Solo on one chord: G major

      
       
  
4


2 2


1

    
1 2 1 2 1 1 1 3


1


1 1


2 2 2 1

 
2 3 1

 
3 1 1 2 2


3

 
3

                   3      
   

10 7 10 9 9 12 10 10 14 12 14 12


8 10 12 15 12
7 7 9 12 12
9 11 12 14 13 12

G triad A triad G triad Stochelo's favorite lick over

                
2 3 2

 

1 or 1

 
1
4
4

2


1

                  



15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
15 12 12 19 19 19 19 19 19 19 19 18 18 18 18 18 18 18 18
12

major chords seldomly heard Django lick (until now that is because you're gonna play it right?)

                   
1


2 2 2

 
3 1 3

    
1 1 1 1


1 3 1 1 1
8

     
3

 

                        
   

15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 18 15
18 17 17 17 17 17 17 17 16 16 16 16 16 16 16 15 18 15
17 15 15 16
17

bluesy lick based off G minor pentatonic scale

        
3

         
12 3 1 1
3 2 1 3
3
 
1 1 3 3 1
3
  
2 1 2 1 1 3 1 2 1 1 1 1 2 1 2 1 1 1

     
2 1 1

     
3
3
3
  
3

        3   3    3    3  
 

17 10 9 10 9 8 9 14 12 14 12 11 12
17 17 17 15 17 15 13 14 12 10 12 10 9 10
15 12 15 10 12 10 9 10

G triad with embellishments (very common lick in gypsy jazz)

2

 
               
3

  
2 1 1 3 1
1 1
16 2 2

 
3 1 1


3 1 1 1 1 3

 
1 2
3 1 2 2 2 2 1 3 2 2 2 2 2 1

        
3 3 3   

 
                         
3
3 3 3


14 12 11
13 12 13 12 11 12 14 11
14 12 14 12 11 12 11
13 11 12 12 12 11 10 9
10
10 10 10 10 10 9 8

Ebm7 arpeggio - almost sounds

like a German augmented 6th
chord if the g flat would be natural

         
4 1


1
20
 
2 1 2

       
1 4 2 1 3 3 1 2 1 3 1

 
2 3 1 3 1 1


3

       3

                   3   
 

7 10 7
8 8 7 7 8 7
7 7 9 7
5 7 9 9
10 10 10 5 7 5
7 3 6 7

typical Django phrase ending on the 6th

         
3 3


24
       
3 2 1 1 1 3 3 2

        
3 1 3 2 1 1 3 1 3 1 1 1 2 1 1 1
3 1 2

      

                       3  
  

6 10 5 8 6


5 8 8 5
7 7
9 7 5 8 8 5
9 8 7 5 7 5
6 5 6 5 4

Stochelo thinks C7(9) here which is a blues IVth degree

   
          
1 2 2 2 2


2 1


2 1 1 1 1 1
1 2
28

   
2

    
3 3 1 1 3 1 2
2 1 3

   
   3

               3    
  

7 12 10 12 10 10 14 12 14 12 11 12 15 14
8 11 12
7
5 7 9
5 7 5
3 6 7
 3

              
 
4 2 2 4

      
2 1 1 2
1


1 1 4 2 1 4 3 3 3 1 3 1
2 1 1 1 3 1

 
1 2 1
32
   
1 1 3 1 1

 
3 1


3 3 3 3

  3 
 3
      3
  3   
 

17 15 19 17 15 17 15 14 17 15 14 15 14 14 12 14 12 11
17 17 15 13 15 13 12 13 15 15 12 14 11
12
14 1214 1212 11

long melodic phrase Ebm7 arp. again

       
36
     
1 3 2

    
3
1 2 2 2 2 2 1 3 2 2 2 2 1 1 1 4 2

        
3

      3         3    


11
13 11 12 12 12 11 10 9 
10 10 10 10
10 10 10 10 8 10 8 7

    
 

2

 
2 2 1

  
1 3

 
1 1
40
 
4 2 2

      
1 2 1 1 4 1 2 1 2 1 2 1 2 1 2


2

    
1

                       3   


10 14 10 14 13 12 11


12 12 14
11 12 11 12
9 12 9 9 12 9 12
9 10 12 9 10 9 10

Gmajor7 arpeggio

 
4

    
1
4

          
1

      
1 1
44
   
1 2

 
3 1

       
2 1 2 2 1 2

  

                 

     

10 15 14 17 18 15


11 12 18
11 11 12 12 11 14 15 12
13 12 9 12 15
9 10
4 4
3 4 4 4
3 4 4 2


1 2 2 3

 
4

       
1 1

 
1 3 3
2

    
1 1

  
4

 
4

  
48 1

          
1

      
  







              


    

10 13 14 15


15 10 13 14 15
17 15 16 11 12 9 12 13 14
12 17 12 12 12 12 9 13 14 15
15 13 14 9 10 10 12 13 14
15 10 10 10 10

sliding dominant 9 chords

bluesy octaves

4
4 3 4 4 4 3 3 3
4 3 3 3 3
4 4 4 2
4


      
1 3 1 1 1

  
2 2 2

      
2
1 1 1 1 1

 
3 3 3 3

     
1 3 1 1 2 2 2

       

1

 
1 3

     

52

             
  

              

    
      

12 11 10 13 14 15 12 11 10

 
12 11 10 13 14 15 12 11 10 10 10 10
11 10 9 12 13 14 11 10 9 14 14 14
12 11 9 13 14 15 11 10 9
11 10 10 12 13 14 12 11 10

sliding 6/9 chords another Django phrase

                                 
 
1 3 1 2 1 3 1
1 3 1 3 1 3
56


                             


10 10 10 11 11 11 12 12 12 13 13 13 14 14 14 15 15 13 15 13
14 14 14 15 15 15 16 16 16 17 17 17

which is usually only played by Stochelo and Bireli and all of you of course!

 
  
4

        
1 1


60 1 3

    
2 1 1 3 2 1 1 3 2 2 3 2 1 4 2
1


3

3
     
         3       3    



12 15 12
12
14 13 12 12 12 11 10 9
10 10 10 10
10 10 10 9 8 7