CLASSIC

Jean-Auguste-Dominique Ingres, La Grande

Odalisque*,
1814, Oil on canvas, 36" x 63" (91 x 162 cm),
(Musée du Louvre,

Paris); Woman in nude represents the exotic

Romantic

Delacroix, Eugène: Liberty

Leading the People

Liberty Leading the People, oil on canvas by

Eugène Delacroix, 1830; in the
Louvre, Paris. (the heroic-- the mythical Amazon

Realist

Gustave Courbet, The Artist's Studio; A real

allegory summing up seven years of my
artistic and moral life, 1854-55
oil, on canvas, 361 x 598 cm (Musée d’Orsay,
Paris); allegorical - The Truth

Controversial painting
 Edouard Manet (1832-1883), Lunch on the Grass,
1863

Oil on canvas; H. 208; W. 264.5 cm; RMN -Grand

Palais(Musée

d'Orsay) / Hervé Lewandowski

=exhibited at Salon des

Refuses; (from state-sponsored

exhibition of painting)

impressionism

Pierre-Auguste Renoir. Dance

at le Moulin de la Galette. 1876.

Oil on canvas, 4'3 1/2” X 5'9”. Musee

dÓrsay,Paris, France.

Edgas Degas. Women at

the Terrace of a Café

1877. Pastel, 55 x 72 cm.

Musée d'Orsay, Paris

POST-IMPRESSIONISM
 Paul Gauguin. Nafea
Faa Ipoipo? (When Are You to Be Married?)1892.
Oil on canvas, 101 x 77 cm”. Rudolf Staechelin
Foundation, Basel.

Paul Cézanne. Mont

Sainte-Victoire, 1902-04, oil on canvas, 73 x 91.9
cm. Philadelphia Museum of Art.

Fauvism

Andre Derain. s Vue

de Collioure.1905. Oil on canvas.

Museum Folkwang, Essen, Germany

 Henry Matisse. The Joy of Life. 1905-06. Oil on
canvas, 5'8 1/2” X 7' 9 3/4”. The Branes
Foundation, Merion, Pennsylvania.

Expressionism

Ernst Ludwig Kirchner. Street, Dresden. 1908

(reworked 1919; dated on painting 1907). The
Museum of Modern Art, New York.

Wasily Kandinsky. Black Lines. 1913. Guggenheim

Museum. (eliminating representation) : “Falling
Apart and Holding Together

Cubism
 Pablo Picasso, “Les Demoiselles d’Avignon,” 1907
. Oil on canvas, 8' X 7' 8”. The Museum of modern
Art, New York.

Georges Braque .The

Castle of La Roche-Guyon. 1909. Oil on canvas,
25 1/2 × 21 1/2 in. Musee d' Art

Moderne, Villeneuve-d'Ascq. Commented [1]: not sure

FANTASY AND FUTURISM

Unique Forms of Continuity in Space, 1913

 The Disquieting Muses (1947), replica of the 1916
painting, University of Iowa Museum of Art

WW1 and After: Dadaism

Marcel Duchamp. Bottle Dryer. 1963 (replica of

1914 original) galvanized iron ,29-1/4 x 16 x 16 in.

Surrealism

Salvador Dalí. Persistence of Memory. 1931. Oil

on canvas, 24cm × 33 cm (9.5 in × 13 in).
Museum of Modern Art, New York City.

Constructivism
 Vladimir Tatlin and a model of his Monument to
the Third International, Moscow, 1920.

Abstract expressionism

Jackson Pollock . Number

1, 1949. Enamel and metallic

paint on canvas, 5'3” X 8' 6”. Museum of

Contemporary Srt, Los Angeles

Franz Kline. Chief. 1950. Oil on canvas, 58 3/8" x

6' 1

1/2". The Museum of Modern Art, New York.

Color field painting

 Mark Rothko. Orange

and Yellow. 1956. Oil on canvas,

180.3 x 231.1 cm. Albright-Knox Art Gallery,

Buffalo, N.Y. USA

Assemblage

Robert Rauschenberg. Factum

II. 1957. oil, ink, pencil,

crayon, paper, fabric, newspaper, printed

reproductions, and printed paper on

canvas, 61 3/8 x 35 1/2 inches. The Museum of

Modern Art, New York

Pop Art

Andy Warhol. Campbell's Soup Cans, 1962

Minimal art and site works

 Frank Stella . Valparaiso Flesh and Green. 1963.
Metallic paint on canvas

Photorealism

Don Eddy. New Shoes for H. 1973-74. Acrylic on

canvas, 3'8” X 4'. The Cleveland Museum of Art

Joseph Kosuth. One and Three Chairs.

1965. Wood folding chair,mounted photograph

of a chair, and mounted photographic
enlargement of the dictionary definition of
"chair", Chair 32 3/8 x 14 7/8 x 20

7/8" (82 x 37.8 x 53 cm), photographic panel 36 x

24 1/8" (91.5 x

61.1 cm), text panel 24 x 30" (61 x 76.2 cm)

FEMINISM AND FEMININE ART

 Miriam Schapiro. Heartfelt. 1979. Acrylic and
fabric on canvas,5'10” X 3'4”. Collection the
Norton Neuman Family.

ART SINCES THE 8Os: POSTMODERN WORLD

Renzo Piano and Richard Rodgers. Georges

Pompidou National Center of Art and Culture,
Paris. 1977.

Looks like a building turned inside out

Postmodern art

Sherrie Levine. Fountain. 1991. Bronze, 14 1/2 X

14 1/4 X 25”. Walker Art Center, Minneapolis.

most notorious of Duchamp's ready-mades;

ordinary porcelain latrine; 1914.
 Commented [2]: idk this
Anselm Kiefer.

Interior. 1981. Oil, paper, and

straw on canvas; 9' 5 1/4” X 10' 2 1/2”. Collection

Stedelijk Museum, Amsterdam.

Felix Gonzalez-Torres, “Untitled” (billboard of an

empty bed) 1991, printed billboard, dimensions
variable © The Felix Gonzalez-Torres Foundation

TOWARD THE THEATER; PERFORMANCE and INSTALLATION

Cai Guo Qiang. Collection Courtyard.

Performance installation at the 48th Venice
Biennale, 1999.

BEING HUMAN: THE LIFE OF THE SPIRIT

Luis Jimenez. Fiesta Dancers (Jarabe).
1996.Fiberglass

with urethane finish, 9'6” X 8' X 5' 11”. Collection

University of New Mexico, Albuquerque.