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OMAR, RASHLEA ART APPRECIATION

d. Spectacular and the monumental


Music: Listening or Hearing?
• Music is considered a very powerful art  Despite its negative connotation
because it stimulates pleasant or unpleasant  The grandiose and dramatic spirit of the period
reactions which are uncontrolled or gave rise to important vocal forms such as the
spontaneous. opera, oratorio and cantata
• Live rock concerts energize the audience  Most famous and well-loved oratorio of this
• Sentimental ballads like from the 1980s period is George Frideric Handel’s Messiah
produce a sense of melancholy or atmosphere which premiered in 1742
of romance SOME OF THE WELL-KNOWN BAROQUE COMPOSERS
• Hearing and Listening are two ways to • Johan Pachelbel
experience music • Johann Sebastian Bach
What is the difference of a hearer and a listener? • Antonio Vivaldi
HEARERS • Georg Friedrich Händel
• Hearers do not bother to pay attention to the  Believed that Music was a powerful tool of
details or structure of the form. communication and could arouse emotion in
• They may be familiar with the melody of “My its listeners
Heart Will Go On” of Celine Dion and associate  Unity of mood- each piece features a single
it to the film Titanic emotion
• But not pay attention to the shift in the use of  Repetition of melody
instruments from the flute to the violin  Terraced dynamics- dynamics change suddenly
• Blending and change from the medium to high CLASSICAL MUSIC
pitch in the vocals. Classical Music (Approximately from 1750 to 1830)
• Hearers are moved by the association they have • Two figures stand at the heart of western
on the music in relation to their emotions and classical music
not on the music structure • Wolfgang Amadeus Mozart
LISTENER • Marriage of Figaro
• Ponder upon the form, details and structure. • Don Giovanni
• Queen’s Bohemian Rhapsody • Magic Flute
• Begins with a chorus of singers • Eine Kleine Nachtmusik
• Then with Freddie Mercury’s solo in ballad to • Ludwig Van Beethoven
the opera section • Ode to Joy
• Which bounces back to the ballad with rapidly • Moonlight Sonata
changing vocals of Galileo’s • Fur Elise
• Then proceeds to the hard-rock part CHARACTERISTICS OF CLASSICAL MUSIC:
BAROQUE MUSIC • Lighter, clearer texture than Baroque music
Baroque Music (Approximately from 1600 to 1750) • Less complex
• Baroque • Emphasizes elegance
• Comes from the Portuguese word “barroco” • Variety in dynamics, rhythms, and melodies
which means “misshapen pearl” or “oddly • Orchestra increased in size and range –
shaped pearl” woodwind
CHARACTERIZED BY: • Importance was given to instrumental music
a. Movement and tension WELL-KNOWN MUSICIANS:
b. Emotion rather than beauty • Joseph Haydn- comic operas, string quartets
c. Sensual rather than the rational and symphonies
OMAR, RASHLEA ART APPRECIATION
• Franz Schubert- symphonies, sacred music, 1. ALTO: a low-ranged female voice; the second
opera lowest instrumental range
ROMANTIC MUSIC 2. BARITONE: a moderately low male voice; in
• Economic and socio-political upheavals of the range between a tenor and a bass
late 18th to 19th century Europe brought changes 3. BASS: the lowest male voice
in musical style. 4. BRASS INSTRUMENT: a powerful metallic
• Composers drew inspiration from art and instrument with a mouthpiece and tubing that
literature, from nature and from folk stories must be blown into by the player
• Most notable is the production of programme • Trumpet
music or music that tells a story • Trombone
• Richard Wagner and Giuseppi Verdi • French horn
Characteristics attributed to Romantic Music • Tuba
• Preoccupation with nature • Baritone
• Fascination with the past – chivalry • Bugle
• Turn towards supernatural 5. CHORD: a harmonic combination that has three
• National identity or more pitches sounding simultaneously
• Emphasis on extreme subjectivism 6. CODA: concluding section appended to the end
• Deemed expressive and inventive as reflected in of a work
the harmonies and the chromaticism – color of 7. CONSONANCE: pleasant-sounding harmony
the melodies 8. CRESCENDO: gradually getting louder
• Reflected personal emotions and love and 9. DECRESCENDO: gradually getting quieter
nature were viewed with idealism 10. FALSETTO: a vocal technique that allows a male
NOTABLE COMPOSERS: to sing in a much higher, lighter register
• Felix Mendelssohn 11. FILM MUSIC: (genre) music that serves as either
• Peter Ilyich Tchaikovsky a background or foreground material for a
• Johannes Brahms movie.
• Hector Berlioz 12. HARMONY: the elemental category describing
MODERN MUSIC vertical combinations of pitches
• Music of the 20th century 13. INSTRUMENTATION: the combination of
• Challenged the traditional aesthetic instruments that a composition is written for
conventions 14. INTERVAL: measured distance between 2 music
• Impressionistic and full of experimentation, a pitches
kind of live in the moment style 15. MELODY- the musical element that deals with
