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Santosh Rachuri

Indian style with European influence

Exotic flora and fauna Company paintings

Sewak Ram, Ishwari Prasad and Ghulam Ali Khan

European influence and Greek and Roman statues


Chitrakala or Varnana
no indian influence
Bazaar Paintings concerns of early man - food, survival in
Bengal and Bihar region
difficult environment & struggle with
various themes - Indian Bazaars + dancers before animals; Colours - mineral origin
Earliest - Bhimebetka Rock
Europeans + religious themes (Ganesha)
shelters -Paleolithic age - figures of animals + linear decorations; hunting
Unique - mix of South Indian scenes + communal dancing
style with western techniques
UNESCO World Heritage Site
Kerala - Raphael of the East
Silpa Sastra --> art and architecture --> mural and
1st indian to use western techniques of perspective Raja Ravi Varma miniature paintings
and composition and adapt them to Indian styles
Visnudharmottara Purana - deals with
life like paintings History interdependence of dance, music & visual arts
Modern Paintings
Raja given by Viceroy in an imperial citation Rupabheda - preception of
difference in appearance
Simple colours
Pramana - Valid Perception,
Abanindranath Tagore famous for Arabian Night measure & structure
Bengal Schoool of Art
series and Bharat mata Paintings
Vatsyayana - Kamasutra - 2nd Century AD Bhava - feelings expressed in forms
small sized paintings Shadanga - 6 limbs of Painting
Lavanya Yojana- infusion of grace
inspiration from European movement
Sadrsya - similarities
objects were broken analysed and reassembled Cubist style
Varn ikabhanga - identification &
M F Hussain - Personification of Romance series analysis of colour and hue
progressive and bold themes Indian Paintings

Founder - Francis Newton Souza

Popular - S H Raza + H A Gada Progressive Artists group 30-rock cut chaityas and viharas 200BC-700AD
M F Hussain also member A Jain monastery - 7th Century painted on a coat of plaster applied on the wall of
organised first art exhibition 1948 caves --> pantings executed after plaster dried up
Fresco - Secco technique - kind of mural paintings
--> survive to this day ?? --> painting material holds
Themes - Beautiful lotus pond + flowers + dancing Sittanavasal, TN together pigment and plaster.
figures +people collecting lotuses from ponds
Ajantha Caves, Mah UNESCO WH Site
Ceiling decorated with murals of Jaina tirthanakaras
Dinnaga, Buddhist Philosopher 500AD lived here
Brihadisvara Temple - Tanjavur
Caves of the first -Satavahana Period 100BC-100CE
Corridors painted with Lord Shiva under 9,10 - chaiityas; 12,13,15- Viharas
the reign of Raja Raja Chola 1008 AD Chola Kings
Caves of the second -Vakataka Period - remaining;
Portrayed Shiva as Daksinamurti + Tripurantaka Mural Painting images of Buddha + Jataka tales paintings.
and Nataraja at Chidambaram temple
Ellora Caves, Mah
Virabhadra Temple @ Lepakshi, AP
influence of Ajantha seen here
Virupaksha Temple @ Hampi Bagh Caves, MP famous painting --> procession of elephants and
Ranganatha Swamy temple @ Sri rangam dancer and women musicians.
Vijayanagara Painting
Primarily religious paintings + learnt lot about the Pallava King - Mahendra Varman 1 -
life & times of the vijayanagara Court 7th Century AD --> Chitrakara Puli

Nayaka Painting - Thiruvarur temple in TN - depicts Panamalai, TN Talagirisvara temple - Panamalai - female figure, leg
the story of Mucukunda, legendary chola king. bent standing against a wall with umbrella over her

Kailasanath Temple at Kanchipuram - Pallava Art


Santosh Rachuri

Tanjore - Coronation of Rama on wooden executed on books, albums and on perishable


panel of early 19th century material like paper & cloth

Mysore - legacy of Vijayanagara - HIndu deities + epic stories; thin painted according to the rules of mural paintings
brush - all jewellery and archi. features are painted over chalk paste,
to give slightly raised effect of carving and then dry. rest is painted earliest - manuscirpt Astasahasrika
using water colours. Prajnaparamita- during Mahipala 988 AD
spontaneous and vital in opposition
Palas of Bengal - Pioneers of this painting
to heraldic style of Mughal Painting

