Professional Documents
Culture Documents
Cory Kremer
University of Calgary
Executive Summary and Critical Analysis
The 500 Years of Resistance Comic Book by Gord Hill (2010) characterizes the
militaristic conflicts between the Indigenous peoples of the Americas against colonialism from
1492 to the present. Hill divides this history into four parts: (1) invasion, (2) resistance, (3)
assimilation, and (4) renewed resistance. Militaristic conflicts between indigenous cultures that
are or have been found across the entirety of the Americas are categorized into these parts, and
graphically portrayed in a graphic novel or comic book format over the span of 87 pages.
Depictions of these conflicts include graphic illustrations of combat and the atrocities committed
Within the preface of the resource, Hill identifies as a warrior, an activist, and a member
of the Kwakwaka’wakw nation. He indicates that the main objective of the resource is to support
the narrative of Indigenous peoples as an active resistance to colonialism and imperialism. Hill
effectively develops this narrative, however, does so to the detriment of non-violent forms of
resistance (Brophy 2017). For example, in Hill’s depiction of the Oka Crisis he touches on non-
violent resistance as manifested in “protests and petitions” [71]. However, these aspects of
resistance are quickly overshadowed by a large frame that illustrates the use of “tear gas and
automatic weapons” [71]. Brophy (2017) points out that such depictions fail to articulate varied
indigenous views on non-violence citing the Six Nation’s “Great Law of Peace” as evidence.
The consensus amongst reviews on the resource indicate that the events portrayed were
portrayed accurately, conveyed few errors, and in a balanced manner (Kulchyski, 2010; Ziniuk,
2010; Carlton, 2011). Although some criticism was directed at the resource for the large
historical gaps between episodes and the simplistic nature in which these episodes were
presented (“The 500 Years of Resistance Comic Book”, n.d.). Hill accurately depicts a multitude
of indigenous cultures, and in doing so provides a framework to view the events that occurred
across Americas as part of a more unified Indigenous history, while managing to showcase the
In many aspects, Hill delivers a balanced, historically accurate, and culturally authentic
in this resource is limited because it is focused on violent forms of resistance, and the militaristic
The 500 Years of Resistance Comic Book is a resource that we would argue should be
Due to the graphic content and accessible format, we anticipate that learners will
primarily respond to the visuals presented in the resource (Carlton, 2011). However, despite
Hill’s intentions of choosing a “format [that] is useful in reaching children, youth, and adults” [6]
this resource is not appropriate for most young children. The scenes depicted, while historically
accurate and vital to the themes of the comic (Kulchyski, 2010), contain graphic portrayals of
violence including: murder, rape, and mutilation. Such mature content is more appropriate for
older students. Although every classroom is unique, we agree with existing grade
recommendations (“The 500 Years of Resistance (Graphic Novel)”, n.d.) of introducing this
The resource covers a large historical period and a multitude of historical contexts and
can therefore overwhelm readers with generalized content (“The 500 Years of Resistance Comic
Book”, n.d.). In order to mitigate these effects, we agree with Kulchyski (2010) in that educators
should use individual frames or episodes in the resource as an initial point of conversation to
In our own examination of this resource we found ourselves (both of European descent)
identifying with European victims. This initial reaction has been observed at the university level,
where students tended to react to the graphic depictions in the resource and develop an “us”
versus “them” perspective (Brophy, 2017). Brophy (2017) questions as to whether the
polarization, induced by the graphic images is effective in encouraging critical thinking and
analysis of this resource and the larger issues it entails. We offer a word of caution regarding
Educators therefore need to use this resource with others to develop a more balanced
portrayal of Indigenous peoples. The graphic nature of this resource engages learners and
portrays immense detriments of violent conflict; explicitly demonstrating how the violence of the
past has deep consequences that can span for generations. Supplementary mediums that highlight
other non-militaristic aspects of Indigenous culture would aid students in developing a holistic
schema of “who” Indigenous peoples are and the forms active resistance can take in the future.
References
Brophy, S. (2017). Learning with The 500 Years of Resistance Comic Book in a Cultural Studies
Carleton, S. (2011). Review of The 500 Years of Resistance Comic Book, by Gord Hill. Left
Hill , G. (2010). The 500 Years of Resistance Comic Book. Vancouver British Columbia:
Kulchyski, P . (2010). [A Review of Gord Hill's The 500 Years of Resistance Comic Book].
https://quillandquire.com/review/the-500-years-of-resistance-comic-book/
https://www.strongnations.com/store/item_display.php?i=4193&f=3110,3,1813
Ziniuk, T. (2010, March 11). Review: The 500 Years of Resistance Comic Book by Gord Hill.
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