6

poco rit. a tempo

sub. delicato
28 ( )

son a mour ot ce st es soy ne sem bla ble ment où est la royne qui com man da que Bur i dan

sub. delicato

31 ( )

fust gec té en ung sac en Sai ne? mais où sont les nei ges d’an tan! où sont les nei ges d’an tan!

35

38

ROSNER: Three Elegaic Songs



II.
Lento espressivo

8’

COOMAN: Unmeasured Preludes for harpsichord

 5

61 6 6 6 6 3
6 3

63

65 3

3
3

67
3

3 3
3

70 Meno mosso ( 3= 96)

3 5 3
3
3
3

72 (bend)

3 3 3 3
, espr.

75
3
3
3
3 3 3

poco rit.
77 (bend)

3 3
ad lib.

KUPFERMAN: Moonflowers, Baby!

 VIOLIN I 
(free rhythm)
119

(fade out)

120 30 sec.

natural harmonics only

free rhythms and durations, very slow, bell-like, unsynchronized, pauses between notes may be long

121 = 52-56 15 sec.

5

123

126 = 40

(fade out) flautando

Duration: c. 11 min.
August 2005 – April 2008
Nantucket, Massachusetts
Cambridge, Massachusetts
COOMAN: Quintet for Bassoon and Strings — Coram Deo —
  for Colby and Emily

Sonata for Trumpet and Trombone

I. Intradas Carson P. Cooman
Opus 701
Freely, unsynchronized. ( ≈ 72 - 96)
Start together, but make no attempt to align.
Accelerando and ritardando markings refer to tempi within this range and apply to instruments separately.

Trumpet
in C
3 3

(not triplet)

Trombone

accel. a tempo rit.

3

3 3

poco rit. accel. a tempo

3

a tempo
3

3 3
3

3 3 *
5
3

* Wait for whichever player has not yet finished before then going immediately on together.

Copyright © 2007 Fabrik Musical Publications (ASCAP); Lagny-sur-Marne, FRANCE. Rev. 8 March 2007


II. Motet
= 60

15

22

COOMAN: Sonata for Trumpet and Trombone

 for Aaron Larget-Caplan

Unfolding the Gates of Dawn

a morning lullaby for solo guitar
Carson P. Cooman
Opus 768
Dreamily, awakening ( = 40)
3

(a tempo)

sub.

(dramatic accel.)

3 3
3 3 3

sub. , mysterious

(short)

(dramatic accel.)
(a tempo)

8 3 3 3 3 3
sub. , mysterious

N.B. Slurs indicate musical phrasing.

Copyright © 2008 by Fabrik Musical Publications, Member ASCAP.
Lagny-sur-Marne, FRANCE; www.classicalmusicnow.com
10
= slower still fast tempo

( sempre)

= very slow
tempo primo slower slower still

legato, espressivo
cresc.

tempo primo legato

( sempre)

fast trem.

( sempre)

= very fast
naturals,
legato 8va

( sempre)
BARNARD: The Ascended Healing Rays of the Cosmic Light
 IV. 69

Sanctus
Lento maestoso
, pesante mezzo, cresc.
( ≈62)
S.

Sanc tus, sanc tus Do mi

, pesante mezzo, cresc.

A.

Sanc tus, sanc tus, sanc tus Do mi nus De

pocch. pocch.
, pesante mezzo, cresc.
T.
8
Sanc tus, sanc tus, sanc tus Do mi
, pesante
B.

Sanc tus,

Lento maestoso ( ≈62)

Poco più mosso (Andante - ≈66)

8 , decresc.

S.

nus De us Sa ba oth.
, decresc.

A.

us Sa ba oth. Ple
, decresc.

T.
8
nus, Sa ba oth. Ple
, decresc.

B.

Do mi nus Sa ba oth. Ple ni,

Poco più mosso (Andante - ≈66)

ROSNER: Missa L’homme armé

 C Score for James Yannatos
Flying Machine
for orchestra Carson P. Cooman
Opus 775
Slowly unfolding ( = 60)
Piccolo

Flute 1
2

a2
Oboe 1
2

English Horn

a2
Clarinet 1
in B 2

Bass Clarinet

Bassoon 1
2

Contrabassoon

1.
1
2 gliss.
Horn in F
3
4
1.
1
2
Trumpet in C
3
a2

Trombone 12

Bass
Trombone

Tuba

l.v. sempre
Timpani

Crotales, l.v. sempre

1

Percussion
Vibraphone Tubular Chimes
2

Ped. Ped.

Piano

(as fast as possible, on beat) 8

Harp DCB /EF GA

8
Slowly unfolding ( = 60) divisi sempre
pizz., l.v. sempre
I

Violins
pizz., l.v. sempre divisi sempre
II

arco
pizz., l.v. sempre
Viola

pizz., l.v. sempre divisi sempre

arco
Violoncello

(non. trem) pizz., l. v. sempre

Contrabass

Copyright © 2008 by Fabrik Musical Publications, Member ASCAP. Lagny-sur-Marne, FRANCE; www.classicalmusicnow.com
 47
177
Picc.

1
Fl. 2 5 5
5 5
5 5

a2
1
Ob. 2
5
5

E.H.

5
1 5
B Cl. 2
5
5

Bs. Cl.

5
1
Bn. 2 5
5

Cbn.

1 gliss. gliss. gliss. gliss.

2
Hn.
3
gliss. gliss.
4 gliss. gliss.

1
2
C Tpt.

1
Tbn. 2

Bs. Tbn.

Tuba

Timp.

1
Perc.
2

Pno.

Hp.

177
I
Vns.

II

Va.

Vc.

Cb.

COOMAN: Flying Machine

Oboe 1 Flying Machine Carson P. Cooman
for orchestra Opus 775

Slowly unfolding ( = 60) Fl. 7

4–16

18

5
19–21 6

24 6

5
26–31
32 3

35–38

40

5
5 41–44 6

46 6

49

5
49–50

54

5 6

Copyright © 2008 Fabrik Musical Publications, Lagny-sur-Marne, FRANCE; member ASCAP


1 All People That on Earth Do Dwell 1
para. of Psalm 100 OLD HUNDREDTH LM
William Kethe, 1561, alt. Genevan Psalter, 1551


        
   
1 All peo - ple that on earth do dwell, sing
2 Know that the Lord is God in - deed; with -
3 O en - ter then his gates with praise, ap -


4 For why? The Lord our God is good, his

    
      
 

 
    
    


  



 
 
to the Lord with cheer - ful voice; him serve with mirth, his
out our aid he did us make; we are his folk, he
proach with joy his courts un - to; praise, laud, and bless his


mer - cy is for - ev - er sure; his truth at all times

            



      
   
          

praise forth tell, come ye be - fore him and re - joice.
doth us feed, and for his sheep he doth us take.
name al - ways, for it is seem - ly so to do.
firm - ly stood, and shall from age to age en - dure.

            
      

PR A ISE