Professional Documents
Culture Documents
fr
Henri SELMER Paris
designer and maker
of wind instruments,
mouthpieces and reeds
since 1885
available for
Soprano, Alto and Tenor saxophones
in strengths 2 to 4
www.selmer.fr
HANDCRAFTING
GUA RA N T E ES
O L D -W O R L D C H A R M .
L AS E RS GUA RA N T E E
PERFECTION.
R E I N V E N T I N G C R A F T S M A N S H I P F O R T H E 2 1 S T C E N T U R Y.
Message from the President
of Mahidol University
Mahidol University and the College of Music are proud to be able to
host the 5th International Jean-Marie LONDEIX Saxophone Competi-
tion and I would like to extend a warm welcome to all our distinguished
judges and competitions participants. It is the goal of Mahidol University
and the College of Music to support professional events that bring world
class performs and performances to our university and community.
Mahidol University is honored to have so many respected saxophone
professionals and aspiring young artist with us. My best wishes to all
participants in this important musical friendship-making endeavor. I
hope that this activity will continue well into the future and wish eve-
ryone the best of luck.
8
Message for the 5th International
Jean-Marie LONDEIX Saxophone
Competition
On behalf of the College of Music, Mahidol University, It is a great
pleasure and an honor to extend to you a warm welcome to attend the
5th International Jean-Marie LONDEIX Saxophone Competition, to be
held on July 9 - 21, 2017. The competition is renowned as one of the
world’s most outstanding competition for saxophone. It’s an exciting
time for the College of Music as we continue to witness the growth
of talented saxophonists from all over the globe in the competition.
As an Educational Institute, we are committed to promote the high-
est quality in music education to serve not only Thailand, but also the
International society.
The competition is a great addition to support our mission.
I am confident that the 5th International Jean-Marie LONDEIX
Saxophone Competition will be an excellent opportunity to exchange
views and raise awareness of the art of saxophone playing and repertoire.
We hope you have a marvelous time at the competition, and take a lit-
tle extra time to enjoy the spectacular and unique beauty of Thailand.
9
PRESIDENT
OF JURY
JURJEAN-MARIE LONDEIX
“The iconic 2017 Fifth Edition of the International “Emblématique est la 5ème édition de l’International
Jean-Marie Londeix Saxophone Competition, Jean-Marie Londeix Saxophone Competition, ce
the conference held in Thailand, where the concours montre en Thaïlande où le saxophone est
instrument has long been cherished by His Majesty d’ores et déjà couronné par S.M. le Roi Bhumibol
King Bhumibol Adulyade, underlines the universality Adulyade, l’universalité de l’instrument, sa pérennité
of the instrument and its ongoing and increasing en tant qu’instrument de concert, l’attrait qu’il a sur
use as a concert instrument, a fact evidenced in the la jeunesse la plus valeureuse.
attraction it has for the valiant young players amassed Il est significatif aussi que cet événement de très
here for this event. haut niveau se tienne à Mahidol, prestigieuse université
It is also very significant that this musical competition de Bangkok où vont se réunir et vont se faire face des
with such a high international level is taking dizaines de jeunes artistes venus des cinq continents
place on the campus of the prestigious Mahidol : Amérique du Nord et du Sud, du Canada, d’Europe
University in Bangkok, where we welcome scores of et de Scandinavie, d’Israël, d’Australie, de l’Asie
youthful artists coming from five continents: North bien sûr, Chine, Thaïlande, Taïwan, Japon, Corée,
and South America, Canada, Australia, Asia and Hong-Kong…
Europe. Some of the specific countries represented Soit, un moment marquant dans l’histoire du saxo-
from Asia are China, Thailand, Taiwan, Japan, Korea phone et un temps fort de la vie musicale Thaïlandaise.
and Hong Kong...... Qu’il me soit permis de remercier le Dr. Sugree
This underlines an important moment in the history Charoensook pour son implication remarquable son
of the saxophone, as well as an important stage in dévouement inconditionnel, sans qui cette manifestation
Thailand’s developing musical life scene. n’existerait pas. Merci à ses vaillants collaborateurs,
I want to sincerely thank Dr. Sugree Charoensook, à ses généreux partenaires, aux brillants jurés venus
Dean of the College of Music of Mahidol University, eux aussi du monde entier, à tous les artisans de cette
for his outstanding involvement and unconditional manifestation unique et exceptionnelle.”
devotion to this project, without whom this event
would not exist. Thanks as well go to his capable and Jean-Marie Londeix
diligent colleagues and staff, his generous patrons, to Président du jury
the members of the international and distinguished
jury, brought here from points around the world, and
to the highly skilled musical artisans connected to this
unique and exceptional event.”
