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Deleuze Possibility PDF
Deleuze Possibility PDF
Involuntarism in Politics”
Theory & Event, Volume 20, Number 1, January 2017, pp. 152-171 (Article)
Translators’ Preface
F
irst published in 1998, the following article presents French phi-
losopher François Zourabichvili’s (1965–2006) most sustained
reflection on the Deleuzian concept of political rupture. In it, he
argues that it is not the realization but rather the exhaustion of the pos-
sible that hatches new modes of living. The living ground of politics
lies not in the program or the party but in the visionary and involun-
tary mutation of our experience by encounters that render this world
insufferable. In an epoch marked by the obsolescence of the Left’s
imagination of revolution, Zourabichvili calls for an ethics of situated
rupture, wherein the destitution of the possible enables the elaboration
of experimental collectives oriented around convergent perceptions of
the intolerable.
*
What follows aims to take up the political stakes of Deleuze’s thought,
in a manner that is at once provisional and restricted. It is not imme-
diately evident which leftism can be said to characterize Deleuze. Re-
gardless of the variant one considers, the left is generally defined by its
voluntarism. Deleuze, on the other hand, developed the least volunta-
rist philosophy imaginable: he celebrates the ‘ill will’ of the Idiot in the
Russian style, and the ‘nothingness of the will’ of the Eccentric in the
American style.1 He has always insisted on the fundamentally invol-
untary character of all true thought, of all becoming. Nothing could be
more foreign to Deleuze, therefore, than the enterprise of transforming
the world according to a plan, or in view of an end. At the same time,
he never ceased to celebrate, to remain on the lookout for, and if need
be, to accompany what he calls ‘revolutionary-becomings.’
The space of ordinary political perception is completely occupied
by the dualism of conservation / transformation, to such an extent that
it is difficult to even conceive of a political attitude that aims neither
to conserve nor to transform, nor—as with reformism—to transform
what is conserved or to conserve what is transformed, which is to say,
Theory & Event Vol. 20, No. 1, 152–171 © 2017 Johns Hopkins University Press
Aarons and Doyle | “Deleuze and the Possible: on Involuntarism in Politics” 153
Deleuze inverts the habitual relation between the possible and the
event. The possible is what can take place, actually or logically. ‘We
mustn’t give up, the situation is full of possibilities, we haven’t tried
everything’: we wager on an actual alternative. Following Bergson,
Deleuze says to the contrary: you do not have the possible in advance;
you do not have it until you have created it.6 What is possible is to
create the possible. Here we pass into a different regime of possibility,
which no longer has anything to do with the availability of a realiz-
able project, or with the vulgar acceptation of the word ‘utopia’ (the
image of a new situation to be brutally substituted for the actual state
of affairs, the hope that we can depart from the imagination in order
to reconquer the real: an operation upon the real, rather than of the
real itself). The possible arises from the event and not the reverse; the
political event par excellence –revolution—is not the realization of a
possibility, but an opening of the possible.
The real is not impossible; on the contrary, within the real every-
thing is possible, everything becomes possible. Desire does not
express a molar lack within the subject; rather, the molar organiza-
tion deprives desire of its objective being. Revolutionaries, artists,
and seers are content to be objective, merely objective: they know
that desire clasps life in its powerfully productive embrace, and
reproduces it in a way that is all the more intense because it has
so few needs.8
May ‘68 is more of the order of a pure event, free of all normal, or
normative causalities. Its history is a ‘series of amplified instabili-
ties and fluctuations.’ There were a lot of agitations, gesticulations,
slogans, idiocies, illusions in ‘68, but this is not what counts. What
counts is what amounted to a visionary phenomenon, as if a so-
ciety suddenly saw what was intolerable in it and also saw the
possibility for something else. It is a collective phenomenon in the
form of: ‘Give me the possible, or else I’ll suffocate.’15
Here the seer or the visionary is not the one who can see the distant
future; on the contrary, he neither sees, nor foresees any future at all.
The visionary seizes the intolerable in a situation; he has ‘visions,’ by
which should be understood perceptions in their becoming, or ‘per-
cepts,’ which envelop an affective mutation collapsing the ordinary
conditions of perception. The opening of a new field of the possible is
linked to these new conditions of perception: the expressible of a situ-
ation suddenly irrupts.
158 Theory & Event
and capacity or potentiality merits the name of the possible for as long
as it opens the field of creation (from which point everything remains
to be done). The possible is the virtual: it is that which the Right denies,
and the Left denatures in representing it as a project.
