Professional Documents
Culture Documents
10 Bibliography
10 Bibliography
Agamben, Giorgio. State of Exception. 1942. (Tr.) Kevin Attell. Chicago and
London: The University of Chicago Press, 2005
Alter, Stephen. Fantasies of a Bollywood Love Thief: Inside the World of Indian
Moviemaking. New Delhi: Harper Collins, The India Today Group. 2007.
Andrew, Dudley. ‘Film and Society: Public Rituals and Private Space’ in
Exhibition: The Film Reader edited by Ina Rae Hark. London: Routledge. 2002,
pp. 161–171
Anand, Siriyavan. ‘Eating with Our Fingers, Watching Hindi Cinema, and
Consuming Cricket’ in Outlook, May 14, 2002,
http://www.outlookindia.com/article.aspx?215571, accessed 15th February, 2012.
Appadurai, Arjun.
—‘Our Corruption, Our Selves: Arjun appadurai’ in Kafila, August 30, 2011,
http://kafila.org/2011/08/30/our-corruption-our-selves-arjun-appadurai/ accessed
on 15th February, 2012.
—‘Playing with Modernity: The Decolonization of Indian Cricket’ in Modernity at
Large: Cultural Dimensions of Globalization. New Delhi: Oxford University
Press. 1996, pp 89–113
226
—‘Disjuncture and Difference in the Global Cultural Economy’ in Modernity at
Large: Cultural Dimensions of Globalization. New Delhi: Oxford University
Press. 1996, pp. 27–47
Banaji, Shakuntala. Reading ‘Bollywood’: The Young Audience and Hindi Films.
New York: Palgrave Macmillan. 2006.
Basu, Anustup.
—Bollywood in the Age of New Media: The Geo-televisual Aesthetic, New Delhi:
Orient Blackswan, 2012.
—‘Mantras of the Metropole: Geotelevisuality and Contemporary Indian
Cinema.’PhD Dissertation, University of Pittsburgh. 2005.
Bhowmik, Someswar. Behind the Glitz: Exploring An Enigma Called Indian Film
Industry. Kolkata: Thema. 2008.
Biswas, Moinak.
—‘Uses of Film Theory,’ Journal of the Moving Image, Number 3, June 2004:15–
25.
—‘The Familial Underbelly: Currency of Bonding in Urban Crime Film’,
unpublished paper presented at the Film and Television Institute of India, Pune,
September, 2004.
227
Bose, Derek.
—Brand Bollywood: A New Global Entertainment Order. New Delhi, London:
Sage Publications, Thousand Oaks. 2006.
—Bollywood Uncensored: What You Don’t See on Screen and Why. New Delhi:
Rupa and Co. 2005.
Carter, Angela. The Sadeian Woman and the Ideology of Pornography. New
York: Pantheon Books. 1978.
Chatterjee, Partha.
—‘Against Corruption=Against Politics’ August 28, 2011,
http://kafila.org/2011/08/28/against-corruption-against-politics-partha-chatterjee/,
accessed on 15th February 2012.
—‘Beyond the Nation or within?’ in Economic and Political Weekly, 32, 1–2 (4–
11 January 1997)
—The Nation and Its Fragments: Colonial and Postcolonial Histories. New
Jersey: Princeton UP, 1993.
Chopra, Anupama.
—Bfi Modern Classics: Dilwale Dulhaniya Le Jayenge, London: Bfi Publishing,
2002.
—First Day First Show: Writings from the Bollywood Trenches. New Delhi:
Penguin Books. 2011.
228
Desai, Jigna. Beyond Bollywood: The Cultural Politics of South Asian Diasporic
Film. New York and London: Routledge. 2004.
Dumont, Louis. Homo Hierarchicus: The Caste System and Its Implications.
1966. (Tr.) Mark Sainsbury. London: Weidenfield and Nicolson. 1970.
Dutta, Madhusree, Bhaumik, Kaushik and Shivkumar, Rohan (Eds.). dates. sites:
PROJECT CINEMA CITY: Bombay/Mumbai, A Majlis Project. Mumbai: Tulika
Books. 2012.