10
PRESIDENT
OF JURY
Concert saxophonist, professor and concert pro- His influence has been strongly felt throughout the
ducer, born into a family of musicians, 20 September international saxophone community” (Gérald DONO-
1932, in Arveyres, France in the region of Gironde. VITCH), “One of the greatest musicians of our time”
He was imbued very early in the pedagogical herit- (Edison DENISOV), “Dean of French saxophonists
age of the piano and violin. At the age of fourteen who has made Bordeaux the world’s leading center of
he obtained a First Prize in saxophone from the saxophone studies” (Washington Post), “A model for
Bordeaux Conservatory. His father formed, with his classical saxophone” (Ramon RICKER), “Perhaps,
five children, an ensemble that performed regularly after Adolphe SAX and his teacher Marcel MULE,
in and around Libourne. In 1948 he began studying the most important ‘inventor’ of the classical saxo-
with Marcel MULE. In order to have a trade before phone” (Francesco SALIME), “Master of the modern
exclusively devoting his life to music, he entered a saxophone” (James UMBLE), “There is no one like
school for watch-making, while still taking classes you in France, or anywhere for that matter, in terms
at the Bordeaux Conservatory, followed by brilliant of your contributions to traditional and contempo-
musical studies at the Paris Conservatory where he rary saxophone literature and pedagogy” (Frederick
obtained the highest marks and awards. HEMKE), “The master of the masters” (Theodore
As a concert soloist, recitalist; or conductor he KERKEZOS), “Jean-Marie LONDEIX deserves the
performed more than 600 concerts with an excess of deepest admiration for the quality of his work, but
250 works dedicated to him. even more importantly for his very ‘modern’ posi-
As a teacher, 135 foreign students from 15 differ- tion concerning all that touches the saxophone, both
ent countries have studied with him at the Bordeaux near and far” (Walter BOUDREAU), “His extensive
Conservatory (notably 48 Americans, 22 Canadians, 13 output is known far and wide; not only for the quality
Spanish, 10 Japanese, 11 Germans and 9 Italians). He of his amazing musical performances, but also for
has presented master-classes in Europe, North America, his teaching and his profound insight and thought”
Scandinavia, Japan, etc. Jean-Marie LONDEIX has (François ROSSÉ).
authored a number of teaching methods making him
an expert authority in the pedagogy of the saxophone.
He was an initiator and founder of several professional
organizations, ensembles and associations.
“An example of courage, hope and passion” (Keiji
Munesada). His peers consider him “without question
one of the world’s greatest saxophonists and teachers.
11
International
Coordinator
The Jean Marie Londeix International Saxophone The winner of many awards including the “Cer-
Competition will be a life-changing event for each of tificat d’Aptitude de Saxophone”, France’s highest
the musical contestants who have entered. You will recognition of excellence in music performance and
meet and get to know participants from many other pedagogy, William Street has earned worldwide respect
countries, speaking different languages, but all with a as one of North America’s finest instrumentalists.
common interest in an international level of technical, He holds degrees from Northwestern University, the
musical and artistic understanding of music for the Conservatoire National de Bordeaux, France and the
21st century saxophone. You will create friendships Catholic University of America. His teachers have
and professional contacts that you will have for the included George Etheridge, Frederick L. Hemke,
rest of your lives. The internationally selected jury of Jean-Marie Londeix, Frederick Ockwell and John
saxophonists and composers and the administration P. Paynter.
of The College of Music here at Mahidol University Dr. Street, a member of the Bro-Street Duo and
are proud of the musical standard that has been set the Ensemble International de Saxophones de Bor-
for this event, held every three years, and we are all deaux, was also a member of the Chicago Saxophone
delighted to meet and share our love of the saxophone Quartet, Washington, D.C. Saxophone Quartet and
and its ever expanding repertoire with contestants Frederick Hemke Saxophone Quartet prior to join-
from around the globe. This musical competition ing the University of Alberta Department of Music
began in France in 1996. It is now in its fifth edition in 1988, where he teaches as saxophone instructor,
and is one of the few events in the world that focuses chamber music coach and Director of the University
on not only traditional music for classical saxophone Concert Band.
but also contemporary classical music of the today’s William Street has appeared as recitalist, conduc-
best composers. We are excited to hear the artistry of tor and soloist with orchestras and bands throughout
each performer and we welcome each of you to The Europe, Central and North America and Asia. He
College of Music here at Mahidol University, where can be heard on compact disc recordings Sunthesis:
musical friends meet and become professional, global “Les Septs Iles” (QM6901, Paris), “L’Ensemble In-
colleagues. Welcome! ternational de Saxophones” (ACD0086, Tokyo), “At
Your Service - Légende by Florent Schmitt” (Arktos
William H Street 94005) with pianist Sylvia Taylor and the Centaur
Professor and Chair recording of Evolution V for five saxophonists by
Department of Music, Faculty of Arts Marilyn Shrude, recorded with the Chicago Saxo-
University of Alberta phone Quartet. His recent compact disc recording
12
International
Coordinator
of Tre Vie, Concerto for Saxophone and Orchestra recently translated into English the Méthode d’Etude
by Malcolm Forsyth with Grzegorz Nowak and the de Saxophone, by Jean-Marie Londeix published by
Edmonton Symphony Orchestra was nominated for Éditions Henry Lemoine in Paris.
a 1999 Juno award. He has also recorded “héliosaxo” Dr. Street is a Selmer clinician, He has a strong
(Arktos - SRI- CD97018), a compact disc recording interest in music education and appears frequently
of twentieth century music for saxophone and piano as recitalist, adjudicator and conductor throughout
with pianist Roger Admiral, featuring the music of North America and Europe.
composers Harbison, Karlins, Lauba, d’Indy, Rolin,
Houkom. His recitals and concerts are frequently
broadcast on programs of the CBC radio stations.
He served as President of the North American
Saxophone Alliance (NASA) from 1992-1994 and has
represented Canada at music conferences in France,
Japan, Italy, Spain and the United States. He is the
former Secretary of the World Saxophone Congress
International Committee, and was instrumental in
preparation for the XI World Congress held in Spain
in October 1997. He has written articles and reviews
published in the NASA Journal as well as the Bul-
letin de l’Association des Saxophonistes de France
(ASAFRA).
