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#=O|~°∞ 2019
Jáê~°÷ ™ê~°kè
֒ѨeH˜ ^•i... (Hõ^äŒ)
Z_ç\’iÜ«∞Öò ...5 ¿Ñr –9
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Indian Institute of Cartoonists ...35 (Hõ^äŒ)–18
The brain behind the Indian IIC - V.G.Narendra ...37 =O*Ïi ~ÀÇ≤Ï}˜
Subhani-'shaik'ing politics wih punch lines - Sridhar.C ...40
Cartoons role in society - Agim Krasniqi ...41 ™⁄O`« "≥^· ºŒ O (Hõ^)Œä
¿Ñr –24
Cartooning in India - Sridhar Comaravalli ...43
Ü«∞O.Ü«∞ãπ.âß~ÚÉÏ|∞
Cartoon Man of Kerala- Ibrahim Badusha Interview ...44
The Lady Cartoonist of India ...48
The Power of Cartoons- Raghupathi Sringeri Interview ...51 #~°HÍxH˜
'Pun'orama - P.L.Varchaswi ...55 =Ú`≥^η ∞Œ =ÙÅ∞ (Hõ^)Œä
Humor-A World religion - Yuri Shamne ...56 ¿Ñr –28
Cartoon is the third eye of artists - Sepideh Faramarzi ...59 P~ü.=ã¨∞^è•~å}˜

HÍ~°∂ìxã¨∞ìʼnõΩ 'Ǩ˙º=∞~ü@∂<£û— ã¨^Œ=HÍâ◊O

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Ѩ„uHõ Ü«∂[=∂#ºO, `≥Å∞QÆ∞ HÍ~°∂#ì ∞‰õΩ, `«eâ‹\ ì̃ ~å=∞~å=ÙQÍi
HÍ~°∂#ì ∞`À, =ºOQƺ z„`åÅ`À ~°OQƄѨ"âÕ ◊ J=HÍâ◊O HõeÊOz K«i„`«
ã¨$+≤Oì zOk. 1928Ö’ „áê~°OÉè"í ∞≥ #ÿ `≥Å∞QÆ∞ HÍ~°∂#ì ∞ "≥#H˜¯ uiy
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6 Ǩ˙º=∞~ü@∂<£û b #=O|~ü 2019
áê~ Ωõ Å QÆ∞O_≥Ö’¡ QÆ∂_»∞ Hõ@∞ì‰Ωõ #fl "åà◊√§<åfl~°∞. q^ÕâßÖ’¡ `«=∞ yOKå~°∞. XHõ HÍ~°∂#ì ∞Ö’ P"≥∞ z„`«O QÀ_»H˜ `«yeOz LO@∞Ok.
„ѨuÉèí Kå\˜ *ˇO_®ÖˇQ~Æ̂ ã≤# [QÆ*\˚ˇ Åì© ∞<åfl~°∞. z„`«O „H˜O^Œ ''ã¨`º« "Õ∞= [Ü«∞`Õ—— "åHõºO ~åã≤ =ÙO@∞Ok. z„`«O
=O^ŒÅ "ÕÅ ã¨OYºÖ’¡ „ѨK∞« i`«"∞≥ #ÿ HÍ~°∂#ì Ö¡ ’¡ 'Wk ÉÏQÆ∞Ok, =ÚO^Œ∞ P"≥∞ J#∞K«~∞° Å∞ ^ŒO_»∞ xÅ|_ç =ÙO\Ï~°∞. P"≥∞x K«∂ã≤
Wk ÉÏQÀÖË^∞Œ — Jx K≥Ñʨ _»O KåÖÏ Hõ+Oì¨ . D HÍ~°∂#ì ∞ WO`«‰Ωõ =ÚO^Œ∞ J_»∞QÆ∞`å~°∞, ''Madam, Madam on the wall, who's the fair-
K«∂¿ãâß"Õ∞ JxÑ≤Oz<å, P HÍ~°∂#ì ∞Ö’ U^À H˘`«^Î #Œ O, `Õ@ `≥Å∞QÆ∞ est of all—— Jx.
`Õ<≥ ~°∞K«∞Å∞, ZO`« ~°∞z K«∂ã≤<å `«xq f~°x P#O^ŒO =ÙO\Ï~Ú. Z=∞Ô~h˚ û ã¨=∞Ü«∞OÖ’, J|∞ QÍ~°∞ ã¨OkèOK«x J„™êÎÅ∞ ÖË=Ù.
WO`«H© HÍ~°∂#ì ∞ UO KÕã∞¨ OÎ k? XHõ¯ =∂@Ö’ K≥Ñʨ ÖËO. HÍ~°∂#ì ∞ "ÕkOè K«x "åºMϺ<åÅ∞ ÖË=Ù. WOk~åQÍOnè ~ÀE J|∞ HÍ~°∂#ì ∞
P~°∞ ÃãHõ#¡ áê@∞ ^Œ$+≤ìx xÅ∞ѨÙ`«∞Ok. HÍ~°∂ì#∞Ö’ q∞o`«"≥∞ÿ# K«∂¿ã^Œ@. ÃÑ· HÍ~°∂#ì ∞ K«∂ã≤ WOk~åQÍOnè, J|∞ QÍiH˜ á¶È<£ KÕã≤
Ǩ㨺O, "≥∞^Œ_»∞Ö’ 'Ѷ‘Öò QÆ∞_£ Ǩ~À‡#¡x— „ã¨qOѨ *Ëã¨∞ÎOk. ~°=∞‡<åfl~°@. ''D HÍ~°∂#ì ∞ "åºYºÖ’ <å JO^ŒO QÆ∞iOz „Ѩ™êÎqO
`«`Ê« eù `«OQÍ, áê~ Ωõ _çH˜ Jx~°fiK«hÜ«∞"≥∞#ÿ P#O^ŒO, "≥ÚǨÏOÖ’x Kå"å ÖËHõ <å Ѩxf~°∞ g∞^•?—— J#_çQÍ~°@.
HõO_»~åÅ ã¨_e» OѨ٠K«~º° , #=Ùfi, QÆ∞O_≥Ö’ ÉèÏ~°O kOz "Õã#≤ J#∞ J|∞ QÍ~°∞, ''Ô~O_çO\˜ g∞^Œ—— Jx ã¨=∂^è•#O ѨeHÍ~°@.
Éèí∂u, á⁄Oy =KÕÛ L`åûǨÏO, =^ŒÌ#∞‰õΩ#fl Ѩxx H˘#™êyO WOk~åQÍOnè ã≤Q∞Æ `æ À z~°∞#=Ùfi zOkOKå~°@.
KåÅ#∞H˘<Õ ^è≥·~°ºO, @∂H©QÍ ÃÑàϧxfl u\˜ì qã≤yOKåÅ#∞‰õΩ<Õ J|∞QÍ~°∞, ''K«∂âß~å...g∞~°∞ ÉèÏ~°`« ™ê„=∂*Ϻ<ÕflÅ∞`«∞#fl ~å}˜
„ѨÜ∞« `«flO "≥O@<Õ q~°q∞OK«∞HÀ"åÅ#fl xâ◊ÛÜ«∞O.. Wxfl [~°∞QÆ∞`å~Ú. J~Ú<å g∞ ^Œ~°ÊO, g∞ ã≤QÆ∞æ‰õΩ `«Å=OzOk QÆ=∞xOKå~å...?——
JO^Œ∞Hˆ , HÍ~°∂#ì ∞H˜ JO`« ÃÑ^ŒÌ ã¨iÑì Hˆ≤¶ @∞ì, HÍ~°∂#ì ∞ "≥∞_»Ö’ Jx K«=∞`«¯iOKå~°@.
JO`« ÃÑ^ŒÌ ^ŒO_», HÍ~°∂#ì ∞‰õΩ Jxfl K«Ñʨ @∞¡. D `«`O« QÍxH˜ HÍ~°}O, J|∞ QÍi HÍ~°∂<ì Õ Hõ^•!

=∞Ô~`· Õ HÍ~°∂#ì ∞, HÍ~°∂xì ã¨∞‰ì Ωõ UO KÕã∞¨ OÎ k? KåÖÏ KÕã∞¨ OÎ k.
Jã¨b HÍ~°∂#ì ∞, HÍ~°∂xì ã¨∞ì "≥∞^Œ_∞» Ö’ ZÖÏ Ñ¨Ù_»∞`«∞Ok? D „Ѩâfl◊ ‰õΩ
Pˆ~¯ ÅHõ∆ ‡}ü QÍi#_çy`Õ, ''U"≥∂...`≥b^Œ∞, Jk `≥eã≤# ~ÀA#,
HÍ~°∂#ì ∞¡ wÜ«∞_»O =∂<Õ™êΗ—#x Hõ@∞"≥#· ã¨=∂^è•#O ~ÚzÛ Hõke
áÈÜ«∂~°∞. HÍ~°∂#ì ∞ XHõ ~°™êÜ«∞# „Ѩ„H˜Ü∞« Jx "Õ∞^è•=ÙÅ∞ K≥|∞`å~°∞.
"≥∞~°∞ѨÙÖÏ "≥∞iã≤# TǨÏ, HÍ~°∂xì ã¨∞#ì ∞ L`åûÇ¨Ï Ñ¨~z° J`«_Hç ˜
Jx~°fiK«hÜ«∞"≥∞ÿ# P#O^•uâ◊Ü«∂Åx ѨOz ÃÑ_»∞`«∞O^Œ@. `«`«Êù
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`«∞O\Ï_»@. x["Õ∞, <Õ#∞ HÍ~°∂#ì ∞ wã≤# „Ѩu™ês D P#O^•xfl,
L|ÖÏ\Ïxfl J#∞Éèíqã¨∞ÎO\Ï#∞. JO^Œ∞ˆH JO\Ï#∞, HÍ~°∂ìxOQÆ∞
Hõà◊ "˘O\˜H|õ ƒ_»O XHõ =~°O, P =~°O JO^Œ~∂° á⁄O^ŒÖxË k.
ѨÓ~°fi ÉèÏ~°`« „Ѩ^è•x ~år"£QÍOnè, ~ÀE HÍ~°∂ì#¡ HÀã¨O
Ѩ„uHõÅ∞ u~°Qˆ ¿ã"å~°@. `«# g∞^Œ KåÖÏ=∞Ok HÍ~°∂xì ã¨∞Åì ∞ `«=∞
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~år"£QÍOnèx Hõe¿ã ã¨O^Œ~ƒ° Où U~°Ê_çOk. JѨC_»∞ ~år"£ QÍOnè
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w™êÎ~å?—— Jx. JO^Œ∞‰õΩ ÅHõ∆ ‡}ü QÍ~°∞ ''S qÖò ã‘—— Jx ‰õΩÑ¡ Î̈ ã¨=∂
^è•#O ѨeH˜ x„+¨¯q∞OKå~°@.
~år"£ QÍOnèH˜ Js˚Å∞ ÃÑ_ç`,Õ „Ѩu ^•xH© ''S qÖò ã‘—— Jx
K≥Ñʨ @O JÅ"å@∞.
^•<Õfl ~år"£QÍOnè g∞^Œ „ѨÜ∂≥ yOKå~°∞ HÍ~°∂xì ã¨∞ì Pˆ~¯ ÅHõ∆ ‡}ü
QÍ~°∞. HÍ~°∂xì OQÆ∞ =~°"∞Õ ..HÍHõáÈ`Õ `«#=Å¡ WÖÏO\˜ =ºOQͺ„™êÎÅ∞
„ѨÜ∂≥ yOK«_O» ™ê^躌 "Õ∞<å? Jx `«=∞ „ѨãO¨ QÍÖ’¡ K≥ÑC¨ ‰õΩ<åfl~°∞
ÅHõ∆ ‡}ü QÍ~°∞.
J|∞ J„|ǨÏO QÍ~°∞, WOk~åQÍOnè g∞^Œ XHõ J„ã¨OÎ „ѨÜ∂≥

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`˘Oy K«∂¿ã_»∞.
Pâ◊Û~°ºO!! PkÅH˜∆ ‡ U_»∞™ÈÎOk. p~°`À
Ѩ^ÑÕ ^¨ Õ HõàÁ§`«∞‰Î Ωõ O\’Ok. WOHÍ Pâ◊Û~°ºO
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ÃãÉÏãπ! WѨÙÊ_»∞ `≥e™⁄zÛO^Œ#fl=∂@.
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QÍx `≥eÜ«∞ÖË^∞Œ !
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ѨâßÛ`åÎáêxH˜ q∞Oz# „áêÜ«∞tÛ`«OÎ ÖË^∞Œ .
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J<åfl_»∞ ^Œ=∂‡~Ú QÍ~°∞ P#O^ŒOQÍ.
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D™êi ^Õ=Ù_»∞ H˜\ H˜ © K«∞=fiÅ ~°∂Ѩ
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HÍáê_Õ_∞» P Jáê~°™ú ê~°kxè !!
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ÉÏÅ HÍ~°∂xì ã¨∞Åì #∞ XHõ =∞Oz ã≤x=∂ `«Ü∂« ~°∞ HÍ"åÅO>Ë

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QÆÅ∞`«∞Ok.
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J~Ú`Õ =∂~°∞¯Å∞ =∂„`«"∞Õ „ѨuÉè‰í Ωõ „Ѩ=∂
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KÕO^Œ∞ÔH· =∞#=O`«∞ Hõ$+≤KÕ^•ÌO. ÉÏÖϺxfl
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11
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z„`åÅ∞ Ñ „ `¨ ºÕ Hõ`« Uq∞@O>Ë ZO`« Ñ Ã ^ŒQÌ Í (Z<£ÖÏ~ü̊)
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J<Õ "å~°x.—— W@∞=O\˜ L^•Ç¨Ï~°}Å∞ Z<Àfl L<åfl~Ú. HÍ^Œ∞.
J~Ú`Õ "å@xfl\˜Ö’ HÍ~°∂ìxã¨∞ìÅx, "åi HÍ~°∂ì#¡x Q“~°= XHõ HÍ~°∂<ì £ K«∂ã≤ =∞x+≤ J=∂O`«O =∞i =∞Oz"å_≥á· ÈHõ
„Ѩ^OŒ QÍ K«∂¿ã "å~°∞. J~Ú`Õ D~ÀA Z=i g∞^Œ U HÍ~°∂xì ãπì UO áÈ~Ú<å, K≥_"¤» å_»∞ =∂„`«O HÍ_»∞ Jx =∞#O Ѷ∞¨ O\ÏѨ^OŒè QÍ K≥Ñʨ
Ãã>ÿ̌~ü "Õã∞¨ <Î åfl_À Jx QÆ∞„~°∞QÍ K«∂ã¨∞<Î åfl~°∞. ~å#∞ ~å#∞ `«=∞ÃÑ· =K«∞Û. Uk U"≥∞<ÿ å, ã¨=∂[OÖ’ =∞Oz K≥_∞» Åx Hõ} ∆ ÏÖ’¡ ã¨∂\˜QÍ,
x*Ïefl „ѨuѶe¨ OѨ*¿Ë ã HÍ~°∂#ì x¡ , HÍ~°∂xì ã¨∞Åì x "≥∞K«∞ÛHÀÖËH,õ L„HÀ z#fl ÉÁ=∞‡Ö’ K≥Ñʨ QÆeQˆ <Õ~∞° Ê HÍ~°∂#ì ∞H˜, F HÍ~°∂xì ãπHì ˜ LO_»|>Ë.ì .
+¨O`À "åix JÔ~ãπì KÕ~ÚOKÕ ã≤u÷ H˜ ‰õÄ_® H˘O^Œ~˘KÕÛâß~°∞. `«q∞à◊ =∞# ã¨=∂[O, ~å[H©Ü∂« Å QÆ∞iOz ™ê=∂#∞ºÅH˜ ‰õÄ_® XHõ¯ 5
<å_»∞ HÍ~°∂xì ãπì l.ÉÏÅ, =ÚOɡ· HÍ~°∂xì ãπì Jã‘"∞£ „u"Õk, WOHÍ ÃãHõO_»Ö¡ ’ J~°=ú ∞ÜÕ∞º, K≥Ñʨ QÆeQˆ <Õ~∞° Ê, ã¨`åÎ „Ѩ^iŒ ≈ã¨∞<Î åfl_»∞. „ѨÑO¨ K«
ZO^Œ~À q^Õj HÍ~°∂xì ã¨∞Åì HõÅO áÈ@¡H˜ `«@∞ìHÀÖËHõ "åix JÔ~ãπì ™ê÷~Ú #∞O_ç ~å„+¨™ì ê÷~Ú =~°‰Ωõ [iˆQ, [~°∞QÆ∞`«∞#fl =O^ŒÖÏk HÍ~°∂#ì ¡
KÕ~ÚOz# Ѷ∞¨ @#Å∞ Z<Àfl =Ù<åfl~Ú. =∞# `≥Å∞QÆ∞ Ѩ„uHõÖ’¡ "Õ¿ã áÈ\©Å ^•fi~å HÍ~°∂xì ãπì ã¨=∂[O, ‰õΩ@∞O|, PiúH,õ ~å[H©Ü∞« =º=ã¨÷
áÈe\˜HõÖò HÍ~°∂ìxã¨∞ìÅH˜ ‰õÄ_® W@∞=O\˜ W|ƒOk =ÙO@∂<Õ ÅÖ’ `å#∞ QÆ=∞xOz#k ã¨∂\˜QÍ, ‰õΩ¡Ñ¨ÎOQÍ, Z<Àfl™ê~°∞¡ "åºYº
LO@∞Ok. W=hfl HÍ~°∂#ì ∞¡ ã¨=∂*Ïxfl „ѨÉÏè q`«O KÕã∞¨ <Î åflÜ«∞<Õ^•xH˜ ~°Ç≤Ï`«OQÍ ‰õÄ_® K≥ѨÊQÆÅ∞QÆ∞`«∞<åfl_»∞. Jq [# ã¨=Ú„^ŒOÖ’H˜
H˘xfl L^•Ç¨Ï~°}Å∞ =∂„`«"∞Õ . ã¨∂\˜QÍ K˘K«∞Û‰õΩx áÈ`«∞<åfl~Ú.
JѨC_»∂, WѨC_»∂, ZѨC_»∂ ‰õÄ_® HÍ~°∂#ì ∞¡ =∞# ã¨=∂[O JO^Œ∞Hˆ HÍ~°∂xì ã¨∂ì lO^•ÉÏ^£! HÍ~°∂<ì £ lO^•ÉÏ^£!!

