3rade Ta as siSes BoM Piano Scales & Arpeggios Grade 7 WabdiameRee (CIP) RTRIOE WAM RARER ER ERAS . — AR: ARTUR, 2011. 4 (20M. OED) RARRTRPROAR ASA RTT ISBN 978-7-106-04082-9 LO LO 1. OMA dra AES WV. Dyeot.16 RH CIP SA (210) 3 1OKEA g & HE t 2008 HAMSTER AERA ET EN, RUGREFSRRARAS MRDARAAL (Coe se eR EN te COU RRA R SARA TALIA ARH Hom a RERRARAMASNE SETA RECAST KIN 85 peat up ne. coms en an Bie es BF BFS JR SEED NLA PLAST coxmoek 3 ame SUSAR ORR Re ks E01-5000 Hey 85.00% MOR BRS AREAS, NAME, OH, (10) SRL bere. (oto) Sune SN, SHOE, MeScuNARRZINN, iE, COI) sELDESDs KSES ‘bm Bm s ACESS EM KOE SER, BOA PARR REBELS ROE, Wie RA ARS ROH a PS IE ANTE. KASH TARR SAMO WH, FM. WFWRA WES FROEANTR), TH, MMR BE HSS H DALAT IU. BHAA F: RES ARE, ARRON AAD HORSE, RATED, NA NS wiR. REA ATHRALEORAES, APA BSRBRTAT AUR. EAP) RALT KR FBS aE. PRAM REDT OF, BLA RHTA-AREUASERETRROEE, % LERE RAND ROE, WARD Was. HAPOPRACHTRAMEM, ERE Tit EHRNE HER TRMYOMBET Banke. RES a RET LP a RE BEOEAIR A Baas NH ARR BE SACHRL ARRAS kociCM SR SERVICE. SMR TERE FED, ENED Rise K Bh ARE OIL a, Ze Ah, SENAY, AN. HE ARERABRORE. SSB TI REL “4/3” HERR MPI REE MWA SIR, SAMS RAE A ARNE, (RR ar 5 A TRE ETRY RAED SBT HA.) SRA ARPRASBOAN ERE, BHM PERRET PRE —-MLAERR, HARES AMRELD EEE SWZ AMT EB. SECM THRRESE © RNAS, RARER 095, RRP EMER © RHE, AAEAOITIE © REA, MOKA TARAVEM SET © RARE ARR ORD, men ARTES. SiRSMASN RA, BREA OROAS fae, ARTRORANOREA CRESS EE. Be, AIO ROTO CER RA. LORE RERABATILEE SR wr abra.ong AREER, SUAS APH se ftteabe weak, (= %#)Piano Scales & Grade Arpeggios Why practise scales? Wiecome to this bok of scales and axpeggios for Grade 7 Pano, Scale practice pays an esental part in developing pianist’ skills, and time devoted io these exercises within each practice session will Improve keyboard fency. Not only can many areas of piano technique be developed through scale practice (Guch as posture, hand positon, co-ordination, balance between the hands and movement ofthe art), Dut the sense of key and pattern acquiced through ‘amity with sales and arpeggios has several Denefts: speed up the learning ofnew pieces, develops evenness of line and quality of tone builds szualavrarenes, and increases familaity withthe ‘seography of the piano. About this book ‘The requirements are printed in this book within a two-octave range, as finge: patterns are sufiiently established within this compass and unnecessary duplication of information i avoided. ‘The printed pitches have been chosen primal for cease of reading and the stating notes may not alrays bein the most appropriate or comfortable ocave(s). Candidates ae therefore fe to stast na diferent octave as long as the requiced range is covered. ‘The printed rhythmic groupings are not compulsory; cof overriding importance is that the requirements are played with rhythmic evenness and without undue accentuation. For the exam Tempo The given metronome matks indicate minim recommended speeds and cerve asa guide tothe expectation ofthe examiner Experienced teachers willow what thelr candidates are able to achieve safely but ita fmportantto avoid accurate but Inboured playing which shows thatthe sale or (©2008 The Associated Board ofthe Royal Schl of Mise xpeggio has been memorized but lacks the Sager facility that is such an important part of developing, technique. Fingering ‘The suggested fingerings shown here are neither ‘obligatory nor exhaustive; any practical and systematic ‘ingezing which produces good result willbe accepted sn the exam. Some alternative fingerings shown, ‘either on a separate system or as follows: 4/3. The decision as to which fingesing to adopt will depend on. ‘he size and shape