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Content, Contextual, and Subtext Analyses are methods of data analysis in historical
research.
Content analysis is a research method for studying documents and communication artifacts,
which can be texts of various formats, pictures, audio or video.
Social scientists use content analysis to quantify patterns in communication, in a replicable and
systematic manner. One of the key advantage of this research method is to analyze social phenomena
in a non-invasive way, in contrast to simulating social experiences or collecting survey answers.
Practices and philosophies of content analysis vary between scholarly communities. They all
involve systematic reading or observation of texts or artifacts which are assigned labels or codes to
indicate the presence of interesting, meaningful patterns. After labeling a large set of media, a
researcher is able to statistically estimate the proportions of patterns in the texts, as well as correlations
between patterns.
Computers are increasingly used in content analysis, to automate the labeling (or coding) of
documents. Simple computational techniques can provide descriptive data such as word frequencies
and document lengths. (Wikipedia, 2018)
a. Goals of Content Analysis
Content analysis is best understood as a broad family of techniques. Effective researchers
choose techniques that best help them answer their substantive questions. That said, according to
Klaus Krippendorff, six questions must be addressed in every content analysis:
The simplest and most objective form of content analysis considers unambiguous
characteristics of the text such as word frequencies, the page area taken by a newspaper column, or
the duration of a radio or television program. Analysis of simple word frequencies is limited because
the meaning of a word depends on surrounding text.
b. Kinds of Texts
There are two general categories of content analysis: conceptual analysis and relational
analysis
1. Conceptual analysis can be thought of as establishing the existence and frequency of
concepts in a text.
1. Conceptual Analysis
Traditionally, content analysis has most often been thought of in terms of conceptual analysis. In
conceptual analysis, a concept is chosen for examination and the number of its occurrences within the
text recorded. Because terms may be implicit as well as explicit, it is important to clearly define implicit
terms before the beginning of the counting process. To limit the subjectivity in the definitions of concepts,
specialized dictionaries are used.
As with most other research methods, conceptual analysis begins with identifying research
questions and choosing a sample or samples. Once chosen, the text must be coded into manageable
content categories. The process of coding is basically one of selective reduction, which is the central idea
in content analysis. By breaking down the contents of materials into meaningful and pertinent units of
information, certain characteristics of the message may be analyzed and interpreted.
An example of a conceptual analysis would be to examine a text and to code it for the existence
of certain words. In looking at this text, the research question might involve examining the number of
positive words used to describe an argument, as opposed to the number of negative words used to
describe a current status or opposing argument. The researcher would be interested only in quantifying
these words, not in examining how they are related, which is a function of relational analysis. In
conceptual analysis, the researcher simply wants to examine presence with respect to his/her research
question, i.e. whether there is a stronger presence of positive or negative words used with respect to
specific argument or respective arguments.
2. Relational Analysis
1. The first step involves preparing a coding schedule. This consists of a table when each row
is a unit for which data is being collected (e.g. an assignment or discussion contribution might
be a unit of data collection). Each column is a dimension or theme for the analysis that will
depend on your evaluation questions. For a discussion contribution for example these
dimensions might be the type of contribution, the contributor, the timing of the contribution.
There should be no overlap in dimensions. Themes are therefore predefined, unlike the
qualitative approach of template analysis where themes may emerge during the analysis.
2. A coding manual is then produced to accompany the coding schedule, listing the codes for
each of the categories that are valid for each dimension to ensure reliability and consistency
in the coding. For example, for the contributor dimension, valid codes and categories might
be 1-student, 2-tutor. There should be no overlap in the categories. Codes for each observation
of a category are entered into the appropriate cells in the schedule.
3. Elements of the content are described and organized using these categories This process is
called coding and particularly if appropriate software is used to aid the process, enables more
efficient sorting and retrieval of data by each category
4 Categories are used to describe the information that is emerging from this data. The unit of
analysis may be different than that used for data collection. This is the level at which data is
analyzed and findings reported. In the example of the discussion forum already used, the
purpose of the analysis is to provide insight into the interaction between the participants and
therefore analysis at the level single contribution would be meaningless. The unit of analysis
would need to be the whole discussion.
The generalizability of one's conclusions, then, is very dependent on how one determines
concept categories, as well as on how reliable those categories are. It is imperative that one defines
categories that accurately measure the idea and/or items one is seeking to measure. Akin to this is the
construction of rules. Developing rules that allow one, and others, to categorize and code the same
data in the same way over a period of time, referred to as stability, is essential to the success of a
conceptual analysis. Reproducibility, not only of specific categories, but of general methods applied to
establishing all sets of categories, makes a study, and its subsequent conclusions and results, more
sound.
a looks directly at communication via texts or transcripts, and hence gets at the central aspect
of social interaction
b. can allow for both quantitative and qualitative operations
c. can provides valuable historical/cultural insights over time through analysis of texts
d. allows a closeness to text which can alternate between specific categories and relationships
and also statistically analyzes the coded form of the text
e. can be used to interpret texts for purposes such as the development of expert systems (since
knowledge and rules can both be coded in terms of explicit statements about the relationships
among concepts)
f. is an unobtrusive means of analyzing interactions
g provides insight into complex models of human thought and language use
h. when done well, is considered as a relatively "exact" research method (based on hard facts,
as opposed to Discourse Analysis).
