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ARCHIE: I had to take a dump during my mother’s funeral. This is my earliest memory. I
question I get asked by all the head shrinkers in here. Friendly fellows those
doctors are…apparently before the State fries my ass they want to get to
(As aside in woman’s voice.) “Bob, when’s he going to talk about the killing and
the blood and the gore?”
That’s what you came for isn’t it?? Isn’t it? Hey…How often do you get this
never. . . And in my case. . . eight people-once. . . actually it’s a few more. . . but
that’s all they caught me on. . . I’m leaving the rest of them out there for kind
show!!
I could go into a long involved story about the trials and tribulations of my
trials. . . and tribulations. . . but let’s cut to the chase. . . In the majority
opinion of the Supreme Court of the United States in Archie Nunn vs. the
State of Florida, Justice Souter wrote that I was entitled to perform my life’s
story as an expression of my free speech rights and was a valid request that
the State had to honor…the only stipulations was that I could not use the real
names of any of the victims because, even though they were dead, I’d be
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violating their right to privacy. . . apparently killing them was one thing, but I’d
(As aside in woman’s voice.) ”Bob, we know he’s gonna fry, but I want to hear
about the killing and the blood and the gore.”
Well hold onto your tits. . . because as they said in Munchkinland, “We’ll be
there shortly.”
INTRODUCTION
"Go for the heart, just don't eat it," says Archie Nunn, recalling a friend's counsel—pretty sage
advice for someone with nothing in the world but an orange jumpsuit, a tape recorder, a date
with the electric chair, and a solo show on death row. A legendary killer, Nunn has one last
wish: to heap abuse on the Disney Corporation, which he blames for his problems, and tell of
his twin obsessions with serial television and serial murder. So I Killed a Few People by Gary
Rudoren and David Summers
ARCHIE: I was born outside of the Jewish part of Atlanta, but when I was nine we
“Frontierland” . . . he’s a nice guy my Dad is…always gets along with everyone…
I used to watch the movies and the TV shows and buy the image…and there is
no greater problem in our society today than the effect that Disney is having
on our children.
I’ve boiled down the entire Disney credo to two messages: One . . . all inanimate
objects have the ability to sing. . . And Two . . . if you’re ugly, a cripple or a
freak, good things will happen to you. If you’re the beast you’ll find a beauty.
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If you’re a hunchback, some gypsy woman with big cartoon tits will want to be
your friend. And if you’re a dwarf, a beautiful woman will find you and your
freakish friends even if you live in the middle of a frickin’ forest. When I was
growing up I was an outcast, but I didn’t know it because I was able to walk
around with big mouse ears and huge foam hands and think that was okay just
Disney claims to be a friend of the family, but that’s just part of the
conspiracy…if Disney really wants to help little kids . . . if they really want to
help all little kids . . . they can show them movies and television shows that are
more real . . . send them out a real message about life . . . and that is this: If
you’re an ugly, crippled freak, here’s what’s going to happen to you: Nothing.
People will hate you. Mommies and Daddies don’t like cripples. Gargoyles won’t
be your friends. Restaurants don’t serve ugly people. Nobody will take your
checks. You better live on an island. You should kill yourself. You should kill
One day these little kids are going to grow up and learn the realities of life and
figure out all this stuff and then they are going to snap. . . they’re gonna lose it.
. . and then BLAM!! DISNEY HAS CREATED MORE SERIAL KILLERS THAN
I guess if I have any regrets, it’s that I’ve hurt my dad . . .like I said . . .he’s a
good man…and he ended up with a serial killer for a son . . . not a ringing
endorsement of fatherhood . . . he’s a good dad though. . . I don’t blame him and
no one else should. . . but. . . he is in a little bit of denial about my death. . . he’s
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So he came by to say goodbye and we’re sitting there. . . a little awkward. . . so
I break the ice. . . I say, “Hey dad. . . they told me the chair is the new 10,000
technology used to make that chair and how it was a quality piece of equipment.
. . I told him about how they wet down my head to get better connections and
he thought that was a good way to ensure the flow of electricity to my brain. . .
by the end of the discussion he had fully explained the technical aspects of
how I was going to die by electrocution. . . in his eyes this might have been the
birds and bees discussion that we never had. . . He got up to leave. . . we kind of
looked at each other…and his last words to me were. . . “I know Archie. . . I’ve
always known” . . . then he just walked out. . . and I just stared at him and made
Right before they pull the switch, they ask you for your last words. I think I’ll
tell them about the only time I’ve ever killed out of genuine anger. . . the only
time I lost something I truly cared about. . . it was my first time. . . my first
killing.
I’ve told you my dad was a good man. . . but while I was growing up he didn’t
have much time for me. . . as for my mother. . . being happy to mom meant vodka
martinis for breakfast lunch and dinner with bourbon snacks throughout the
TV was my mother, father, priest, friend. . . you have to admit how valuable
television is. . . it’s got comedy, drama, news, history. . . when I did want to be
alone, all I had to do was turn it off and all my little friends would go away . . .
and be there waiting for me when I was ready to get together again. . . and the
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best thing. . . they’re never gonna be too tired to play or too busy. . . or too
drunk. . .
I thought things were going okay in life. . . in general, but then there was this
one bitch. . . I don’t know if she was jealous or what, but she was always trying
all so close. . . She’d whine about how I was losing touch with “reality: . . . I
explained to her that television was as real as anything else. . . and that a lot of
my friends were there. . . she had no friends. . . she grew more jealous of me
and my friends. . .
There was this one day. . . we had just had a real blow-out of a fight. . . she was
drinking. . . and I just went into my room and turned on the TV. . . when I hear
this heavy breathing in the doorway behind me. . . and I turn around and she’s
hand. . .
She had lost it. . . I wasn’t really afraid. . . she was puny. . . I knew I could take
her. . . but then I realized that I was not the object of her anger. . . I leaped
at her, but it was too late. . . she had put the hammer through my friend. . .
there was an explosion of glass and sparks and then they were gone. . . all gone.
And she screamed, “Now maybe you’ll talk to me!” . . . and through my rage. . . I
was seething. . . in the calmest voice I could muster said, “It’ll be okay, let’s
just clean up the mess.” This confused her, she was ready for a knock-down-
drag-out fight . . . she handed me the hammer and turned to get the
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dustpan . . . and when she turned, I dug the claw of the hammer into the back
of her skull. . . and drug her back into the room. . . she started screaming. . . I
took the blunt end of the hammer and smashed it in her throat. . . and then she
starts really crying. And I can tell she’s trying to manipulate me, you know?
Mess with my emotions? Turn my friends against me. . . actually she owed my
friends an apology. . . I picked her up and threw her headfirst into the TV and
Johnny Quest
HOGANNN!
M-I-C…K-E-Y
WHY
WHY
WHY!!!
Then I realized she wasn’t moving anymore . . . I let the body drop. . . it fell out
of the TV. . . But the head stayed in. . . I just stared at her . . . It wasn’t as
good as television, but I was fascinated by it. . . It was like I was making my
own kind of television. . . I liked this show. . . I wanted to see this show again. . .
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I stared at her face for a long while . . . a long time. . . I don’t remember much
SOURCE INFORMATION
Author: Gary Rudoren and David Summers
Book: Plays and Playwrights for the New Millennium
ISBN: 978-0967023410
Publisher: The New York Theatre Experience
Date (Month/Year): Feb 2000
AWARD HISTORY
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