of the player‘s hand, and candidates should experiment to find solutions that work for thein. xaminers will not comment on the choice of fingering, unless it interferes with the performance) On the day All requirements must be played from memory. The ‘raminer ill ack fr at least one of each type of scale cor arpeggio required, and will aim to hear a balance of legato and staceato, as appropriate. ‘The eaminer wil be looking for: +, a postive sense of rhythm without undue ‘accentuation + even, firm tone and a musical curve + good legato and crisp staceato + accurate and fuent realization ofthe different ‘types of scales and arpeggios + convincing negotiation of technical challenges suchas smooth passage ofthe thumb and hand co-ordination. Reference must eheays be nce tothe syllabus forthe year in which he eam tobe alan in ease ny ange have been ‘Bade the rqulement ‘General nforation on the eam can be oun th Eseton Injerneto 6 Regataons, de gid fo cms, teachers and pent, Tho Mt Ese These the yflbas oaunent ae avast online at wwewarsmorg see 38 free ‘fhe from ABRSM local eprecetotivesFSGS emis) [SCALES (isosinmeotcwdtermnicfem] —— AAYARE (omostne) J = 80 SAARI ELFOS 2A HON —, JEG EMBER LEREBIIE (pop or 2 a eta’ chi, lem orsmccan as deed by teas) FPR ARESUE, FEES cand opts one cave apart sd bade sepatiy) 8148 (GROUP 1) CRI (C major) 5 wStas at sesae2rgad CHAIN (C minor melodic) 5 TF ses 2 1434 & CHIEN (C minor harmonic) 5 woieee DAW (D major) 5 a4 sa23348 Die#t\IH (D minor melodic) 5 296 : 7 DFHNA (D minor harmonic) 538138 (FBI) [GROUP 1 (cont) EAU (E major) 5 EiettNiB € minor melodic) 5 sas 3h F81)\49 (E minor harmonic) 5 T2380 s 4333 #18 (SBME) [FF major (enharmonic Gb)} sa 243 4 83408Br (IAT) tscates(cont.)] $814 (BET) [GROUP 1 (cont)] 4B Ad (Bb major) ATINEE (ourectaves) J = 80 sa SBE (Bb minor melodic) Soa 1 yeys 2 $B 7PM (Bb minor harmenie) 4 eps? 1 aaa se *AX'H (Ab major) 3 Ra $c He##/1IR (SALA) [GB minor melodic (enharmonic Ab)] 3 7 wd 243g pe Br 4G ASI) (@ERIYA) [GE minor harmonic (enharmonic Ab)] atiRttarap ‘A 2408 6BE (or) $244 (GROUP 2) ATI\IBE (tour octaves) J = 80 GA (G major) vas 8 7 GAEVNM (G minor harmonic)BM (PBT) tscaves(cont.)1 A-PINEE (our actaves) J = 80 ‘3248 (IB) [GROUP 2 (cont)} BAI (B major) aa 2d BiEALNIE (B minor melodic) BHP (B minor harmonic) favre} FAB (F major) 2343 wy FABUNIR (F minor melodic) 133408 ?$824) (iH) [GROUP 2 (cont)} YEAIR (Eb major) 3 Ye HEREIN (Eb minor melodic) 3 app 2 21533 $e f07%WH (Eb minor harmonic) 7 sdietied & east ‘OXIA (BANC) [Db major (enharmonic CH] 34123 323 é You s2iegase rary fo esNiR (@EFIAYD) [CE minor melodic (enharmonic D})] wee cat La ra. fi $0 uitiNi8 ($$EEIRKD) [CB minor harmonic (enharmonic Db)] 3 Lite S4e 1a#ARR= BEAU EUY (scaes a THIRD APART) ATNAEE dourcctne) J = 60 EAL MAGHERR, SOM HY RERIR THESE ARIES (sume group a chosen before, leat o sacs st dca bythe erie) RPIRLE aed topehed) $814 (GROUP 1) CB (C major) eee aed te ergecarie cara CVAUNIM (C minor harmonic) 2 772 7 (D7 (D minor harmonic) : 3 s1 333» ef EXIB (E major) 2 21? 22 5433 FUNG (E minor harmonic) AB 3408 8$8148 (RT) [GROUP 1 (cont)] $608 (4:H99M1G) IFA major (enharmonic G)] 324 3330 SF 0/8 (F# minor harmonic) 5 Sa A78/1s1H (Bb minor harmonic) 12a S412 3 a ‘AX (Ab major) 5 S218 ier 27 §G #0 I (SEH 4A) [GE minor harmonie (enharmonic Ab)] sa oo sed = a 10 AB 3408#8 = BEAM (FAVAT) tscaves a THIRD APART(cont.)] 41/18" cowoaews J = 60 ior) $248 (GROUP 2) GA (G major) tat t 33 rs G-A1E/N48 (G minor harmonic) sack aeaiee B RUFFIN (B minor harmonic) 2$248 (18) [GROUP 2 (cont)] FAM (F major) 3 sas * F RFR (F minor harmonic) was 73 ieee Se YEAH Eb major) SEE | (Eb minor harmonic) ‘OAM (BIC) [Db major (enharmonic CH} g “a rast 1 SCAR INB (BEIAKD) [Ct minor harmonic (enharmonic DK} zea 12 a8 3408KRIRIESH (contRary-MoTION SCALES) 27 ARE tocar) J = 80 LZ, SMF HERES SS Game group as chosen before, eguo or staccar as dneeted by the examines) FASE CES) FESGTSE Mand together beginning onthe key-note (unison) $8144 (GROUP 1) CIB (C major) 12st 2 tas 7 Beans ae z (CUBAN (C minor harmonic) ree DAW (D major) : a2 hes ad Peet D FENIA (D minor harmonic) . 