Technical Rider

City: _________ Date:__________

The technical rider is part of the Agreement (para 1 c) with Maringo Inc.. As
such the Plácido Domingo performance is subject to, and conditional upon, the
presenter strict compliance with, and complete fulfilment of, all the terms and
conditions herein unless waived or altered by the written approval of Maringo
Inc. All the provisions of this Technical Rider will be the sole financial
responsibility of the presenter. You are to read this rider carefully and confirm
if all the requests can be fulfilled. It is essential that you inform us in writing,
in advance about any problems which might occur.

• Access to the venue must be possible one hour before scheduled set up time.
• All gates must be opened and all poles removed within the same time period.
• A desion making english speaking representative of the presenter must be present at all
times during the production in the venue.
• English speaking representative of the sound and light company is also requested.

STAGE:

The presenter must provide and pay for the stage.

Minimum size of stage: 22 m wide x 9 m deep x 2 m high.

Stage must be supportable of 500 kg per square meter.

Surface must be level, smooth and covered with black Marley flooring. No kind
of carpet is acceptable. Stage must not be noisy or resonant.

The presenter must provide and pay for 3 orchestra risers.

First riser: 16 m wide x 1,22 deep x 0,4 m above stage level

Second riser: 16 m wide x 1,22 deep x 0,6 m above stage level

Third riser: 16 m wide x 2,44 deep, 0,8 m above stage level

Plácido Domingo, technical rider page 2 of 20
dated:

Sets of stairs on both sides of the stage between risers must be provided.

Riser for conductor and soloists: 4m wide by 2,5 m deep by 0,2 m high.

One set of stairs with handrails and lights must be provided on the upstage
corner, stage right.

All visible sides of stage and risers must be draped.

Distance between downstage edge and first row of audience seats should be a
minimum of 4 m. The way from Dressing Rooms to stage and backstage area
must be closed from public view by drapes or detachable walls.

Audio Requirements

All sound equipment has to be provided locally. Sound system must be

approved by Artist’s sound engineer Jerry Eade.

FOH engineer will be provided by production and will be regarded as a show

expense.

If the microphones are not available as requested the Schoeps microphones for
orchestra and soloists will be provided by Maringo Inc.

The preferred sound system for arena or outdoor end presentation concerts is
as follows. The designer must agree any changes or substitutions of equipment.
All components will be tested and be in good working order prior to delivery on
site. If the concert is to be televised or recorded, recording facilities must be
available at the site and active microphone splitters must be used.

Speaker and Amplifier System

Amounts stated in this document are only a guide; specific quantities can only
be decided after a survey of the venue/site by the designer or authorised
representative. In addition working scaled drawings of the venue/site must be
submitted to the designer.

All speakers must have the facility to be turned up or down independently of

the other speakers in the arrays. All clusters to be flown on approved Meyer
M3D / Milo flying frames. All MSL-4 to be equipped with L-track fittings and
approved Meyer top grids.
Plácido Domingo, technical rider page 3 of 20
dated:

Stereo system (per side)

2 Meyer M3D subs (flown above Milo)

16 Meyer Milo self powered line array loudspeakers (flown)

6 Meyer MSL-4 (flown beside Milo if seating sold to 90 degrees of

stage)

1 Meyer MSL-4 (ground stacked at side of stage depending on venue)

3 Meyer UPA-2P or UM 1 P (downfills for MSL-4’s)

6 Meyer 650 P Sub bass

1 Mains system c/w individual breakers (of suitable rating) for each
speaker

Centre Focus

To be flown from the centre of the grid as far downstage as possible,

forward of the front lighting truss. If this is not possible they will have to be
flown from the forward lighting truss. The lighting suppliers will need to be
made aware of this.

3 Meyer Milo or

2 Meyer MSL 4

Stage front fill system

Production should be aware front fill speakers are very important, we will
endeavour to incorporate these speakers into the stage whenever possible, they
can be covered but only with approved acoustically transparent material.

2 Meyer UPA - 1P

4 Meyer UPA - 2P

Delays

It may be necessary to fly delay systems at some venues, for reasons of size or
obstructions by scoreboards etc. TBA.

