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Chapter11 PDF
Chapter11 PDF
Chapter 11
Modal Analysis
11.1 Step-by-Step: Gearbox
11.2 Step-by-Step: Two-Story Building
11.3 More Exercise: Compact Disk
11.4 More Exercise: Guitar String
11.5 Review
Chapter 11 Modal Analysis Section 11.1 Gearbox 2
Section 11.1
Gearbox
Chapter 11 Modal Analysis Section 11.1 Gearbox 3
Techniques/Concepts
• Unprestressed Modal
Analysis
• Prestressed Modal
Analysis
• Create Mode Shape
Results
Chapter 11 Modal Analysis Section 11.2 Two-Story Building 4
Section 11.2
Two-Story Building
Chapter 11 Modal Analysis Section 11.2 Two-Story Building 5
Original Structure...
Chapter 11 Modal Analysis Section 11.2 Two-Story Building 6
After Bracing...
Chapter 11 Modal Analysis Section 11.3 Compact Disk 7
Section 11.3
Compact Disk
Problem Description
Natural Frequencies
500
frequency.
300 [3] This is the "line of
resonance," which has a
slope of unity (note that
30,000 rpm = 500 Hz). If
200 any frequencies fall on this
[1] The lowest line, they will be excited
natural and resonance will occur.
100 frequency.
0
0 6000 12000 18000 24000 30000
Rotational Speed (rpm)
Chapter 11 Modal Analysis Section 11.4 Guitar String 10
Section 11.4
Guitar String
Terminologies
• Harmonic Series
• Just Tuning System
• Twelve-Tone Equally Tempered Tuning System
• Beat Frequency
Chapter 11 Modal Analysis Section 11.4 Guitar String 11
Harmonic Series
Beat Frequency
• When two waves of different frequencies are combined, they interfere with each other.
The fluctuation in amplitude of the combined wave is called beats, and the frequency is
called the beat frequency.
• The beat frequency is equal to the frequency difference of the two waves.
• When we play C and D together, the beat frequency is 32.03 Hz (293.66 - 261.63), which is
a harsh buzz and unpleasant for our ears.
• When we play C and G together, the beat frequency is 130.37 Hz (392.00 - 261.63), which is
close to a harmonic frequency of the middle C (261.63 Hz).