His published work includes the English translation
of Hello! Mr. Sax, ou les Parametres du Saxophone
(Leduc) by Jean-Marie Londeix, “Elise Boyer Hall,”
and “The Life of Elise Boyer Hall” in Les États Gé-
néraux Mondiaux du Saxophone. He and Anna Street
13
JURY
14
JURY
Jean-Michel Goury
Jean-Michel Goury is recognized like one of the in a international saxophone studio and conductes a
world foremost performers of contemporary music big ensemble of saxophones. In more,he has presented
for saxophone.His performances and recordings have many pedagogical workshops and masterclasses on
received high praise from critics worldwide. contemporary music performances throughout the
He was born in 1961 at Tonneins (in the southwest world and has been invited to perform and give lectures
of France) and was nurtured in music by his at several prestigious festivals and universities. JM
father,secretary of the French National Association Goury has appeared at guest soloist in concerts with
of Bands.He began studying piano and singing in the Orchestre Symphonique National des Jeunes de
church at a very young age. Bavière (Germany), Ensemble Orchestral of Italy,the
He studied at the Conservatoire National de Radio-France philharmonic orchestra,the Opera de
Musique de Bordeaux and received the Médaille Paris, National Chamber Orchestras of Toulouse
d’Or (given unanimously by the jury) in saxophone and Auvergne.As a recital and chamber musician,he
while studying with Jean-Marie Londeix.He also has premiered promoted about 400 new works by
completed distinguished musical studies in musical many international composers,with the Xasax and
analysis (François Rossé),wind ensemble conducting Apollinaire quartets,duos Zéphyr ,Goury-Josset and
(J Pernoo) and chamber music (Francis Valonne).He the following international contemporary music en-
also completed studies in Paris for conducting (P sembles : Polyfolia , Itinéraire , 2E2M , Contrechamp
Cao) and at the IRCAM research institute :analysis ,Klangforum , XXI century .
(R Piencikovski),saxophone (D Kientzy). He has won He participated at the World Saxophone Con-
first prize in a number of national and international gresses in Nürenberg,Washington,Kawasaki,Pesar
music competitions, including Radio-France and Aix- o,St Andrews,Bangkok and worked in the national
le-Bains where he received congratulatory remarks committe for Saxopen Strasbourg 2015.
from the president of the jury, legendary saxophonist Since 1979,JM Goury has recorded 40 cds (Alba
Marcel Mule. musica,Erol records,MFA,Kayros, Wergo,Hat hut) and
Since receiving (1982) the Certificat d’Aptitude obtained critical praise in 2004 (works by Sciarrino)
(France’s highest teaching certification), JM Goury has « Diapason d’or » and in 2008 (works by Aperghis)
been a prominent teacher in the French conservatory « Choc de la Musique » with the Xasax quartet.
system (first at the Conservatoire National de Musique
de Landes and La Creuse) and now at one of France’s
most modern and prestigious schools:the Pôle Supérieur
de Paris-Boulogne-Billancourt (PSPBB) where he teachs
15
JURY
Masataka Hirano
Masataka Hirano is a talented saxophonist who instruments. He has many appearances in the music
can play wide range of music from contemporary, festivals in France, Germany, and Spain. These concerts
classical, improvisation, and even jazz. While he was are well-received and a lot of fans are always looking
studying in the Tokyo University of the Arts, he won forward to his performances every time. He and his
the 1st place in the 7th Japan Wind and Percussion music have been featured in Nihon TV’s “Shinya No
Competition. After graduating from the Tokyo University Ongakukai (Concert in the Midnigt)”, TV Asahi’s
of the Arts in 1992, he entered the Conservatoire “Daimei no nai Ongakukai” (Concert without Theme),
National Superieur de Musique in Paris in 1995. He NHK Classic Club, NHK’s Meikyoku Album (Album
won Unanimous Premier Prix in the saxophone course of Masterpieces), TV commercial footage of Daiwa
(1997), in the chamber music course (1998), and in Group, DVD “Eishi Kiko”, and many others.
the improvisation course (1999) at the graduation. Hirano has received high acclaim and positive
In 1990 Hirano won the 1st prize at Japan Wind feedbacks as a composer when his first orchestra piece
and Percussion Competition. In 1996 he won the 1st “Seven Tableaux – dedicated to Toshio Arimoto”
prize at Jean=Marie Londex International Competition was featured in Nihon TV’s “Shinya No Ongakukai
in France. He is the first Japanese saxophonist who (Concert in the Midnight)”. It was used as the opening
won the 1st prize at international competitions. He theme tune of the program.
played with Orchestra National Bordeaux Aquitaine He regularly serves as a jury in competitions of
and has received fabulous reviews during his debut instrumentalists such as Japan Wind and Percussion
tour in France. Competition, Osaka International Chamber Music
In 2000, Hirano released his debut album “Mil- Competition, and All Japan Band Competition.
lennium” which is focused on improvisation and Hirano teaches at Tokyo University of the Arts,
contemporary music. He has performed with differ- the Elizabeth University of Music, Senzoku College
ent orchestras such as Yomiuri Nippon Symphony of Music, Toho College of Music and Habanera
Orchestra, New Japan Philharmonic Orchestra, Osaka Academy in France.
Philharmonic Orchestra, Sapporo Symphony Orchestra,
and Hiroshima Symphony Orchestra.
In addition, he also co-stared with renowned jazz
pianists such as Yosuke Yamashita, Satoru Shionoya,
Akiko Grace, and many other artists of different
16
JURY
Dr. CHEN YI
“As a new music composer for symphonic, Central Conservatory of Music in Beijing (’83 and
chamber, choral and wind ensemble works, who has ‘86), and DMA degree from Columbia University
written for the saxophones in the past two decades, in the City of New York (’93), studying composi-
it’s my great honor to be invited by the College of tion with Wu Zuqiang, Chou Wen-chung and Mario
Music, Mahidol University in Thailand, to serve on Davidovsky. She has been Distinguished Professor
the jury of the 5th International Jean-Marie Londeix in Music at the University of Missouri-Kansas City
Saxophone Competition in 2017. I really appreciate Conservatory of Music and Dance since 1998, and
the vision and afford of the JMLISC, which has made elected to the American Academy of Arts and Sci-
unmistakable contribution to the development of ences in 2005.