At this point, the idea of the creation of the possible splits in two com-
plementary aspects. On the one hand, the event provokes the emer-
gence of a new sense of the intolerable (a virtual mutation); on the oth-
er hand, this new sense of the intolerable calls forth an act of creation
that responds to the mutation, that maps a new image, and literally
creates the possible (an actualizing mutation). To create the possible is
to create a new collective spatio-temporal assemblage, that responds
to the new possibility of life itself created by the event, or which serves
as its expression. An effective modification of the situation does not
take the form of a project to be realized, since what is it stake is the
invention of concrete social forms corresponding to the new sensibili-
ty, and the inspiration for this can only come from the latter. The new
sensibility does not have at its disposal any concrete image that could
be adequate to it: from this point of view there is only creative action,
guided not by an image or a project prefiguring the future, but by affec-
tive signs that, according to a leitmotif-formula, ‘do not resemble’ that
which actualizes them. To move from the virtual to the real following a
process that is real from the outset, not to move from the imaginary to
the real along a trajectory that is from the outset already actual.26
The event demands a response: “Men’s only hope lies in a revolu-
tionary becoming: the only way of casting off their shame or respond-
Aarons and Doyle | “Deleuze and the Possible: on Involuntarism in Politics” 161
choose the future, it would like for people to change, all the while it
goes about stifling all of the real outlets by which they might positively
do so; it remains, like the Left, fixated on the idea that change arises
from a coming to consciousness.35 Foreclosing the possible has nothing
whatsoever to do with exhausting it: it is to violently reduce the future
[le devenir] to nothingness. Two effects can follow from this: that the
people learn to fear the future, for it glimmers only of nothingness, is
itself only a nothingness (an archaistic refolding), or that they are left
with only a nothingness to desire (whether it be rioters [casseurs] or
terrorists). Violence then becomes paramount, an end in itself, the will
having nothing left to desire except what lays before it, which is to say,
nothing: a will to nothingness.
We arrive at a double distinction: (1) realization / actualization—
what is real or effective in struggles is always of the order of a creation
whose operation is a function of a field of the possible (in the sense
previously defined); and, (2) actualization / inactualisable part—this
designates the expressed of struggles or of processes of actualization,
or that which is itself accomplished : the “evental part”, “the event as
possible that no longer even has to realize itself.”36
we sometimes say of the Left, with its clichéd words and actions—its
same old songs of indignation and protest, its stereotyped forms of
militancy—that it serves as the indispensable auxiliary of the Right).
The clichés of struggle or of compassion seem to be reaching a parox-
ysm these days, all the more shameful in that they display a fantastic
capacity to adapt to the odious and its causes (shame on us as well,
since this is our world no less). The Idiot is therefore the one who does
not react, not due to insensitivity but because he does not manage “to
know what everybody knows” and “modestly denies what everybody
is supposed to recognize.” 42
The modern epoch is doubtlessly characterized by a deficit of will,
a certain ‘ill will,’ even if the evil we suffer be of a different nature. No
longer believing in the possible, we have lost both the taste for it as well
as the will to realize it: such is our fatigue, our lassitude. But if we have
lost faith, this is because our sensory-motor schemas appear hence-
forth as what they are: clichés. All that we see, say, live, even imagine
and feel, is always already recognizable, it bears in advance the mark
of recognition, the form of an already-seen [déjà-vu] or already-heard
[déjà-entendu]. An ironic distance separates us from ourselves, and we
no longer believe in what befalls us, because it seems as though noth-
ing could ever happen: from the outset, everything takes the form of
the already-there [déja-là], the already-done [tout fait], of preexistence.
The real in the image of the possible remains so confined within
an irreducible possibility that it attains neither positivity nor necessi-
ty. Clichés have the form of the possible, in the exact sense critiqued
by Bergson: we give ourselves a ready-made reality, “pre-existent to
itself.”43 “Everything is already completely given: all of the real in the im-
age, in the pseudo-actuality of the possible”44 The real is thus preceded
by its own image qua possible and, resembling the possible, it ends up
becoming confused with it. Which results in an epoch in which we no
longer perceive the real except as déjà-vu, an object of recognition; no
longer distinguishing it from the possible, we are invaded by clichés as
by simple possibilities. The world has lost all reality. Once both revolu-
tion and the people are conceived of in the mode of an already-there or
as preexisting themselves, it is inevitable that they eventually appear
to us as “paper revolutionaries” and a “cardboard people.”45 What
connects us to the world is nothing but clichés, simple possibilities. We
give ourselves the world in advance, and the people and ourselves.