Ground supports will be required for outdoor delay systems, these may
interfere with seating arrangements, promoters should be made aware of
Plácido Domingo, technical rider page 4 of 20
dated:

possible sightline issues.

Front of house control position

The front of house mixing console should ideally be positioned centrally, flat on
the arena floor at the rear of the seated area, or inserted into the back of a
seating block. It should be no more than 50 metres from the stage. And
requires an area 5 m wide by 3 m deep. If Digico D5 112 E is used this area
will be reduced to 3 m wide by 2 m deep. It is important to keep mix position at
ground level in order not to destroy sight lines or distract the audience
positioned behind the area.

All control equipment should be set up and configured as per designers’

specifications and thoroughly checked and tested in vendors warehouse prior
to delivery to the venue.

72 Channels, maximum of input required, (depending on show content)

Approved front of house mixing consoles, Digico D5 112 E, Cadac R Type,

Cadac F type, Midas XL4 or Midas Heritage 3000/2000

(Yamaha, Soundcraft or Allen&Heath, not acceptable)

1 Lexicon 480 L with two engines or

2 PCM 70 or

2 TC M2000

1 DBX 160 S compressor

2 Meyer LD 3 air compensating line driver

Meyer CP-10 equalisers or

10 Klark Technic DN 410 Parametric equalisers

6 Stereo BSS TCS 804 digital delay or equivalent with insert cables

18 Line drivers with attenuation and mute switch

1 C.D. Player

1 Fostex 6301B self powered speaker or similar

1 Cardioid microphone with switch for talk back

Plácido Domingo, technical rider page 5 of 20
dated:

1 Intercom system with Hand set and 3 x H-sets, B-packs

If Digico D5 112 E is available, the control equipment will be reduced to, as

follows: -

1 Uninterruptible Power supply and mains conditioner for control

surface and local digirack

2 Meyer LD 3 air compensating line driver

18 Line drivers with attenuation and mute switch

1 C.D. Player

1 Fostex 6301B self powered speaker or similar

1 Cardioid microphone with switch for talk back

1 Intercom system with Hand set and 3 x H-sets, B-packs

Multicore and Microphone Cables

All multicore must be thoroughly tested for polarity and continuity. Multicore
must be individually grounded. (Mass grounded systems are not acceptable)

A large quantity of high quality microphone cables, preferably quad. With a

selection of 5,8,10,15 and 20 metre lengths. These must also be thoroughly
tested for polarity and continuity.

1 72-way 120 Metre Microphone multicore system from stage to mix

position, minimum +24 returns plus mains for F.O.H.racks

1 72 Ways of active microphone splitters (if show is to be recorded)

6 12 way sub microphone input boxes on stage

If Digico D5 112 E is available, the Opticore system must have redundant fibre
and be a minimum 120 metres in length.

1 Uninterruptible Power supply and mains conditioner for 2 stage

digiracks

Microphones (no substitutions)

24 Schoeps MK 21 Microphones

36 Schoeps MK 4 Microphones
Plácido Domingo, technical rider page 6 of 20
dated:

2 Schoeps RC 1000 tube extensions

2 Schoeps RG 8 Clips with 3/8 spigots

58 Schoeps A 20 suspension mounts

Schoeps B5D wind gags

Depending on show content additional mics may be required

3 Audio Technica ATM 35

1 Beyer M88

1 Audio Technica AT 23

3 Schoeps MK 4

3 Direct Boxes

1 Neuman 105 possibly Sennheiser radio version

Microphone Stands

40 Large Boom mic stands black Beyer preferred.

8 Large Beyer Choir stands

12 Short Boom mic stands black Beyer preferred.

2 Short tripod mic stands (heavy)

Monitor system

Monitoring is very straight forward, for a regular show just 3 sends from FOH,
if there is a chorus then a minimum of 5 sends, The chorus monitors will be
flown from either rear or mid lighting truss.

2 Meyer UM-1P

Meyer UPA-2P

1 Small self powered speaker for auto-cue foldback

If there is a rhythm section an additional 4 sends will be required

4 Shure PSM 6 in ear monitors

Plácido Domingo, technical rider page 7 of 20
dated:

4 Meyer UM- 1P

Crew

1 Assistant engineer, needs to be fluent in English and fully

conversant with all mixing consoles and outboard equipment and
capable of taking full technical responsibility for the front of house
system and assist the engineer, at all times.

