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How a Creative

Management
Platform (CMP) Can
Provide a Powerful
Creative Lever to
Make Advertising
More Effective

REFOCUSING THE
ROLE OF CREATIVE
Sponsor Content
REFOCUSING THE
ROLE OF CREATIVE
How a Creative Management Platform (CMP)
can provide a powerful creative lever to make
advertising more effective

Programmatic media buying has worked to


turn advertising into a data science. And if
an ad can reach the right audience, does it
matter if the message is relevant and effec-
tive? Does it matter if the content has been
optimized and the experience is flawless?
In other words: Does the creative perfor-
mance matter?
It seems a rhetorical question. No one in
the marketing business would ever argue
that the content of an ad doesn’t matter.
But to a large degree, creative has
been an inaccessible resource for brands.
Compelling creative may be the goal, but
the current production process and tools
simply aren’t compatible with current
digital advertising. Ana Paula Duarte, global media director for
Unilever, believes the multilayered, digital
Media placements are a constantly mov- world has created a new complexity for
ing target, and the factory line approach to global marketers.
digital creative production isn’t able to scale
the bespoke opportunities that publisher
placements now provide. and multiscreen world means engaging with
And this problem is increasing. consumers on their terms—when they want,
“Creative is the conduit for the marketer’s where they want and how they want. This means
message. It should be as precise and data a brand message now needs to be optimized
driven as the media to achieve optimal re- across multiple formats, devices, data triggers
sults,” said Miha Mikek, Celtra’s founder and and delivered across multiple audiences.”
CEO. “In order to get there, creative needs to She adds, “When coupled with the pro-
become real-time, from production to serving, grammatic ecosystem and multiagency land-
measurement and optimization, it all needs to scape, the creative delivery and optimization
be actionable.” process becomes increasingly complex.”
But the fast-changing, multilayered digital Can marketers and agencies find ways to
world has created challenges for even the improve collaboration between their creative
world’s largest marketers. and media teams, and help the quality of
Ana Paula Duarte, global media director for digital creative catch up with the power of
Unilever, says, “Marketing in a multichannel digital buying?

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Refocusing the Role of Creative

Why Is It So Hard to Do Great Digital Creative? How Creative Management Platforms Can Help
The quality and impact of digital creative has Creative management platforms (CMPs) are a
been affected by a variety of specific issues— cloud-based technology that enables real-time,
each with ramifications for the overall effective- actionable creative—from creative production,
ness and value of ad spending: to distribution, measurement and optimiza-
• Strong brand messaging gets lost. tion. The CMP provides a creative lever and
The digital buying process is not conducive to allows marketers to manage the entire creative
strong brand messaging. The chaotic, last-min- lifecycle in digital advertising.
ute nature of the process often means brands “The Celtra CMP empowers brands to run
lose control of the message. a more sophisticated and better performing
“To make a digital campaign go live, lots of creative at scale,” says Mikek. “It allows more
things have to come together, and what often testing of what really works, it allows faster
happens is that it’s either go live late or not innovation and the use of bespoke, native
at all. Some clients have the outlook that if it experiences personalized to each customer.
goes live at all, it’s a win,” says Jonathan Milne, Operationally this technology connects all
Celtra’s chief revenue officer. “But that ad is the stakeholders and allows for seamless colla-
maybe not as good as it could be, because there boration and data sharing. The result is usually
wasn’t the energy or time to optimize it.” much higher productivity, quality and unlimit-
• The too-many-cooks-in-the-kitchen edly better advertising performance.”
problem. A brand’s marketing team often Matevz Klanjsek, Celtra’s co-founder and
consists of a large number of people—from chief product officer, firmly believes creative
different departments and agencies, applying technology like this is “the only way for creati-
different types of processes—all working on ve to come back. A CMP is a powerful lever that
ads, but not necessarily sharing information comes with lots of creative knowledge that is
or working together. The group might include built and trained in the system,” he says.
in-house creatives, creative agencies, media One of the key things, he says, is the
agencies, digital specialists, vendors and “advertising knowledge that is put into the te-
media partners such as digital publishers. chnology; this is not something that engineers
Measurement, data and goals frequently aren’t alone can do. You have to understand adverti-
shared or consistent. sing and how it works.”
• Global creative consistency is hard to
get right. These creative issues are magnified Global Scale, Local Markets
for larger marketers with a portfolio of global Creative Management Platforms offer benefits
brands. Maintaining brand consistency across to brands both large and small. Adopters of the
platforms, formats, cultures and markets is technology can better understand the value of
challenging enough, even before considering their creative; they can maximize efficiencies
the chaotic way digital ads are often created. and connect data insights with their messa-
“When you run a campaign in multiple mar- ging to create relevant, impactful advertising.
kets on multiple channels, it gets complicated. Offering a case study is Unilever, a company
People start using the wrong assets because with mass global reach, with hundreds of agen-
they’re easily available—but it’s not the right cies and media suppliers around the world.
font, colors, or logo or product shots. Perhaps Unilever piloted with Celtra’s CMP and
it’s last year’s stuff,” Milne says. “But as a mar- found that a coordinated approach to creative
keter, you care deeply about that brand and is helping “to drive relevant and engaging
how it’s being presented.” brand experiences via mobile first, contextual-
Clearly the creative process has not caught ly relevant creatives that are delivered across
up with digital technologies. “Whilst media screens and platforms,” Duarte says. “Creative
has scaled through buying technology—with management platforms can add value and help
DSPs, DMPs and ad servers—when it comes to drive better advertising effectiveness with
creative, technology has not permeated very improved user experience and personalization
far in terms of scaling creative,” Milne says. at scale.”