Everything is possible now, that is to say, confined to mere possibili-
ty. But, equally, nothing is possible: the future is pre-formed, entirely
hackneyed in the form of the already-there. Necessity has deserted this
world, and we persist in moving about within the horizon of prefer-
ence, yet without believing in it.
Deleuze has always pursued another analysis of the possible in
addition to the one inspired by Bergson: we cannot base ourselves on
Aarons and Doyle | “Deleuze and the Possible: on Involuntarism in Politics” 165
order. And while it is certainly true that themes like the line of flight,
the nothingness of the will, and disaffection (‘to remain disinterested’)
indicate a refusal to compromise, the problem is no longer at all one
of determining the means to achieve an already-agreed-upon goal. To
the tribunal of the good and the bad compromise, Deleuze responds
with the distinction between the traitor and the trickster. The latter
temporarily hides his true identity under a borrowed one: he can be
flushed out, because it is only a factual identity that escapes us, which
we mistake for another (for years we said ‘hello Theodorus’ to The-
atetus: Kautsky, Plekhanov...).48 But the traitor does not hide anoth-
er identity: in becoming a traitor, they escape by right any possible
identification.49 The procedure itself becomes inadequate, it confronts
its own impossibility (to which Bolshevism responded with a judicial
rage unequalled in history). Lenin saw only good and bad tricksters,
and justified his own ploys; he had no feeling for treason, no revo-
lutionary becoming. The intolerable is precisely that upsurge of the
‘impossible’ wherein reality no longer corresponds to its clichés, to its
sensory-motor anchorings.
The rupture of schemas or the escape from clichés certainly does not
lead to a state of resignation, or an entirely interior revolt: resistance
is not the same as reaction. Resistance belongs to a will that is drawn
from the event, and nourished by the intolerable. The event is ‘revolu-
tionary potential’ itself, which dries up when it is thrown back upon
ready-made images (clichés of suffering, of demands).
As the chance for a new Health rather than a morbid symptom,
the nothingness of the will destitutes a false problem: the system of
alternatives. Its other side, which makes up the positive consistency of
politics, is the experimental elaboration of new concrete assemblages,
and the struggle to affirm their corresponding rights. It is true that ‘cre-
ativity’ has today become a cliché, but only provided it is everywhere
Aarons and Doyle | “Deleuze and the Possible: on Involuntarism in Politics” 167
Notes
1. Cf. Gilles Deleuze, Difference and Repetition, trans. Paul Patton (New York:
Columbia University Press, 1994),130, and Essays Critical and the Clinical. trans.
Daniel W. Smith and Michael A. Greco (Minneapolis: University of Minnesota
Press, 1998), 71.
2. Gilles Deleuze, Proust and Signs, trans. Richard Howard (Minneapolis: Uni-
versity of Minnesota Press, 2000), 34; Difference and Repetition, 200.
3. Deleuze, “The Exhausted,” in Essays Critical and Clinical, 152–174, 152.
Aarons and Doyle | “Deleuze and the Possible: on Involuntarism in Politics” 169
4. Ibid., 154. “I would prefer not to, following Bartleby’s Beckettian formula.”
5. Ibid., 152.
6. Henri Bergson, La pensée et le mouvant (Paris: Presses Universitaires de
France, 2013), 14, 113. English translation as The Creative Mind: An Introduction
to Metaphysics, trans. Mabel L. Andison (New York: Dover Publications, 1946).
7. Gilles Deleuze and Félix Guattari, “May 68 Did Not Take Place,” in Two
Regimes of Madness, trans. Ames Hodges and Mike Taormina (New York: Semi-
otext(e), 2007), 233– 237, 233.
8. Gilles Deleuze and Félix Guattari, Anti-Oedipus, Capitalism and Schizophrenia,
trans. Robert Hurley (Minneapolis: University of Minnesota Press, 1984), 29.
9. Ibid., 378.
10. Perhaps this is the moment to distinguish hope [espoir] from expectation
[espérance]. In this respect, Jacques Rancière has evoked the desperate mes-
sianism of the last pages of Bartleby. More generally, the philosophy of im-
manence implies expectation in its base clauses: “We can’t know in advance”
(cf. Difference and Repetition,187; Gilles Deleuze and Félix Guattari, A Thousand
Plateaus, trans. Brian Massumi [Minneapolis: University of Minnesota Press,
1987], 250–251).
11. Cf. for example Gilles Deleuze, Nietzsche and Philosophy, trans. Hugh Tom-
linson (New York: Continuum, 1986), 101–3; Deleuze, Essays Critical and Clin-
ical, 4.