1 Qualified technician to take full responsibility of all speaker

systems

2 Sound technicians to take responsibility for patching splitters and

assist with miking the stage.

Qualified rigger to take responsibility for all hanging points for

flown loudspeakers (exclusively for sound)

Sufficient stagehands must be provided by the promoter (will vary according to

size and location of production)

Miscellaneous

Tool kit with soldering facilities. Quantity’s of: - sex changers, y-leads male to
two females, female to two males, earth lifts, phase reversers, spare channel
insert cables, quantity of short patch cables and balanced isolation
transformers, assortments of adapters,

Consumables

A quantity of Gaffer tape, black and white, electrical insulating tape, sufficient
batteries for radio mics and in ear monitoring.

Stage

For outdoor shows, here are a few considerations that should be made when
choosing a site.

Structural integrity of the stage, Stage must be capable of supporting a

weatherproof roof with at least a 5-metre overhang of front downstage edge and
weatherproof sides and rear.

If there is a prevailing wind at the time of year when the concert is to be held,
the stage should be sited so the rear of the stage is windward to protect the
musician’s instruments and their sheet music from rain being driven in by the
wind.
Plácido Domingo, technical rider page 8 of 20
dated:

Quite often there will be a rehearsal in the afternoon, if there is direct sunlight
on the stage at this point, the musicians will not bring their instruments on
until there is shade, alternatively rehearsals should be rescheduled to the
evening before or such a time as for there to be no sun on the performance
area.

Generators

Outdoor concerts, when generators are necessary, it is imperative they are

SILENT (the type used on film sets) not so called hush power generators,
commonly acceptable for most outdoor events, if, however, silent generators are
not available, it will be necessary to site them far enough away so they cannot
be heard on the stage or in the auditorium, further baffling may also be
necessary.

Noise

There will be an allocated time, during set up when all other work in
venue/site must cease for sound system optimisation/equalisation,
approximately 2 hours will be required.

During scheduled rehearsal periods at the venue all other work must be
stopped.

House public address, emergency evacuation systems must be silent during

the show, if there are any audible hums or buzzes they will have to be shut
down for the performance.

Scoreboards/video screens, if these have noisy cooling fans, must be turned off
for the entire performance.

Air conditioning/handling. If the systems are too noisy they will have to be
shut down for rehearsals and during the performance, sometimes it will be
necessary to keep the handling on prior to the performance, but programmed
to be turned off at show time and put back on during the intermission, and off
again for the second half of the performance.

Concessions, Bars and food vendors, especially the ones near to the audience,
must make no noise during the performance, if it is outdoors and they are
using small mobile generators they must be turned off at show time.

Lighting. It is important that if moving lights and colour changers are to be

used they should all be chosen for quietness, some moving lights have very
noisy cooling fans and motors, If they are too noisy they will have to be turned
Plácido Domingo, technical rider page 9 of 20
dated:

off.

Follow spots must be positioned in such a way that any cooling fans cannot be
heard by the audience.

If the lighting designer is calling the follow spots from the front of house
position, he or she should try to keep all conversations to a minimum and as
quiet as possible. If not there will be complaints from the public.

Acoustic Treatment

It will be necessary to hang acoustic drape in some of the larger venues, to

minimise audio reflections from roof structures, solid walls, scoreboards and
other reflective surfaces. Outdoor stages may require internal draping,
especially if they are of the ‘orbit’ design.

Speaker Scrims

Outdoor/indoor speaker towers/supports can only be covered with a soft shark

tooth open weave acoustically transparent material They must not be painted
or covered with any banners, unless on the sides of the towers and then only if
they do not interfere with the horizontal coverage of the speakers.

LIGHTS

All lighting equipment including two followspots has to be provided locally.

Please send us an equipment list and lighting plot of the system you intend to
use not later than 1 month before concert date. Light system must be approved
by Artist’s Production Manager. The presenter has to provide and pay a classic-
concert experienced lightdesigner / operator

TV-RECORDING and /or Video-screens

If the show will be recorded, for television the camera positions have to be
proved by Maringo Inc., also the film material. In case of TV-recording and also
if video-screens are used the artists requires a visagist and hairdresser.

