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With a focus on some significant bridges built since the industrial revolution, the course illustrates how engineering is a creative discipline and can
become art. We also show the influence of the economic and social context in bridge design and the interplay between forces and form.
This is the first of three courses on the Art of Structural Engineering, each of which are independent of each other. The two other courses will be on
tall buildings/towers and vaults.
No certificates, statements of accomplishment, or other credentials will be awarded in connection with this course.
Syllabus
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Week 1: Introduction to Structural Art
Week 2: The Origins of Structural Art: British Metal Forms
Week 3: John Roebling and the Brooklyn Bridge
Week 4: Othmar Ammann and (some of) his Bridges of NYC
Week 5: The Golden Gate Bridge
Week 6: Robert Maillart and Reinforced Concrete Bridges
Week 7: Origins of Prestressing: Freyssinet, Magnel, and Finsterwalder
Week 8: New Bridge Forms: Christian Menn
Week 9: The Politics and Art of Spanish Bridge Design
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