repertoire and saxophone performance significantly. Published by Theodore Presser Company, Dr. Chen’s
Looking forward to a successful JMLISC V in 2017!” music has been commissioned and performed world
wide by such ensembles as the Cleveland Orchestra,
Dr. CHEN Yi the St. Paul Chamber Orchestra, the Orchestra of
Lorena Searcy Cravens/Millsap/Missouri Dis- St. Luke’s, the BBC Symphony and the BBC/Royal
tinguished Professor in Music philharmonics, the Seattle, Pacific, SF, National,
University of Missouri-Kansas City Conserva- Toronto, Singapore, New Zealand, China National
tory of Music and Dance symphonies, the Brooklyn, the NY, the LA philharmon-
ics, the Stuttgart Chamber Orchestra and Sachsische
As a prolific composer and the recipient of the Staatskapelle Dresden, The Women’s Philharmonic
Charles Ives Living Award from the American Academy and Chanticleer (supported by Meet The Composer
of Arts and Letters (2001-2004), Dr. CHEN Yi* blends New Residences), Music From China, Racher/Prism
Chinese and Western traditions, transcending cultural Saxophone Quartet, Shanghai/Ying String Quartet,
and musical boundaries. Her music has reached wide by soloists as Yo-Yo Ma, Yehudi Menuhin, Evelyn
range of audiences and inspired peoples with different Glennie, Michala Petri, Cho-Liang Lin, Emanuel Ax,
cultural background throughout the world. She holds and conductors JoAnn Falletta, Dennis Russell Davies,
BA and MA degrees in music composition from the Lan Shui, Leonard Slatkin, Franz Welser-Möst, Gerard
17
JURY
Schwartz, among others. Her music has been recorded She has given two more whole evening concerts of
on Bis, New Albion, Teldec (w/ Grammy Award for her orchestral and choral works in Beijing, presented
Colors of Love in 1999), New World (w/ NPR Top by the China National Symphony Orchestra and
10 Classical Music Album Award for Sound of the Chorus in 2001 and 2008. She is also the first woman
Five in 2009), Albany, Bridge, Naxos (w/ Grammy to give an evening multimedia orchestral concert in
Award Nomination for Symphony Humen 1839 in the US as the culmination of her 3-year residency
2015), China Record Co., and many more. Dr. Chen in San Francisco with The Women’s Philharmonic
Yi was the first woman to receive a master’s degree and Chanticleer in May 1996, supported by Meet
in composition in China when she gave an evening The Composer.
concert of her orchestral works in Beijing, performed
by the Central Philharmonic of China in June 1986.
18
JURY
Chien-Kwan Lin
It is an honor for me to be part of the Jean-Marie “who has the passion and restraint and beautiful sense
Londeix International Competition! As I look forward of line to take melody where it wants to go, fully and
to hearing so many talented saxophonists gather at generously,” while the Boston Globe has lauded him
this prestigious event, I have no doubt we will all be for “displaying chops,” and has described his playing
inspired many times throughout our stay in Bangkok. as “polished,” “charismatic,” and “appealing.”
We will be making new friends through music, through Recent appearances by Mr. Lin have included
our eagerness to learn and to share our experiences, the World Saxophone Congress, North American
and our positive contribution to one another’s joy Saxophone Alliance, Selmer Showroom (Paris),
and success in the art of saxophone will be on full Steinway Hall (NYC), New England Saxophone
display. I thank all of you for the work you have put Symposium, Texas Tech University International
into preparing for this wonderful opportunity, and trust Saxophone Artists Series, U.S. Navy Band International
you will have an experience of a lifetime! Saxophone Symposium, Saxorama Festival (Canada),
Fromm Players of Harvard University, and the
Chien-Kwan Lin Formosa Chamber Music Society of New York. He
has presented master classes across the U.S. and
Chien-Kwan Lin (b. 1972, Singapore) has appeared internationally, including the Paris Conservatory
as soloist and guest artist with the United States Navy (CNSMDP), Manuel Castillo Conservatory of
Band, the Eastman Wind Ensemble, the Boston Modern Seville (Spain), Vienna Conservatory, National
Orchestra Project, the Tanglewood Festival Orchestra, Taipei University for the Arts, Mahidol University
the New World Symphony, the Beijing Symphony, as (Thailand), as well as the Shenyang, Sichuan and
well as the philharmonic and chamber orchestras of Central (Beijing) Conservatories in China.
Boston, Rochester, Sichuan and Thailand. Mr. Lin’s recording of Lei Liang’s Memories
Mr. Lin’s performances have garnered excellent of Xiaoxiang for Alto Saxophone & Tape (Mode
reviews by critics in New York and Boston. His criti- Records) was selected among “Amazon.com: Best
cally-acclaimed Carnegie Hall recital prompted New 20th/21st Century Classical of 2009,” and his record-
York Concert Review to portray him as a performer ing of David Liptak’s Serenade for Alto Saxophone &
19
JURY
String Orchestra, which John Pitcher of the Rochester and the Hannover (NH) Chamber Orchestra.
Democrat and Chronicle called “brilliantly recorded,” Mr. Lin is currently Associate Professor of
is available on Bridge Records. His recording of Li- Saxophone at the Eastman School of Music. He is
ang’s Xiaoxiang Concerto with the Boston Modern the founder and director of the Eastman Saxophone
Orchestra Project was also named a Pulitzer Prize Project (ESP), as well as the recipient of the 2012-
Finalist in 2015. Since winning top prizes in Singa- 2013 Eisenhart Award for Excellence in Teaching.
pore’s National Music Competition four consecutive Mr. Lin is an artist and clinician for Selmer and Van-
times (violin category), Mr. Lin has enjoyed a multi- doren companies, and performs exclusively on these
faceted career. He won a Best Conductor Award at products. He holds degrees from the New England
Singapore’s National Band Leaders Festival, and also Conservatory (BM, MM) and Eastman (Performer’s
worked for several years as a jazz violinist. In addition, Certificate, DMA). His teachers have included Ken
he has appeared as orchestral violinist with the New Radnofsky and Ramon Ricker.