Ö’Oz, „Ѩ[Å ã¨=∞㨺Å∞ ÖË^• ã¨~^° •ÅÖ’Oz, =~°=Î ∂# ™ê=∂lHõ,
„¿Ñ"£∞ѨO_»∞ : ~ÀA ~ÀA‰õÄ <å‰õΩ
*’ˆHã¨∞‰õΩO^•O

~å[H©Ü∞« ã¨OѶ∞¨ @#Å∞, ã¨=∞㨺ÅÖ’OKÕ Ñ¨Ù_»∞`«∞<åfl~Ú. =∞#O HÍÅ

Hˆ Ñ∆ O¨ QÍ K«∂ã≤ Ǩ~ÚQÍ #=Ùfi‰õΩ<Õ "≥ÚQÆ∞_»∞-ÃÑàϧO-=O\˜Å∞¡- `«Å =∞u=∞~°∞Ѩ٠Z‰õΩ¯"Ò`«∞#fl@ìxÑ≤
ÉÁÑ≤Ê HÍ~°∂#ì ¡ #∞O_ç, K«∞~°Huõ ÖÎ Ï `«yÖË "å_ç "Õ_ç =ºOQͺŠ^•HÍ ™ÈÎOk _®Hõ~ì .ü =∞Oz =∞Ok=fiO_ç.
Jhfl U^À XHõ q+¨Ü∞« O K«∂ã≤ "Õã#≤ "Õ. JO^Œ∞Hˆ Jq ã¨=∂[O ~å"£∞ѨO_»∞ : g∞s =∂@ ѨH¯õ #∞#fl
Ö’Oz =zÛ..ã¨=∂*ÏxˆH `«yÖËÖÏ LO\ÏÜ«∞#_»OÖ’ ã¨O^ÕÇϨ O ÖË^∞Œ . H˜¡xH±Ö’ K≥ѨÊO_ç... Wk H˜~å}Ï
XHõÑC¨ _»∞ Hˆ =ÅO ¿ÑѨ~∞° ,¡ Ѩ„uHõÖ’¡ =∂„`«"∞Õ HÍ~°∂#ì ∞¡ „ѨK∞« i`« ^Œ∞HÍ}O. –Z.P~ü.ã¨∞^è•Hõ~ü

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''F~åflÜ«∞<À—— QÍ=ÙˆHHõ ÃÑ\ì̃ ‰õΩsÛ
Ö’Oz W~°QnÆ ã¨∞‰õΩx H˜O^Œ Ѩ_áç ÈÜ«∂_»∞
ѨÙÖÏ¡~å=Ù. <ÕÅg∞^ŒÑ¨_ç ^˘~°∞¡`«∂ uiy
uiy PyáÈ~Ú# ÉÁOQÆ~O° ÖÏ KÕ+Åì¨ ∞_çy,
LÅ∞‰õΩ ѨÅ∞‰õΩ ÖˉõΩO_® K«zÛ# â◊=O
=O*Ïi ~ÀÇ≤Ï}˜ =∂ki aQÆ∞ã¨∞‰õΩáÈÜ«∂_»∞.
90005 94630 ѨÙÖÏ¡~å=Ù J~°z# J~°∞ѨÙH˜ Éèí∂
HõOѨO =zÛ#@∞¡QÍ PѶ‘ã¨O`å ^Œ^ŒÌie¡
áÈ~Ú Ñ¨xKÕã∞¨ ‰õΩO@∞#fl "å~°O`å ɡOÉËÖuˇ áÎ È~Ú, ѨÙÖÏ¡~å=Ù K«∞@∂ì
KÕ~å~°∞.
ѨÙÖÏ¡~å=Ù‰õΩ U"≥∞Oÿ ^À Z=iH© JO`«∞ Ѩ@Öì ^Ë ∞Œ . =∞m¡ F™êi
'F~åflÜ«∞<À— Jx J~°z #Hõ¯ aQÆ∞=ÙѨ\ #ì̃ @∞¡ HÍà◊√¡ KÕ`∞« Å∞ H˘@∞ìHÀ
™êQÍ_»∞. Z=~À `åàÏÅ QÆ∞uÎx ѨÙÖÏ¡~å=Ù KÕuÖ’ ÃÑ\Ïì~∞° . ^•xx
J`«#∞ qã≤i H˘@ì_O» `À Jk "≥o¡ "åà◊§ ÉÏãπ |@ì`Å« H˜ @Ñ‘=∞x
H˘@∞ìH˘x ÉÏãπ `«Åg∞^Œ Hõ} ∆ ÏÖ’¡ ÉÁÑ≤ÊHõ\ Oì̃ k. WHõ ÉÏãπ L„QÆ#~°
ã≤OǨÏO J~Ú<å_»∞.
ѨÙÖÏ¡~å=ÙˆH^À qO`« [|∞ƒ Ѩ@∞ì‰Ωõ Ok J<Õ "å~°Î Hõ} ∆ ÏÖ’¡ PѶ㑠π
Ö’x ÃãHõ<∆ £ ÅxflO\˜H© ^•"å#ÅOÖÏ áêH˜Ok. HÍã¨Î WOy`«*Ï˝#O
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"≥eyOk "≥O@<Õ ÃãÖò P<£KÕã≤ 108 "åǨÏ<åxH˜ HÍÖò KÕ™ê_»∞
JÔ~O˚ \òQÍ ~°=∞‡x.
ѨÙÖÏ¡~å=Ù Jg∞~ü¿Ñ@ Ö’x F „ÃÑ"· \Õ ò PѶ㑠∞¨ Ö’ z~°∞^Àºy.
Ü«¸ã¨ÑQπ¶ ∂Æ _® Ö’x J`«x WO\˜ #∞Oz ~ÀE PѶ㑠Hπ ˜ ã¨∂¯@~üÖ’
"≥à§ı "å_»∞. P ~ÀA PѶ㑠∞¨ ‰õΩ =zÛ# J~°QOÆ @ J~°QOÆ @Ö’<Õ QÍ=ÙˆHHõ
ÃÑ\˜ì Ѩ_áç ÈÜ«∂_»∞.
108 "åǨÏ#O "åy "åy Q˘O`«∞ ~åã≤áÈ~Ú# =ã¨Ñ@ ≤ Öì Ï H˜~ü
H˜~=ü ∞x J~°∞K«∞‰õΩO@∂ PѶ㑠π =ÚO^Œ∞ PyOk. W^Œ~Ì ∞° |HÍã¨∞~°∞
ÖÏ¡O\˜ =º‰õΩÎÅ∞ "åǨÏ#O #∞Oz ky „ÃãìK«~ü Ѩ@∞ìH˘x ¿Ñ+¨O\ò
ZHõ¯_» Jx Ü«∞=∞H˜OHõ~∞° ÖÏ¡ J~°=QÍ<Õ Ñ¨ÙÖÏ¡~å=Ù K«∞@∂ì KÕi# "åà◊√§
ѨH¯õ H˜ [iQÍ~°∞. yÅyÖÏ H˘@∞ì‰Ωõ O@∞#fl ѨÙÖÏ¡~å=Ù HÍà◊√¡ KÕ`∞« Å#∞
Ѩ@∞ìH˘x =OHÍÜ«∞Å |™êÎ#∞ qã≤ˆ~ã≤#@∞¡ JO|∞Öˇ<£û Ö’xH˜
qã≤~ˆ âß~°∞ "åi^Œ~Ì ∞° .
Pã¨Ê„uÖ’ ¿Ñ+¨O\òû ÖËHõ DQÆÅ∞ `ÀÅ∞‰õΩO@∞#fl _®Hõ~ì ü S~å=`å
xH˜ KåÖÏ ~ÀAÅ `«~åfi`« 108 "åǨÏ#O ѨÙÖÏ¡~å=Ùx fã¨∞‰õΩ
~å=_»O`À ã¨O„HÍOu ѨO_»QÆ =zÛ#O`« ã¨O|~°Ñ_¨ áç È~Ú Jã¨Å∞
U"≥∞Oÿ ^À `≥Å∞ã¨∞HÀ‰õΩO_®<Õ J~°_[» #∞ >ˇã∞¨ Åì ∞ JÔ~O˚ @∞QÍ ~å¿ãâß_»∞.
ѨÙÖÏ¡~å=Ù ‰õÄ_® =zÛ# ÃãO@∞|∞_ç¤ â◊OHõ~° <å~åÜ«∞} ^ŒQ~æÆ ∞° O_ç
ѨÙÖÏ¡~å=Ù‰õΩ >ˇã¨∞ìÅhfl KÕ~ÚOKå_»∞. Jhfl ѨÓ~°ÎÜ«∂ºHõ XO\’¡
~°HõÎ=∞O`å PqÔ~· áÈ~Ú#O`« h~°ã¨OQÍ =zÛ _®Hõì~ü Z^Œ∞~°∞QÍ
‰õÄ~°∞Û<åfl_»∞ ѨÙÖÏ¡~å=Ù.
b #=O|~ü 2019
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=`«O. WÅ∞¡ HÍeáÈ~Ú# `«~åfi`« |∂_ç^Œ g∞^Œ Ѩhfl~°∞ K«e#¡ @∞¡.
''Hõ_∞» ѨÙ<˘Ñ≤Ê <˘Ñ≤Ê. qѨs`«"∞≥ #ÿ Hõ_∞» ѨÙ<˘Ñ≤Ê. á⁄@ì aQÆ∞ã¨∞‰õΩ
áÈ~ÚOk—— J<åfl_»∞ ѨÙÖÏ¡~å=Ù á⁄@ìÑ@ ¨ ∞ìH˘x.
JO`Õ Ããì`«™È¯Ñ¨Ù J~Ú<å ÃÑ\˜ì K«∂_»‰õΩO_® <≥Å ™ê=∂#¡
JO`« á⁄_»=Ù L#fl =∞O^Œ∞ŠѨ\ xì© („|Ǩχ^Õ=Ù_çH˜ ‰õÄ_® J~°O÷
HÍx ÉèÏ+¨Ö’) ~åã≤ WKåÛ_»∞.
Pã¨∞Ѩ„u ѨH¯õ <Õ L#fl "≥∞_çHÖõ ò ëêѨÙÖ’ p\© K«∂Ñ≤Oz =∞O^Œ∞
Åhfl Hõ=~À¡ "Õ~ÚOK«∞H˘KåÛ_»∞ â◊OHõ„~å=Ù. >ˇã∞¨ Åì ∞ =∞O^Œ∞Å`À HõeÑ≤
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¿ãflÇ≤Ï`«∞_»∞ â◊OHõ~~° å=Ù ™êÜ«∞O`À WO\˜H˜ KÕi# ѨÙÖÏ¡~å=Ù
áêºO\ò qÑ≤Ê Å∞Oy Hõ@∞ì‰Ωõ x ™Èá¶êÖ’ "åeáÈÜ«∂_»∞. U"≥∞Oÿ ^À
U"≥∂ J~°QOÆ @Ö’ =∞O^Œ∞ ÖËg∞ q∞OQƉΩõ O_®<Õ Hõ_∞» Ѩ٠<˘Ñ≤Ê =∂Ü«∞O
J~ÚáÈ~ÚOk. `≥ÖÏ¡i Ǩïëê~°∞QÍ ÖËz ~ÀA HõO>Ë =ÚO^Œ∞QÍ
PѶ㑠π KÕ~∞° ‰õΩ#fl ѨÙÖÏ¡~å=Ù =∞m¡ J~°QOÆ @Ö’<Õ Ñ¨_áç ÈÜ«∂_»∞. WHõ
P ~ÀA ‰õÄ_® PѶ‘ã¨∞Ö’ LO_»ÖËHõ áÈÜ«∂_»∞ ѨÙÖÏ¡~å=Ù. WÖÏ
"å~°O ~ÀAÅ∞ ™êyOk. J֒Ѩu ÖÏÉèíO ÖË^Œx Ǩϟq∞Ü≥∂Ѩu,
Ü«Ú<åh. Jxfl "≥^· •ºÅ‰õΩ ѨÙÖÏ¡~å=Ù Hõ_∞» ѨÙ<˘Ñ≤Ê ÖÁOQÆÖ^Ë ∞Œ .
ѨÙÖÏ¡~å=Ù‰õΩ =KÕÛ „Ѩ"∂≥ +¨<‰£ Ωõ F~°fiÖËHõ Z=~À KÕ`|« _ç KÕ~ÚOz
LO\Ï~°x K≥Ñ≤Ê Ñ¨Hõ¯ ÃãHõ∆<£Ö’ LO_Õ áê#HÍÅ~å=٠ѨÙÖÏ¡~å=Ùx
Éè∂í `«"^·≥ ∞Œ º_»∞ Éè∂í `åÅ ¿ã`«∞Ѩu ^ŒQ~æÆ ‰° Ωõ fã¨∞‰õΩ "≥àϧ_»∞.
Éè∂í `åÅ Éè∂í `åÅ ¿ã`«∞Ѩu ѨÙÖÏ¡~å=Ù#∞ =ÚQÆ∞æ =∞^躌 Ö’ ‰õÄ~ÀÛ
ɡ\ ì˜ =∞O„`åÅ∞ K«kq =∞Oz hà◊√¡ zÅHõiOz x=∞‡HÍÜ«∞Å∞ *Ë|∞Ö’
ÃÑ@∞ìHÀ=∞x K≥ÑÊ≤ ZÅ∞QÆ∞|O\˜ ZO\˜HÅõ (A@∞ì)`À ¿Ñx# `å_»∞H˜
`åÜ«∞`«∞HÎ \õ ì̃ ѨÙÖÏ¡~å=Ù KÕuH˜ Hõ\Ïì_∞» .
J~Ú<å ã¨~ˆ QÆQ∞Æ }O HõxÑ≤OK«Ö^Ë ∞Œ ѨÙÖÏ¡~å=ÙH˜. PѶ㑠∞¨ Ö’
JO^Œ~∂° ѨÙÖÏ¡~å=ÙˆH^À JO`«∞Ѩ@xì =∂Ü«∞~ÀQÆO =zÛO^Œx QÆ∞ã¨
QÆ∞ã¨Å∞ áÈ™êQÍ~°∞. kQÆ∞Å∞`À ѨÙÖÏ¡~å=Ù ã¨QOÆ K«zÛ# áê=ÚÖÏ
"≥~Úº ÅOHõ}ÏÅ∞ KÕã#≤ >ÿ̌á¡ ÈÜ«∂_»∞.
WHõ ÖÏÉèOí ÖË^xŒ ѨÙÖÏ¡~å=Ù ÉèÏ~°º Ѩ~fi° `«O T~À¡ L#fl "åà◊§
ÉÏ=∞‡ "≥OHÍÜ«∞=∞‡`À "å\ÏûÑπ g_çÜ≥∂HÍÖò KÕã≤ ѨÙÖÏ¡~å=Ùx
=∂\Ï¡_»=∞Ok.
ѨÙÖÏ¡~å=Ùx g_çÜ∂≥ HÍÖòÖ’ K«∂ã¨∂<Î Õ J`«x ÉÏ=∞‡, ''Xˆ~
ѨÙe¡QÍ! ѨÙeÖÏQÍ LO_Õ"å_çq WÖÏ Ñ≤eÖ¡ Ï J~ÚáÈÜ«∂"ÕO„\Ï? U
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á¶È<£ KÕã≤ K≥¿ÑÊ^•HÍ <å‰õΩ `≥eÜ«∞HõáêÜ«∞<Õ. T~À¡ ÉÏ=∞‡ L#fl
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`å`« HÍHõ~¡° "åi HõO„_çQÖÆ ’ ÃÑ^ŒÌ PÜ«Ú~ˆ fi^Œ "≥^· ∞Œ ºÅ∞QÍ ¿Ñ~°∞ `≥K∞« Û
‰õΩ<åfl~°∞ PÜ«∞# WѨC_»∞ ÖËHõáÈ~Ú<å PÜ«∞# ~åã≤# „QÆO^ä•Å∞
WOHÍ <å ^ŒQ~æÆ ° L<åfl~Ú, "≥^· ºŒ O K≥áêÎ#∞. qx U_»∞=Ù. J~°HÖ˜ ’
Ñ≤Ñʨ à◊√§, áê=ÙH˜Ö’ q∞iÜ«∂Å∞ "Õ~ÚOz ^ŒOz, á⁄_çKãÕ ≤ "å\˜H˜
=∞„iK≥@∞ì T_»Å#∞ á⁄_çKÕã≤ áê=ÙH˜Ö’ HõeÑ≤ =∞iyOz zHõ¯\˜
Ǩ˙º=∞~ü@∂<£û
„^Œ=OQÍ =∞~åHõ ^•xH˜ J~°`∞« ÅO P=Ú^ŒO HõeÑ≤ S^Œ∞ ~ÀAÅ∞
ѨÙK«∞Û‰õΩ<åflO>Ë h Hõ_∞» Ѩ٠<˘Ñ≤Ê =∞@∞=∂Ü«∞O J=Ù`«∞Ok—— J#flk.
ѨÙÖÏ¡~å=Ù Éˇ~· åyÖÏ #qfi ''ÉÏ=∂‡! J~Ú<å Ѩk"ÕÅ∞ áÈã≤≤ KÕ~ÚOK«∞
‰õΩ#fl J֒Ѩu "≥^· •ºxˆH `«QÖæÆ ^Ë ∞Œ . D Ñ≤Ñʨ à◊√§, =∞„i T_»Å‰õΩ `«Q∞Æ æ
`«∞O^•? Jã¨Å∞ ã≤\ ©Ö’ W=hfl ZHõ¯_Õ_»∞™êÎÜ≥∂.. h Kå^Œã¨ÎO
QÍh——J<åfl_»∞.
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Å∞O\Ï~Ú. JHõ¯_»‰Ωõ `«QÅÆ _»∞. "åà◊√§ Ñ≤Ñʨ à◊√§, =∞„iT_»Å∞ Jhfl
W™êÎ~∞° . ÖˉΩõ O>Ë P _®Hõ~ì Hü ˜ K≥ÑÊ≤ <Õ#∞ K≥ÑÊ≤ # "≥^· ºŒ O (=∞O^Œ∞)
KÕ~ÚOK«∞HÀ~å ‰õΩOHõ<åfl. =∞àϧ g_çÜ∂≥ HÍÖò KÕ™êÎ. WѨÊ\˜‰Ωõ O\Ï
#∞~å. ÃÑ>ËÜ ì ∞« O_ç á¶È<£—— JOk ÉÏ=∞‡.
ã¨~ˆ , WѨÊ\˜=~°‰Ωõ `«QxæÆ Hõ_∞» ѨÙ<˘Ñ≤Ê ÉÏ=∞‡ K≥ÑÊ≤ # PÜ«Ú~ˆ fi^Œ
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U=∂„`«O fã≤áÈ=Ù. ã≤h #@∞Åg∞^Œ 'ÉÏѨٗ "Õã#≤ HÍ~°∂ì º#∞¡ Jã¨
=∂#"≥∞#ÿ JHõ~∆ åHõ$`«∞Å∞.
H˘O^Œ~∞° =∞#efl #qfiOKåÅ#fl `åѨ„`«Ü∞« O`À 'ÖÏ=ÙQÍ— L#fl
"åix JѨÇ¨ 㨺O KÕÜ∞« _»O, J^Õ Ñ¨xQÍ 'ÃÑàϧO ÉÏkè`∞« Å— 'P_»"åà◊§—
g∞^Œ HÍ~°∂<ì Å£ ∞ "Õã∂¨ Î áÈ`«∞O\Ï~°∞. =∞iH˘O^Œ~∞° HÍ~°∂xì ãπÅì ∞ U
ѨO_»∞QÆ ZѨÙÊ_˘ã¨∞OÎ ^• Z^Œ∞~°∞ K«∂ã¨∂,Î áê`« PÖ’K«#Å`À<Õ H˘`«Î
HÍ~°∂ì<£Å∞ wã¨∂Î áÈ`«∞O\Ï~°∞, "åà◊§H˜ q<åÜ«∞Hõ K«qu, ^Œã¨~å
ѨO_»∞QÆÖË „Ѩ^•è # =ã¨∞=Î ÙÅ∞. HÍ~°∂xì ãπÅì ∞ QÆ∞~°∞OÎ K«∞HÀ"åeû# q+¨Ü∞« O
- HÍ~°∂<ì H£ ˜ Hˆ =ÅO w`«Å∞ ã¨iáÈ=Ù, ^•xÖ’ 'ÉèÏ=O— LO_®e.
HÍ~°∂<ì H£ ˜ `«y# "åºYº ‰õÄ_® J=ã¨~O° Hõ#∞Hõ HÍ~°∂xì ãπHì ˜ ÉÁ=∞‡
w¿ã <≥Ñ· Ù¨ }ºO`À áê@∞, PÖ’K«<å â◊HÎ̃ =ÙO_®e, ÉèÏ+¨ g∞^Œ Ѩ@∞ì
LO_®e. ã¨O㨯 $u `≥eã≤ LO_®e. ™ê=∂lHõ ã¨Ê $Ç¨Ï Hõey LO_®e,
HÍ~°∂<ì Å£ #∞ K«∂¿ã "åi K≥`· <« åºxfl "≥∞~°∞QÆ∞ Ѩ~K° Q« ÅÆ QÍe.
=∞# ^ÕâO◊ Ö’ HÍ~°∂<ì £ ~°OQÆOÖ’ QÆ\ ì̃ ѨÙ<å^Œ∞Å∞ "Õã#≤ "å~°∞
ZO^Œé’ L<åfl~°∞. â◊OHõ~ü Ñ≤à¡ı `«# g∞^Œ Zxfl =ºOQƺz„`åÅ∞ wã≤<å,
<≥„Ǩ˙ J`«#O>Ë ZO`À W+ì̈ Ѩ_"Õ å~°@! P~ü Hˆ ÅHõ∆ ‡}ü 'HÍ=∞<£
=∂<£— Ö’ „Ѩf XHõ¯~°∂ U^À ã¨O^Œ~ƒ° Où Ö’ Jk `«# QÆ∞iOKÕ J#∞‰õΩ<Õ
"å~°@!. T"≥∞<£ =∞~˘Hõ ã¨∞„Ѩã^≤ ∞Œ _ú ∞» . =∞# WO\’¡H˜ =¿ãÎ - ÉÏѨÙ,
ã¨`º« =¸iÎ, [Ü«∞^Õ",£ â◊O‰õΩ, K«O„^Œ, "≥∂ǨÏ<£, ÉÏ|∞, ÉÏe, aflO,
ã¨~ã° ,≤ =∞e¡H,± ÉèQí "Æ å<£, â◊OHõ~,ü âıY~ü, <åyâ‹\ ,ì̃ ѨÙeK≥~,¡° ~åQÆu
ѨO_»i, HõàÏ™êQÆ~,ü Hõ$+¨H‚ ë˜ È~ü =Å∂¡i, =∞ÖÏ¡~Ô _ç,¤ Nx"åãπ J`«ÅÎ ∂i
=ÔQ~· åÅ∞ HÍ~°∂<ì £ ~°OQÍxfl ã¨∞ã¨OѨ#flO KÕ™ê~°∞, KÕã∂¨ Î =Ù<åfl~°∞.
giÖ’ KåÖÏ=∞Ok *ÏfÜ«∞ JO`«~å˚fÜ«∞OQÍ QÆ∞iÎOѨ٠á⁄O^•~°∞.
JO`«~å˚ÅOÖ’#∂ '=ÚYѨÙãÎ̈HOõ —Ö’#∂ ã¨∞ÉèÏx (^ŒH¯õ <£ „HÍxHõÖò),
ã¨f+π PKå~°º (Hõ~åfl@Hõ) ã¨∞~ˆ O„^Œ, ™êfiu =_»=¡ ¸_ç ÖÏ\˜ "å~°∞
HõxÑ≤ã¨∞ÎO\Ï~°∞.. g~°∞ ã¨fiÜ«∞OQÍ HÍ~°∂ìxãπìÅ∞, HÍ~°∂ì<£ g∞^Œ
Jaè=∂#O`À Ѩ~fi° `ü âıY~ü, ~°™ê`«‡Hõ"∞≥ #ÿ "å\˜x „Hõ=∞O `«Ñʨ ‰õΩO_®
áÈãπì KÕã∞¨ OÎ \Ï~°∞.
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 HÍ~°∂xì ãπÅì ∞ ~å[H©Ü∞« q=∞~°≈Å∞ KÕÜ∞« _»"∞Õ H͉õΩO_®, ™ê=∂
lHõ áê„`«#∞ Jxfl q^è•ÖÏ x~°fiÇ≤ÏOKåe. HÍ~°∂#ì Ö¡ ’ Ǩ㨺O „Ѩ^•è #
"≥∞ÿ#ѨÊ\˜H©, ã¨=∞HÍb# ã¨=∞㨺ÅÃÑ·# ‰õÄ_® ã¨ÊO^Œ# =ÙO_®e.
Ѩ~åº=~°} ~°H} ∆õ ã¨=∞㨺 W\©=Å ZO`À „áêK«∞~°ºOÖ’H˜ =zÛOk,
K≥@x¡ XHõ KÀ@#∞Oz =∞~˘Hõ KÀ@∞H˜ =∂ˆ~Û >ˇHÍflÅr JO^Œ∞ÉÏ@∞
Ö’H˜ =zÛOk, HÍ~°∂<ì Ö£ ’ QÆ$ǨÏã¨∞_Î ∞» WÅ∞¡ =∂~°∞`«∂, `«# ‰õΩ@∞O
|O`À `«# ™ê=∂#∞`À `«~e° áÈ`«∂ `«# WO\˜ =ÚO^Œ∞#fl K≥@∞ì#∞
‰õÄ_® `«=∞`À fã¨∞HÔ à◊_¡ O» z„u™êÎ_∞» =Å∂¡i. ~°q ‰õΩ=∂~ü H˘O_®‰õΩ
XHõ „Ѩ`ºÕ Hõ`« LOk. ÉèÏëêâß„ãÎ̈OÖ’ Jaè~∞° z LO_»@O`À, `«#∞
w¿ã z„`åʼnõΩ ã¨=∞‰õÄiÛ# "åºYºÅÖ’x Ѩ^•ÅÖ’x "≥z· „ux ™ê^èŒ
<åÅ∞QÍ LѨÜ∂≥ yã¨∂Î LO\Ï~°∞. J`«x HÍ~°∂<ì À¡ <å~°^∞Œ _çH˜ =O\’¡
'S~°<—£ `«‰Ωõ ¯=QÍ =ÙO^Œx "≥^· ∞Œ º_»∞ 'W#Ѩ â◊#QÆefl QÆ∞yæà§◊ x u#=∞x
q∞h Hõ^Œä
J^ÕO ^Œ∞~°^$Œ +ì̈"∂≥ HÍh ~å=¸‡iÎ `«# H˘_»∞‰õΩ#∞ ZHõ¯_À
JHõ¯_» L^ÀºQÆOÖ’ ÃÑ\ÏìÅx â◊`q« ^è•ÖÏ „ѨÜ∞« `åflÅ∞ KÕã∞¨ <Î åfl Jhfl
x„+¨ÊÜ≥∂[#O J=Ù`«∞<åfl~Ú. D<å\˜ Ü«Ú=‰õΩʼnõΩ Ѩi*Ï˝#O Ö’Ñ≤Oz
'Ѩ~*° Ï˝#O— ÃÑiyáÈ~ÚOk. Jã¨ÖË _ç„wÖ’ J`≥ãÎ ~¨ ∞° =∂~°∞¯Å∞. P
ÃÑ#· K≥_∞» ¿ãflǨÅ∞ H˘_»∞‰õΩ#∞ ÉÏQÆ∞ KÕ™êÎÜ∞« #fl #=∞‡HõO J`«xÖ’
~ÀA~ÀA‰õÄ ã¨#flyÅ∞¡`ÀOk. J~Ú<å ‰õÄ_® ZO`À=∞Ok HÍà◊√§
Ѩ@∞ì‰Ωõ x ''r`«O W=fiHõáÈ~Ú<å Ѩ~åfiÖË^∞Œ =∂ "å_çx U^À q^èOŒ QÍ
^•iÖ’ ÃÑ@ìO_ç KåÅ∞—— JO@∂ „áê^èÜ Õ ∞« Ѩ_∞» `«∞<åfl_»∞.
''UO\’Üü∞. g∞ "å_ç `À\˜"åà◊O¡ `å â◊√„ÉèOí QÍ ã¨OáêkOK«∞
‰õΩO@∂ LO>Ë g∞ "å_»∞ =∂„`«O JKÀÛã≤# POÉ’`«∞ÖÏ ~À_»∞#¤ Ѩ_ç
u~°∞QÆ∞`«∂ =ÙO>Ë XHõ `«O„_çQÍ U =∂„`«O ÉÏ^躌 `« fã¨∞HÀ"Õ? =ÚO^Œ∞
J`«xÃÑ· =∞=∞HÍ~åÅ∞ `«yæOK«∞‰õΩx WO\’¡Oz `À¿ã~Úº. Hõhã¨O
uO_ç HÀã¨"∞≥ <ÿ å ZHõ¯_≥<· å Ѩx KÕã∞¨ ‰õΩO\Ï_»∞. #∞qfiÖÏ WO\’¡ J_»O¤ QÍ
"Õ∞ѨÙ`«∞#flO`« HÍÅO "å_çÖψQ áÈH˜s ¿ãflǨÅ∞ =∞iy, J=∂‡~ÚÅ`À
HÍňHÑ∆ O¨ ÉË+µ¨ QÍæ KÕã∞¨ ‰õΩO@∂ QÆ_¿ç Ñã¨∂OÎ \Ï_»∞—— JO@∂ `≥eã≤#
"åà◊√§ XHõi^Œ~Ì ∞° Hõi#î OQÍ<Õ ÃÇÏK«ÛiOKå~°∞.
*’ˆHã¨∞‰õΩO^•O
Éèí~°Î: U"Õ∞"£..F\˜ QÆ=∞xOKå"å.? D
=∞^躌 <å KÕ`∞« Å∞ á⁄\ì̃QÔ #· @∞ìÖ=Ë Ó.?
ÉèÏ~°º: ÃÑà‹§· # H˘`«ÖÎ ’ ã¨∞<åÜ«∂ã¨OQÍ
=ÚO^Œ∞‰õΩ =Oy HÍà◊§‰õΩ KÕ`∞« ÖÏxOKÕ
"å~°∞. KÕ`«∞Å∞ á⁄\˜ìHÍÖËkѨÙ_»∞..á⁄>Ëì
ÉÏ#O`≥·Ok.
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JO>Ë, J`«QÍ_»∞ J#ã¨∂Ü«∞x =O_ç ÃÑ@ì=∞x HÀ~°_O» , áœ~å}˜Hõ
=ã¨∞=Î Ù‰õΩ P^è∞Œ xHõ`« ~°OQÆ∞ ѨÓÜ«∞_»O WHõ¯_ç qâı+O¨ . PÖ’zOѨ
KÕ¿ã J`«x =∞~À HÍ~°∂<ì £ "≥∂n <À@∞¡ ~°^∞Œ Ì KÕã#≤ ѨÙÊ_»∞, #~°|Hõ‰∆ Ωõ Å∞
#QÆ~"° åã¨∞_çx ãÎ̈OÉèÏxH˜ Hõ\ ,ì̃ "å_ç <À@¡H@õ Åì `À<Õ "å_çH˜ =∞O@
ÃÑ@ì_O» . Wk "åºYº ÖËx =ºOQƺ z„`«O. "åºYº~°ÇÏ≤ `« HÍ~°∂<ì Å£ H˜
„Ѩ^=Œä ∞ ™ê÷#O ^Œ‰Ωõ ¯`«∞Ok.
HõÅQÆ∂~° QÆOѨÖÏ¡\ ˜ Ѩ„uHõÅ∞ J<ÕHOõ L<åfl~Ú HÍx, Hˆ =ÅO
Ǩ™êºxfl JOkã¨∂Î JO^Œih PǨ^¡ ÑŒ i¨ KÕ Ñ¨„uHõÅ∂ J>Ëì L#fl@∞ì
ÖË^∞Œ . Ǩ˙º=∞~üToons 㨉Ωõ @∞O| Ǩ㨺Ѩ„uHõ Ǩ㨺„Ñ≤Ü∞« `åfixfl
ѨOK«_®xH˜ ~å=_»O Jaè#O^ŒhÜ«∞O. HÍ~°∂<ì £ HõàÏaè=$kúH˜ D Ѩ„uHõ
`À_»Ê_»∞`«∞O^Œx Pt™êÎ#∞. Wk JO^Œi P^Œ~å#∞~åQÍÅ#∞ K«∂~°
Q˘O@∞O^Œx Ptã¨∞<Î åfl#∞.