2. Contextual Analysis
A contextual analysis is an analysis of a text (in whatever medium, including multi-media) that
helps us to assess that text within the context of its historical and cultural setting, and also in terms of
its textuality-or the qualities that characterize the text as a text.
While this may sound complicated, it is in reality deceptively simple: it means "situating" the
text within the milieu of its times and assessing the roles of author, readers (intended and actual), and
"commentators" (critics, both professional and otherwise) in the reception of the text. (Behrendt, 2008)
2. What does the text tell us about its apparent intended audience(s)?
What sort of reader does the author seem to have envisioned, as demonstrated by the text's
language and rhetoric?
What sort of qualifications does the text appear to require of its intended reader(s)? How can
we tell?
What sort of readers appear to be excluded from the text's intended audiences? How can we
tell?
Is there, perhaps, more than one intended audience?
3. What seems to have been the author's intention?
Why did the author write this text? And why did the author write this text in this particular way,
as opposed to other ways in which the text might have been written?
Remember that any text is the result of deliberate decisions by the author. The author has
chosen to write (or paint, or whatever) with these particular words and has therefore chosen
not to use other words that she or he might have used. So, we need to consider:
(1) what the author said (the words that have been selected);
(2) what the author did not say (the words that were not selected); and
(3) how the author said it (as opposed to other ways it might or could have been said).
4. What is the occasion for this text? That is, is it written in response to:
some particular, specific contemporary incident or event?
some more "general" observation by the author about human affairs and/or experiences?
some definable set of cultural circumstances?
6. Is the text intended rather as some sort of call to -or for reflection or consideration
rather than direct action?
If so, what does the author seem to wish the reader to think about and to conclude or decide?
Why does the author wish the readers to do this?
What is to be gained, and by whom?
7. Can we identify any non-textual circumstances that affected the creation and
reception of the text?
Such circumstances include historical or political events, economic factors cultural practices,
and intellectual or aesthetic issues, as well as the particular circumstances of the author's own
life. (Behrendt, 2008)
Historical context is an important part of life and literature and without it, memories, stories
and characters have less meaning.
But what exactly is historical context? It's essentially the details that surround an occurrence.
In more technical terms, historical context refers to the social, religious economic, and political
conditions that existed during a certain time and place.
Basically, it's all the details of the time and place in which a situation occurs, and those details
are what enable us to interpret and analyze works or events of the past, or even the future, rather than
merely judge them by contemporary standards.
A strong understanding of the historical context behind a work's creation can give us a better
understanding of and appreciation for the narrative analyzing historical events, context can help us
understand what motivates people to behave as they did.
Put another way, context is what gives meaning to the details. It's important, however, that you
don't confuse context with cause. "Cause" is the action that creates an outcome; "context" is the
environment in which that action and outcome occurs. (Fleming 2010)
...Whether dealing with fact or fiction, historical context is important when interpreting
behavior and speech. (Fleming, 2010)
...No work of literature can be fully appreciated or understood without historical context. What
may seem nonsensical or even offensive to contemporary sensibilities, might actually be interpreted
in a completely different manner by considering the era it is from. (Fleming, 2010)
…Scholars and educators rely on historical context to analyze and interpret works of art,
literature, music, dance, and poetry. Architects and builders rely on it when designing new structures
and restoring existing buildings. Judges may use it to interpret the law, historians to understand the
past. Any time critical analysis is required, you may need to consider historical context as well.
Without historical context, we are only seeing a piece of the scene and not fully understanding
the influence of the time and place in which a situation occurred. (Fleming 2010)
3. Subtext
The subtext of a document or object refers to its secondary and implied meanings. The subtext
embraces the emotional or intellectual messages embedded in, or implied by the document or object.
The epic poems of the ancient Greeks, for instance, which glorify prowess and physical courage
in battle, suggest that such virtues are exclusively male. The state portraits of Napoleon Bonaparte
carry the subtext of unassailable and absolute power. Andy Warhol's serial adaptation of soup cans
and Coca-Cola bottles offer wry commentary on the supermarket mentality of postmodern American
culture. Identifying the implicit message of an artwork helps us to determine the values and customs
of the age in which it was produced and to assess those values against others.