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Funk
Funk
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The funk music genre is believed to have been advanced by African-American such as
James Brown in the mid-60s and later adopted by other artists like Stevie Wonders and
vocals that entails shouting or speaking. Also, common in funk songs are basslines and horn
sections, thus sharing similarity with Jazz music due to percussive instrumental effect. Initially,
funk music aimed at addressing political and social issues in America such as black aesthetic and
black is beautiful movement. As a result, funk was popular within the black community. Some
scholars argue that the style was an adaptation of western, sub-Saharan and Latinos culture. This
paper seeks to analyze “Say it loud, and I’m Black and Proud,” written by Alfred Ellis and
performed James Brown. Also, among the band were Waymond Reed, Richard Griffith, Free
Wesley, Macao Parker, ST Clair Pinckney, Jimmy Nole, Charles Sherre, Clued Stubblefield and
Belford Hendricks. The song was recorded in Vox Studios in Van Nuys, California, by now-
defunct Kings Records label. It was first released as a single under the album “The Soulful
Christmas” and later in March 1969 under the album sharing the same title. The song topped
R&B singles chart for six weeks and managed the tenth position in the Billboard Hot 100
(Whitburn). Although James Brown was already popular due to his previous songs especially, “I
Got You,” the “Say it Loud” further increased his popularity, especially among the black
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community. While the song champions for black community social justices, the song uses
Structure
From the beginning of the song, the band creates a polyrhythmic attraction with every
instrument that used. The first instrument is the drum, which creates a groove the emphasizes on
the drummer feelings and emotions. This is followed by a tempo fluctuation that utilizes a swing
feel. However, the drums are rarely used in the rest of the song. When the songs start, Brown
shouts, the word “Unh,” and the rest of the song follows lyrics, which involve calling and
responding alternating between his vocals and children’s lyrics which are the chorus.
The use of a bass and guitar results in the intense groove. The bassline is thus the centrepiece of
the song. Also, horns play a straight melody in combination with short riffs sound in an
alternating by pausing for few seconds before playing the little short riffs again.
Sound
The sound can be described as a smooth sound. This refers to the power and distortion as used in
song. The artist utilizes more power and vigor in addition to a slightly scooped sound. The
alterations allow him to adjust the vocal styles while allowing instrumental breaks.
Lyrics
In the song, James Brown tries addressing the prejudices that the black community was
going through during that time, as a form of black empowerment. The civil rights movements
were at the peak when Brown released the song in 1968. Dr Martin Luther had been assassinated
prior to the release of the song. From the song, Brown sings “some people say we’ve got a lot of
malice, some say it’s a lot of nerve”. At that time, people of color were associated with arrogance
and violence by the whites. The message from the song meant that black community was tired of
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racial discrimination. Additionally, he adds that “I worked on jobs with feet and my hand, But all
the work I did was for another man.”. Tax policies were unfair, and despite paying them, the
community lacked most of the essential social services such as schools, housing, and hospitals.
Thus, Brown was trying to send a message that black people deserved social justice which would
reflect the kind of work they were doing in supporting the economy. Also, he sings “Now we
demand a chance to do things for ourselves…we’d rather die on our feet Than be living’ on our
knees.” Here, he was calling for black community to pick up arms and resist the oppression. He
encouraged African Americans to fight for their freedom and what they deserve through force
regardless of the associated risks, which included losing lives. Also, the chorus “I am black and
proud” implicitly sent a message to both blacks and white that it was okay being black.
The main purpose was to get African Americans to appreciate who they were, their origin
as well as culture. In one of the interviews, Brown suggested that he was trying to inform people
of color that it was okay to be black and they ought to be proud. The supported black is beautiful
movement as well as black aesthetics, which became an anthem for black community during
(Brown). The song impacted people to rise against white supremacy and fight for their
rights(Morant). Also, it sought to liberate blackness from the inflicted injuries including fear and
hate that were associated with being black. The song further aroused instances of reclamation,
which took different forms. This can illustrated by the way African Americans started
appreciating the dark skin color instead of light-skinned color and natural afro hairstyles. Also,
African Americans identifying themselves as black instead of the white popularized word Negro
which was majorly associated with slavery. Additionally, another popular impact was that
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students started advocating for commencement of black studies program, including African
Personal impact, relevance to the musical era, the black community, and society
Personally, if the lyrics and vocals to be original. Considering the fact that the black community
was experiencing discrimination, James Brown tried to address the issues in a creative and
artistry manner. He bridges the gap between self-image infuses it with the need to fight for
freedom through the acceptance of oneself. The song expresses pride and self-confidence among
African Americans, which is a powerful message that resonates up to today. Also, the song is
important for any person struggling with inner self irrespective of the race that comes from to
James Brown is considered to be among the founders of Funk music. The song “Say
loud, I’m black and Proud” can be argued to have popularized the style. Rhythmically-driven,
the song represented black music as well as acting as a bridge between the earlier versions of
soul-funk music and the later adopted styles in the 70s . The song emerged during civil rights
movements and therefore was associated with black pride as well due to its message that put
emphasis on celebrating traits that depicted African Americans in a negative way. The common
attributes that separated the song with other soul music were the expressiveness. However, the
style was widely imitated in the years that followed as illustrated by the songs from Sly & the
Family Stone and Parliament-Funkadelic. Also, it is arguable that the song played an important
role in the history of funk since it influences other genres, such as hip-hop.
The message intended to transform society’s perceptions, especially after the civil war
revolution. It did so by altering the listeners' perceptions, both those that felt oppressed and those
that facilitated oppression. In most cases, the whites believed that their ideology was correct
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while the black ideology was incorrect. During black aesthetic movement and black is beautiful
movement, the black community used songs and spoken words to highlight and demand social
justice and freedom. The song “say it loud I’m Black and Proud” advocated for pride in being
Black. Also, the song asked for the community to stand up and fight for their rights by proposing
for black people to embrace their inner self in a positive way instead of focusing on the
oppressive nature (Morant). As a result, people realized the power they had by accepting that
In conclusion, funk music genre originates from the African-American community. Its
shares similarities with Jazz and other soul music. However, the rhythmic style that involves
different instruments such as guitar and bass makes it different from other genres. The song “say
it loud, I’m black and proud” by James Brown represent funk genre. The songs champions for
Works Cited
Brown, Matthew P. "Funk music as a genre: Black aesthetics, apocalyptic thinking and urban
Morant, Kesha M. "Language in action: funk music as the critical voice of a post-civil rights
Whitburn, Joel. Joel Whitburn's top country singles, 1944-1988: compiled from Billboard's