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U ^Õ=Ú_»∞ ~å=¸‡iÎ "≥Ú~° q<åfl_À
HÍh XHõ~ÀA J`«xH˜ ÉÏQÍ `≥eã≤# ÉèÏ㨯~ü
J<Õ q∞„`«∞_»∞ J`«x H˘_»∞‰õΩ#∞ fã¨∞‰õΩx
JÔ~O˚ \òQÍ K≥<fl·≥ ~°=∞‡x J`«x HÀã¨O =∞Oz *ÏÉÁHõ\ ˜ Z^Œ∞~°∞ K«∂™ÈÎO
^Œx Hõ|∞~°∞ ѨOáê_»∞. ^•x`À P#O^ŒO Ѩ@Öì HË õ Hõ} ∆ O PÅ㨺O
KÕ¿ãÎ J=HÍâ◊O KÕ*Ïi áÈ`«∞O^Œx H˘_»∞‰õΩ ÃÑ_»~Ô Hõ¯Å∞ qiz "≥O@<Õ
K≥<fl·≥ ѨÜ∞« #=∞Ü«∂º_»∞. J`«x J^Œ$+ì̈"∞£ ÉÏQÆ∞#fl@∞ìOk q∞„`«∞_»∞
ÉèÏ㨯~ü ã¨Ç¨ Ü«∞O K≥Ü∞« º_»O`À ~å=¸‡iÎ H˘_»∞‰õΩ‰õΩ =Ù^ÀºQÆO ~å=_»O,
ZÖÏQÆ∂ JO`« ^Œ∂~°O =KåÛ_»∞ Hõ#∞Hõ ~å=¸‡iÎ K≥<fl·≥ Ö’x J`«x
Hõl<£ WO\’¡ Ô~O_»∞ ~ÀAÅ∞ ã¨~°^•QÍ QÆ_çÑ≤ u~°∞QÆ∞ „Ѩܫ∂}O
Hõ\Ïì_∞» . WO\˜H˜ KÕ~ˆ @ѨÊ\˜H˜ =Ù^ŒÜ∞« O P~°∞ QÆO@Å~ÚºOk.
H˘_»∞‰õΩ =Ù^ÀºQÆO q+¨Ü∞« O ÉèÏ~°º‰õΩ ѨÓ㨠QÆ∞zÛ#@∞ì K≥áêÊÅx
`«Å∞Ѩ٠^Œ|^ŒÉÏ ÉÏ^•_»∞. Pâ◊Û~°ºO! P `«Å∞Ѩ٠`≥izOk ™êH∆Í`«∞Î
J`«x H˘_»∞Hˆ .
L^ÀºQÆO =∂<Õã≤ `«#Hõ<åfl =ÚO^Õ WO\˜H˜ KÕ~å_»x `≥e™êHõ
~å=¸‡iÎ q^Œ∞º^•…`O« `«ye# "å_çÖÏ „=∂#Ê_çáÈÜ«∂_»∞.

_®Hõ~ì ü : J^ÕO\˜ ÉÏ|∂..KåÖÏ W|ƒOk
Ѩ_∞» `«∂ ‰õΩO@∞`«∂ #_»∞ã¨∞<Î åfl"£..<Õ#∞ P~À÷
_®Hõìifl..F™êi H˜¡xH±H˜ =zÛ HõÅ∞"£, Jx
ql\˜OQ∑ HÍ~ü¤ W=fiÉ’Ü«∂_»∞.
„ѨÉÏè Hõ~ü : T~À¯O_≥ÃÇÏ..=ÚO^Œ∞ K≥ÑÙ¨ ÊÅ∞
‰õΩ>Ë"ì À_»∞ ZHõ¯_»∞O\Ï_À K≥ÑÊ≤ ѨÙ}ºO QÆ@∞ì
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^äŒ Pã¨∞Ѩ„u =º=Ǩ~åÅ∞, _®Hõì~°¡ ^ÀÑ≤_ôÅ∞ QÆ∞iOz q#@O =ÖÏ¡
™⁄O`« "≥^· •º<Õfl #=Ú‡‰õΩx ã¨O™ê~°O <≥@∞ìH˘x =ã¨∞<Î åfl_»∞.
P q^èOŒ QÍ ~ÀAÅ∞ [iyáÈ`«∞#fl ã¨=∞Ü«∞OÖ’ „ѨHÍâ◊O Z_»=∞
Éè∞í [O XHõ ~ÀA# H˘kÌQÍ <˘Ñ≤Ê KÕãO≤ k. "≥O@<Õ JO^Œ∞ÉÏ@∞Ö’
=Ù#fl `«# ÃÑ~°\Ö˜ ’x U^À K≥@∞ì P‰õΩÅ#∞ <åÅ∞QÆ∞ `≥OÑ≤, "≥∞`«QÎ Í
Ü«∞O.Ü«∞ãπ. âß~ÚÉÏ|∞ #∂i, Éè∞í *ÏxH˜ Ѩ\ì© ÖÏQÍ "Õâß_»∞.
=∞~°∞<å\˜H˜ <˘Ñ≤Ê `«QHæÆ õ áÈQÍ Z‰õΩ¯= J~ÚOk. "Õ_ç h\˜
i>ÿ̌~ü J~ÚáÈ~Ú# „ѨHÍâ◊O `«# ™⁄O`« =Ó~°∞, ™⁄O`« HÍѨ@O ÃÑ\Ïì_∞» . _ôÑπ „Ѷ*≤ Öò ’x Sãπ =ÚHõ¯Å`À ~°∞^•Ì_∞» . <˘Ñ≤Ê
WO\’¡H˜ =∂~°∞=¸Å Ѩ֡ˇ J~Ú<å "å`å=~°}O „ѨâßO`«OQÍ ÃÑiyO^Õ QÍh `«QÖæÆ ^Ë ∞Œ . `≥eã≤# Jxfl ~°HÍÅ "≥^· •ºÅ∞ JÜ«∂º~Ú.
=ÙO@∞Ok Jx ÉèÏqOz `«# =∞HÍO =∂~åÛ_»∞. z=~°‰Ωõ K≥~Úº ÃÑ·HÔ `«ÖÎ xË Ñ¨iã≤u÷ =zÛOk.
`«# g∞^Œ `«#‰õΩ 'Ju #=∞‡HõO— LO_»@O =ÖÏ¡, „Ѩã∞¨ `
Î « ÉèÏ~°º ã¨∞*Ï`« ''Ǩã≤Ê@Öò‰Ωõ "≥o¡ ~°O_ç.—— Jx K≥qÖ’ WÅ∞¡
Hõ@∞ì‰Ωõ x áÈi<å -q+¨Ü∂« xfl KåÖÏ `ÕeHõQÍ fã¨∞‰õΩ<åfl_»∞.