POWER REQUIREMENTS

A fully qualified electrician, familiar with the venues power supply must be
present from load in of production, during set up and load out, as well as on all
rehearsals and sound checks and during show. All power must only be
switched with Artist’s Production Managers full approval. Production requires
sound and light to be supplied from separate transformers or generators.
Voltage must be 240 V between phase and neutral and 380 V between phases.
Plácido Domingo, technical rider page 10 of 20
dated:

Absolutely no "Delta" systems! Location of services should be within reasonable

range from lighting and sound areas backstage.

SOUND: please refer to local company for their requirements.

LIGHTS: please refer to local company for their requirements.

RIGGING: please refer to local company for their requirements.

FOLLOWSPOTS: please refer to local company for their requirements.

STAGE: usually 3 x 1 x 12 Amps operated on 3 channels on dimmer

rack, controlled by one channel on lighting desk have to be
provided for music stand lights.

QUICKCHANGE: 2 x 1 x 12 Amps Euro - socket or adapters have to be

provided in quickchange.

There must be adequate fusing, spare fuses, disconnect switches and terminals
suitable for all required services.

MIXING POSITION/FOH

FOH /sound mixing desk should be set up approx. 40 m from down stage edge
as close to the centre line as possible, preferably at back of a seating block. We
need reasonable access for multicore cables, please have rubber mats ready to
cover the multicores at aisle crossings.

HOUSELIGHTS

Stage and Backstage area must be sufficiently lite from load in of production
until complete load out. On stage, worklight must be available on request.

Houselight operator must be on headset at least 15 min. prior to and

throughout show. At no time can houselights come on without authorisation of
Maringo Inc. Production Manager! It is self-evident that the houselights will be
switched on in the case of an emergency.

INTERCOM

Intercom systems with headsets have to be provided for following positions: 1

for sound desk, 1 for lighting desk, 1 for each followspot, 1 for dimmerland, 1
for tv mix, 1 for houselight control, 1 for house electrician and 1 on each
staircase to stage access.
Plácido Domingo, technical rider page 11 of 20
dated:

ORCHESTRA REQUIREMENTS

The Presenter must supply enough matching, dark coloured chairs in good
condition (no squeaking noise!) for orchestra. Folding chairs are not acceptable!
Please check with orchestra if special stools are required for bass, percussion
etc. Please arrange for a piano or keyboard if required by orchestra.Presenter
must also supply enough music stands and one large conductor stand all with
lights and cables. Music stand lights should be dimmable over the lighting
console (see power requirements). All music stands must match and be in good
condition. Black stands and plates are preferred. Please provide enough sheet
pins for the music sheets. Set up of orchestra equipment on stage should be
finished before first scheduled rehearsal.

DECORATION, FLOWERS

Please have a low floral decoration (hanging green plants not higher than 25
cm) along downstage edge, and a couple of high green plants for sides of stage
installed on morning of showday and removed immediately after show. At end
of show, 4 large, different bouquets will be given to: the conductor, the 2
soloists and the 1st violin. Please have 3 persons ready to present the
bouquets on stage as instructed by Maringo Inc.

PRODUCTION / MANAGEMENT OFFICE

Maringo Inc. requires for 2 persons an office

This room should be of a reasonable distance to stage, must be lockable,

equipped with chairs and tables, a small sofa, a fridge or cooler, a table with
table cloth for catering, waste bins and ashtrays, fan or air condition, sufficient
lighting and power outlets 1 phone line to receive international faxes. Please
also provide 1 combi-fax and 1 copy machine. Several power adapter.

PORTABLE CELL PHONES

For the sole use of the management we will need 3 celluar hand telephones
with international access, plus charging stations. The telephones must be
available on the day of our arrival. If possible, advise the telephone numbers in
advance to Maringo Inc.