Esty, Jed.
—‘Virginia Woolf’s Colony and the Adolescence of Modern fiction’ in
Modernism and Colonialism: British and Irish Literature, 1899–1939 edited by
Richard Begam and Michael Valdez Moses. Durham, NC: Duke University Press,
2007, pp. 70–90
—A Shrinking Island: Modernism and National Culture in England. Princeton and
Oxford: Princeton University Press. 2004.
Foucault, Michel. ‘Of Other Spaces’ (Tr.) Jay Miskowiec. Diacritics, Vol. 16,
No.1. (Spring, 1986), pp. 22-27.
229
Gabriel, Karen. Melodrama and the Nation: Sexual Economies of Bombay Cinema
(1970–2000). New Delhi: women unlimited. 2010.
Ganti, Tejaswini.
—Producing Bollywood: Inside the Contemporary Hindi Film Industry. New
Delhi: Orient Blackswan. 2012.
—Bollywood: A Guidebook to Popular Hindi Cinema. London and New York:
Routledge. 2004.
Gopal, Sangita and Moorti, Sujata (Eds.) Global Bollywood: Travels of Hindi
Song and Dance. Minneapolis: University of Minnesota Press. 2008.
230
Hansen, Thomas Blom.
—‘Sovereigns Beyond the State: On Legality and Public Authority in India.’ In
Religion, Violence and Political Mobilisation in South Asia, edited by Ravinder
Kaur, New Delhi: Sage Publications. 2005, pp. 109–144.
—Violence in Urban India: Identity Politics, ‘Mumbai’, and the Postcolonial City.
New Delhi: Permanent Black. 2005
Jameson, Fredric.
—‘Notes on Globalization as a Philosophical Issue’ in The Cultures of
Globalization, edited by Fredric Jameson and Masao Miyoshi, Durham and
London: Duke University Press. 1998, pp. 54–77
—‘Preface’ in The Cultures of Globalization, edited by Fredric Jameson and
Masao Miyoshi, Durham and London: Duke University Press. 1998, pp.xi-xvii
—The Political Unconscious: Narrative as a Socially Symbolic Act. London:
Routledge.1983. Reprint 1986.
Jha, Subhash K. The Essential Guide to Bollywood. New Delhi: Roli Books Lustre
Press. 2005.
Johar, Karan. Koffee with Karan. New Delhi: Diamond Books. 2008.
231
Kant, Amitabh. Branding India: An Incredible Story. New Delhi: Collins
Business. 2009.
Kasbekar, Asha. ‘Hidden Pleasures: Negotiating the Myth of the Female Ideal in
Popular Hindi Cinema’ in Pleasure and the Nation: The History, Politics and
Consumption of Public Culture in India, edited by Rachel Dwyer and Christopher
Pinney, New Delhi: Oxford University Press. 2001. pp. 286–308.
Kazmi, Nikhat. Times Movie Guide, First Edition. New Delhi: Times Group
Books. 2007.
Kemp, David with Levi, Lawrence. The Film Snob’s Dictionary: An Essential
Lexicon of Filmological Knowledge. New York: Broadway Books. 2006.
232
Kumar, Amitava.
—‘Slumdog Millionaire’s Bollywood Ancestors’ in Vanity Fair, December 23,
2008
http://www.vanityfair.com/online/oscars/2008/12/slumdog-millionaires-
bollywood-ancestors.html, accessed April 08, 2011
—‘How to Write Like A Historian’ in Bookslut, February 2011,
http://www.bookslut.com/denis_dutton_is_dead/2011_02_017181.php, accessed
9th July 2011.
Lal, Vinay. Deewar: The Footpath, The City and the Angry Young Man. New
Delhi: Harper Collins Publishers India. 2011.
Lapsley, Robert and Westlake, Richard. Film Theory: An Introduction, New York:
Manchester University Press. 1988.
Liang, Lawrence. ‘Cinema, Citizenship and the Illegal City’ in Cinema, Law, and
the State in Asia, edited by Corey K. Creekmoore and Mark Sidel. New York:
Palgrave Macmillan. 2007, pp. 11–27.