Hampshire Symphony, the Indian Hill Symphony,
20
Artist Director
Shyen Lee
The year 2017 marks the ninth year to host new road into a territory as yet unexplored. Please
the Jean-Marie Londeix International Saxophone remember, you are the developers and nurturers of
Competition since we started in 2008 in Thailand. our new traditions!
This is fifth edition of the world renown saxophone
competition, the first one was in Bordeaux and the Shyen Lee
following four in Bangkok. Artistic Director, JMLISC V
We hope the philosophy Maestro Londeix asserts
toward the modern saxophone playing can be real- Shyen LEE is the saxophonist from Taiwan. He
ized in the competition. Through the selection of the dedicates himself in pioneering toward developing
premium competition repertoire and jury consist of pedagogy, traditional and modern repertoire and various
the leading saxophone masters and composer, the forms for saxophone performance. He currently serves
participants will have the advantage to get recogni- as the instructor of saxophone in Mahidol University,
tion for their talent, effort and the commitment to Thailand. Also he was appointed tobe the Organizer
practicing the arts. and Artistic Director of the International Jean-Marie
It is a great opportunity for every competitor to Londeix International Saxophone Competition and
meet and share their experience and music vision with World Saxophone Congress XV. In 2006, he acted as
the like-minded saxophonists from all over the world. the organizer and the composition presenter of Thailand
Hope this competition will bring every participant International Composition for Saxophone. He was
into a network and life-long friendship. elected as World Saxophone Congress International
Let me express my admiration for the enormous Saxophone Committee in the term of 2009-2012.He
amount of time and energy you have dedicated in both was the artistic director ofthe 2016 Asian Saxophone
the physical and mental preparation of the challenging Congress. Shyen Lee appeared as solo recitalist
musical work before you. You are forging the saxophonist’s in various concert halls including Lincoln Center,
21
Artist Director
Paine Hall in Harvard University as well in Montreal, commissioned pieces byleading Chinese composers
Minneapolis, Paris, Bordeaux, Fermo (Italy), Vienna, including Lei Liang, Yiu-Kwong Chung, ChihChun
Ljubljana, Kiev, Odessa (Ukraine), Columbia (SC, Chih-sun Lee, Tzyy-Sheng, Che-Yi Lee and Shih-
USA), Bangkok, Singapore, St. Andrew (UK), Hui Chen. Several Thai emerging composers have
Beijing, Shanghai, Taipei and other cities all over often written new works for him, including Narong
China and Taiwan. Twice with Thailand Philharmonic Prangcharoen, Jiradej Setabundhu, Boomrat Sirirat-
Orchestra, he was the concerto soloist with maestro tanapan. Shyen Lee studied with Kenneth Radnofsky
Jeannine Wagar and Tze-Law Chan. After being a jury in New England Conservatory (BM, 96) and Dr. John
member in Odessa Golden Saxophone International Sampen in Bowling Green State University (MM, 98).
Competition, he performed as the concerto soloist
in Philharmonic Society Theatre in the gala concert.
Shyen Lee commissioned and premiered pieces by
John Harbison, Frank Ticheli, Larry Bell, Gunther
Schuller, and Bernard Rands. In addition to performing
saxophone repertoire by western composers, he also
22
23
Pianist and
Electronic
Specialist
Roger Admiral
Canadian pianist Roger Admiral performs solo and Recent performances include Gyorgy Ligeti’s
chamber music repertoire spanning the 18th through Piano Concerto with the Victoria Symphony Orches-
the 21st century. He works regularly with New Music tra, the complete piano works of Iannis Xenakis for
Edmonton and Aventa Ensemble (Victoria), and performs Vancouver New Music, and recitals for Curto-Circuito
as part of Kovalis Duo with Montreal percussionist de Música Contemporânea Brasil. Roger graduated
Philip Hornsey. Roger also coaches contemporary from the University of Western Ontario, and the
chamber music at the University of Alberta. University of Alberta.
24
Pianist and
Electronic
Specialist
I-An Chen
Pianist I-An Chen has won numerous awards in- In 2008, she was invited to be the appointed collaborative
cluding the First Prize of National Music Competition pianist for The 2nd International Jean-Marie Londeix
in her native country Taiwan and the Ann arbor Saxophone Competition. In July, 2009, she worked as
Young Artist Competition. She has given diverse the official pianist in resident that collaborated with
performances as a soloist and chamber musician, and many prestige saxophonists in the XV World Saxophone
has been seen on stage at various venues in Taiwan, Congress. At the same year, as a cofounder of En-
China, Southeastern Asia and the United States. semble Unity, she and the ensemble members made
Ms. Chen holds a Master of Piano Performance a concert tour in the United States, giving numbers
degree from University of Michigan, Ann Arbor, of performances in Los Angeles, Chicago and New
under the instruction of Dr. Logan Skelton; and Jersey. In 2011 and 2014, she is again invited to col-
another Master degree of Piano Ac-companying and laborate in The 3rd& 4th International Jean-Marie
Chamber Music in UM, where she studied with world Londeix Saxophone Competition. Since the year of
renowned collaborative pianist Martin Katz. During 2011, she has been the official pianist in Singapore
her residency in Ann Arbor, she was appointed staff Saxophone Symposium until now. She is invited
pianist for studios and master classes. The auspicious to serve as the collaborative faculty in Asia Pacific
experiences led to a successful career as a collaborative Saxophone Academy, 2015. In 2016, she was the
artist. lecturer and collaborative pianist in the 2nd Taiwan
She has received critical acclaim for her expertise International Saxophone Symposium, and performed
in the performance of String, Woodwind and Voice in the First Asian Saxophone Congress, 2016.