REHEARSAL AT THE VENUE

Only technical personnel directly involved with the production of the show
shall be allowed in the venue while the soundcheck and general rehearsal is
being held.
Plácido Domingo, technical rider page 12 of 20
dated:

SHOWDAY

If a soundcheck is set-up at showday it is strongly recommended that the

Presenter informs the venue that all usher and security staff meetings should
not be scheduled inside the venue during this time period.

Doors: Will be open to public at Maringo Inc. Production and Security Manager
instruction.

Showtime: All labour involved in the running of the concert must be in position
and on headsets at least 15 min. prior to showtime. Audience arriving late
should be guided to their seats only during the applause breaks or between
songs.

After Show: Please note: no autographs or interviews are given after the concert
until other arrangements are agreed by Maringo Inc.

SECURITY

The presenter shall provide and pay for adequate security for protection of all
persons and property in connection including, without limitation.

There must be security on the venue from start of production until end of tear
down. Access to venue must be controlled at all times from beginning of load in
until production out.

After arrival of Maringo Inc. Security Manager will hold a security meeting with
the head of local security and the presenter.

Please have for this meeting a venue layout with all security positions marked
to discuss the situation in advance.

No public should enter the venue at production and showday without permit or
pass issued or approved by Maringo Inc. Security Manager. This includes
merchandiser and sales people. Audience must be controlled at all gates,
security must collect all video equipment, recorders and cameras, except from
press people with special passes.

Additional to the usual venue security we require as follows:

1 security person on each access to dressing room area

1 security person on each access to stage

2 security personal at Front of House/mixing position

Plácido Domingo, technical rider page 13 of 20
dated:

2 security personal, 1 on each front corner of the stage

2 security personal at Artist’s Security Managers personal disposal

All positions above must be on duty during all rehearsal and soundcheck times
as well as on showday from 17:00 hrs onwards until released by Maringo Inc.
Security Manager. Additional security may be required at Plácido Domingo’s
arrival.

Two walkie-talkies should be supplied by the local security company on

reheasal and show day for Maringo Inc. Production Manager and Maringo Inc.
Security Manager.

PASSES

Only the backstage-passes for this event will be supplied by Maringo Inc.

NO OTHER PASSES WILL BE ACCEPTABLE FOR BACKSTAGE AREA! Please

prepare a list of required passes and give it to Maringo Inc. Security Manager
upon arrival.

Everyone will have to wear this pass at all times during stay at the venue.

Passes issued by venue or Presenter need to be approved by Maringo Inc.

Security Manager.

AUTHORITIES

The presenter is required to take care and pay for all required certificates,
permits, visas and custom requirements.

LOCAL TRANSPORT

At all times of Artist’s and Artist’s staff stay in your country, local transport for
the artists, artist’s staff and production crew will have to be provided and paid
by the Presenter.

3 limousines for Artists and Artist’s staff incl. 3 english speaken drivers with
cell phones

The drivers must be dressed well and familiar with the city. They must inform
our security manager of all necessary routes (airport, hotel, rehearsal venue,
good restaurants, sight seeing, etc.) One luggage van with driver for arrival and
departure of Artists and Artist’s staff (if requested).
Plácido Domingo, technical rider page 14 of 20
dated:

ARRIVAL / DEPARTURE

For any questions prior to our arrival/departure please contact MARINGO INC.

Petra Weiss: cell.: +49(0)160-232 55 70 email:pweiss0211@yahoo.de

PARKING

Please make sure that the Artist’s limousines can park directly in front of the
artists entrance.

AUDIENCE CHAIRS

Chairs must be provided, paid and set up by Presenter.

Chairs on the main floor should be in and set-up before the start of acoustic
measuring.

DRESSING ROOMS

Please send us a backstage and dressing room layout by email.

The presenter has to provide, furnish and pay for dressing rooms.

Please keep in mind that when on venue only in these dressing rooms the
Artists can relax and prepare themselves for the upcoming show. Please
respect the artists need for privacy.

Dressing rooms should be positioned as close to the stage as possible, yet as

much apart as possible from areas with heavy noise and traffic or strong
cooking smells. All dressing rooms must be clean and ready at rehearsal and
showday. Dressing rooms must be lockable and keys given to Maringo Inc.
Production Manager. All rooms must be properly signed, important directions
from dressing rooms should be signed as well. Perfectly working air condition
in all rooms is vital. Please light all the rooms sufficiently and pleasently, no
neon lights. All the walls should be nice and clean or covered with nice fabric,
preferably white. Rooms should be carpeted. Make sure of at least one waste
bin per room. Catering to be put up in dressing rooms see below.