233
Mannathukkaren, Nissim. ‘Subalterns, Cricket and the ‘Nation’: The Silences of
Lagaan,’ in Economic and Political Weekly, Vol. 36, No. 49 (Dec. 8–14, 2001)
pp. 4580–4588
Mazumdar, Ranjani.
—‘Friction, Collision and the Grotesque: The Dystopic Fragments of Bombay
Cinema’ in Noir Urbanisms: Dystopic images of the Modern City, edited by Gyan
Prakash. Princeton: Princeton University Press. 2010, pp. 150–184
—Bombay Cinema: An Archive of the City. Ranikhet: Permanent Black. 2007.
—‘From Subjectification to Schizophrenia: The ‘Angry Man’ and the ‘Psychotic’
Hero of Bombay Cinema’ in Making Meaning in Indian Cinema, edited by Ravi
Vasudevan, New Delhi: Oxford University Press, 2000, pp. 238–264.
Mazzarella, William.
—‘Close Distance: Constructing ‘the Indian Consumer’ in The Indian Public
Sphere: Readings in Media History, edited by Arvind Rajagopal. New Delhi:
Oxford University Press, 2009
—Shovelling Smoke: Advertising and Globalization in Contemporary India. New
Delhi: Oxford University Press. 2004.
Mehta, Suketu. Maximum City: Bombay Lost and Found. New Delhi: Penguin
India. 2004.
Nigam, Aditya. ‘Theatre of the Urban: The Strange Case of the Monkeyman’ in
SARAI Reader 02: The Cities of Everyday Life. 2002.
http://www.sarai.net/publications/readers/02-the-cities-of-everyday-
life/05theatre_urban.pdf accessed on 3rd February 2010
234
Pendse, Sandip.
—‘The Dutta Samant Phenomenon: I’, Economic and Political Weekly, Vol. 16,
No. 16 (Apr. 18, 1981), pp. 695–697
—‘The Dutta Samant Phenomenon: II’, Economic and Political Weekly, Vol. 16,
No. 17 (Apr. 25, 1981), pp. 745–749
Pinto, Jerry. Helen: The Life and Times of an H-Bomb. New Delhi: Penguin
Books. 2006.
Prasad, Madhava M.
—The Age of Imitation,’ The Book Review, Volume XXXIII, Number 2, February
2009:41–42.
—‘The Subjects of News Television,’ Journal of the Moving Image, Number 4,
November, 2005: 63–76.
—‘Realism and Fantasy in Representations of Metropolitan Life in Indian
Cinema.’ In City Flicks: Indian Cinema and the Urban Experience, edited by
Preben Kaarsholm, Calcutta: Seagull Books. 2004, pp. 83–99.
—‘This Thing called Bollywood,’ Seminar 525, Unsettling Cinema: A Symposium
on the Place of Cinema in India, May 2003
http://www.india-seminar.com/2003/525/525%20madhava%20prasad.htm
—Ideology of the Hindi Film: A Historical Construction. Delhi: Oxford
University Press. 1998.
—‘Back to the Present,’ Cultural Dynamics, July 1998 vol. 10, no. 2 123-131
Puniyani, Ram and Hashmi, Shabnam (Eds.) Mumbai Post 26/11: An Alternate
Perspective. New Delhi: Sage, 2010
235
Rajadhyaksha, Ashish.
—Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency.
New Delhi: Tulika Books, 2009.
—‘The Curious Case of Bombay’s Hindi Cinema: The Career of Indigenous
‘Exhibition’ Capital’ in Journal of the Moving Image, No. 5, December 2006: 7–
40.
—‘Rethinking the State after Bollywood,’ Journal of the Moving Image, Number
3, June 2004: 47–90.
—‘The ‘Bollywoodization’ of the Indian Cinema: Cultural Nationalism in a
Global Arena.’ In City Flicks: Indian Cinema and the Urban Experience, edited
by Preben Kaarsholm. Calcutta: Seagull Books. 2004, pp. 113–139
—Viewership and Democracy in the Cinema’ In Making Meaning in Indian
Cinema, edited by Ravi. S. Vasudevan. New Delhi: Oxford University Press.