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 L#fl@∞ìO_ç „Ñ¨HÍâßxH˜ XHõ ~ÀA XHõ PÖ’K«# =zÛOk.
'=∞#O ‰õΩ_ç KÕ`ÀÎ Z‰õΩ¯=QÍ „â◊=∞ KÕã¨∞ÎO\ÏO. JO^Œ∞=Å¡ ~°HõÎ
„Ѩ™ê~°O ™êѶQ‘ Í [iy, ‰õΩ_ç Éè∞í *ÏxH˜ <˘Ñ≤Ê J<Õk `«fi~°QÍ ~åHõ
áÈ=K«∞Û. „â◊=∞ `«‰Ωõ ¯= J=@O =Å¡ Z_»=∞ Éè∞í [OÖ’ ~°HOÎõ QÆ_¤»
Hõ\˜ì =ÙO@∞Ok.—... WÖÏ PÖ’zOz# „ѨHÍâ◊O P ~ÀA #∞O_ç
‰õΩ_ç KÕuH˜ q„âßOu xzÛ, ‰õΩ_ç KÕ`ÀÎ KÕÜ∂« eû# Ѩ#∞Å#∞ ‰õÄ_®
Z_»O KÕ`ÀÎ KÕÜ∞« ™êQÍ_»∞.
~Ô O_»∞ ~ÀAÅ =~°‰Ωõ ÉÏQÍ<Õ LOk. =¸_»= ~ÀA #∞O_ç
Z_»=∞ Éè∞í [O <˘Ñ≤Ê ÉÏQÍ Z‰õΩ¯= HÍ™êyOk. JO`Õ HÍ^Œ∞.. P
<˘Ñ≤Ê z#flQÍ ‰õΩ_ç Éè∞í [OÖ’ ‰õÄ_® "≥Ú^ŒÅ∞ J~ÚOk. "≥Ú^Œ\˜
™êiQÍ `«# ™⁄O`« "≥^· ºŒ O g∞^Œ #=∞‡HõO ã¨_e» Ok „ѨHÍâßxH˜.
J~Ú<å ~Ô O_»∞ ~ÀAÅ áê@∞ K«∂^•ÌO.. Jx x~°~‚ ÚOK«∞‰õΩ<åfl_»∞.
=∞~°∞<å_»∞ x„^Œ ÖËz, KÕ`∞« Å∞ Hõk¿Ñã¨iH˜ ~Ô O_»∞ Éè∞í *ÏÅ∞ ÉÏQÍ
<˘Ñ≤Ê JxÑ≤OKå~Ú. HõkeOK« ÖËHõ `«Ñʨ xã¨i Ѩiã≤` ÷ ∞« Ö’¡ ÉèÏ~°º
ã¨∞*Ï`«‰Ωõ q+¨Ü∞« O K≥áêÊ_»∞.
ã¨∞*Ï`« "≥O@<Õ KÕuÖ’x \© HõÑÙ¨ Ê#∞ \©áêÜü∞ g∞^Œ ÃÑ\ì̃..
=O@ QÆk Ö’H˜ "≥o,¡ ‰õÄ~°Å∞ `«iQˆ Kå‰õΩ#∞ `≥zÛ... KÕuÖ’ Ѩ@∞ì‰Ωõ x
Z^Œ∞~°∞QÍ xÅ|_çOk.
LeH˜¯Ñ¨_®¤_∞» „ѨHÍâ◊O. Jã¨ÖË KÕ`∞« Å∞, Éè∞í *ÏÅ∞ <˘Ñ≤Ê`À
K«ã∞¨ OÎ >Ë D Kå‰õΩ`À `«##∞ á⁄_»=\ÏxH˜ ã≤^ÑúŒ _¨ #ç ÉèÏ~°º#∞ K«∂ã≤
HõOQÍ~°∞ Ѩ_-ç
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`≥K∞« Û‰õΩ#fl WO_À~ü _≥H~õ̂ \˜"£ áê¡O@∞¡, _≥x¡· OQ∑ >Ë|∞Öò =∂º@∞¡ K«∂ã≤
‰õΩà◊√§‰õΩO\Ï"£— J#∞‰õΩO@∂ ~å[Ѩufl '<Õ<Õ `«=∞i K≥O`«‰Ωõ =K≥Û^Œ#∞—
JOk QÆ∞ѨÙÅÎ "åi Ѩufl.
ǨÏ=∞‡Ü«∞º =∞# Ǩϟ^• `«Q‰æÆ Ωõ O_® W^Õ ÉÏQÆ∞ ÉÏQÆ∞ J#∞‰õΩO@∂
Ü«∞=∞Ѩufl '㨈~ J@∞Å<Õ..=∞# Éèí~°ÎÅ∞ ã¨Éèí #∞Oz =KÕÛ֒ѨÙQÍ
~°O_»∞, "åǨÏ#=Ú Ñ¨OÃÑ^Œ— J#flk ~å[Ѩufl.
'<Õ<Õ Hõ^eŒ =KÕÛ^Œ "åǨÏ#=Ú =Å^Œ∞— JO@∂ Ü«∞=∞^è~Œ ‡°
~åAQÍi "åǨÏ#O QÆ∞~°∞Î KÕã∞¨ ‰õΩO@∂ =}˜HᘠÈ~ÚOk QÆ∞ѨÙÅÎ "åi
Ѩufl.
~å[Ѩufl Ñ≤Å∞ѨÙÃÑ· ^è~Œ ‡° ~åA WO\˜H˜ "≥o#¡ QÆ∞ѨÙÅÎ "åi
ѨuflH˜ XHõ Éè@ í ∞_»∞ Z^Œ∞~˘zÛ ™ê^Œ~O° QÍ WO\˜ =ÚO^Œ∞ `À@Ö’H˜
fã¨∞"≥o¡ ‰õÄ~ÀÛÃÑ\ì̃ '~å[Ѩufl H˘nÌ ¿ãѨ\ Ö˜ ’ qKÕÛ™êÎ~∞° `«=∞~°∞
"Õz LO_»O_ç— Jx "≥O_çQÍ¡ã∞¨ Ö’ L^ŒHOõ WzÛ "≥àÏ¡_∞» .
~å[Ѩufl JÅOHõ~} ° H˘`«QÎ Í U"≥∞<ÿ å KÕãO≤ ^Õ"∂≥ K«∂^•Ì=∞x
`À@Ö’ K«∞@∂ì K«∂¿ãÎ áêѨÙefl "Õ~ÚOz "Õ~ÚOz zÅ∞¡ Ѩ_#ç ÉÏO_ôefl
JHõ¯_»H¯õ _® É’i¡Oz, "åà◊§KÕ "≥∂~ÚOz# ÃÑ^ŒÌ ÃÑ^ŒÌ ~åà◊§ =∞^躌
áêѨÙefl "Õ_hç à◊Ö¡ ’ =ÚOz# QÆOQÍàÏÖ’¡ ѨÓÅ "≥ÚHõ¯Å∞ "ÕãL≤ <åfl~Ú.
H˘xfl z#fl ÃãA · ÉÏO_ôÖ’¡ H˘uÎg∞~°, á⁄k<å ÖÏO\˜q ‰õÄ_® L<åfl~Ú.
"åã¨∞Î J#∞‰õΩO\Ï "åÜ«Ú=ºO ѨH¯õ ^è~Œ ‡° ~åA QÍi "åǨÏ<åxH˜ XHõ
Ã+_»∞,¤ ^•<À¡ ‰õΩ_çu `˘\ì̃ =Ù<åfl~Ú. D"≥∞ ^•fiѨ~° Ü«ÚQÆO #∞Oz
D `À@ JÅOHõ~} ° =∂~°Û<Õ ÖË^∞Œ , J#∞‰õΩO@∂ LO_»QÍ.
XHõ ÉèÜ í ∞« OHõ~"° ∞≥ #ÿ H˘=Ú‡|∂~° â◊|OÌ P `«~åfi`«, Hõ~H‚° ~õ Àî ~°"∞≥ #ÿ
Q˘O`«∞`À #~°HõÖ’Hõ ~å}˜ Ü«∞=∞^èŒ~°‡~å[ Ѩufl "ÕOKÕã¨∞Î<åfl~°Ç¨ÏŸ
Jx XHõ ¿ã=‰õΩ_ç J~°∞Ѩ٠q#Ѩ_ç LeH˜¯ ÖËz #∞OK«∞x ~å[ѨuflH˜
Jaè"å^ŒO KÕã≤Ok QÆ∞ѨÙÎÅ "åi Ѩufl. q∞=Ú‡Å#∞ Ñ≤eÑ≤Oz#
HÍ~°º"Õ∞q∞ J#QÍ JO@∂ <Õ~∞° QÍ q+¨Ü∞« OÖ’H˜ =KÕÛã≤Ok ~å[Ѩufl.
'K≥Ñʨ O_ç ~å}©— JO@∂ Pã¨HQÎ̃ Í =ÚO^Œ∞‰õΩ =OyOk QÆ∞ѨÙÅÎ
"åi Ѩufl.
'=∞ˆ~g∞ ÖË^∞Œ ''Ѩu„=`åWO„^ŒÖ’Hõ—— „áêÑ≤Î J#fl <À=Ú XHõ\ ˜
<ÀK«∞HÀ"åÅx "Õ∞=Ú ã¨OHõeÊOKå=Ú, P <À=Ú‰õΩ W~°∞=k XHõ¯
=∞Ok =Ú`≥^η ∞Œ =ÙÅ∞ HÍ=Öˇ..=∞# #~°H=õ Ú# g∞~°∂ <Õ#∞ `«Ñʨ xzÛ
WOHõ =Ú`≥·Î^Œ∞=ÙÅ∞ Z=fi~°∞#∂ ÖË~°∞, g∞‰õΩ `≥Å∞ã¨∞Hõ^• =∞#
Ü«∞=∞Éè@ í ∞Å∞ JO`å Ѷ∞¨ ’@Hõ „|ǨχKå~°∞Å∞— Jx QÆ∞Hõ¯uѨÙHÀ‰õΩO_®
K≥ÑÊ≤ TÑ≤i Ñ‘Å∞Û‰õΩx PyOk ~å[Ѩufl. Ü«ÚQÆÜÚ« QÍÅ∞QÍ `≥eÜ«∞
xk Dq_»H˜ WO`« ǨÏ~îå`«∞QÎ Í ZÖÏ `≥eã≤Ok D <À=Ú QÆ∞iOz..
H˘OѨfã≤ `«#ÖÏ ^˘OQÆQÍ "å\ÏûÑπ „QÆ∂ѨÙÖ’ KÕiO^• Uq∞\˜?
Ǩ˙º=∞~ü@∂<£û
J#∞‰õΩx P D ã¨`HÎ≥ ÍÅѨ٠ã¨`=Î≥ ∞‡‰õΩ JO`« q+¨Ü∞« O ÖË^∞Œ ÖË J#∞
‰õΩO@∂, 'z`«=Î Ú ÃãÅqÜ«∞ºO_ç ~å}©— JOk =ÚYOÖ’ Ѷe‘ OQ∑û
Ug∞ Hõ#Ѩ_‰» Ωõ O_®.
D"≥∞ JO`«~°OQÆO QÆ∞iÎOz#@∞¡QÍ '<å~°^Œ∞Å "å~°∞ "≥Ú#fl
Ü«∞=∞^è~Œ ‡° ~åA QÍ~°∞ ÖËx ã¨=∞Ü«∞=Ú# =∂ =^Œ‰Ì Ωõ =zÛ Zxfl
Ü«ÚQÍÅ∞ D #~°HÍ# Ѩ_ç LO\Ï=Ù `«b¡ ! D H͈Q #∂<≥Å "åã¨#
D á⁄Å∂º+¨<À¡..~åAQÍi HõO>Ë `«Ñ¨Ê^Œ∞..i>ˇÿ~ü"≥∞O\ò ÖËx Ѩx.
#∞=fi<åfl P <À=ÚÅ <åQÆ=∞‡ÖÏ Ñ¨u„=`å WO„^ŒÖ’Hõ „áêÑ≤Î <À=Ú
<Àz ã¨fi~åæxH˜ "≥à√◊ §.. <åQÆ=∞‡ <åQÆÖ’Hõ=Ú #∞Oz <Õ~∞° QÍ ã¨fi~åæxH˜
„Ѩ"∂≥ \ò J~ÚºOk `≥Å∞™ê?— Jx K≥ÑÊ≤ <À=Ú<ÀKÕ q^è•#O ‰õÄ_®
K≥áêÊ~°∞..Jx qKå~° =^Œ#=Ú`À K≥ÑÊ≤ Ok ~å[Ѩufl.
'=∞#‰õΩ =Ú`≥^η ∞Œ =ÙÅ∞ HÍ"åe JO`Õ Hõ^• ã¨fi~°Öæ ’Hõ=Ú# É’ÖË_∞»
=∞Ok =ÚxѨ`∞« flÅ∞, ^Õ"OÕ „^Œ Ѩufl ZO`«=∞Ok ÖË~∞° g∞‰õΩ qKå~°O
ZO^Œ∞ʼnõΩ ?— JO@∂ `ÕeQÍæ ~å[Ѩufl ã¨=∞㨺 fˆ~Ûã≤#@∞¡ Ѷő ~ÚºOk
QÆ∞ѨÙÅÎ "åi Ѩufl. =∞#=Ú <À=Ú<Àz WO„^ŒÖ’Hõ=Ú#‰õΩ "≥à√◊ §=~°‰Ωõ
JK«Û\˜ "å~°∞ WK«Û\˜H˜ ~å~å^Œ∞. =∞#Ö’Hõ=Ú "å~°∞ K«∂z# Ñ≤^ÑŒ ¨
=∞#Å#∞ JHõ¯_» WO„^ŒÖ’Hõ=Ú# Qˆ e KÕÜÚ« ^Œ∞~°∞.D q+¨Ü∞« O `«#∞
=ÚO^Œ∞QÍ PÖ’zOz#@∞¡ P =∂„`«O <å‰õΩ `≥eÜ«∞^• J#fl@∞¡
K«∂ã≤Ok P"≥∞.
QÆ∞ѨÙÎÅ "åi ÉèÏ~°º Z=ÚHõÅ Pã¨#OÖ’ H˘OK≥O ã¨~°∞̉õΩx
'Éè∂í Ö’HõO #∞Oz `≥K∞« Û‰õΩO^•O ~å[Ѩufl— J#flk L`åûǨÏOQÍ `«#
Éè∂í Ö’Hõ Ü«∂„`«#∞ QÆ∞~°∞Î KÕã∞¨ ‰õΩO@∂.
'Éè∂í Ö’HõO #∞OKå? ZÖÏ `ÕQÅÆ O =∞# Éè~í Åΰ H˜ `≥eÜ«∞‰õΩO_®?
Jã¨Å∞ „|uH˜ LO_»QÍ #~°HÍxH˜ ZÖÏ =™êÎ~∞° #~°∞Å∞?— JO@∂
Pâ◊Û~°ºOQÍ „Ѩâfl◊ Å =~°¬O ‰õΩiÑ≤OzOk ~å}˜.
zH˜¯Ok Q˘„Ô~ J#∞‰õΩx QÆ∞ѨÙÎÅ "åi Ѩufl WÖÏ K≥Ñ≤ÊOk.
'"Õ∞=Ú "≥Ú#fl Éè∂í Ö’HõO "≥o§#ѨÙ_»∞ XHõ z„`«"∞≥ #ÿ =∂#=Ù_çfl QÆ∞ѨÙÅÎ
"å~°∞ =∂‰õΩ K«∂Ñ≤OKå~°∞, J`«x ¿Ñ~°∞ á꺈Hl áêáê~å=Ù. J`«x
Q˘Ñ¨Ê`«#O U=∞#QÍ, U"≥∞<ÿ å á꺈Hl ~°∂ѨOÖ’ JOkOK«QÅÆ _»∞.
Éè∂í Ö’Hõ=Ú# =∂#=ÙÅ =∞^躌 J#∞|O^è=Œ ÚÅ∞ #tOz, J=ã¨~=° Ú
ʼnõΩ S# "å~°∞ ÖËHõ D á꺈Hl áêáê~å=ÙŠѨO@ ѨO_ç#k.
ã¨`º« <å~åÜ«∞} „=`« á꺈Hl z\Ïì – XHõ =∞Ok~°O, ™êfiq∞"åi
Ѩ@O, „Ѩu=∞, ѨÓ*Ïi, Éèí‰õΩÎÅ∞ H˘O^Œ~°∞ P_» H˘O^Œ~°∞ =∞QÆ.
„Ѩ™ê^ŒO, Éè’[#O, Ñ‘@Å∞ J=ã¨~"° ∞≥ #ÿ KÀ "å\˜g∞^Œ HÀ~ÀÛ=\ÏxH˜
^ŒOѨ`∞« Å∞..WÖÏ Kå=Ù‰õΩ, ÃÑo¡H˜ Jxfl\˜H© J`«x =^ŒÌ Jhfl ÅaèOK«∞#∞.
J`«#∞ WѨÙÊ_»∞ `«=∞i =Ú`≥^η ∞Œ J=ã¨~O° f~°ÛQÆÅ_»∞..— Jx QÆ∞Hõ¯
uѨÙÊHÀ‰õΩO_® K≥ÑÊ≤ Ok.
'=∞i =∞#O J`«xx Z@∞Å ã¨O„ѨkOK« QÆÅO? =∞# Éè~í Åΰ H˜
`≥eÜ«∞‰õΩO_® Z@∞Å WHõ¯_»‰Ωõ ~°ÑÊ≤ OK«∞H˘#QÆÅO?— Pâ◊QÍ J_çyOk
~å[Ѩufl.
QÆ∞ѨÙÅÎ "åi ÉèÏ~°º ÉÏ_ô ÖÏOˆQfi*ò =∂iáÈ~Ú HÍÅ∞ g∞^Œ
HÍÅ∞"Õã∞¨ ‰õΩx '`«=∞~°∞ zOuѨ =Å^Œ∞, <å K≥O`« D K«~"° å}˜ HõÅ^Œ∞—
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JO@∂ *ÏÔH\’¡Oz ÃãÖ· Oˇ \’¡ ÃÑ\ì̃# ÖË>ãˇ ìπ Sá¶È<£ fã≤ ~å[ѨuflH˜
K«∂Ñ≤OzOk.
'JkÜÕ∞q∞ Hõ_∞» qO`«QÍ#∞#flk— ‰õΩ`«∂ǨÏÅOQÍ ^•xˆHã≤ K«∂ã¨∂Î
J_çyOk ~å[Ѩufl.
'nxx K«~"° å}˜ JO^Œ∞~°∞.. lÜ≥∂ã≤O "Õã#≤ #~°HOõ , ã¨fi~°Oæ
Jx ÖˉΩõ O_® JO`«\Ï JO^Œi`À =∂\Ï¡_=» K«∞Û#∞..— Jx ~å[Ѩufl
ZHõ¯_» WOHÍ „Ѩâfl◊ Å∞ "Õã∞¨ OÎ ^À Jx '¿ÇÏ QÆ∂QÆ∞Öò –_»Ü∞« Öò áêáê~å"£—
J<≥#∞.
WOˆHO WOˆHO HÍ"åÖË, KåÖË¡ Wk KåÖË¡ iOQ∑\’<£ `«~åfi`«
'ǨÏÖ’ áêáê~å=Ù..W=`«Å– J=`«Å Z=~°∞?—
áêáê~å"£ ! <Õ#∞ #~°HÖõ ’Hõ =∞O„u QÍi ÉèÏ~°º#∞— JOk QÆ∞ѨÙÅÎ
"åi Ѩufl.
'J=∂‡ #=∞™ê¯~°O! K≥Ñʨ O_»=∂‡ <å`À Uq∞ Ѩx?— =∞O„u
QÍi ÉèÏ~°º ^•HÍ `«# á꺈Hl ¿Ñ~°∞ áêH˜áÈ~ÚO^Œ∞‰õΩ ã¨O`À+¨ Ѩ_∞» `«∂
J_çQÍ_»∞.
'=∂‰õΩ 21 =∞Ok =Ú`≥·Î^Œ∞=ÙÅ∞ HÍ"åe, #~°HõÖ’Hõ=Ú#
"åÜ«∞#=ÚÅ∞ JO^Œ∞‰õΩ<ÕO^Œ∞‰õΩ— <Õ~∞° QÍ q+¨Ü∞« O K≥¿ÑÊã≤Ok P"≥∞.
'J=∂‡ #O|~ü 3 á꺈Hl Ѩã∞¨ ѨÙ`å_»∞`À <Õ`p« ~°`À ™ê^•
=Ú`≥^η ∞Œ =ÙÅ∞, <≥O|~ü 2 yÅ∞ì #QÆÅ`À +≤áê¶ #∞ p~°`À H˘OK≥O #_ç
=Ü«∞ã¨∞ =Ú`≥^η ∞Œ =ÙÅ∞, <≥O|~ü 1 á꺈Hr g∞ˆ ~OlH˜ ÉÏQÆ∞O@∞Ok..
Xil#Öò |OQÍ~°∞ #QÆÅ`À, HõOz Ѩ@∞ìp~°Å`À ÃÑ^ŒÌ =Ú`≥^η ∞Œ Å∞
H˘OK≥O HÍãπbì HÍh „=`« Ѷe¨ `«O QͺÔ~O\©.=Ú`≥^η ∞Œ =Ùefl JѨÊ*ˇÑʨ @O
=~°̂H =∂ÉÏ^躌 `« fã¨∞HÔ à◊_¡ O» , kOÑ≤ "≥à§◊ @O „\Ï<£û áÈ~üì g∞^Õ#=∂‡
#~°H=õ ∞O>Ë =∂H˘¯OK≥O Hõ+Oì¨ .. ‰õÄHõ\òÑe¨ ¡ =~°HÔ `· Õ ã¨iHÍh— J<åfl_»∞.
áêáê~å=Ù =∂Hͯ"åeûOk ‰õÄ_® J^Õ. "Õ∞"Õ∞ fã¨∞HÔ à◊`åO
=∂ ™ê÷~ÚH˜ <≥O|~ü 1 á꺈Hl |∞H± K≥~Úº. q∞QÆ`å q=~åÅ∞ "å\òû
JÑπ KÕ™êÎ.g∞‰õΩ ã¨=∞‡`«"∞Õ Hõ^•— ~å}© Jx J_çyOk.
~å[Ѩufl `≥ÅÉ¡ ’~Ú K«∂ã¨∞#Î fl^ŒÖÏ¡ `Õ~∞° ‰õΩx..g∞ "ÕQOÆ =∞<À
30 Ǩ˙º=∞~ü@∂<£û
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K«^=Œ O_ç! K«kqOK«O_ç!!
K«O^•^•~°∞Å∞QÍ KÕ~O° _ç!!!
q_ç „Ñ¨u "≥Å : ~°∞.20/–
ã¨O=`«û~° K«O^•: ~°∞240/–
q=~åʼnõΩ :
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Hõ$+¨Å‚ OHõ, q[Ü«∞"å_»–520 013
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"ÕQÍxfl q∞Oz#k Jx „ѨâO◊ ã≤Oz,֒ѨŠ‰õΩà◊√§‰õΩO@∂<Õ 'z„`«Q∞Æ Ñ¨ÙÅÎ
"å~°∞ Zxfl <Õ~åÊ~°∞, Zxfl Ö’HÍÅ∞ K«∂áê~°∞ D"≥∞‰õΩ, <å Ѩf L<åfl_»∞
ZO^Œ∞ʼnõΩ? `«# "åǨÏ#=Ú ÃÑ#· ZH˜¯OK«∞‰õΩx #~°HÍѨÙi g^è∞Œ ÅÖ’
uѨÊ@O `«Ñʨ Z^Œ∞QÆ∂ ÉÁ^Œ∞QÆ∂ ÖˉΩõ O_® KÕâß_»∞— J#∞‰õΩOk.
QÆ∞ѨÙÎÅ "åi ÉèÏ~°º =∞O„`åOQÆO`À Z=iH© `≥eÜ«∞‰õΩO_®
#~°HõOÖ’H˜ „Ѩ"ÕtOK«∞ \’ÔH#∞¡, =Ú`≥·Î^Œ∞=ÙÅ#∞ `≥K«∞Û@‰õΩ =∞bì
Ü«∂HÔ ûÖò "åǨÏ#=Ú `«Ü∂« ~°∞ JÜ«∂º~Ú. <À=Ú ~ÀA ~å<Õ =zÛOk.
"≥·`«~°}© W=`«Å Ü«∞=∞Ö’HõѨ٠WO`«∞Å∞ W^ŒÌ~°∞ P„`«OQÍ Z^Œ∞~°∞
K«∂ã¨∞OÎ _»QÍ "åǨÏ#=Ú Py#k. #~°HOõ Ö’ WOˆHq∞ á꺈HrÅ∞ K≥Ü∞« º
=KÀÛ J=HÍâßÅ∞ K«∂^•Ì=∞x áêáê~å=Ù ‰õÄ_® =KåÛ_»∞.
ÃÑQ· Í =Ú`≥^η ∞Œ =ÙÅ∞ '#~°H=õ ∞O@∞<åfl"£ JHõ¯_» ZÖÏ LO@∞O^À,
uiy ѨOѨÙ`å~À ÖË^À #∞=Ùfi ‰õÄ_® =¿ãÎ HÍh ‰õΩ^Œ~°^Œ∞— Jx
"åǨÏ#=ÚÖ’ |Å=O`«=ÚQÍ ‰õÄ~ÀÛÃÑ@∞ì‰Ωõ x `≥KåÛ~°∞.
"åǨÏ#OÖ’ =zÛ# #~°HÖõ ’Hõ „Ѩuxkè `«ÖÏ XHõ \’ÔH<£ WzÛ
Ãã#û~ü ^ŒQ~æÆ ° K«∂Ñ≤¿ãÎ #k ^•@ QÆÅ~°x K≥ÑÊ≤ áêáê~å=Ù hk Z„~°
\’ÔH#∞ PQÆ∞ J<ÕO`«Ö’ áêáê~å=Ù QÆ| QÆÉÏ \’ÔH<£ K«∂Ñ≤Oz "≥o§ áÈÜ«∂_»∞.
q∞ye# "åà◊§ KÕuÖ’ ѨKÛ« \’ÔH#∞¡ WOHõ Ѩx KÕÜ∞« =Ù Jx
`«ÅÃÑ· KÕ`∞« Å∞ ÃÑ@∞ì‰Ωõ <åfl_»∞ J`«#∞.
'ZO^Œ∞Hõh?— XHõ¯™êi =Ú`≥^η ∞Œ =ÙÅO`å JiKå~°∞ P„`«OQÍ.
'ѨK«Û\’ÔH#∞¡ Jhfl Ãã#û~ü JÜ«∂ºHõ Z„~°\’ÔH#∞ "≥àϧe.
Z„~°\’ÔH#∞ "≥àϧHõ WOHõ Ãã#û~ü PyáÈ`«∞Ok.. J`«xH˜ S`Õ QÆ∞~°∞QÎ Í
LO@∞O^Œx, XHõ¯_Õ =∞QÍ_»x WKåÛ#∞ `˘O^Œ~Ñ° _¨ .ç .WÖÏ KÕâß_»∞—
Jx K≥áêÊ_»∞ J`«#∞.
=Ú`«Î~Ú^Œ∞=ÙÅO`å "åǨÏ#OÖ’ uiy "≥o¡áÈ`«∞O_»QÍ XHõ
ѨO_»∞=Ú`≥^η ∞Œ "Õ^•OuÖÏ WÖÏ K≥ÑÊ≤ Ok. 'Ѩu„=`å =Ú`«~Î Ú^Œ∞=ÙÅ∞
#~°H=õ ÚÖ’H˜ "≥à§◊ @O JO`« gr HÍ^Œ∞ =k<å— Jx <Õ#∞ K≥ÑÙ¨ `«∂<Õ
L<åfl. Jk 㨈~ WѨÙÊ_»∞ Ѩ@∞ìp~° „_≥· H©¡<£ Y~°∞Û Z=_ç™êÎ_»∞?
Ü«∞=Ú_®? áêáê~å=Ù JHõ¯_Õ LO_ç áêÜÕ∞—.