Literature. Ms. Chen represented Taiwan to perform Ms. Chen enjoys a distinguished career as a
in Thailand International Saxophone Conference in performer and educator. She is currently on the artist
Bangkok, 2004. She has been in invited as concert faculty as Assistant Professor of the Music Department
pianist and instructor of Taiwan Saxophone Sum- of Fu-Jen Catholic Universi-ty, Taipei, Taiwan.
mer Festival since 2002. She has served as a faculty
member of in the international saxophone summer
festival in Beijing, China, Thailand International
Soloist Saxophone Summer Camp and Elite Project,
from 2006 until now.
25
Pianist and
Electronic
Specialist
Mark Engebretson
Mark Engebretson (b. 1964) is Professor of Composition Dr. Engebretson taught composition at the University
and Electronic Music at the University of North Carolina of Florida, music theory at the SUNY Fredonia and
at Greensboro. He is the recipient of a Barlow 20th-century music history at the Eastman School
Commission (for Bent Frequency), North Carolina of Music. He studied at the University of Minnesota
Artist Fellowship in Composition (for the Concerto (graduating Summa cum Laude), the Conservatoire de
for Soprano Saxophone and Orchestra), a Fulbright Bordeaux (as a Fulbright Scholar), and Northwestern
Fellowship for studies in France, and has received University, where he received the Doctor of Music
major commissions from Harvard University’s Fromm degree. At Northwestern he studied composition
Music Foundation (Acrylic Waves), the University of with M. William Karlins, Pauline Oliveros, Marta
Wisconsin-Madison (They Said: sinister resonance), Ptaszynska, Michael Pisaro, Stephen Syverud and
the Thomas S. Kenan Center for the Arts (Deliriade) Jay Alan Yim and saxophone with Frederick Hemke.
and the Barlow Foundation He is the founder of the His teachers in France were Michel Fuste-Lambezat
UNCG New Music Festival. and Jean-Marie Londeix.
Engebretson’s creative work is driven by melody,
timbre, virtuosity, clear and balanced formal structure,
the integration of new media, multiple levels of as-
sociations, and a desire for fresh, engaging musical
expression. Recent work has included strong over-
tones of pop music and creative intersections with
written texts.
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27
The Thailand
Philharmonic
Orchestra (TPO)
History
The Thailand Philharmonic Orchestra (TPO) gave New Zealand in 2012, Vientiane, Laos in 2013 and
its inaugural performance at the Royal Thailand Navy Myanmar in 2016.
Auditorium on 23rd June 2005, in a gala concert for On September 29, 2010, TPO had the distinct
the International Trumpet Guild Conference. Over its honor to give a command performance for HM King
first 11 seasons the TPO has consistently impressed Bhumibol Adulyadej and HRH Princess Maha Chakri
and inspired audiences with its excellent performances. Sirindhorn at the Royal Medical College Auditorium,
Many highly regarded conductors have led the TPO Siriraj Hospital. In the concert the TPO paid tribute
including Gudni Emilsson, Claude Villaret, Alfonso to His Majesty’s considerable musical talent. The
Scarano, Jamie Phillips, Dariusz Mikulski, Delta David concert served to honor the occasion of the 37th
Gier, Stefan Willich, Jose Luis-Novo, Ligia Amadio, Anniversary of a special concert that His Majesty
Zhang Guoyong, Alkis Baltas, Prateep Suphanrojn, played for students at the Royal Medical College’s
Jeffery Meyer and many more. auditorium on September 29, 1973.
Soloists from around the world regularly join the The current 2016-2017 season is Gudni Emilsson’s
TPO for performances and have praised the orchestra twelfth season as Chief Conductor of the TPO. He
for its growth and development in such a short period continues the work of attracting a loyal and apprecia-
of time. Those guests have included Jens Lindemann, tive following in Thailand, while helping the TPO to
Eri Nakagawa, Lambis Vassiliadis, Boris Brovtsyn, build a reputation for performing excellence. Its annual
Martin Kasik, Tomas Strasil, Reinhold Friedrich, season schedule of more than 70 performances draws
Cristina Bojin, Karina Di Virgilio, Mischa Maisky, from over three centuries of orchestral repertoire as
Yoon Jin Kim, Kwanchanok Pongpairoj, Christopher well as chamber, contemporary and specially com-
Espenschied, Dimitri Ashkenazy, Paul Cesarczyk, missioned new music.
Serouj Kradjian, Robyn Schulkowsky, Lucia Aliberti, The TPO is proud to have the patronage of the
Wolfram Schmitt-Leonardy, Peter Bruns, Tapalin Royal Thai Government and Mahidol University
Charoensook, Ekachai Jearakul, Shyen Lee, Aiman and enjoys a burgeoning multicultural tradition. The
Musakhodzhaeva, Henri Bok, and Christoph Hartmann 95-member symphony orchestra is made up of musi-
among others. cians from more than 15 nations. The TPO has been
The first International appearance by TPO occurred active in recording both traditional Thai songs and
in October 2009 when the Japanese Association of new works from internationally recognized composers,
Orchestras extended the invitation to perform at the and has produced 10 CDs of those works.
Asian Orchestras Festival in the Tokyo Opera City 2016-2017 marks the twelfth season for the TPO,
Concert Hall. In the same year the Royal Thai Govern- and will be highlighted by a performance of over 80
ment invited TPO to play at the gala concert for the concerts per year including season and special concerts,
15th ASEAN Summit held in Cha-Am in front of 10 as well as a performance tour of ASEAN countries.