12. Gilles Deleuze and Félix Guattari, What is Philosophy? trans. Hugh Tomlin-
son and Graham Burchell (New York: Columbia University Press, 1994), 108.
13. We may note in this respect that the notions of “possibility of life” and
“possible world” are for Deleuze quasi-synonymous, in that both are of the
order of the expressed, and both are defined as difference (e.g. in Proust and
Signs: Combray as difference, or the Méséglise way or Guermantes way as
expressing heterogeneous possibilities of life, incompatible affective distribu-
tions).
14. Gilles Deleuze with Claire Parnet, Dialogues, trans. Hugh Tomlinson and
Barbara Habberjam, (New York: Columbia University Press, 1987), 126.
15. Deleuze and Guattari, “May 68,” 233–34.
16. Cf. Gilles Deleuze, Cinema 2: The Time Image, trans. Hugh Tomlinson and
Robert Galeta (London: Athlone Press, 1989), 8. And if, in another register,
Deleuze and Guattari will claim that even women must become-woman, this
is because femininity is not a fixed essence but an event, the object of an en-
counter.
17. The terms ‘potentiality’ (or ‘potential’) and ‘singularity’ are equivalent
here.
18. Consequently, every revolution is stillborn, but not in the way this is nor-
mally understood: the precarious continuance of the vanishing depends on its
incessant reprisal, so that revolutions die from the inability to repeat, or the
suffocation of repetition (under the forces of subservience that denounce it as
‘treason’). It is not by chance that the theme of the traitor (as opposed to that
of the trickster) is for Deleuze aligned with becoming and lines of flight: every
creative mapping [tracé createur] is of necessity treason.
19. Hence also the ambiguity: a will that envelops its own abolition.
20. Gilles Deleuze, Cinema 1: The Movement Image, trans. Hugh Tomlinson and
Barbara Habberjam (Athlone, 1986), 109.
170 Theory & Event
37. Notably in Gilles Deleuze, Francis Bacon. The Logic of Sensation, trans. Daniel
W. Smith (New York: Continuum, 2003), 60—after having precisely asked how
to free ourselves from clichés, how to erect a figure that would not be a cliché.
38. In French, “sur-vie” plays off la survie (‘survival’, but also ‘afterlife’), while
the split prefix (sur-), emphasizes excess, as is heard in the English term ‘sur-
plus.’ —Trans.
39. Both the notion of clichés and the theme of the Idiot surface at the end of
Deleuze, Movement-Image, 189–92, and are elaborated afresh in the Time Image,
167, 176–177.
40. Flaubert, Bouvard and Pécuchet, cited in Deleuze, Difference and Repetition,
152.
41. On the relation between the sensory-motor schema, the cliché, interest and
obedience, see Movement Image, 209, and Time Image, 20–21.
42. Deleuze, Difference and Repetition, 130.
43. Gilles Deleuze, Bergsonism, trans. Hugh Tomlinson and Barbara Habberjam
(New York: Zone Books, 1991), 98.
44. Ibid.
45. Deleuze, Time Image, 219; Essays Critical and Clinical, 88.
46. Proust and Signs, 41, 116; Difference and Repetition, 93–95 and 173–192.
47. Cf. Chapters 7 and 8 of Deleuze, Time Image, especially 215
48. cf. Deleuze, Difference and Repetition, 150. —Trans.
49. “It is difficult to be a traitor; it is to create. One has to lose one’s identity,
one’s face, in it. One has to disappear, to become unknown.” Deleuze, Dia-
logues, 45.
50. Deleuze, Negotiations, 51.
51. Ibid., 123.
52. Deleuze, Time Image, 19 translation modified.
53. Deleuze, Thousand Plateaus, 105–106 and 469–471 (becoming-minoritarian
and the power of problematization).
54. Deleuze, “May 68,” 235.
55. See Deleuze, Essays Critical and Clinical, 84–90. This requirement, that of a
collection of lateral, federative, non-hierarchical, and non-representative liai-
sons, which make up a revolutionary movement with “multiple centers,” ani-
mates all of Deleuze’s remarks in his conversation with Foucault in L’arc no.49.
English translation: “Intellectuals and Power,” in Gilles Deleuze, Desert Islands
and Other Texts, 1953–1974, trans. Michael Taormina (New York: Semiotext(e),
2004), 206–213.
56. Deleuze, Time Image, 168–173.
57. Ibid., 170.
58. Deleuze, Anti-Oedipus, 28.
59. Deleuze, Logic of Sense, 320.