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J=Ù`«∞Ok. JO`Õ H͉õΩO_® q*Ï˝#âß„ãOΨ , ™êOѶ∞≤ Hõ
âß„ãOÎ̈ ‰õÄ_® ÉÁ=∞‡Å ã¨Ç¨ Ü«∞O`À J~°O÷
_®.Zãπ. KÕã∞¨ HÀ=_»O KåÖÏ ã¨∞ÅÉèOí .
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Ǩ˙º=∞~ü@∂<£û b #=O|~ü 2019 31

 Ǩ˙º=∞

32 Ǩ˙º=∞~ü@∂<£û b #=O|~ü 2019

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Ǩ˙º=∞~ü@∂<£û b #=O|~ü 2019 33

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YzÛ`«OQÍ P áêѨ<Õ qã≤~ˆ ã¨∞O@∞Ok ™ê~ü.
34 Ǩ˙º=∞~üToons
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 The inaugural function of IIC was organized
in Bangalore on 8th June 2001. The then
Governor of Karnataka Mrs. V.S. Ramadevi
inaugurated it and Mr. Ananthakumar, the
central minister, inaugurated a cartoon exhibi-
tion. On the valedictory function on 9th Mr
Ramakrishna Hegde, the then Chief Minister,
inaugurated the IIC website and felicitated 7
leading cartoonists

Indian Institute of Cartoonists

The cartoons now a days have become a pow-
erful and successful medium of communications
across the people. The cartoons are not only
humourous but also educate the readers. They are
one of the most popular section of a newspaper and
are as respected as the editorials.
Though the art of cartooning came to India with
the British, it has grown like a big banyan tree with
the roots dug deep into all the States. There are more
than 1000 professional and amateur cartoonists in
India tickling the funny bones of the readers, mak-
ing them think and act.
There was no national level organization to rep-
resent this class of citizens who brighten the day and
sharpen the people's opinion. A body to recognize
the talent, reward, show case and popularize the art
form was highly necessary if cartooning as a profes-
sion has to flourish and remain attractive. This is
where the Bangalore based Indian Institute of Car-
toonists steps in.
IIC was registered as a non profitable organiza-
tion under Trust act in 2001 to promote the art of
cartooning in India. The Chair person was
Mr.B.V.Ramamurthy, cartoonist, Deccan Herald,
Managing Trustee was Mr. V.G.Narendra and Mr.
B.G.Gujjarappa was a member Trustee. The chief
patron was the legendary cartoonist of India Mr.
Mario de Miranda.
The inaugural function of IIC was organized in
Bangalore on 8th June 2001. The then Governor of
Karnataka Mrs. V.S. Ramadevi inaugurated it and Mr.
Ananthakumar, the central minister, inaugurated a
cartoon exhibition. On the valedictory function on
9th Mr Ramakrishna Hegde, the then Chief Minis-
ter, inaugurated the IIC website and felicitated 7 lead-
ing cartoonists with Lifetime Achievement Award.
The awardees are; Mr. Mario de Miranda, Mr. Pran
Kumar Sharma, Mr. S,D. Phadnis, Mr. Bapu. Mr.
Gopulu, Mr. Yesudasan and Mr, S,K,Nadig. More than
100 cartoonists from across the country had partici-
pated in the function.
Another legendary cartoonist Mr. R.K.Laxman
was felicitated with Lifetime achievement Award in
February 2002 in a special function.
After the sad demise of B.V.Ramamurthy, the
IIC Chairman, Mr. Ashok Kheny, M.D. Nandi Infra-
structure Corridor Enterprise and an ardent admirer
of the cartoons came into the picture to become
Honourary Chairman of the Institute,
Mr. Ashok Kheny provided the Institute 5000
square feet of premises in the heart of Bangalore to
establish the Indian Cartoon Gallery, first of its kind
in India. The premises has a vast, tastefully designed
2000 sq. ft. of Gallery, a conference hall and a space
for a Library.
The Indian Cartoon Gallery was inaugurated in
2007 by the then Governor of Karnataka, Mr.
T.N.Chaturvedi. and the first exhibition of cartoons
was opened. The legendary cartoonists Mr.
R.K.Laxman and Mr. Mario de Miranda visited the
gallery and appreciated it. There was a new cartoon
exhibition of either a professional or an amateur car-
toonist every month. We are preparing for 170th car-
toon exhibition. The Institute and the gallery have
successfully entered the prestigious Limca book of
Records.
The Maya Kamath Memorial Awards Competi-
tion for excellence in political cartoons and Best Bud-

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2019 35
ding Cartoonists award was
started in 2008. Recently 11th
MKMA competition was orga-
nized. These awards have been
instituted by the family of late
Mrs. Maya Kamath.
In 2009, another National
Conference of cartoonists was or-
ganized and again 7 leading car-
toonists were felicitated with Life-
time Achievement Awards. The
awardees are; Mr.Unny, Mr.Kaak,
Mr.Vasant Sarvate, Mr.
T.Venkatrao, Mr. Madhan, Mr.
Toms and Mr. Prabhakar Rao bail.
5th anniversary of the car-
36
toon gallery was celebrated in
2012, Mr. H.R.Bhardwaj, the then
Governor of Karnataka inaugu-
rated the event and a Souvenir
cum dictionary of cartoonists was
released,
Since 5 years Foundation Car-
toon Workshops are being orga-
nized regularly at the gallery and
so far more that 600 interested
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persons were given training in the
art of cartooning. There is a grow-
ing demand to start certificate or
degree courses on cartooning.
There are more than 250
members for IIC from all over In-
dia. Recently, With the continuous
programmes round the year, the
Cartoon Gallery has become a hub
of activities for cartoonists and
cartoon lovers. It has also become
a New landmark of the Garden
City of Bangalore.
V.G.Narendra,
Managing Trustee.