DRESSING ROOM FOR MR PLÁCIDO DOMINGO

1 baby-grand or 1 electrical piano on the showday in his dressing-room is very

important!

1 large, soft chair with arm rests and high back

Plácido Domingo, technical rider page 15 of 20
dated:

1 two-seater sofa

1 coffee style table

1 table with table cloth for set up of catering

1 make up mirror with lights

1 chair

1 full lenght mirror

power outlets

clothes rack with 6 - 10 hangers

air humidifier

5 white towels, 1 bar of soap

private toilet washing facilities with running cold and hot water

1 high barstool

Decoration would be very nice, plants or flower arrangement, but please bear in
mind that flowers should not be strong smelling (like lillies) or contain pollen.

DRESSING ROOM FOR CONDUCTOR - MAESTRO EUGENE KOHN

2 chairs

1 two-seater sofa

1 coffe style table

1 table with table cloth for catering

full lenght mirror

clothes rack with hangers

5 white towels, 1 bar of soap

private toilet and wash basin

Plácido Domingo, technical rider page 16 of 20
dated:

DRESSING ROOM FOR SOPRANO

2 chairs

1 two-seater sofa

1 coffe style table

1 table with table cloth for catering

full lenght mirror

clothes rack with hangers

5 white towels, 1 bar of soap

private toilet and wash basin

power outlets

QUICK CHANGE

Positioned as close to stage access as possible in the corridor.

1 chair

1 small table with table cloth for drinks

full lenght mirror with mirror lights

coat hanger

5 white towels

1 high barstool

power outlets

2 DRESSING ROOMS ORCHESTRA

please arrange with the orchestra directly

CATERING

To be provided and paid for by the presenter. All catering should be set up and
ready before the Artists and Orchestra arrival at venue.

Catering should be checked and filled up on request during show.

Plácido Domingo, technical rider page 17 of 20
dated:

Some drinks should be prepared in the Artist’s dressing rooms and the
Conductor’s dressing room has to be prepared and equipped whenever
rehearsals will take place.

DRESSING ROOM – PLACIDO DOMINGO

Fresh, decaffeinated coffee

electric water kettle

tea (black, green and fruit)

sugar, sweetener, milk, lemon, glass of honey

3 bottles of Evian or Vitel (or similar) mineral water (noncarbonated)

2 bottles sparkling mineral water

1 bottle of Orange and Grapefruit Juice

assorted cough bonbons or throat lozenges, Ricola Suisse herbal drops, mint
drops or similar;

bottle opener, napkins, Kleenex box; assorted glasses - no plastic! - porcelain

crockery and a knife as well as tea and coffee cups and spoons for 4 persons.
DRESSING ROOM – MAESTRO EUGENE KOHN

fresh coffee; electric water kettle; black tea; sugar, sweetener, milk, lemon;

3 bottles Evian or Vitel (or similar) mineral water noncarbonated

2 bottles sparkling mineral water

6 cans of soft drinks - Coca cola, Sprite, etc.

fingerstyle food for 2 persons with different sorts of ham, bacon, cheese, fish,
little sandwiches; assorted rolls and dark bread, assorted pastry and fruit;
bottle openers, cork screws, napkins, Kleenex box; assorted glasses - no plastic
- porcelain crockery and nice cutlery as well as tea and coffee cups and spoons
for 2 persons.

DRESSING ROOM – SOPRANO

fresh coffee; electric water kettle; black tea; sugar, sweetener, milk, lemon;

3 bottles Evian or Vitel (or similar) mineral water noncarbonated

Plácido Domingo, technical rider page 18 of 20
dated:

2 bottles sparkling mineral water

6 cans of soft drinks (Coca cola, Sprite, etc.)

fingerstyle food for 4 persons with different sorts of ham, bacon, cheese, fish,
little sandwiches; assorted rolls and dark bread, assorted pastry and fruit;
bottle openers, cork screws, napkins, Kleenex box; assorted glasses - no
plastic! - porcelain crockery and nice cutlery as well as tea and coffee cups and
spoons for 4 persons.