12s tesa Tes. EAI (E major) 5 eee Teer. E A758 (E minor harmonic) 5 2341 AB 08 3$8148 (TIBI) [GROUP 1 (cont)} '©XV (8404G) [FE major (enharmonic Gh) ys 2 1 Bias. sai 31 as 4 #075) (F# minor harmonic) 3 2 ra 2 sets 3 1 y2 3 f- $B AW (Bb major) 2123} 5. é tnt 2s sae 3 4 JB FORUNI (Bb minor harmonic) 212s} aeeiee1as 4 aT yrs SAW (Ab major) 0 fe tte = : SS SS ? eid §G FAN (GHIA) [GE minor harmonic (enharmonic Ab)] 23 1as nasa sig “4 3408BBY (IBIBT) [conTRARY-MOTION SCALES(cont)] 2p). awoscems) J =00 B (or) $8248 (GROUP 2) GAB (G major) 5 12st pastes at G HUAN (G minor harmonic) 5 123 AKI, (A major) yas 2 st 3 1 ris; Ps et AUF (A minor harmonic) faviiaatee ees ogee saath pew" BAM (B major) aes a ald u 2s 4d 5 1s Tas aa 2 8 1 B75) (B minor harmonic) aes alee i re Tess tao AB 3408 16$244 (BT) [GROUP 2 (cont)] FAIA (F major) ‘ 238 Tes a2s er 3 7 F #7:f48 (F minor harmonic) 4 tesies aa ¥EAMR (Eb major) 3 2a surat Fa eas et Pst at . = T2 SERENE (Eb minor harmonic) 5 2123 aie 3} paisa, a7 - ‘0-A1 (HIG) [Db major (enharmonic CH) queries Pert eiresiae RPE t iene ts 14 1s SS c af aisser | eS ce fas IC UFUMA (HEED) [CH minor harmonic (enharmonic Db)] 2 cei2TINGE cwocctaves) J =46 ESHER AM (ecaro scate in tHnps) EBL (rate separtely) CAA (C major) IRAE Coleraine fingering) CIB (C major) =52 2AYNEE (two octaves) J ZEB HITS SB (Staccato SCALE In SIXTHS) BERR Coane seperately) C-AIR (C mejor) pes fi} * #. 2 2 * 8 3 W AB 40023h) (cinomatic scaes) ATE (tour octaves) J = 80 SPT IIE beginning on any note named by the examines) BART SERIEZERLINI Cera oc soo dtd by be xine) BPR ANNE, WF IRIE Gundcogsder on ctve par and hand see) ‘1 (example) 5225 BZIGLEEMT (CHROMATIC CONTRARY-MOTION SCALES) 2-7,.B8 gwooam) J=00 BER WTBERUEZEBRIGLE eqn wacom crn by the exanise) BEEIAP—-EFTFMGBRE (hands opie tepotag 0 he sane ne (50) MAC FEE (beginning on C) JAYE F544 (beginning on F#) 3 asi tt sazy (anPecaios) ATE Clourceteves) J = 56 ERAGE, ROSES —RE(OANRE (ame propa chor br, roo pston ad fat ven) HA, SUPA AERUSE, HA PREZE Ceqne, bands ogtr one cave spt nd hands sept) $818 (GROUP 1) CAM (Cmjor) 5 a2 N88 (C minor) . m ad DAW (D major) i Py ae aT DIMA (Orminor) —g ine i EAI (Erjor) ig 7 33408 195214 (IRD) [GROUP 1 (cont)} #FAiW (SIAAG) [FF major (enharmonic GH] a3 8 $B X18 (Bb major) 28 ra ape 8 4B AN (Bb minor) 20 AB34005 (IBD) (anpeacios cont.)] AABE cour octaes) J = 56 (or) %248 (GROUP 2) Gi (G major) sap GiB (G minor) tne 1 AA (A major) Athi8 (A minor) maeeate Sam 2} in? BAM (6 major) war 7 549 2 98.3408 a9% 241 (BT) [GROUP 2 (cont)} FAH (F major) ws 2 a FAs (F minor) rar SEAT major) s 58 (Eb minor) 5 ag ‘0-18 (BEC) [Db major (enharmonic CA] a AB 308JB-CA05X (Dominant seventus) HEMZ ARO cme pop chesn belo) 3, RPA ABEIRSE, HA EBEE cop nents igcte os ove par an hint pr) $8144 (GROUP 1) CH (Key of C) 4N\BE (four octwes) J = 56Lor) $8248 (GROUP 2) GW key of), aos z A key of A) 5 BMW (Key of B) 24 AB 3408W-CANE (viminisHe seveNTHs) APNG dourecives) J = 56 HE, SUBAREA, BEA PBRIE demo tance ng one oe yr mt spt) MAF (beginning on A) AAC FHS (beginning on CE) i: 12 be #2 by THSEIL, ZEA TLENA TESTE LATRROY RMB (or praca purposes, the dined sre begat on Ai notte wg an enharmonic qlee)