Music: Listening or Hearing? • Music is considered a very powerful art Despite its negative connotation because it stimulates pleasant or unpleasant The grandiose and dramatic spirit of the period reactions which are uncontrolled or gave rise to important vocal forms such as the spontaneous. opera, oratorio and cantata • Live rock concerts energize the audience Most famous and well-loved oratorio of this • Sentimental ballads like from the 1980s period is George Frideric Handel’s Messiah produce a sense of melancholy or atmosphere which premiered in 1742 of romance SOME OF THE WELL-KNOWN BAROQUE COMPOSERS • Hearing and Listening are two ways to • Johan Pachelbel experience music • Johann Sebastian Bach What is the difference of a hearer and a listener? • Antonio Vivaldi HEARERS • Georg Friedrich Händel • Hearers do not bother to pay attention to the Believed that Music was a powerful tool of details or structure of the form. communication and could arouse emotion in • They may be familiar with the melody of “My its listeners Heart Will Go On” of Celine Dion and associate Unity of mood- each piece features a single it to the film Titanic emotion • But not pay attention to the shift in the use of Repetition of melody instruments from the flute to the violin Terraced dynamics- dynamics change suddenly • Blending and change from the medium to high CLASSICAL MUSIC pitch in the vocals. Classical Music (Approximately from 1750 to 1830) • Hearers are moved by the association they have • Two figures stand at the heart of western on the music in relation to their emotions and classical music not on the music structure • Wolfgang Amadeus Mozart LISTENER • Marriage of Figaro • Ponder upon the form, details and structure. • Don Giovanni • Queen’s Bohemian Rhapsody • Magic Flute • Begins with a chorus of singers • Eine Kleine Nachtmusik • Then with Freddie Mercury’s solo in ballad to • Ludwig Van Beethoven the opera section • Ode to Joy • Which bounces back to the ballad with rapidly • Moonlight Sonata changing vocals of Galileo’s • Fur Elise • Then proceeds to the hard-rock part CHARACTERISTICS OF CLASSICAL MUSIC: BAROQUE MUSIC • Lighter, clearer texture than Baroque music Baroque Music (Approximately from 1600 to 1750) • Less complex • Baroque • Emphasizes elegance • Comes from the Portuguese word “barroco” • Variety in dynamics, rhythms, and melodies which means “misshapen pearl” or “oddly • Orchestra increased in size and range – shaped pearl” woodwind CHARACTERIZED BY: • Importance was given to instrumental music a. Movement and tension WELL-KNOWN MUSICIANS: b. Emotion rather than beauty • Joseph Haydn- comic operas, string quartets c. Sensual rather than the rational and symphonies OMAR, RASHLEA ART APPRECIATION • Franz Schubert- symphonies, sacred music, 1. ALTO: a low-ranged female voice; the second opera lowest instrumental range ROMANTIC MUSIC 2. BARITONE: a moderately low male voice; in • Economic and socio-political upheavals of the range between a tenor and a bass late 18th to 19th century Europe brought changes 3. BASS: the lowest male voice in musical style. 4. BRASS INSTRUMENT: a powerful metallic • Composers drew inspiration from art and instrument with a mouthpiece and tubing that literature, from nature and from folk stories must be blown into by the player • Most notable is the production of programme • Trumpet music or music that tells a story • Trombone • Richard Wagner and Giuseppi Verdi • French horn Characteristics attributed to Romantic Music • Tuba • Preoccupation with nature • Baritone • Fascination with the past – chivalry • Bugle • Turn towards supernatural 5. CHORD: a harmonic combination that has three • National identity or more pitches sounding simultaneously • Emphasis on extreme subjectivism 6. CODA: concluding section appended to the end • Deemed expressive and inventive as reflected in of a work the harmonies and the chromaticism – color of 7. CONSONANCE: pleasant-sounding harmony the melodies 8. CRESCENDO: gradually getting louder • Reflected personal emotions and love and 9. DECRESCENDO: gradually getting quieter nature were viewed with idealism 10. FALSETTO: a vocal technique that allows a male NOTABLE COMPOSERS: to sing in a much higher, lighter register • Felix Mendelssohn 11. FILM MUSIC: (genre) music that serves as either • Peter Ilyich Tchaikovsky a background or foreground material for a • Johannes Brahms movie. • Hector Berlioz 12. HARMONY: the elemental category describing MODERN MUSIC vertical combinations of pitches • Music of the 20th century 13. INSTRUMENTATION: the combination of • Challenged the traditional aesthetic instruments that a composition is written for conventions 14. INTERVAL: measured distance between 2 music • Impressionistic and full of experimentation, a pitches kind of live in the moment style 15. MELODY- the musical element that deals with • Atonal music or music that is