ZAHA HADID Her work reflects Tike Baroque) Hadid shatters Both the classically formal Hadid’ s architecture denies its own #01: Short of creating actual forms that morph and change shape Still the stuf! of science fiction - Hacia creates the solid apparatus to make us perceive space a if st morphs a changes as we pass through HerArchitectural Philosophy ee 4 Re SC Ue Ce eu hur Stu eo) eee ee en ey Furniture Company in Weil am Rhein. The building consists of numerous imegular angles (which others considered as negative spaces). a eed cee na eee eee aio Hadid remains ahead of her time, and responsive to emerging social demands, in the sense that the world is becoming a series of concentrations of wealth and power, which express themselves through lavish, singular trophies. To this extent there is a reality to the work. But itis different from the ideals ee ee ee ee a ee eR eee between her artistic ego and her public spirit, which is what made her interesting, but it's getting hardto see the latter.Project-I Vitra Fire Station ACTEM Sim @Loe ITNMing mete aT) ae pace ae ecg Peery Exe eee err eae PR eefeonae Roem ON eae et ee eee > In this project Hadid’s showeased work that delves into the deconstrucivst theoretical lnnguage that she developed through her paintings as a conceptual mediator ofiading spatial relationship and form. ec ee ee ee ee ee ee rd > They started the project wth an intention ta deploy elements of the project 0 that would not be lost among the huge sheds of the ships that make up the factory. They alto used these elements to structure the entire site, giving poereeor etter ment peor apenas > Iwas conceived asa longitudinal garden, as ft were the artificial extension Ce en Ceoes i ne ert eee ee eee ocean ee en > The concept of the stacked walls encompasses both parts, whereby a break or bend ree eee en ee acto See eeFunctional Layout So eee ee ee) eer eee eee ees Seen eee ee eee ee een ee ee een eee horizontal planes slip over one another, while another projects out over the garage bay. Always in a state of constant uneasiness, the concrete planes embody a heavy, opaque quality that ret ee eee ees Cres re entifeonae a ea Pac oe Ce Ore ny Interior the materials choice and the color combination is Iself speaking of Its class and the amount of time Zaha Hadid has devoted on I. eee oO eC ter eaten Een a a eee eet en ne arefeonae Peeters > The second floor is slightly off balance with the ground CO rece oa a ee ee ee cy manipulate according to program, visitors are subject to Pee eee eee ace een ge PenPears a eee ee er) floor, which creates a sense of spatial instability within. Pe eee Pee et ee ee es ‘optical illusions that the angles and glimpses of color begin Pees eee Oe ee ea eee ee eee ts Instability while stil retaining some semblance of stability and structure. Yet all the while exhibiting simple, clean lines eer er ae ee eee See one teIca a ce reinforced concrete in situ in the light, avoiding any added that distort the simplicity of its en ee ery eee ee cs See Cee eee eee The lack of detail was also applied on the inside, eee ey Pre eC Cerca) eee errs language that gives meaning to the whole. feonaeProject —Il Heydar Aliyev Centre BEV at npaVAa orev ETHeydar Aliyev Centre See paneer Peete Reet eee ee eed ete oer ne Cen eC Lit errerenerc trite) [As partalthe former Soviet Union the Urbanism and architecture of Baku, the capital of Azerbaijan on the Western cous eer ene ire see EL ene Pere reeet eer at ere Ten i at faa cen eensfennes The Setting eee eee a that will be erected in Azerbaijan, and it is one of several projects exhibiting progressive design elements and cutting eee > The ambitious yet expressive nature of these new structures eC dominated pact and toward a national identity > The cultural centre, named in honor of the late Heydar eee eee ees eae eee eee er res be a bellwether of the city’s intellectual and cultura life neoer ee eee eee Ce et eee ener er eee Pee ty oan > The curved surface allows 4 freedom of form that ean simulkaneously differentiate and unite the Heydar Aliyev Cultural Pee eee ae ere eee es ene tes ee neene eee eee eed femanate from the curves of the building envelope. An elevated bridge connects the i a era ac a pen Peet Bereta ee reneney cer an rerey Cr eee ftructure undulates away from the wave-like peaks that define the other two pe eee en ee eee eS co feonaeaio og ee eee eed ‘material challenges for the engineers and builders. eee rece re Se eee eee es could zeal out the elements and bear high wind and seismic eer ee eaten ene ker os ee oe em Ce ee ee cn Ultimately, a system was devised that utilized « space frame as its ee cc ee i eer) eee ee eee feonaeMaterials and Construction 1 "We focused on easy-to-clean external cladding materials because of the heavy ai pollution. There are oil refineries and such nearby, and the cladding is white. That's how glass fiber reinforced plastic (GFRP) came up, which is drt-epellent ‘all In genera, all building systems are choten to have high ducabiity an Deer ant eee a > According to Winterstetter, the main structure of the Heydar Ale Cultural Centre is a mix of reinforced concrete, steel frame structures, and composite een cet Belen eerie Tt era eeton) Senn ee nen ene eats ee ee eee appearance, not only to make It read as a continuous volume but also to ee eee kr cee aS Peer rr re oe eee ern Pee e ee eerie eee eerste ener Pees feonaeMaterials and Construction eee een ‘easy-to-clean external cladding materials beeause of the heavy ix pollution. There are oil refineries and such nearby, and the Ce ee ee eee eee Ce eee eee eae) Ce ea eC eee eee ae > Glass Fiber Reinforced Plastics (GFRP) and Glass Fiber Ce eC eee er enter eee eee pe eet ee oe eee eee ee eee feonaePea ec}Pea ei}Pea ean}feonae ememec eefeonae ememec ee