 Mr Shankar Pillai, The pioneer of Indian
cartooning who was observing my cartoons
published in free press journal, sent a word of
appreciation through an official communica-
tion to pay my respect,

V.G.Narendra
Managing
Trustee.
IIC, Bangalore The brain behind the Indian IIC
V.G.Narendra, the brain be-
hind the Indian Institute of Car-
toonist,. The first National level
organisation of cartoonists in In-
dia, was influenced by the cartoons
of the great Shankar during his
school days. Even while in school,
he was contributing cartoons to
several periodicals. During his
college days , he started drawing
pocket and political cartoons for
newspapers. Armed with a science
degree from Karnataka University,
Narendra then headed for Mumbai
to make a career for himself. He
was soon contributing to the illus-
trated weekly of India, Dharmyug
and other magazines. After a while
he joined Ranga Rekha Features,
the first Indian Comic Feature
Syndicate. His pocket cartoon Re-
porter Sanju began appearing in
over 15 dailies in several lan-
guages.
A chance visit to office of the
free press journal resulted in an
invitation to contribute political
cartoons to the paper. His work
caught the eye of Shankar Pillai,
who sent him a message asking
him to meet him in Delhi.
Narendra went over,and worked
with Shankar on an experimental
basis for a week. An impressed
Shankar invited him to join
Shankars Weekly.That was a turn-
ing point in Narendras life.
Two years later, when
Shankars weekly was forced to
close because of the Emergency,
Narendra moved to Bangalore and
joined Samyukta Karnataka daily
as a staff cartoonist in 1976.After
11 years there. He moved to an-
other leading Kannada daily.
Kannadaprabha in which he
worked for 20 years since the es-
tablishment of the Indian Institute
of Cartoonists in 2001, he has been
devoting his time and energy to
promote the art of cartooning in
India, as Managing Trustee of the
Institute. His talents were recog
nised and honoured by Karnataka
Cartoonists Association,
Karnataka Media Academy,
Karnataka Working Journalists
Union, Bangalore press Club,
Karnataka sahitya parishat and
other organisations.
Since my childhood I was
fond of cartoons. While I was
studying in high school, I would
rush to public library to have a
glimpse of Shankar's Weekly
which they used to subscribe regu-
larly. Shankar's political cartoons
attracted me most. Inspired by his
cartoons I started drawing car-
toons for fun. The first taste of
what it means to get one's cartoon
published came in 1965 when my
first political cartoon was pub-
lished in a Weekly. After this step-
ping stone of success, many more
of my cartoons got published.
When I was studying in Col-
lege, a daily newspaper Editor as-
signed me the work of drawing
front page political cartoons regu-
larly. I took it as a challenge and
worked overtime and that Sharp-
ened my acumen. The process of

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developing the art of cartooning thus began and re-
ceived appreciation from one and all,
With the dream of becoming a cartoonist, I
landed in Mumbai. I was carrying with me a degree
certificate (BSc from Karnataka University) and an
album of cartoons published in Daily Newspapers
and Weekly Magazines. There I stumbled upon two
opportunities to draw daily pocket cartoon at Rang
Rekha features (reporter Sanju) and another to draw
political cartoons at the free press journal, a Daily
newspaper both turned out to be very lucky for me.
Mr Shankar Pillai, The pioneer of Indian
cartooning who was observing my cartoons published
in free press journal, sent a word of appreciation
through an official communication to pay my respect,
I visited New Delhi and worked with Mr Shankar for
a week only to return to Mumbai with an assignment
of contributing political cartoons to Shankar weekly
regularly six months later, Mr Shankar offered me to
join his weekly through a dignitary, which i readily
accepted and began the work earnestly. they made
me a professional cartoonist by joining Shankar
weekly
Then came the infamous emergency in 1975 and
there were curbs on freedom of expression Mr
Shankar called and told me "it is very hard to publish
38 Ǩ˙º=∞~üToons
Humor @∂<£û b November
Shankars weekly, sorry, I am left with no other op-
tion but to close it" later I returned to Bengaluru to
be appointed as a staff cartoonist of a Daily News-
paper.
Working with Mr Shankar, and I gained a lot of
experience. He had given me ''low vision" a collec-
tion of legendary cartoonist Sir David Low to study,
which really help me learn the tricks of picking the
wit points in a political development. Shankar al-
ways used to tell me "you have to create a Drama."
Hats off to the legendary cartoonists, Mr Shankar
Pillai and Sir David low.
These 76 cartoons in this book were originally
published in Shankar's weekly during 1970s. there
fore, these cartoons represent the idiosyncrasies of
the politicians of those times.
These cartoons depict the dominance of the then
Prime Minister Mrs Indira Gandhi and emergence
of the opposition movement spreadheaded by Mr
Jayaprakash Narayanan. That was a period when
there was no dearth of faulty decisions by the gov-
ernment and lack of unity and purpose of opposition
that fought against her this provided enough fodder
for my cartoons it really helped me in my profes-
sional journey as a political cartoonist and I enjoy
doing it. -IIC Narendra
#=O|~ü 2019
2019
Humor Toons

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 Subhani is fond of travelling and his sketches
during such travels area visual treat! No
wonder then that he has to his credit more
than 15,000 illustrations in various newspa-
pers and magazines.

Subhani-'Shaik'ing Politics
with punch lines
Subhani Shaikh, popularly known as Subhani, is one
of the most popular Cartoonists of our country. Readers
wait to lap up his Cartoons daily as he is knowon for his
short and sweet punch lines! Subhani (b 1961) is the son
of Dastagir Saheb and Bibi. He hails from Karamchedu in
AP. During his days as a Science student, he used to fre-
quent the College Library to read newspapers and maga-
zines. It was then that he keenly observed the works of
veteran Cartoonists like Bapu, Jayadev and Sathyamurthy.
Also Subhani used to draw sketches of famous Scientists
etc. for his College Souvenirs. He became immensely popu-
lar in College and his cartoons were dispalyed on the no-
tice board. This was a turning point as he got the motiva-
tion to send cartoons various magazines. as his cartoons
were published in the deepavali issues of the popular
telugu magazines he became very well klown. By today's
standards, the remuneration of Rs.16 per cartoon is a pit-
tance, but this amount greatly helped him in his life as a
student. Slowly he started participating in Cartoon Con-
tests and won prizes many a time.
Subhani began his career as an Illustrator and Car-
toonist for the popular Telugu Weekly Andhra Bhoomi
during 1985. Three years later he switched to their daily
newspaper where he worked till 1990 as their Cartoonist.
From 1990 onwards till date he has been working in
Deccan Chronicle as their Political Cartoonist. His cartoons
are also being published in Asian Age since 2003. For his
great service to the world of Cartooning Subhani has re-
ceived numerous Awards. Prominent among them are The
Lifetime Achievement Award from the popular Cartoon
Magazine CARTOON WATCH in the year 2016. In 2017 he
was given the Best Cartoonist Award by Nava Telangana
Newspaper. Besides these, he has also won many awards
and recognitions for participating in international Carton
Contests.
As a freelance Cartoonist, I had the opportunity of
meeting him for the first time at Hyderabad many years
ago. I was bowled over by his humility and his respect for
fellow Cartoonists. He greeted me at his chamber in
Deccan Chronicle with my Caricature and his famous book
''Adaab Hyderabad". Besides this book, he has also pub-
lished two more books - The Drive and Point-Counterpoint.
During October 2017, Telugu Cartoonothsavam was held
at the Indian Institute of Cartoonists, and Subhani gave a
lovely demonstration of his drawing skills then. I was privi-
leged to witness the event and was amazed at the speed
and dexterity with which he drew political leaders so ef-
fortlessly bringing out their salient features with very few
lines.
Subhani is fond of travelling and his sketches during
such travels are a visual treat! No wonder then that he
has to his credit more than 15,000 illustrations in various
newspapers and magazines. As a Cartoonist, Subhani's
achievements are breath-taking. More than 25,000 car-
toons drawn by him have been published in the popular
newspapers - Andhra Bhoomi and Deccan Chronicle.
Subhani is happily married to Bibi and they have a
son and daughter. May he continue to punch more!
-Sridhar Comaravalli
freelance Cartoonist
Former Bank Manager

40 Ǩ˙º=∞~üToons
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 Caricature in a social environment treats
local problems, and therefore we devide a
Agim
krasniqi
Cartoons role in society
Cartoonist
KrAgi..,Kosovo
Cartoon as a part of the vi-
sual art have a big roll in society.
wi mast say something about car-
toon - caricature This kind of vi-
sual art consists of symbols and a
combination of these, the car-
toonist succeeds with his message
through the caricature, expressing
negativity criticizes and provokes
the garbage that strongly influ-
ences the personality and there-
fore also the society.
We are blinded and we know
that the kings have lost their king-
doms, so Napoleon Bonaparte de-
clared that he did not lose battle
on the battlefield but already
weakened his power because of
the caricaturists and their car-
toons.
Caricature in a social envi-
ronment treats local problems,
and therefore we devide a local
cartoon and cartoon with inter-
national character.
Especially if one society is
burdened with many problems of
caricatures of influences and helps
them to encounter these prob-
lems and hence influences and
clashes with this situation. Dis-
playing corrupt politicians and
their emphasis through the cari-
cature leads to their emphasis and
local cartoon and cartoon with
international character.
removal. Because of all this, the
cartoonists are endangered.
Let me also mention this: the
cartoon is divided into two main
groups: a caricature without a
word and a caricature with a text.
Because of this caricature without
a word is of an international char-
acter while a cartoon with local
characters. Thecartoon with lokal
caracter is understood only by
locals only by those who live at
that location and use the language
in which the caricature gives a
message.
Cartoon includes all bran
ches of a society, trade of sports
music, politics and everyday ac-
tivities, positive and negative, and
in all this, with a strong or soft
dose of rubbish, comes out and
gives the company an insight into
the area in which these negative
events occur.
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All this seems to make the
society pay attention to and cor-
rect the irregularities that the car-
toon has sent to the society by
means of its message through the
garbage and critique.
One simple example is one
of my cartoons with a girl with a
bruised lips that works for selfie.
Then all the girls painted and so
posted on Facebook.
But by the appearance of my
cartoon, which through a mild
criticism and humor criticizes such
a phenomenon. Such a phenom-
enon has disappeared for those
who saw the caricature and influ-
enced the others. There are many
examples where the caricature or
cartoon directly influenced the
change of state in the field of
sports trade of communal condi-
tions life and so on.
The role of this kind of visual
art has a powerful influence on
the society and affects the state
of affairs. The readers simply fol-
low the daily print that you have
seen that in this mold visual mes-
sage caricaturists the value of a
novel tells a lot, criticizes, and
segregira problemi. There for cari-
cature has a big role in society.


41

Message
Cartoon and caricature are
two kinds of visual languages
which can be easily understood.
The essence of comic as a main
substance in cartoon or caricature,
enhances the attractiveness and
the popularity of them between
people.comic can also help to
make an effective connection be-
tween them and those who im-
pacted by. A cartoonist (or carica-
turist) is able to narrate a long and
rich story through an illustration or
an image and can communicate
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
with all the people in the world just by these kinds of art even without
using a single word.Cartoon and caricature are graphic arts which
people can profit from and they inform us of people's desires, inter-
ests and their mental disturbances.
Comic, conceptualsm, simplicity and focusing or portraying so-
cial issues and various subjects as main elements just in form of an
image, have made cartoon( or caricature) a great and attractive art.
Sometimes we explain events in fun ways and tell jokes in our
speeches when we are talking with our friends, relatives and also we
use kidding even in advising and alarming to make our audiences ea-
gerly listen and accept our conversations and points. Exactly cartoon
and caricature play this role easily.
Nowadays cartoon and caricature have special place in the
world.Holding valid and reliable Mohammad
festivals,firms and exhibitions and Hossein Akbari,
having huge and positive feed- The cartoonist
backs in society,magazines and so- and caricaturist,
cial media confirm this claim. Iran
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○

Where a cartoonist should be aware of all the Hoping for a green life and
events in society, now this can only be an exception without war!
to the artist's own community or to the entire com-
-Mozhdeh malekoghil,
munity of the world.
Bandar-e anzali
Humans usually keep most of what they see vi-
sually in their memory. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
So a cartoonist is more successful than the me-
dia like radio and television news that is heard in the I wish you all the best .. In
news. the issue of this monthly maga-
And as it turns out, the cartoonist's job is to zine .. It is a wonderful and an
exaggerate a subject so that it can affect the view! excellent step.. Congratula-
For example, let's talk about the issues of the tions my friend.
day now that have been of much interest to most -Qasim Qapalan , Iraq
cartoonists.These include immigration, the environ-
ment, war, peace and more...!
Now if we want to explain this further, we have
a lot of environmental problems today that could
be water scarcity or various pollution.
All of these, in my opinion, are made by human
beings themselves.I believe we humans are respon-
sible for everything in society by building huge fac-
tories and buildings, destroying a large part of the
forests and green fields and ...And we've also turned
our sky from blue to gray!Now a cartoonist can help
his community save it from danger.
I am happy to be a cartoonist myself and to be
able to help my community and the world with my
work!
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 Cartoons should be viewed with a pinch of
salt. Having said that, I also feel
Cartoonists must impose a Laxman Rekha
on themselves so that they don't hurt
anyone.
Sridhar
Comaravalli

Cartooning in India
freelance
Cartoonist

We Indians are known for our sense of humour.
We can laugh at ourselves. In my opinion, it is this fac-
tor that is responsible for the growth of Cartooning in
India.
We have been cartooning since ages. But it was
only in the 19th century that it spread far and wide in
our country as the legendary Cartoonist Shankar Pillai
introduced political cartooning. Shankar Pillai is con-
sidered the Father of modern political cartooning. He
founded "SHANKAR'S WEEKLY" in 1948 and since
then cartooning has taken off and is flying high! Shankar
was so popular that our Ex-Prime Minister Jawaharlal
Nehru once said "Don't spare me Shankar"!! Shankar
also nurtured many Cartoonists like OV Vijayan, Abu
Abraham, Kutty Yesudasan etc.
At this juncture we must also remember the leg-
endary figure in Indian political cartooning - R K
Laxman. Laxman's pocket cartoons in THE TIMES OF
INDIA were such a big hit that politicians cutting across
party lines used to ask Laxman for the original cartoons!
Laxman's cartoons have been featured in The Times of
India for more than half a Century. His cartoons are rel-
evant even to this day that they are instantly shared on
social media whenever an event similar to his cartoon
occurs. Such was the vision of this legendary Cartoon-
ist.
When we talk of political cartooning there are so
many names that we remember, but I am not taking those
names, as I only want to write about the importance of
cartooning in this article.
Cartooning is important for the simple reason that
we live in a world where we are so hard pressed for
time that we hardly read unlike the good old days when
reading was a habit. Social media feeds us with news
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now and then to update us about the latest events. But
we hardly have any time for updating ourselves with
the latest news in today's world. It is here that cartooning
comes into play. A cartoon can depict the situation with-
out any caption or words and yet make a deep impact
on the reader. Also the Cartoonist looks at his subject
only through the angle of humour. Hence the impact on
the reader/viewer is immediate. For instance, many
Cartoon lovers "google" for the news on a given sub-
ject after they see a cartoon to know more about the
matter! Thus a Cartoonist educates the viewer about the
important topics of the day in a very unique manner.
Of late, freedom of expression is suffering a lot
due to the rigid stance of various political parties. In
my opinion, Cartoons should be viewed with a pinch of
salt. Having said that, I also feel Cartoonists must im-
pose a Laxman Rekha on themselves so that they don't
hurt anyone. It is always better to avoid Cartoons with
a religious undertone. The famous Cartoonist of THE
HINDU newspaper, Keshav V once told me " Cartoon-
ists should attack the subject, not the person"!
In a Cartoon it is not compulsory for us to get the
likeness of our subject. For instance, if one has to draw
our PM, one has to get his features right like his beard
etc. Also the dress and body language of the subject
conveys a lot. Seeing the cartoon the viewer should
immediately recognise the person drawn. From the view
point of a Cartoonist, this is more easily said that done!
But as the saying goes, Practice makes a man
perfect...and hence we start drawing our subjects easily
once we draw regularly. To become a Cartoonist one
should have that nose for news and a good visual imagi-
nation! Finally the joy that we get when we see our sub-
jects come to life is something that makes our day!


2019 43
 There is no short cut for Art. Keep updating
and keen observation and Practice make
perfect. Now world has become small, use
mostly out of it.

Cartoon man of Kerala

Ibrahim badusha also known as cartoonman is
cartoonist from kerela specialising in Doodle cartoon
and speed caricaturing, live art and make Cartoons
from alphabet. He is married to Safeena. They have
two children, Fathima and Fanan.
His educational Qualifications include a KGCE,
Advanced Programme in Animation and Digital Arts
TOONZ ACADEMY Trivandrum. He runs a couple of
popular Cartoon Columns named 'Easy Drawing' and
'Trinity Mirror'. At present he is working as Anima-
tion cartoon consultant.
His awards include Animaster IGLOO , and the
best animation short film award for 'Hunger 2008'.
To his credits there are 13 books and 3 CDs on
cartooning. He is also the Author of CARTOON HAND-
BOOK published by Kerala cartoon academy. More
than 1000 Easy Drawings of his appeared in leading
newspapers like Nava Hind Times and Deccan. He A. First cartoon published in Indian Expresso
also worked as cartoonist for Heartbeat , a children's Vibes students page that had then adal bihari vajpai
magazine, Padashala childrens suppliment ,Thejus and navaz shareef who are repairing a bus and cap-
Daily. He now presents 'Easy drawing' in Amritha tion was adal rahe in dono ki shareef dosti.
TV..He is former Vice chairman of kerela Cartoon It was featured when i was studying in 8th class
Academy and co host of Cartoon Club . in creasent public school
He has 100 of Books and 3 Tv shows to his credit. Caricature i started drawing when i was young
Conducted several cartoon classes around the drawing my upstate in wall. He appreciated it.
world. Q. When did you start your professional work-
Q. when, where was you born? ing?
A. I was on born 1984 in aluva town Ernakulam A. After studying animation i worked in that field
district, Kerala state for 2years then as Animation trainer in Ani master
Q. what is school and college? (Education Back- and IGNOU IADS collage for 2 more years.
ground) Myself joined SAI Feature syndicate owned by
A. After basic Education, Had KGTE course in ART Venu Variath there my easy drawings were published
and Diploma in Animation from "TOONZ interna- different Indian Newspapers like Krandhi ,Andra
tional Academy" Jyothi, Navabarath Times, Deccan Herald and many
Q. What was your first satirical cartoon or Cari- others
cature? Q. What was your first published artwork?
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 Caricature Prakash shetty is all-time favourite.
Q. Who is the best Cartoonist and caricaturist
in your State?
A. Coming to Kerala cartoonist TOMs has in-
spired 4 generations Political cartoons no one can
match Yesudasan .
Caricaturist Redish ravi has been World class
Q. Do you think who is the best foreign car-
toonist and caricaturist?
A. There are too many too many Sergio Aragon's
is my favourite his cartoon relates to my work and
speed. Work and cartoon without text make my idol.
Q. How much time do you pay for creating an
artwork?
A. First was a silent cartoon for Trinity Mirror A. i am paid 3000 to 5000 for work depending
along with a puzzle page named Kiddle. on the quality and time spend on.
Q. What was your first prize? Q. What are your tools and technique for cre-
A. Won best animation award called IGLOO for ating artwork?
my film HUNGER on theme war. A. I work with sketch pen and digital tab to draw
From there on got Several awards for short 1min- cartoons. Rely on photoshop for colouring
utes awareness movies made on themes like nature Q. What's your recommendation to your col-
conservation ,no smoking .anti drugs and alcohol and leagues?
many more A. There is no short cut for Art. Keep updating
Q. What was your last prize? and keen observation and Practice make perfect Now
A. Outstanding Personality Award from world has become small, use mostly out of it.
Trikakara cultural form regarding the fund raising for Q. What do you think about cartoon and cari-
Flood and spreading positive cartoon on ocean pol-
lution Anti-drugs and relevant themes like Peace in
schools and colleges.
Q. How do you find new ideas?
A. I get ideas while traveling and meeting people
and reading, googling
Q. What's your idea about Inevitable Similari-
ties?
A. From my most of the time people think simi-
larly on same theme. Artist should make extra ef-
fort to make there own impression in to there work.
Q. What do you think about plagiarism?
A. There is nothing like plagiarism. Artist and
everyone inspire from nature and everything around.
But it is duty of an artist to bring uniqueness to the
work by refining them self by exploring world.
Q. Do you think who is the best Indian Cartoon-
ist or caricaturist?
A. Shankar father of Indian cartoon is my
favourite. Shubani and Sateesh Acharya i follow them
keenly.