depicted festivals, mthological Pala Paintings - Buddhist yantras + graphic symbols


subjects and life of Lord Krishna which aid mantras & dharanis (type of ritual speech)

derived from Gujarat school of paintings + Prajnaparamita - mother of all the Buddhas =
esoteric knowledge (Mahayana Buddhism)
Ragamala Series of paintings -
Mewar
Lalita Ragini by Sahibdin 1628 AD
reached zenith under Akbar and Jehangir
Amber
Ain-i-Akbari - scenes of warfare +
Ragamala collection of Kumar Sangram Singh, hunting + trials of strength
Mughal School
panited by Virji 1623 AD; primitive, folk style + Marwar
amalgamation of many influences--> landscape
uninfluenced by the Mughal style Miniature Paintings details(Far Eastern) + Clouds (Chinese) + mountains
notable for colour and impressionist style Rajasthani school and water( central Asia)

Bhiravi Ragini - finest example & Rasikapriya - Lord Bundi differ from Mughal by its preference for rigid,
Krishna trying to collect butter from a Gopi and Rajput School stylized and decorative forms
found no butter in the pot.
more Indian than persian
Mughan + Deccani styles
independently developed at the beginning
ALi Raza "the ustad of Delhi" - Bikaner but later influenced by the Mughal style
employed by Raja Karan Singh
Ahmednagar - Hussain Nizam Shah - Tarif-i-Hussain
lively and romantic Shahi and Hindola Raga of about 1590 AD
Deccan Style Bijapur - Ali Adil Shah I - Najum-al-ulum (stars of
centres --> Basholi, Jammu, Kangra and Guler
sciences - influence of Lepakshi mural painting
tonal shading, exquisite backgrounds that merged
with the theme + postures highyly evocative of the Ibrahim II - Musician - Naurasnama author -
moods that were to convey Pahari School commissioned Ragamala paintings

Krishna and Shiva legends Golconda - Quli Qutub Shah - dancing girls in court
painted; famous --> Lady with the Myna Bird
Kangra Paintings --> Twelve Months panting - artist
tried to bring the effect of 12 months on the Hyderabad - miniature showing princess in the
emotions of human beings company of maids; decorative style of painting
Santosh Rachuri
Madhubani
Mithila Region of Bihar

Themes - Hindu deities & epic tales, esp. Krishna &


Social events like weddings

No Space is left empty: gaps filled with paintings of


Patta Chitra flowers, animals,birds and geometric designs
Patta - Cloth + chitra - picture --> Odisha on hand made paper, clothes and canvas
Cloth painting + No pencil or charcoal is used mostly women passed the skill
Brush is used; BG decorated with foliage & flowers GI tag due to confinement to a region
& paintings have intricately worked frame

after painting, coating of lacquer Patua


to give it a glossy finish
Bengal --> a village tradition by telling Mangal
Themes --> Lord Jagannath (Puri) & vaishnava Cult
Kavyas (auspicious stories)
Warli Painting
Patuas - scroll painters - used to go different villages
Warlis - indigenous people - Maharashtra to sing stories in lieu of food or money
close resemblance to Bhimbetka paintings of MP painted on cloth; religious stories
central motif of a chauk surrounded by scenes
portraying fishing, hunting, farming, dances etc.
Kalighat Painting
graphic vocab--> circle, triangle and square

only white pigment is used Bengal around Kalighat temple


made of gum and rice powder Folk Paintings of India
water colours used on paper with brushes
ThangKa made of calf and squirrel hair

religious note + social sentiments & address


customers directly
Sikkim --> Buddhist themes

on cotton canvas + once done ,


Paitkar
often framed in silk brocade

3 types --> 1st - life of Buddha;2nd - buddhist Tribal people of Jharkhand


beliefs; 3rd -offerings for deities or meditation
scroll paintings --> associated with Ma Mansa -
most popular goddess in Bengali household

Common theme - what happens to


Manjusha human life post death

Bhagalpur region of Bihar


Kalam Kari
aka Angika Art (anga - one of the Mahajanapada)
Sri kalahasti and Machilipatnam in Andhra Pradesh
Snake motifs --> hence Snake Painting
Kalam - Pen --> made of sharp pointed bamboo
executed on boxes of Jute and Paper
free hand drawing of subject and
filling in colours entirely by hand

Machilipatnam - more block painting

both use only vegetable colours

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