Professional Documents
Culture Documents
A note on casting: This project will be more about creating people than it will be about memorizing lines. The inspiration for this piece
comes from walking-simulator video games. The stage managers are the narrators, the actors are the Non-Player Characters, and
the players are my classmates and professor— Peter, Jack, and David.
CAST
Stage Manager (SM): Abbey Murray-Stark. She is relaxed, experienced, and doesn’t really give a fuck about the actors.
Assistant Stage Manager (ASM): Heather Kurtz. She is relatively new at this, and mostly wants to just do a good job. Wanted to be
an actor but it didn’t really work out.
Actor 1 (called back for Virginia/Mrs. Sarti): Jules Clardy. This is her fourth audition this week. She’s READY to book this and doesn’t
want to get stuck doing another summer stock show in the midwest or one of those stupid cruise tours.
Actor 2 (called back for Virginia): Vanessa Silva. She is pretty relaxed— she knows that she’s up for the part of Virginia and has
worked with the director before. Super sweet, the kind of sweet that makes Jules squirm.
Director: TBD
PLAYERS
David Gurcay-Morris (called back for Galileo)
Peter Matsumoto (called back for Andrei)
Jack Romans (called back for Ludovico)
LOCATIONS
Main Stage Lobby
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Main Stage House Center
Main Stage Onstage
PART 1: Prologue. At Top, David, Peter, and Jack will be lead from the seminar room towards the MainStage lobby.
SM and ASM sit at their SM table. They The Director and Personal Assistant wait in the (empty)
have laptops and various sides set out in house for the first actor to enter.
front of them. The Director should look at tiny as possible. A
small demon in pigtails. The PA should be really
ready for their first big job and nervous to mess
up. Very polite and cordial to everyone, almost
annoyingly so.
ACTORS 1-4 are warming up in various
positions— this includes on the floor,
doing bad yoga, vocal warmups, etc.
Someone is way too overdressed.
Someone in a leotard.
ONE ACTOR uses the following as diction
warmups:
“Copper Knickers” (repeated)
“Federzoni - Barberini” (repeated)
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SM greets each new arrival (David, Peter,
and Jack). SM points out that they left
their binders here at their audition, and
gladly they were found. Each binder is
sitting on a chair— the SM sends them to
the chairs.
ASM goes into the House. ASM goes into the House.
The actors continue warming up. (down time— wait a minute or two.)
SM:
Hi everyone! We’re going to get started
with reading some sides.
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For Ludovico can I have…
Jonah
Jack
and Patrick
Vanessa finds David. While David and Jonah finds Peter and strikes up a conversation. Patrick finds Jack and confesses
Vanessa read over the Virginia and Jonah asks Peter things about the play. Things that he’s feeling really nervous
Galileo scene, Jules watches from close to say in that convo: about the audition.
by and whispers the Virginia lines when Jonah: I haven’t really read it. I mean, if this Patrick: Hey! Nice to meet you
Vanessa speaks. She is not subtle. She is goes well, I’lll read it eventually, right? (etc…) I think something that would
angry that she is not going first. She is I mean, do you really read the whole thing actually make me feel better is to
here to win. She despises the idea of before coming in? I read a Brecht (pronounced read it through with you in chorus/at
being cast as Mrs. Sarti, an old woman. “Break-t”) play a while ago— super dry. the same time. Is that okay? Get
Jonah is feeling relaxed, like he’s too good for him to agree, and then read it at the
this shit. same time. Patrick, be a bad actor.
Wooden, nervous, a big mess.
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Once these interactions are off and rolling,
the ASM enters the theatre and “checks if
the director is ready.” In reality, just stand
on the other side of the door and wait for
the interactions to almost be finished.
ASM re-enters the lobby.
ASM: Okay, they’re ready for you, David
and Vanessa!
PART 3: David & Vanessa Read
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