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Refocusing the Role of Creative

“The challenge and the opportunity is to countries—for stronger, more effective cam-
drive creative excellence at scale, to land paigns that efficiently use company resources.
best-in-class brand experiences across all our • Research the creative that is being
brands, across the 190 markets that we operate used and have a repository for those learnings,
and improving the lives of the 2.5 billion peo- so you are not starting from scratch every
ple that we connect every day with our prod- time. “In digital, too often every campaign is
ucts,” Duarte says. “People deserve advertising a fresh start; people tend to start again each
that feels native to each medium and delivers time,” Milne says. “Everyone needs to take the
emotional value.” learnings from last time to help improve the
She says the industry needs to face up to process.”
the digital creative challenge. “This is the real • Follow basic best practices for digi-
challenge our industry is facing. There is a tal—and especially mobile—advertising. Best
need to bridge the think/do gap towards digital practice suggestions include some well-dis-
to drive better creativity. Just as an exam- cussed and predictable strategies: Use video
ple, everyone talks about mobile. Everyone to grab attention; a logo on every frame, good
acknowledges it’s a huge opportunity. However, product shots and a human presence are more
only a handful are really responding to the op- effective and engaging; make sure to include a
portunity in full. In most cases, mobile creative strong call to action. But some best practices
[executions] are still an afterthought in the are less obvious. For instance, branding placed
creative development process. Of course, this at the top of an ad is more effective, while dual
would have an impact on the creative quality branding is often confusing or distracting.
and its effectiveness. No wonder we see ad Emotion and humor tend to resonate more
blocking on the rise.” strongly with consumers.
• Finally, ask if you are investing enough
Managing the Creative Process into the creative part of your digital adver-
Whether they employ a CMP or not, brands tising. There’s no hard-and-fast rule about
and agencies can work to improve the digital how much to spend, Mikek says, “But if you
advertising that is being produced (and the are investing 1 percent of your digital budget
results from it) by taking a hard look at how into creative, you’re probably not getting the
the creative process is being managed in a most out of it. Getting great results starts with
programmatic world. investing the proper amount into creative.
Here are some suggestions about how to Without great content, you can’t achieve the
refocus on the role of creative: best results.”
• Remember it’s not just about the me- Says Milne: “The digital ad world seems to
dia—programmatic is not the message, only a be so chaotic—creative and media agencies are
way of delivering the message. separated, they don’t sit down to craft together
• Be honest about the quality of digital the message they need. Often, they sit at com-
advertising that is being published. “People pletely different companies. But one thing that
are not looking at the big goal of making good can make it easier is the technology. You need
advertising,” Klanjsek says. “We need to start to have a technology platform for creative so
being honest about that stuff, measuring our you can collaborate, so you can reuse creative
ads as scientifically as possible, and stop buy- elements, can measure and build on top of
ing into buzzwords.” what you do.”
• Think big picture. It’s easy to become
obsessed with the details of a digital campaign—
where the logo is placed, whether the format is
vertical or horizontal. “Don’t lose sight of the
bigger value of creative,” Klanjsek says.
• Support collaboration between a
brand’s creative team and those responsible for
planning and buying media—in all markets and

4 Important to Important People Ad Age January 3, 2018


Ad Age Custom Studio About Celtra
The Ad Age Custom Studio helps our Celtra is the creative management
clients connect with an audience platform for digital advertising.
actively seeking innovative companies, Marketers and publishers use the self-
products and partners. Through custom service software to create, distribute,
articles, research, events, webcasts, measure and optimize ads, with real-
videos, site pages, white papers and time control and efficiency at scale. It
more, our end-to-end solutions deliver powers display, video and native ads
content that resonates. for two-thirds of Fortune 500 brands
across all screens and media. Celtra is
Staff: headquartered in Boston, with offices in
Editor: Ann Marie Kerwin New York City, San Francisco, London,
Writer: Julie Liesse Ljubljana, Sydney and Singapore.
Senior Art Director: Jennifer Chiu
Copy Editor: Barbara Knoll For more information, visit
www.celtra.com or
Contact us: @CeltraMobile on Twitter.
Jackie Ramsey
General Manager, Revenue and
Client Partnerships
jramsey@adage.com

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