2000, pp. 267–296.
—‘Film over the eyes’, The Telegraph, 5th August 1997.
—‘Neo-Traditionalism: Film as Popular Art in India’ in Framework, vol.32/33,
1986.
Rajagopal, Arvind. ‘Thinking about the New Indian Middle Class: Gender,
Advertising and Politics in an Age of Globalization.’ In Signposts: Gender Issues
in Post-Independence India, edited by Rajeswari Sunder Rajan. New Delhi: Kali
for Women, 1999, pp. 57–99
Rangan, Baradwaj. Conversations with Mani Ratnam. New Delhi: Penguin Books
and Viking. 2012.
236
Saltzman, Devyani. Shooting Water: A Mother Daughter Journey and the Making
of a Film. New Delhi: Penguin Books. 2005.
Sengupta, Shuddhabrata.
—‘Hazare, Khwahishein Aisi: Desiring a new politics, after Anna Hazare and
beyond corruption’ August 27, 2011 http://kafila.org/2011/08/27/hazare-
khwahishein-aur-bhi-hain-hazare-there-are-things-still-left-wanting-what-is-to-
the-left-of-anna-hazare-and-india-against-corruption/ accessed on 15th February
2012.
—‘Reflected Readings in Available Light: Cameramen in the Shadows of Hindi
Cinema.’ In Bollyworld: Popular Indian Cinema through a Transnational Lens,
edited by Raminder Kaur and Ajay J. Sinha. New Delhi, Sage Publications, 2005,
pp. 118–140.
Sharma, Aparna.’India’s experience with the Multiplex’, Seminar 525, May 2003.
http://www.india-seminar.com/2003/525/525%20aparna%20sharma.htm
237
Uberoi, Patricia. ‘Imagining the Family: An Ethnography of Viewing Hum Aapke
Hain Koun…!’ In Pleasure and the Nation: The History, Politics and
Consumption of Public Culture in India, edited by Rachel Dwyer and Christopher
Pinney, New Delhi: Oxford University Press, 2001, pp. 309–351.
Varma, Pavan. The Great Indian Middle Class. New Delhi: Viking. 1998.
Vasudevan, Ravi
—The Melodramatic Public: Film Form and Spectatorship in Indian Cinema.
New Delhi: Permanent Black. 2010.
—‘The Meanings of ‘Bollywood,’ Journal of the Moving Image, Number 7,
December, 2008: 149–173.
—‘The Exhilaration of Dread: Genre, Narrative Form and Film Style in
Contemporary Urban Action Films,’ in City Flicks: Indian Cinema and the Urban
Experience edited by Preben Kaarsholm, Calcutta: Seagull Books. 2004, pp. 223–
236.
—‘Selves Made Strange: Violent and Performative Bodies in the Cities of Indian
Cinema’. In body.city: citing contemporary culture in India edited by Indira
Chandrasekhar and Peter C. Seel, Delhi: Tulika Books and Berlin: Haus Der
Kulturen Der Welt. 2003, pp. 84–117.
—‘The political culture of address in a ‘transitional’ cinema: Indian popular
cinema.’ 2000, http://www.sarai.net/research/media-city/resouces/film-city-
essays/ravi_vasudevan.pdf
—‘Introduction’ in Making Meaning in Indian Cinema, edited by Ravi.S.
Vasudevan. New Delhi: Oxford University Press. 2000, pp. 1–36.
238
Walters, Tim 'Reconsidering The Idiots: Dogme 95, Lars von Trier and the
Cinema of Subversion' in The Velvet Light Trap: A Critical Journal of Film and
Television, No. 53, 2004, pp. 40–54.
Willemen, Paul. ‘An Avant Garde for the 90s’ in Looks and Frictions: Essays in
Cultural Studies and Film Theory. Bloomington and Indianapolis: BFI Publishing,
Indiana University Press. 1994. pp 141–161.
239