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2019 45
cature situation in the world?
A. Internet and free data has
made a big revolution. Keep the
peace, love and nature Be creative
in every sense.
Q. Did you ever had prob-
lems with your cartoons or cari-
catures?
A. While i did one Political
cartoon i was attacked by some
parties. Later they withdrawn
when i did another cartoon. I feel
nowadays politicians use cartoon
as there PROMOTION So i am tions. But i prefer to teach cartoon caricatures shows i collaborate
more focused to Awareness car- than being judging. with artist across world. Our cam-
toons. Q. Have you ever worked in paign Draw 4 kerala for flood re-
Q. What was your best car- cooperation with another artist? lief was appreciated by Kerala CM.
toon or caricature? A. We have a group called Q. What's your idea about
A. I expecting it while draw- Cartoon Club. Jointly we have Tamil cartoon and caricature?
ing each time. done Group caricature Cartoon A South India specially my
Q. Have you ever been jury exhibitions like shankar cartoon- state has a 100 years of history in
member in any Cartoon or cari- ist caricature exhibition, Nehru cartoon. Since printed magazines
cature Contest? caricatures and World Cup football are declining more of new and old
A. I have been judge to many caricatures. cartoonist are using digital plat-
school college cartoon competi- and many cartoon camps and forms.

Cartoon is an inseparable kind of art that fights
○

Message
○

against the problems and disadvantages of society

○
○

through the drawing and, in particular, is an art that

○

Cartoons in Society by Frank Granger feeds people with laughter and joy.
○
○

The comic and editorial cartoons are ways of The cartoon contains Satire and Humor, which
○
○

pointing out the absurdities in daily life. In plain lines, differ according to their purpose. Some cartoons are
○
○

a complex subject can be simplified to point out the also included in the text to help clarify and enhance
○

the image's meaning. Humor is a laughing stock, and

○

obvious and not so obvious. Many times a cartoon

○

can be funny, but it does not have to be. Simple truths Satire gets a little bitter or more critical. More spe-
○
○

can be told (as in'Peanuts') and completely off the cifically, satire has a purpose. He criticizes any inac-
○
○

wall craziness can be told (as in 'The Farside') curacies or defects in society. The comic scene de-
○
○

Some of the best cartoons are minimalist, using picted is based on real events, and it seeks to over-
○

the fewest of lines. Others are closer to fine art in come that. When a problem is solved through a
○
○

detail. Cartoons have been around since the cave strong critique of a caricature, it is only when the
○
○

paintings. Now with the changes in media, cartoons work succeeds.

○
○

must adapt to new media and styles. Another great feature of Cartoon Art is that it
○

is not translated, but only by sight,

○

I look forward to the future of cartoons with

○

great anticipation! which is easily understood by the

○
○

people of the world, so we can even

○
○

call it cartoon art. -Makhmudjon

○

-Frank Granger,
○

Eshonkulov,
○

South Carolina
○

Uzbekistan
○

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Humor Toons

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2019 47
 Finally, she has a word of advice for the next
generation. She suggests that one has to hone his
or her skill by religiously practising, participating
and preparing oneself – be it for every day
challenges or a more taxing task.
Dr.Smitha
Bhandare
Kamat
Associate
Proffessor The Lady Cartoonist of India
Dr.Smitha Bhandare Kamat, witnessing the rise of fundamental- Editors may reject such cartoons to
comes across as a humble, wise ists, intolerance, hate, which has avoid controversies. But, the good
moreover a witty person. An educa- become a global trend. With this news is social media provides artist
tionist, columnist and cartoonist, she backdrop, the job of the artists has the opportunity to post their view-
has carved a niche for herself. Her indeed proved to be very demand- point. The possibility of being
name is featured in various interna- ing. She is also of the opinion that trolled exists, but the decision to
tional cartooning events. She’s re- more women should be encouraged make posts public or restrict its cir-
cipient of State Award (Government in the world of cartooning, to give culation is open to the user.
of Goa), Lokmat, Giants Group of their perspective on issues at hand. When asked what are her cur-
Companies and many others. Be- When asked to comment on her rent projects. She disclosed that re-
sides being a reputed research cartooning style and how it has cently, she had done caricatures of
scholar she’s an Associate Profes- evolved over the years. She admit- 30 Indian lady politicians which was
sor in a commerce college in Goa, ted, she started off in a rather casual accepted by Pinkshe Foundation,
she has much to offer to society at manner. It was only when she got a Delhi and her work was converted
large and youngsters in particular. column in a local newspaper, that into a video clip and released on In-
She took us down the memory she got the much required sense of ternational Women’s Day. She is
lane, and confided how she got into direction. She then focused on the currently working on posting art and
art as a means to unwind at the end socio- political issues and eventu- poetry for the month of April, under
of the day and how social media ally stumbled into caricaturing the A Poem A Day. 'She's optimistic that
helped her to showcase her art. She politicians. A self taught artist, she her art and poems will be complied
has a couple of solo art exhibitions enjoyed every aspect of her journey, in a book form pretty soon.
to her credit apart from four books exploring her various facets. Finally, she has a word of ad-
on creative works, one being on We asked her about rejections vice for the next generation. She
cartooning the socio-political issues, and how she coped with the same. suggests that one has to hone his or
which was incidentally well re- She disclosed political cartoons have her skill by religiously practising,
ceived by her fans. She also has a very few takers. Secondly, political participating and preparing oneself
page, ‘A moment in time and more’. cartooning has a certain life span, if – be it for every day challenges or
We got her talking on what are the cartoon is not published within a more taxing task. She also suggests
the challenges that a cartoonist faces, a set time limit, it loses its signifi- that one has detect the comical side
especially being a woman cartoon- cance. Political world is very vola- of life, and with equal zeal grab op-
ist. She highlighted how the Charlie tile, she continued and added that portunities and move ahead in life
Hebdo incident was a turning point many a times circumstances de- with a positive frame of mind. Last
in the field of cartooning and how mands that the cartoonist be blunt, and not in the least consciously be grate-
unfortunately, the recent times are provocative to drive home a point. ful, compassionate and cheerful.

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 Art of Caricature consider one of the oldest arts known by the hu-
Message man being since ancient ages , which it's satirist art and an interna-
tional language, understood art to all world people and one of
Democracy's feature and simple draw for a big idea.It's transforming
the daily life style in satirist way. And has great influence and expresses

○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
WHY
PEOPLE LOVE with true transparency of the Daily issues and difficulties. Taking the
CARTOONS? side of ordinary citizen and expressing his problems, dreams and his
aspirations and ambitions. This is actually what made attracted to Cari-
From small kids to elders.
cature.
Being Single or in a group.
That one world where people Caricature can convey the idea or a message in
are laughed at and laugh at others. a simple way for whole society's figures. With their
multi-diverse Cultures background. It could handle
The cartoons!
issues and problems which required lot of pages in
Be it a Politician, Sports per-
the newspapers to be discussed. -Fawzy Morsy, Egypt
son, Celebrity or anyone from any
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
field, all come under one category,
the humor. Caricature-proofreader of the time we live in
Even the most serious parents Humor is essential in every society. The humor in the press even more.
are so very choosy when it comes Although in recent years it is very censored.
to their children. Yes! Cartoon on I started publishing in the press in 1982 in my native Argentina. I
their dresses! published my work in the press with the Argentine dictatorship of 1983-
A charming art where when a 1986. I never had censorship problem in my newspaper.
person is aggressive, angry, arro- Today in Spain, few media outlets give freedom to cartoonists.
gant, grumpy or stubborn when Something similar happens in the rest of the world. Dismissal of col-
shown in cartoon just gives imme- leagues, cartoonists prisoners, etc ... etc ...
diately way to a funniest mood! I have long chosen social networks for my
The only world where love publications. For now, no work has been censored.
expressed could actually be seen! They are not good times for press drawing.
That tiny heart just above two lov- -Omar Perez, Argentine
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
ers! If lucky enough you might
even hear the cute sound too. Ting! The Importance of the Magazine is to pro-
Once again cartoons are the only mote culture through the Cartoon and its re-
approach. flection culture among people.
What more? Even all the ani- world tension, relief and reflect in creative
mals, plants and objects speak national humor.
here! -Cival Einstein, Brazil
Finally, best way to live life ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○

is to watch a cartoon per day and

I live in Turkey. I was born in 1970 in
have a happy smile on face all the
Kastamonu Turkey. I started drawing cartoons in
time!
high school. I'm an art teacher, and I draw pic-
Cartoons are always lovely.
tures and cartoons.
I participated in national and international car-
Vinod
toon exhibitions and received awards. cartoon is
Acharya, a very strong art of communication for me. The
Bangalore -Yüksel Cengiz ,
language of the cartoon should be mind and
TURKEY
peace. I wish success to your magazine.

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 A cartoonist job is like a mirror to the society. In
addition, a picture is worth 1000 words and
most of the time, cartoons provide comic relief
as well as give food for thought. A cartoonist
captures the pulse of his audience in his work.

The Power of Cartoons

Raghupathi Sringeri is a well known cartoonist, Q.What was your last prize?
whose work on ISRO and Mangalyaan, instantly A. I recently got Consolation prize in International
touched the chord of all Indians and was tweeted by cartoon contest on Liver health awareness, conducted
many celebrities, has been in this field for the past 28 by ILBS, Delhi, India.
years, Working at TCS, he has a rich experience in this Q.How do you find new ideas?
field and has over 15,000 published works till date. A. My ideas are obtained from reading news pa-
He has been an inspiration to many youngsters and pers, magazines and watching news channels etc.
has been involved in many related areas like Cartooning Q. What do you think about plagiarism?
& caricaturing, conducting workshops, demonstrations, A. Submitting someone's work as their own. Pla-
Exhibitions etc. He has been the recipient of many giarism is "wrongful appropriation" and "stealing and
awards and accolades. publication" of another author "language, thoughts,
He feels very strongly that cartoons should engage ideas, or expressions" and the representation of them as
actively with society to find solutions to problems. one's own original work.
I would never approve of plagiarism of any kind,
Q.when, where was you born Sir?
A. I was born on 4th April 1973,in Sringeri,
Karnataka.
Q.what is school and college? (Education Back-
ground)
A. In 1991, I joined college of fine arts, Davanagere
for diploma in fine arts.
Q. What was your first satirical cartoon?
A. My first cartoon was published in kannada maga-
zine 'Vikrama' in 1991.
Q. When did you start your professional work-
ing?
A. After completing my graduation in 1996, started
my career in Kirloskar multimedia as an animator.
Q. What was your first published artwork?
A. As I mentioned earlier, It was in 1991, in
'Vikrama' a kannada magazine.
Q.What was your first prize?
A. In 1996, I had sent my entries to South Korea -
Taejon cartoon contest, and in that contest I got 5th
prize. It was my first Prize in the cartoon field.

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2019 51
in my field or elsewhere. It has to be firmly discouraged
and frowned upon.
Q. Do you think who is the best Indian Cartoon-
ist?
A. My all-time favourite cartoonist in India Sri R.K
Laxman. He was best known for his creation "The Com-
mon Man" and for his daily cartoon strip in Times of
India Newspaper.
Q. Who is the best Cartoonist in your State?
A. 1) My brother Late. Dr. SatishSringeri was a well
known cartoonist in our state, and he was my mentor
and guide, responsible for for my progress in the field
of cartooning right from my childhood days.
2) Sri B.G.Gujjarappa - well known Cartoonist in
our state, from whom I learnt lot of techniques in
cartooning field is my favorite cartoonist...
Q. Do you think who is the best foreign cartoon-
ist?
A. Jack Davis, an American cartoonist and illustra-
tor, known for his advertising art, magazine covers in
Mad magazines is my best foreign cartoonist.
Q. What's the best cartoon that you've ever seen?
If possible send it to us.
A. Chinese cartoonist liu qiang's cartoon - best car-
toon and most memorable one.
Q. How much time do you pay for creating an
artwork?
A. It depends on the cartoon requirement. A simple
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cartoon can take 15 to 20 minutes and complex ones
can take 1 or 2 hours.
Q. What are your tools and technique for creat-
ing artwork?
A. I like all kind of Techniques while creating art-
works. Specially etching style of work, scribbling, wa-
tercolor paintings. However, pencil works are my strong
points.
Q. Which software do you use?
A. Software's like - Adobe Photoshop, Adobe Il-
lustrator, Sketchbook Pro etc.
Q. What's your recommendation to your col-
leagues?
A. Nowadays, most of the cartoonists are attracted
by smart tablets and digital tools and they are think that
it is very easy to create artworks by using these. In my
opinion art enthusiasts should follow basic steps in art,
like pencil sketches, watercolor and so on. Once they
are comfortable and proficient in these, they can try
digital tablets and tools.
Q. What do you think about cartoon situation in
the world?
A. A cartoonist job is like a mirror to the society. In
addition, a picture is worth 1000 words and most of the
time, cartoons provide comic relief as well as give food
for thought. A cartoonist captures the pulse of his audi-
ence in his work.
Q. Did you ever had problems with your car-
toons?
A. Never faced any such kind of situations.
Q. What was your best cartoon?
A. till date more than 15 thousand my cartoons were
published in several magazines and newspapers.
I am most interested in creating awareness related car-
toons specially subjects like water, Pollution, traffic,
Globalization etc. and these cartoons are my best ones
and most memorable ones...
Q. Have you ever been jury member in any Car-
toon Contest?
A. No.
Q. Have you ever worked in cooperation with
another artist?
A. Yes, I did. I was involved in various art related
projects in my career and have worked with different
artists.
2019
 Q.What's your idea about Irancartoon website?
A. One of my best favorite cartoon related website
is irancartoon website. and I always refer this site for
upcoming or latest cartoon contests, Various cartoon-
ists galleries. I love to visit this site often.
Q. If you were born again what did you choose
as your career?
A. I will definitely choose to be an artist again .
Q. Do you think whats the boarder between Car-
toon and Caricature?
A. In my opinion, a cartoon is a simplified illustra-
tion that has a quick and humour subjects in it. A carica-
ture is specifically an illustration of a person drawn in
an exaggerated style to play up their distinctive features.
Q. What and when was your last exhibition?
A. September 24-26, 2019 - 1st international car-
toon exhibition on the subject of Liver Health aware-
ness, conducted by ILBS, Delhi, India.
Three of my works were displayed in this group
exhibition.
Q. What's your description about cartoon?
A. Cartoon is a simple drawing showing the fea-
tures of its subjects in a humorously exaggerated way
Q. Do you think an artist can have enough money
by creating cartoon and caricature? sidered serious or painful
A. It is really tough. but If you are very good and Q. Who is the best artist in Black Humor?
passionate about cartooning or caricaturing, there will A. I don't follow Black Humor so am not aware of
be lot of opportunities and money as well. any best cartoonists in this area.

Q. Who's your favorite artist except in cartoon
world?
A. Sri Chandranath Acharya, a very well known
artist from Karnataka.
Q. What was the last Cartoon book you've read?
A. "The Mad Art of Caricature"
Q. Do you think humor can be learned?
A. What I believe personally is, sense of humor is
inborn, ie. either a person is born with it or not.
If a person is born with sense of humor then it can
definitely be improved by practice.
To start with, if a person does not have one, then I
would say it would be difficult to inculcate. However,
environment and people can change even such a per-
son...
Q. What's your idea about Black Humor?
A. Black humor subjects are that are normally con-

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2019 53
 creation in the development of fied and the patterns were dis-
Message caricature. The first known car-
toons in history were written by
torted and the unprinted cartoon
was introduced.
Leonardo da Vinci. In addition, What are the features of Car-
Gian Lorenzo Bernini has been one toon Art?
CARTOON ART of the building blocks of caricature It falls into the category of
Caricature, which is described art. This art has emerged in Italy drawing and line art.
as exhilarating, thought-provoking and France and has grown. It can be made in black and
and humorous painting by taking In the 20th century, cartoon white or color.
all kinds of events related to hu- art became an integral part of Short and concise ideas are re-
man and society, is an important newspapers and magazines all flected in the pictures.
branch of art where both funny over the world, while humor Humor ability is spoken.
and critical works are put forward. magazines began to have difficulty Pricking messages are given.
Cartoon is the humorous depiction in sustaining their existence. The It makes you laugh and exag-
of any person, idea or an event. cartoons are mostly shaped to gerate. It gives thought provoking
Cartoon is an art of painting. meet the demands of newspapers messages.
The history of the cartoon and magazines. Ultimately, the
goes back to the Paleolithic, cartoon was influenced by move- Ilhan Özdemir
Birkatap Bindost
Mesolithic and Neolithic periods. ments such as expressionism, sur- Cartoon E-Journal
Cave paintings from this period realism and cubism in the 20th Editor in Chief
have been an important source of century; The language was simpli- Istanbul Turkey
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○

I believe cartoons play a very significant role in society, serving as a public

service and a supporter of democracy, educating the public on political and
global issues. They are by far the most powerful mode of communicating truth.
The proof of that is the fact that so many cartoonists are currently being targeted
around the world. I think what makes this art form so impactul, and thus so
threatening to the power structures in society, is two-fold: the use of symbols in
and their focus of serious, pressing matters relating to human rights, injustice,
inequality, ethics, corruption, politics, and religion, etc.
In this modern era of social media, where there is so much polarity, bias,
and combativeness; it is very difficult to broach these subjects which can be so
emotional, controversial and contentious.
The use of symbols to convey these messages al-
lows the artist to take a circuitous route, for it does not
engage the conscious mind directly. Symbols engage
the viewer on a much deeper level, subconsciously, and
thus has the unique capacity to educate, transform and
enlighten the viewer's thinking and feelings. One enters
through the back door as it were, bypassing the obstacles
at the front gate.
-Mary Zins, USA
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○

'The role of humorous and political cartoons within the information, print and -Antonio
electronic media, has a great influence on society, by offering a fast and effective rodrigez
communication, often full of humor and joy, so that the public can face the day by garcia,
day of the events that may impact our different realities. Doing it truthfully and hon- Mexico
estly makes this journalistic genre a true positive communication tool'
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2019

