Fie ae Piano Scales, Arpeggios & Broken Chords Grade 2BENIN (CIP) Bit AI IARRR RG / ROA B. — HOR, ART AAAL, ZOU. « (BOI. RED) REGRET RIRRARR EIT SBN $78-7-108-04080-8 LOM 1. OR. Oa sere aorarst Asa IV. D116 PRR AIR CaP Seda (2010) 95 16880 ROME: Et eet: me 208 FAA RATR ERR RR SRE T AR, ARARARFRRARKS(UNOAMATIE ()an0 Je RSE RHR RMON AMAA RER AE ARBRE ARERR H REE RRA RS Se MRECRSRITTDGA GU 65 sgaLR, 100010) ep, gem ya. to E-malem@rpic.com.ot eS R eR Re SURSELDRAAMA ETRY coxmat 8% LER FEA RAR BCT CE RR 4001-520 A, LOD ML mea ARRAN, SRAM ITE, 45, (010) seo: LEW Bas, (lo) cases ON, ORRIN, HHRMA, A, (10) LEHEs Be 5D RK at CBEST DAE, BE Sam ERAN T ASOT GRABLE BEEF, TR RER TAB NATED ME SEARLS MOONE, BT AROC ATLL FRCS AMINES (Ines, FI EPR RESP RERIE ME), TR, MRR Hh BH SAM, TER AES AR, SAR AGRRT, SEAT BH, HE ROE TRATES TE, ESET IRIE Baie BAAR, REAE PEAUOTRED TERE, ARE - BMER-ASEMESRREFRAOHE. AERIS UES RATA T . PLA iE waves. WAP RA AH EIR MEN, EBUR TUB SEI EEE PROS MBAR EARS. RFS Be BHLMAT ARNE. BARWEAER, ASHMAN MEARE RECA ONE, AA AT SERGE , SI RERAAS ML ARRE ROE I AACA ERED, TETIRINRE ETE TR. tt SPEEA OER GE. HE bub, BATRA, ARAN, ABA SURE, RES PA REL “4/3 Baer. AR MRT ES BOA STBAR, SE BIRR BE A 8 Cede, (BERANE HEE, BARB RAAT HOLM,) BR TCRASKOM TREES. BREE eR, Best APPEL. ARAMA, © ReiTeE, MAREE © 82), WAMFEME RR © FE © THR. DRINK E, Bae SaMR © HA Rem, nto HEEA te AREORAS, SARCUSEOARAM, MEAT RRR ANE sab, ARAMA AER (Ake SREY, Be, BeOS R CRANDALL eR AR ASE ARER wok brs ong HEIN, BATA Sean Se, (% HF)Piano Grade Scales, Arpeggios & Broken Chords Why practise scales? Welcome to this book of snes, axpeggios and broken éhonds for Grade2 Fiano, Sale practice pleys an scr prt in developing pire lend time devoted to these exercises within each practice session wil improve keyboard Suency. Not ory can nary areas of plano tecrique be developed tough seae precice (uch as posture, hand postion covariation, balance between the Parl nd ‘movement ofthe arm) atthe sens f key te pate acquired through familias with sales, eggs and broken chords has sever benefit seeds up he earning of new pices develops vennes of line and qualty oftone, Balls ral awarenes and increases faery with the seograpy ofthe piano About this book ‘The printed pitches have been chosen primary for cease of reading and the starting notes may not always ‘bein the moet appropriate or comfortable octave). (Candidates are therefore foe to startin diferent ‘octave as long asthe required range fscovered, ‘The printed rhythmic groupings ae nat compulsory, of overriding importances that the requirements are played with shythae evenness and without undue secentustion. For the exam Tempo ‘he given metronome marks indicate nium recomiended speeds and serve as@ guide the expectations ofthe examine: Experiancedteschers veilnow what thelr andidates are able to achieve safely but itis important to avoid acurte but laboured playing which shows that the sale, swpeggio or broken chord hes been memorized but lacks the inger facility thats such an important past of developing techie (© 0 by The Aste Bond ofthe eye Shen of Mase Fingering ‘Thesuggested fingerings shown hére are neither bligatry nor exhaustive; any practical and systematic Gngering which produces a good result will be aceptad in the exam Some alternative Sngering fs shown separetely ar as follows: 4/3. The decsion a {wo which fingering to adopt wil depend onthe size and shape ofthe player's hand, andl candidates should experiment to ind solutions that woo: for ‘hem. (Examiners will not comment en the choice of fingering unless it interferes with the performance.) Onthe dey All gequirements must be played from memory. The ‘eainer will ask for atleast ane of each typeof sale, arpeggio ar broken chord required. ‘The examine will be looking for: + aposiive sense of shytho without undue accentuation even, fem tone and a musica carve + good legato + accurte and fluent realization ofthe different types of sales expeggios end broken chords ‘+ convincing negotiation of technical challenges sch as smooth passage ofthe thumb and ‘hand co-ordination. eferece na bers berate syns rth yan vbighhe eam stb econ nae yong ene been trade mquament ahr egos oie etree ‘Ghose ait diner trea techs and pty eM Eons Tessa heii ‘coment ut abe rinetwomcsvamarg a5 Se slang tom AbsMca epromABU wasonr scaces) SPIT ANERRE, PESPEBRAE Qundsogeec one octave spt and hale separately) 2T VNB (two cetaves) J = 66 GAIB (G major) AXIB (A major) T2387 FA3 (F major)ABBY (minor scaces) 2-PABE two acters) J = 66 HIRE EL ERED NRL ATIRANTH Gio meosic or monic Form a canes choice) EPIRA PA BERNE, HAP EBEIE (nods roger one octave apr und hand seperate) REFER (E minor melodic) 3 2364 T2d aT sas22 DRI (D minor melodie) 5 2544 ewan? y: GEFEN (G minor melodic) poe 1a £ (or) FUR (E minor harmonic) 3 1D #0747}48 (D minor harmonic) ‘ GAPINA (G minor harmonic) 7 Se seen taj 8ZIG) SB (contRaRy-MOTION SCALES) 27P/\I8 (two cetaves) J = MP PUSS (FE) FASE hands togecher bepinaing on the key-note(ualsoa)] CIA (C major) asa 45 EAM (E major) 5 Pareciat 3 BMY (curomaric scate) TAYE (onscetivey J = 66 SPB Gomasmy AAD FFHG (beginning on D) 4 AB 3403Ez (anpeccios) SEBS ands sepaely) GAW (G major) oo aE al aw = — AX (Amaijor) oF aH) ae aw 1/8 ( minor) i ae @H) ae aw GAR (G minor) ze uw SPUR —FIGEA. 2012412 (Alverrative fgorng for righchand arpeggios: 2412412) 83403 27 (tmooctnes) J = 63S}4RNGK (BROKEN cHoRDS) d= SERIE denis openly) FA F mijor) EVN: E minor) 1 oe aH) 83402