QUICK-CHANGE ROOM

Set up for rehearsal, again one hour before show and again for intermission

3 bottles mineral water non carbonated

decaffeinated coffee

assorted glasses, no plastic

Kleenex box

STAGE DRINKS

Please make sure that the orchestra has enough non-carbonated mineral water
at its disposal at all times. For this it would be best to put up small tables at
the stage entrance with a cooler or cooling box with noncarbonated water. Also
uncooled water should be available at these tables.

DRESSING ROOMS ORCHESTRA

please arrange with the orchestra directly

MEET & GREET ROOM/HOSPITALITY AREA

Artists might have to entertain guests in this room/area. Please provide:

Mineral water, soft drinks, fruit juice, coffee, black tea, sugar, sweetener, milk,
lemon, fingerstyle food for 4 to 6 persons with assorted ham, bacon, cheese,
fish, little sandwiches; assorted rolls and bread, assorted sweets and fruit;
bottle opener, assorted glasses and cups, crockery and cutlery, napkins and
Kleenex box.

ARTIST’S PRODUCTION MANAGER/CREW

For 5 persons: coffee, tea and soft drinks during all times.
Plácido Domingo, technical rider page 19 of 20
dated:

PRESS & PHOTOGRAPHERS

There will be special passes issued for members of press, photographers and
camera teams after a Press Release Form is filled in. Please ensure that press
are not allowed to move around freely, they have to be escorted by security.
Photographers and camera teams are not allowed to take pictures or to record
during the concert. No flash lights, no press and/or photographers will be
allowed backstage. Approx. 80 minutes after the beginning of show all
photographers must assemble at a certain point of the venue. They will be
escorted by security to take their photos during the encores and will leave
immediately after. Please provide one person of the local Presenter as contact
for the Press. All press activities have to be approved by Maringo Inc.

All press and photographers to be listed with names and media name before
the show and the list has to be given to Maringo Inc. one day before the show.

SIGNS

Please have the following signs hung up at all audience gates in local and
English language:

• NO AUDIO OR VIDEO RECORDING

• NO PHOTOS OR FLASH PHOTOGRAPHIE

• NO SMOKING ALLOWED IN VENUE

ITEMS OF SPECIAL IMPORTANCE TO THE ARTISTS:

During the time Artists are in the building/venue, SMOKING IS ABSOLUTELY

PROHIBITED near or on stage and backstage. This also applies for visitors,
orchestra musicians, working and house crew. Please set NO SMOKING signs
around stage and backstage.

A certified physician must be arranged to be on call, also a certified ear, nose

and throat doctor and an internist with hospital privileges who could come to
the venue immediately upon request.
Plácido Domingo, technical rider page 20 of 20
dated:

Thank you for having taken the time to study these pages. Please inform us as
soon as possible, should the fulfillment of any items of this Technical Rider be
a serious problem or impossible. Do not hesitate to contact us, we will be
happy to help you with any questions you might have. Please complete page 20
of the rider and fax it back to us as soon as possible - see numbers below.

IMPORTANT

Please confirm with your signature that all terms and conditions of this
Technical Rider have been read, understood, accepted and agreed upon as a
part of the Agreement with the Maringo Inc. for and on behalf of the Presenter.
We are looking forward to working with you and are confident of a successful
presentation.

Date: ______________________

_____________________________________ ____________________________________

Signature “Presenter” Signature “Presenter’s Representive

For Technical Information For Artist’s Information

All Star Production s.r.l. Ms. Petra Weiss

Strada Panoramica 17 MARINGO INC.

61024 Mombaroccio P.O. Box 2018

+39-0721-471 372 office phone +49-6202-702470 officephone

+39-0721-920 084 fax +49-69-133.069.053.20 fax

+49-160-232.5570 cell phone

Email: pweiss0211@yahoo.de
PRODUCTION MANAGER

Chrissy Pohl

cell phone:+39 – 338 495 9694

e-mail: allstarproduction2@mac.com