not in a particular the horizontal presentation of pitch key 16. PITCH- the relative highness or lowness of a • Arnold Schonberg musical sound • Invention of the audio recording technology, 17. RHYTHM- the elements of music as it unfolds in music became easily available in America, new time forms such as the musical theater and jazz 18. SEQUENCE- immediate repetition of a melodic evolved passage on a higher or lower pitch level PROMINENT MUSICIANS: 19. SOPRANO- highest ranged woman’s voice or a • Igor Stravinsky- Rite of Spring high pre-pubescent boy’s voice • Aaron Copland 20. TEMPO- speed of the music beat • Claude Debussy – Claire de Lune 21. TENOR- a high-ranged male voice Terms in Music OMAR, RASHLEA ART APPRECIATION 22. THEME- main self-contained melody of a • Merges the rock beat with Filipino lyrics in local musical composition color 23. VIVACE- a lively tempo • This is the beginning of the OPM or Original Pilipino Music or Organisasyon ng Pilipinong Mang-aawit Pinoy Rock Popular Culture and Music • Introduced by Juan de la Cruz Band • The term popular culture refers to the pattern • Mike Hanopol who sang Laki sa Layaw (Jeproks) of cultural experiences and attitudes that exist making him a major symbol of Pinoy Rock in mainstream society. • Popular (pop) culture is often expressed and Folk Songs spread via commercial media such as radio, • Folk Songs are important because it helps us to television, movies, the music industry, look back to the culture which our ancestors publishers and corporate-run websites. gave us. • Rock and pop music are part of popular culture. • We can use it as a tool in handing and • The Beatles is a critically acclaimed band in the explaining our culture to the other generation. history of popular music and the most commercially successful English rock band from Rise of the Manila Sound Liverpool with members • Manila Sound is a music genre in the Philippines • John Lennon that began in the mid-1970s in Manila • Paul McCartney • It is considered the bright side of the Philippine • George Harrison martial law era and has influenced most of the • Ringo Starr modern genres in the country by being the • According to the Recording Industry Association forerunner to OPM of America • In 1970s gave birth to lyrics using colloquial • The group is the best-selling musical act of all language called “Taglish” time in the United States • Taglish clicked with the changing mood of the • According to the Rolling Stone Magazine, their youth, gaining wide acceptance even from the innovative music and cultural impact helped burgis (bourgeois) crowd. define the 1960s, and their influence on pop • Hotdogs, Cinderella, Rainmakers, and Apo culture can still be felt today. Hiking Society • The Beatles is number one in the list of 100 Disco Music Greatest Artists of All Time • Popular in 1970s to the 1980s Eleanor Rigby • Hotdogs Annie Batumbakal • Song of The Beatles released in 1966 • Songs of VST and Co. • Written by Paul McCartney and John Lennon • Hagibis, macho group OPM • “Annie Batungbakal.” The Beginnings of the Philippine Popular Music: The • It was a tribute to Pinay domestics who were OPM truly “bonggacious” during their days off—so • Media through radio and television made the flashy, you wouldn’t think they were cooking, propagation of popular or pop music which is washing clothes, changing diapers and dodging understood today as pop, rock, jazz, disco, employers’ fists on their working days. ballad, folk, country Western and “ethnic”. • Aside from being a tribute, this was also a • Year 1973 saw the emergence of Pinoy rock and commentary on our youngest sister (Gina) who rhythm was at Coco Banana night after night dancing till OMAR, RASHLEA ART APPRECIATION dawn, unmindful that she had to be at work the next day in an ad agency at 9 a.m. sharp. She was—rightfully—the “muse” of this classic tune. Protest songs • 1980s • Bayan Ko – a kundiman written in 1928 by Constancio de Guzman with lyrics by Jose Corazon de Jesus became the anthem of the street parliamentarians to compose songs in the same nationalist vein Groups noted for nationalist songs • Asin • Joey Ayala • Freddie Aguilar • And many others
The use of local resources and expression of
local sentiments and dependence on available local talent are healthy signs of evolving Filipino pop music using Western musical values and technique. Far from obliterating the indigenous musical soul, the long colonial experience of the country under Spain and America has in fact enriched its musical culture. Each colonial era contributed to the shaping of what is largely acknowledged as Philippine music today. Philippine musical culture show a distinct foreign borrowing, its equally true that such borrowing underwent a process of internalization and indigenization The Filipino has actively transformed what he has borrowed and has breathed into it his very essence.