Prime Ministers from the 10 ASEAN countries and Last but not the least, TPO would like to express
six from China, India, Japan, South Korea, Australia our most sincere gratitude for the support of all our
and New Zealand. TPO has continued its international generous patrons and loyal fans.
touring with concerts in Tokyo, Japan and Auckland,
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Delta David Gier
Conductor
Delta David Gier has been called a dynamic voice and has included residencies with composers Jen-
on the American music scene, recognized widely nifer Higdon, Steven Stucky, Zhou Long, and Paul
for his penetrating interpretations of the standard Moravec. Under his direction, the SDSO has expanded
symphonic repertoire, passionate commitment to its offerings with a cycle of Mahler symphonies and
new music, and significant community engagement. an annual semi-staged opera.
Orchestras Mr. Gier has conducted include the The Lakota Music Project was developed under
New York Philharmonic, the Philadelphia Orchestra, Gier’s direction to address racial tensions between
the Cleveland Orchestra, the Chicago Symphony, the Native Americans and whites in the region the SDSO
St. Louis Symphony, and the Minnesota Orchestra. serves. Now in its sixth year, the LMP is a side-by-side
Last season he conducted the American Composers program with the SDSO and Lakota musicians which
Orchestra in the inaugural concert of the China-U.S explores the role music plays in their respective cul-
Composers Project; this season will include engagements tures, seeking to engender understanding and heal-
with several Chinese orchestras and master classes ing between estranged peoples. Other engagement
at the Shanghai Conservatory. projects with the SDSO have included Arab (with
In Europe, his engagements include the Bergen Simon Shaheen), Chinese (with composers Chen Yi
Philharmonic (Norway), the Polish National Radio and Zhou Long) and Sudanese/Somali refugees (with
Symphony (with which he has several recordings), the Bernard Woma Ensemble).
and the Bucharest Philharmonic, along with many For 15 seasons, Delta David Gier served as an
other orchestras in Italy, Hungary, Poland, Romania, assistant conductor of the New York Philharmonic.
Slovakia and Turkey. In the Americas, he has had He studied at the University of Michigan under the
a long relationship with the National Symphony renowned conducting teacher Gustav Meier, along
Orchestra of Costa Rica and has conducted several with studies at the Tanglewood Music Center and
orchestras in Mexico, including the Orquesta de Aspen Music Festival. He was a Fulbright scholar in
Camera de Bellas Artes. In Asia, Mr. Gier’s engage- eastern Europe from 1988-90. Also in demand as an
ments have included the Singapore Symphony and educator, Mr. Gier has served as guest faculty at the
the Thailand Philharmonic, where he will return three Curtis Institute, Yale School of Music, San Francisco
times this season. Conservatory, and SUNY Stony Brook. He has chaired
Since 2004, Mr. Gier has been music director of the music jury of the Pulitzer Prize and is a frequent
the South Dakota Symphony Orchestra. During that panelist for the League of American Orchestras.
period the orchestra has been lauded for its programming
(including seven ASCAP awards). His series based
on the Pulitzer Prize was called “an unprecedented
programming innovation” by the Wall Street Journal
29
Rules
• Article 4. List A.
Program – Légende (version for alto saxophone and piano)
by André CAPLET (Resolute Music Publications); or
The First elimination round: – Légende op. 66 (alto saxophone) by Florent
- Solo saxophone, maximum time: 20 minutes. SCHMITT (Édition Durand); or
Each competitor will present three works, two from – Sonate (alto saxophone, with Finale by Jean
list 1 and one from list 2. Marie LONDEIX), by Paul HINDEMITH (Édition
Schott); or
List 1. - Sonate (alto saxophone) by Pierre-Phillipe
BAUZIN (Édition Leduc); or
- Two of the 25 Capricen op. 153a (1929) by
- Sonate (alto saxophone) by Edison DENISOV
Sigfrid KARG-ELERT (1877-1933). Choice of
(Édition Leduc);or
saxophones at the discretion of the candidate based
- Chant Premier (tenor saxophone) by Marcel
upon the character of the Caprices chosen (Editions
MIHALOVICI (Édition Heugel); or
Zimmerman (www.zimmermann-frankfurt.de) ou
- Music for tenor saxophone by William KAR-
Southern Music.
LINS (Southern).
List 2. List B.
– One of 9 Études for solo saxophone by Christian
- Mixtion by Pierre JODLOWSKI for tenor saxo-
LAUBA (Alphonse Leduc Music Publications); or
phone and electronics. Éditions Jobert (info@jobert.
30
Rules
31
Rules
32
33
th
The 5 Jean Marie Londeix International Saxophone Competition Time Table July 9 22, 2017
9 Jul 17 10 Jul 17 11 Jul 17 12 Jul 17 13 Jul 17 14 Jul 17 15 Jul 17 16 Jul 17 17 Jul 17
Sun. Mon. Tue. Wed. Thr. Fri. Sat. Sun. Mon.
9:00 9:00
9:00 18 37 56
A K
9:30 19 38 57
9:45 9:45
Rehearsal Rehearsal B L
10:00 1. 20 39 58
I An:A; I An:K;
Roger:B Roger:L 10:30 10:30
10:30 2. 21 40 59
Electro: C,D Electro: I,J C M
11:00 3. 22 41 60 Break
11:15 11:15
Rehearsal Rehearsal D N
11:30 4. 23 42 61
I An:C; I An:M;
Roger:D Roger:N
12:00 5. 24 43 62
Electro: A,B Electro: O,P
12:30 Break
Break Break
1:00
7:00 14. 33 52
Announce
7:30 15. 34 53 Announce the finalist
the semi
8:00 16. 35 54 finalist and
pianist
8:30 17. 36 55 meeting
9:00
34
18 Jul 17 19 Jul 17 20 Jul 17 21 Jul 17 22 Jul 17
Tue. Wed. Thr. Fri. Sat.