Lets welcome the release of spate of
happy hormones and so also welcome the
gala release of bilingual new-edition of
this magazine promising full of '
P L Varchaswi the best' humour.
Artist,
Cartoonist,
'Pun'orama
Caricaturist,
Author and Poet
Of late, all of us witnessed the na-
tion buoyant in celebrations of
Mahatma's 150 th birth anniversary and
the nation felt proud in doing so high-
lighting peace, tolerance, simplicity, wis-
dom, swachchata amongst many ide-
ologies that were left as traces of
treaded path of the father of the nation.
I wonder these traits are somehow
absorbed in many brush strokes of art-
ists and cartoonists across too, inas-
much as they daub or doodle as such
imbibing all these said nuances in their
frequent outputs, knowingly or un-
knowingly. For example, any artist or
cartoonist handles the crow quill on
drawing-sheet or a stylus on tab in ut-
most 'tolerance' literally and exhibits
equal tolerance while making out a pun-
diagram or a punch-pictogram without
marring the sentiments of the others.
Yes, while depicting any story board an
artist honestly assesses the idea with-
out dragging things into a quagmire of
disputes which is avoidable by showing
forbearance or by having a nice level of
'tolerance'. Any intolerant angle of a
work attracts vehemence rather than
elegance. My extension of this appli-
cation of these traits now goes to 'sim-
plicity' which has a great attribute to the
works of an artist. I need not empha-
size the greatest culture that left indel-
ible imprints on the Indian minds with
a vital factor of 'simplicity'in it. Don't
you feel a single, solid and sumptuous
'simple' line of an artist would deliver a
b face of us that vividly separates us from
b says --'Spreading laughter is BLESS,
smart and intelligent look to the work
or for that matter it paves way to the
run-way that takes-off the viewer to a
lofty heights of laughter. And lo, the
ultimate goal or destination of the
theme of an artist or rather any desti-
nation of an art-form is pervasion or
preservation of 'love and peace' only,
no? So, the role of an artist is to hoist a
work embedding the sense of 'peace' in
his artwork and not that which tatters
'peace' into pieces. And not in the least,
the work should project a kind of 'wis-
dom' In other words, it is that those
works lacking 'wisdom' courts disaster
by landing before legal forums if not
catapulted in a social and other media.
Not a wacky but a work of wisdom
fetches great laurels to an individual.
The list is endless in these connotations
of principled lives of our leaders of our
nation versus fine feathers of crow-
quills in tuning the humour cords or
blossoming the healthy satires.
As this write up has a start up with
Mahatma, his vey quote saying ''If I had
no sense of humour, I would long ago
have committed suicide" sprouts in our
minds and we wonder how exactly he
envisioned the invaluable, ineffaceable,
inimitable and inevitable role of
'humour' that must play in the lives of
the populace giving a balanced breath
of life, next only to oxygen, in the rou-
tine lopsided lifestyles of us. All of us
admit that our life line would be boring
without a line of golden smile on the
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the animal kingdom. Starting from a wit
to smile to chuckle to chortle to giggle
to gurgle and finally to fits of laughter.
This is why the erstwhile comedy doyen
of Tollywood Late Jandhyala has made
it popular through the silver screen that
Laughing is BLISS, and abstaining from
it is an AMISS'. One could enjoy all his
movies well stuffed with soft, subtle and
healthy comedy and needless to say that
all of them happened to be super-duper
hits.
When we laugh, umpteen facial
muscles eases in relaxation and the kind
of pun drawn from nice cartoons would
also work out as analgesic or anti-de-
pressants. While witty things play as
soothers to the physical faculties, the
same are equally applicable to the men-
tal faculties too by way of release of
happy hormones like dopamines and
serotonins and thus giving a pleasant
impact to body and mind alike. So qual-
ity cartoons are not only mere analge-
sics but also anti-fatigues, we must ad-
mit. There goes an established apho-
rism like 'An apple a day would keep the
doctor away' which may or may not be
a practicable theory for everybody but
I need to coin out one here, at the cost
of bestowing your attention, that may
go like 'A look at a cartoon relaxes you
so soon' or like'Go humours and avoid
murmurs of life'. Our cartoonists in
Telugu are second to none in reaping the
harvest of wit and humour if you look
back into the annals of pun and fun gen-
erated elsewhere and their master-
pieces rendered have been emulated by
many others on the other side of the
globe so gleefully. Therefore my dear
friends, let's welcome the release of
spate of happy hormones and so also
welcome the gala release of bilingual
new-edition of this magazine promising
full of 'the best' humour.

55
 From a smile it becomes lighter, warmer and
happier around. The energy of humor im-
proves the balance of life, captivates and
infects with its spiritual power. Humor in
advertising raises attention to goods and trust
in services.
Yuri
SHAMNE
satirist

Humor - a World Religion

comedian
cartoonist

Humor and Caricature are the most ancient
world art and the human sense of a positive percep-
tion of reality and mutual understanding between
people. Therefore, the art of using humor in all
spheres of life can be safely distinguished as an in-
dependent doctrine, science. Humor and Caricature
make our world more morally healthy, joyful, bright,
clean, cheerful, with friendly smiles, strong business,
economic, cultural and tourist ties, so that we can
understand each other without words, in the lan-
guage of good feeling, coming from the depths of
our shower and hearts.
Humor is the most understandable and psycho-
logically perceptible. It is attractive and has no
boundaries. It is perceived at the subconscious level
by a certain, special, sixth sense and is capable of
performing miracles.
Ten Commandments of the Caricaturist
Ten brilliant discoveries on how to make the
world beautiful, become happy, be healthy, prosper
and prosper.
Opening-1. ''Humor - the sixth sense''
Thanks to him, a person feels the pulse of soci-
ety and the collective well, quickly responds to
changes and diseases of the surrounding system at
the very initial stage, when they have not yet shown
themselves. In humor, a person embodies the most
violent fantasies. Very often, images and emotions
invented by a comedian materialize in fashion, sci-
ence, culture, politics, business. And, of course, in
advertising. A professional comedian, without real-
izing it, is able to predict what surprises may arise in
his life; can predict the behavior of a large group of
people in a given situation. The humorist's soul is
endowed with special sensitivity and energy, which
he gives to others. The effect of humor is similar to
the perception of the so-called ''25 frame effect" af-
fecting the subconscious.
Opening 2. ''Humor - a world religion"
When God created Adam and Eve, he smiled at
his creation. This is the joy of creation. Everyone
believes in the power of humor: without it, society
would have been devoid of emotions. Like any reli-
gion, it gives us faith in our strengths, in people, hope
for happiness. A smile is a faithful companion of love.
And all this together is a special state of mind, where
faith, hope and love merge together and are trans-
mitted to society through special, energy channels.
Despondency - a feeling opposite to humor - is con-
sidered one of the seven deadly sins in all religions,
followed by torment in this and another life.
Opening 3. ''Humor - the health of man, soci-
ety, nation"
He is a protective reaction of the body to any
unexpected moments in life. It prolongs life, con-
quers old age, creates a good mood, refreshes the
skin and smoothes wrinkles, protects our nerves,
psyche, heart, liver, lungs, protects against stress,
depression, headache, melancholy, aggression from
others. ''Laughter is the most reliable remedy for all
illnesses" Said Nikolai Vasilievich Gogol. After pro-
fessional comedians, it was the doctors who first
understood this indisputable truth. It prolongs life,
conquers old age, creates a good mood, refreshes
the skin and smoothes wrinkles, protects our nerves,
psyche, heart, liver, lungs, protects against stress,
depression, headache, melancholy, aggression from
others. ''Laughter is the most reliable remedy for all

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diseases" Said Nikolai Gogol.
A smile replaces a lamb chop "they say in Tur-
key, which is considered a''country of stress" Re-
cently, not only Turkish, but also American, European
doctors have been paying great attention to the new
medical science that arose on the realization of the
positive impact of humor on human health -
gelotology, or laughter therapy. This rather young
branch of medicine is studying the effects of laugh-
ter on the human body. Gelotologists, who have al-
ready obtained real positive practical results, note
that laughter helps to overcome pain, treats allergic
skin diseases, relaxes the neck and back muscles, and
stabilizes the brain and heart%. ''Smile even when
it"s hard. Watch as many comedies and funny car-
toons, comics, cartoons as possible, tell jokes to each
other, and in general, believe in the power of laugh-
ter "advise the gelotologists.
Opening 4. ''Humor kills evil"
Dictatorial and totalitarian regimes collapsed
because they were laughed at. Laugh at despots,
dictators, tyrants and criminals! Laugh at the evil
people, and you will immediately see and show oth-
ers their insignificance. Who then dares to defend
the mockery? Adversity is always where people do
not know how to laugh at evil. The world survived
because it knew how to laugh.
Discovery 5. ''Laughter is a weapon that, more-
over, is never put into a pyramid"
He can raise to the heights of glory, or topple
off the pedestal. He is the main enemy of human
vices. Poor people with a black soul are afraid of
one thing - to be ridiculed. This for them is tanta-
mount to public execution. Politicians, parties, au-
thorities, business, standing aside from humor, not
wanting to be friends with him, investing in humor-
ists - are very much at risk. As a rule, they them-
selves quickly become objects of ridicule. The ab-
sence or lack of humor is a syndrome of the collapse
of society, of a person. You can invest billions of dol-
lars in your image, credibility, success. But one co-
median with a successful joke or caricature is capable
of destroying all this in a matter of moments. Re-
member: ''And the king is naked"
Humor for politicians and business people is a
huge force capable of great things. Do not forget
that the jesters emphasize both the splendor and the
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stupidity of kings.
Opening 6. ''Humor - advertising of the lucky. A
smile is a flag of success"
From a smile it becomes lighter, warmer and
happier around. The energy of humor improves the
balance of life, captivates and infects with its spiri-
tual power. Humor in advertising raises attention to
goods and trust in services. And in companies where
they often smile or use humorous exhibitions for visi-
tors, turnover increases by 15%. Do not lose your
sense of humor while striving to achieve your goals.
Opening 7. ''Humor is the most reliable invest-
ment in prosperity"
A smile does not cost anything, but it gives a
lot. Humor is a sign of a charming and prosperous
person. Humorous people are more open and hon-
est. Humor encourages a person to be more active,
gives him the opportunity to more realistically as-
sess what is happening around the event, without
being distracted by the little things and troubles of
life. Laughter is the best business. It increases cre-
ativity.
Try to be friends with comedians, do not hesi-
tate to invest in their work. In response, you will get
much more - interesting ideas, unique opportunities,
wide audiences, the trust of others.
Opening 8. ''Humor is a sign of happy, energetic
and prosperous people"
Make your face gloomy, inhospitable, and ev-
eryone will immediately understand that your busi-
ness is bad. Humor is also reason. Very often, the
formula for your happiness depends on how friendly
you are with humor. The one who often smiles, sin-
cerely laughs, shows how much he is spiritually richer
2019 57
than others. In response, luck, gain, victory smiles Our goal is to give you this opportunity every day to
at him more often. Good people are drawn to him. make it easier for you to live.
Humor gives additional energy, vitality, confidence. Revelation 10. ''If you want to achieve some-
Opening 9. ''He who laughs with a smile laughs thing in life, be able to laugh"
well" No comments are needed here. Try to always
Anyone can upset others, but not everyone can find something funny around you, and this will give
laugh at a society. There are very few people in the you the opportunity to live in harmony with the sur-
world whose profession is humor. Approximately one rounding physical and spiritual world.
such person per 600 thousand population. We do And we are always at your service!
everything to make you happy in life, despite our own Our art is for you!
moral, material and financial difficulties. Stay closer
Welcome to the world of smiles!
to the work of humorists and smile, laugh at him.

Cartooning is another of God's gift do not act politically correct or try to look
to mankind good in front of others. Every object has a
Cartoons are at one level very simple life in cartoons and they can do what any
and yet at another, very complex. The com- ordinary human being can do. Trees, birds,
plexity is not in understanding the same animals, vehicles, mountains, you name
but probably in the thought process that them and they think, act and talk to oth-
goes into its creation. Cartoons are univer- ers including humans. This is a magical world.
sally liked and loved across the globe cut- Vinayak Pai V There is nobody powerful, nobody more equal
ting across age, language, gender, eco- Cartoonist than others. A truly democratic set up.
nomic level and political leanings. Karnataka The genres may be different like so-
There is something magical in the car- highly effective cial cartoons, political cartoons, gag car-
toon form art that is not only a visual me- communication toons, business cartoons etc. But they have
dium but also an intellectual one convey- tool. a universal appeal and an out of the world
ing a laugh, a gag, a story, a view or draw- Cartoon charm. Cartoons show the mirror to one-
ing attention to the rot in society that could characters do self, the systems in an economy and to the
be a social issue, an economical issue, an not behave as world itself! No wonder it is loved by one
environmental issue or a political issue. per the set and all! Cartooning is another of God's gift
People all over the world love car- norms expected to mankind: to both the cartoonist and its
toons as they are visually appealing and a in society: they readers.

Beenu Beenu
Dehra Dun

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 The cartoon may not provide straightfor-
ward solutions, because it's not its job.
The task of the cartoon is to point out and
focus on the major problems of society,
Sepideh
Faramarzi
(Cartoonist,

Cartoon is the third eye of artists

Illustrator and
Medical Genetics
Specialist)

• Cartoon from a general perspective:
Caricature is the art of presenting images of
persons or objects, in which the characteristic fea-
tures of an individual or object are exaggerated, ri-
diculous, and abnormal, depicting the characteris-
tics of the main subject.
Caricature has always been the art of history-
making, and, frankly, cartoon language has made it
one of the most influential visual arts, and it must
be admitted that today's minds tend to be more
visual than text messages, and with the bitter hu-
mor they can bring Influence the community and
viewers to be very positive.
Cartoons and Caricature have an international
languagewith fast transmission power, so they can
get the most out of message training and transmis-
sion in the shortest possible time.
All in all, it might be briefly said that a cartoon
is an image drawn to ridicule something or some-
one. Caricature of a person should be ridiculous and
exaggerate the depiction of the body parts of the
subject and exemplify the personality of the sub-
ject.
Artists - on political issues - draw caricatures
of the real faces of politicians or those who are
somehow newsworthy. Many cartoons are drawn
to make viewers laugh, but some - like political
themes - are funny at first glance but have a pro-
found secondary meaning.
In the literature, the word caricature also re-
fers to a description that is ridiculous or ridiculous
and exaggerates the person or persons described,
and its history goes back to ancient Greece. Charles
Dickens is one of the great writers who has used this
style of ''literary caricature" in his work.
• Cartoon Genesis History
As we all know, the word caricature is derived
from the Italian word caricare (''to load" as with ex-
aggerated detail) first used by Moussini in a varied
form (1646).
Cartoon art is said to have existed long before
the advent of journalism and even the invention of
the printing industry, and in fact has a long history in
human written history. Centuries before cartoon
terms, cartoons (or any title given to them in differ-
ent languages) were invented, this art was well
known in ancient times.
The earliest caricatures of political and social
issues were found in the excavations at Pompei
(Pompei is a commune in Italy, located in the prov-
ince of Naples.), which were hidden under volcanic
lava nearly five years ago. The caricatures were
carved on stone pillars and were exposed to the pub-
lic eye.
Cartoon Types:
There are several types of caricature in design
and design, including:
Simple Cartoon: In this type of cartoon, the pro-
portion of the human body is visually altered.
Emotional Designs: These are caricatures that
are also changing, flawed and ridiculous. In political
cartoons, most of these designs are used.

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 Comics: Journalists usually fill out their comic pages.
The main purpose of these designs is to make readers of
the newspaper or magazine more laughable and not to
pursue designer, educational or social goals.
Caricature of the Day: Its main role is to critique
and interpret daily work and activities in newspapers
and magazines.
Fantasy Designs: They are more or less comical,
but imagination plays a key role.
• The role of caricature in society
Caricature is a popular art genre that criticizes
society, political, social, religious, and so on. The cari-
cature is extremely crude but overall very kind, de-
picting bitter realities with humor to make it bear-
able for everyone.
Sometimes a cartoon carries a large number of
articles and books, conveying the message and
awareness, and is of interest to all segments of soci-
ety, from literate to illiterate.The caricature may be
of more serious use to communities relying on vi-
sual observations and visuals for more messages.
In global societies, the humorous approach to
dealing with political issues and sometimes even ta-
boo issues in society is difficult, but despite the low
level of tolerance and acceptance of criticism, cari-
cature is an influential and popular method.
The most influential art in the world is in the
international field of cartoon and cartoon, because
it can convey a message in all languages of the world
at one point.Caricature is one of the visual arts that
is closest to the problems of the people of the com-
munity, not only because it makes them smile on
their lips, but also because they dare to interpret and
express some of the problems that people in the
community have in the form of humor. Either bitter
with black or white lines, few lines or many lines on
paper (pictured for viewers) and play a major role in
shaping public opinion.
Caricature has a high critique of other visual and
visual arts. In my opinion, the cartoon is at the height
of criticism.Because cartoons are one of the exag-
gerated and humorous paintings, sometimes they
depict sadness rather than smile, expressing the pain
and suffering of society. That is why the power of
cartoons is beyond the reach of written articles,
newspapers, and television.
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Since committed cartoonists have a direct con-
nection with society and the environmental issues
around them, they try to portray the problem in car-
toon form by presenting it to the general public,
which can extend a wide range of issues. Including
political, social, cultural and other topics. For ex-
ample, on social issues and women's rights issues
and on the freedom of expression of that society,
cartoons depicting the problems of that segment of
society such as: women's social rights, equality be-
tween men and women, women's sports, women's
education are portrayed as messages. Cartoons are
more influential and enduring than any other media
in that community.
Cartoonists in every society magnify issues
based on issues that address the basic needs of the
community in question, which create works that can
be a reflection of the community and accelerate the
resolution of the problem. Be. To present such a
work, a cartoonist needs a thorough understanding
of that community and its main problems. A carica-
turist who senses the popular dilemma of society
closely and completely, and engages in it daily to gain
full control of it, can certainly depict a broader view
of his or her pain.
The cartoon may not provide straightforward
solutions, because it's not its job. The task of the car-
toon is to point out and focus on the major prob-
lems of society, to the extent that most governments
are afraid of the cartoon and the cartoonist pencil.
Caricature was once solely dedicated to publications
in various societies around the world, but now we
see that publications are only part of where this art
is presented. This art has been transformed into vari-
ous forms such as festivals, competitions and exhi-
bitions around the world.
His work on humanitarian issues, such as pov-
erty, the effects of war and war, environmental and
economic issues, and more than any other visual arts.
In many international and local seminars in differ-
ent communities, we find the help of caricature ex-
tended for ease of expression. And cartoons are used
in a variety of areas, such as books, education and
culture in subways and municipal advertising ban-
ners, buses, and even in the form of pocket books
on airplanes.

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2019 61
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Printed, published and owned by Cheepuru Jyothi

Printed at Prajasakti daily printing press, M.B.Vignana Kendram, H.No.27-30-4, Akulavari St, Governerpeta,
Vijayawada-520 002, Krishna Dt., A.P
Published at D.No.40-25/1-42/14, Garikipati vaari St., Venkateswarapuram, Patamata, VIJAYAWADA-520 010. Krishna Dt.,A.P
Editor : Ch.Kirankumar
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