• Atonal music or music that is not in a particular the horizontal presentation of pitch
key 16. PITCH- the relative highness or lowness of a
• Arnold Schonberg musical sound
• Invention of the audio recording technology, 17. RHYTHM- the elements of music as it unfolds in
music became easily available in America, new time
forms such as the musical theater and jazz 18. SEQUENCE- immediate repetition of a melodic
evolved passage on a higher or lower pitch level
PROMINENT MUSICIANS: 19. SOPRANO- highest ranged woman’s voice or a
• Igor Stravinsky- Rite of Spring high pre-pubescent boy’s voice
• Aaron Copland 20. TEMPO- speed of the music beat
• Claude Debussy – Claire de Lune 21. TENOR- a high-ranged male voice
Terms in Music
OMAR, RASHLEA ART APPRECIATION
22. THEME- main self-contained melody of a • Merges the rock beat with Filipino lyrics in local
musical composition color
23. VIVACE- a lively tempo • This is the beginning of the OPM or Original
Pilipino Music or Organisasyon ng Pilipinong
Mang-aawit
Pinoy Rock
Popular Culture and Music • Introduced by Juan de la Cruz Band
• The term popular culture refers to the pattern • Mike Hanopol who sang Laki sa Layaw (Jeproks)
of cultural experiences and attitudes that exist making him a major symbol of Pinoy Rock
in mainstream society.
• Popular (pop) culture is often expressed and Folk Songs
spread via commercial media such as radio, • Folk Songs are important because it helps us to
television, movies, the music industry, look back to the culture which our ancestors
publishers and corporate-run websites. gave us.
• Rock and pop music are part of popular culture. • We can use it as a tool in handing and
• The Beatles is a critically acclaimed band in the explaining our culture to the other generation.
history of popular music and the most
commercially successful English rock band from Rise of the Manila Sound
Liverpool with members • Manila Sound is a music genre in the Philippines
• John Lennon that began in the mid-1970s in Manila
• Paul McCartney • It is considered the bright side of the Philippine
• George Harrison martial law era and has influenced most of the
• Ringo Starr modern genres in the country by being the
• According to the Recording Industry Association forerunner to OPM
of America • In 1970s gave birth to lyrics using colloquial
• The group is the best-selling musical act of all language called “Taglish”
time in the United States • Taglish clicked with the changing mood of the
• According to the Rolling Stone Magazine, their youth, gaining wide acceptance even from the
innovative music and cultural impact helped burgis (bourgeois) crowd.
define the 1960s, and their influence on pop • Hotdogs, Cinderella, Rainmakers, and Apo
culture can still be felt today. Hiking Society
• The Beatles is number one in the list of 100 Disco Music
Greatest Artists of All Time • Popular in 1970s to the 1980s
Eleanor Rigby • Hotdogs Annie Batumbakal
• Song of The Beatles released in 1966 • Songs of VST and Co.
• Written by Paul McCartney and John Lennon • Hagibis, macho group
OPM • “Annie Batungbakal.”
The Beginnings of the Philippine Popular Music: The • It was a tribute to Pinay domestics who were
OPM truly “bonggacious” during their days off—so
• Media through radio and television made the flashy, you wouldn’t think they were cooking,
propagation of popular or pop music which is washing clothes, changing diapers and dodging
understood today as pop, rock, jazz, disco, employers’ fists on their working days.
ballad, folk, country Western and “ethnic”. • Aside from being a tribute, this was also a
• Year 1973 saw the emergence of Pinoy rock and commentary on our youngest sister (Gina) who
rhythm was at Coco Banana night after night dancing till
OMAR, RASHLEA ART APPRECIATION
dawn, unmindful that she had to be at work the
next day in an ad agency at 9 a.m. sharp. She
was—rightfully—the “muse” of this classic tune.
Protest songs
• 1980s
• Bayan Ko – a kundiman written in 1928 by
Constancio de Guzman with lyrics by Jose
Corazon de Jesus became the anthem of the
street parliamentarians to compose songs in the
same nationalist vein
Groups noted for nationalist songs
• Asin
• Joey Ayala
• Freddie Aguilar
• And many others

 The use of local resources and expression of


local sentiments and dependence on available
local talent are healthy signs of evolving Filipino
pop music using Western musical values and
technique.
 Far from obliterating the indigenous musical
soul, the long colonial experience of the country
under Spain and America has in fact enriched its
musical culture.
 Each colonial era contributed to the shaping of
what is largely acknowledged as Philippine
music today.
 Philippine musical culture show a distinct
foreign borrowing, its equally true that such
borrowing underwent a process of
internalization and indigenization
 The Filipino has actively transformed what he
has borrowed and has breathed into it his very
essence.

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