10:00
11:00
Final
12:00pm
rehearsal
2:00
3:00
4:00
0500 0930pm TPO 0500 0930pm TPO 0500 0930pm TPO 0500 0930pm TPO
5:00 Final Round
rehearsal with finalists rehearsal with finalists rehearsal with finalists rehearsal with finalists
6:00
35
Candidate
36
Candidate
37
Candidate
38
Candidate
39
Candidate
40
Candidate
41
Candidate
42
Candidate
45
Candidate
Profession Positions:
Saxophone teacher in Burjassot school (Valencia,
Yan Tong Gouk
Spain) Replacements in Bordeaux (France) Private
Nationality: Malaysian
teacher in Basel (Switzerland)
Date of Birth: 5/30/1994
The First Round List 1:
Country Resident: Malaysia
XIII. In modo misolidio
Music institution(s) attended:
XVIII. Iberienne
College of Music, Mahidol University
The First Round List 2:
Names of Principle Teachers:
Tadj
Shyen Lee, Wisuwat Pruksavanich
The Second Round List 1:
Awards:
Légende op. 66 (alto saxophone) by Florent SCHMITT
(Édition Durand);
Profession Positions:
The Second Round List 2:
Student BM
Dissidence Ib by Christophe HAVEL, for soprano
The First Round List 1:
saxophone and electronics
IV. Corrente
The Final Round:
XIX. Tarantelle e Sizilienne
Wend’kreis -Cercle des vents- for saxophone (alto
The First Round List 2:
+ soprano saxophone) and orchestra by François
Jungle
ROSSÉ Éditions Hody
The Second Round List 1:
Sonate (alto saxophone) by Edison DENISOV
The Second Round List 2:
Mixtion by Pierre JODLOWSKI for tenor saxophone
and electronics
The Final Round:
Wend’kreis -Cercle des vents- for saxophone (alto
+ soprano saxophone) and orchestra by François
ROSSÉ Éditions Hody
46
Candidate
48
Candidate
49
Candidate
50
Candidate
51
Candidate
52
Candidate
54
Candidate
55
Candidate
56
Candidate
Yi Lu Pisol Manatchinapisit
Nationality: Chinese Nationality: Thai
Date of Birth: 3/7/1989 Date of Birth: 5/7/1997
Country Resident: France Country Resident: Thailand
Music institution(s) attended: Music institution(s) attended:
Conservatoire de Versailles College of Music, Mahidol University Zhdk, Zucher
Names of Principle Teachers: Hochschule der Kunste
Vincent David Alexandre Doisy Names of Principle Teachers:
Awards: Promwut Sudtakoo; Wisuwat Pruksavanich, Shyen
Lee, Lars Mlekusch
Profession Positions: Awards:
3th Prize The First Asian Saxophone Competition
The First Round List 1: Profession Positions:
VI. Rag
VII. Toccata The First Round List 1:
The First Round List 2: XX. In modo dorico
Jungle XXIV. Papillon
The Second Round List 1: The First Round List 2:
Légende op. 66 (alto saxophone) by Florent SCHMITT Jungle
(Édition Durand); The Second Round List 1:
The Second Round List 2: Légende op. 66 (alto saxophone) by Florent SCHMITT
L’Air d’ailleurs by Fabien LEVY, for alto saxophone (Édition Durand);
and electronics. Éditions Billaudot The Second Round List 2:
The Final Round: L’Air d’ailleurs by Fabien LEVY, for alto saxophone
Wend’kreis -Cercle des vents- for saxophone (alto and electronics. Éditions Billaudot
+ soprano saxophone) and orchestra by François The Final Round:
ROSSÉ Éditions Hody Wend’kreis -Cercle des vents- for saxophone (alto
+ soprano saxophone) and orchestra by François
ROSSÉ Éditions Hody
57
Candidate
60
Candidate
61
Candidate
62
Candidate
63
Candidate
66
Candidate
67
Candidate
68
Candidate
69
Candidate
70
Candidate
71
Candidate
72
Candidate
73
Candidate
74
Candidate
75
Candidate
76
Candidate
77
Candidate
78
Candidate
79
Candidate
80
Candidate
81
Candidate
Profession Positions:
82
83
The 5thJean-Marie Londeix International
Saxophone Competition Organising Committee
Executive Director/Dean: Dr. Sugree Charoensook
Associate Dean: Dr. Narong Prangcharoen
Marketing Communication Director: Piyapong Ekrangsi
Coordinator: Dr. William Street
Artistic Director: Shyen Lee
Assistant Director: Wisuwat Pruksavanich
Project Manager: Chanathep Peungpakdee
Graphic Designer: Noraseth Ranghom
Stage Manager: Jittiya Naovapen
Assistant Stage Manager: Wanlapa Salawasri
Administrator: Taninrat Soponpimonsiri, Khitika Chanchotphatthana
Webmaster: Pornthip Saipantong
Photographer: Khanuengnit Thongbaion
Online Broadcasting: Daniel Duran, Alvaro Muñoz García (Saxophone - Adolphesax.com)
Composer: François ROSSÉ, Wend’kreis -Cercle des vents- for saxophone (alto + soprano
saxophone) and orchestra
Student Staff:
Leslie Wong
Thanaphoom Chinsangthip
Kritsana Srithong
Rikang Zhao
Sikarin Leelap
Thravith Korsincharoen
Supakrit Muna
Kitsada Chairattanasak
Jirut Kattiyakul
Chokwattana Puayuan
Kampol Rueang-aram
Norraphat Thanavisuth
Yotvaris Sukeebot
Kodchapan Thanapornchokchai
Sakdina Sirisarnsophon
Pattranant Pliensakul
Jatupol Pinthip
Suwapitch Faikrathok
Nadia Rompo
Nonthapat Chaiviratnukul
A huge thank you to all the staff at College of Music, Mahidol University