Daluisio

 70 71 31
          
            
     

p mf
  
Band.I
    


    
         
p
  
              
mf

Band.II
      
  


72 73
   


  
          
    

ff
   
 
Band.I


                   
    

  ff
 
 
Band.II
 
  



74 75  76 77
 
  
      
  
 
 


sfz
  
    
Band.I
        
  

   
    
 
      
  sfz
      
   
Band.II
      
  

14-11-02

A dos bandoneones-opus 125 - R. Daluisio