Professional Documents
Culture Documents
MOM 1
Rachel C. Sykes
Abstract
In the movie Mr. Mom (Dragoti, 1983), both lead characters experience their own career
changes, and progress through their transitions in different manners. This paper analyzes one
character using the Hopson and Adams’ model of adult transitions (1977), which provides a
framework for the stages adults experience when in a career transition (as cited in Sharf, 2013).
This seven-stage model permits flexibility with respect to an individual’s progression, and offers
insight into the relationship between each stage and mood and time. This paper also looks at
sexual harassment experienced by the other lead character, and uses a model proposed by Till
(2008) which seeks to classify the wide range of sexual and gender harassment behaviors (as
Job loss can have a significant impact on an individual and his or her family. A person
that loses a job either voluntarily or involuntarily may experience negative consequences of job
loss, such as a loss of income or a loss of self-esteem, whereas others may rapidly transition to a
better position with improved compensation. In the 1983 movie Mr. Mom (Dragoti, 1983),
married couple Jack and Caroline Butler simultaneously face career transitions that unfold in
different ways. Where Jack experiences the severe shock of an unanticipated job loss, Caroline
makes a rapid and successful transition which is marred by issues of sexual harassment. This
paper analyzes these distinct career paths using the Hopson and Adams’ model of adult career
transitions (1977) and Till’s (1980) categorization framework for sexual harassment.
The movie introduces the primary impetus for change —Jack Butler, automotive engineer
and all-around good guy, loses his job due to furlough. When he first hears the news, he responds
with violence by assaulting his former supervisor. He and his fellow job-losers obviously go out
drinking before they all head home. Jack’s family, who has already heard his news,
demonstrates support and encouragement. While not all career changes are so traumatic, Jack’s
Hopson and Adams’ (1977) model of adult transitions offers a flexible framework by
which to describe Jack’s experiences from losing his job, becoming a stay-at-home dad, dealing
with a moral crisis, and finally rejoining the workforce. Jack’s initial response upon being
furloughed is one of shock, as characterized by Hopson and Adams’ immobilization stage. Jack
remains in this stage for some time, and is characterized by an increasingly slovenly appearance
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and facial hair. In keeping with the immobilization stage, Jack appears overwhelmed,
particularly as he adopts the household responsibilities such as grocery shopping and cleaning.
He is uncomfortable with his new role and cannot accept his new identity as a stay-at-home dad.
As Jack attempts unsuccessfully to find a new job, he experiences the self-doubt stage,
which is marked by a range of emotions, including anxiety and anger. Jack’s anger is tangible in
his interactions with Caroline’s boss Ron. Upon their first meeting, Jack immediately changes
his clothes and comes into the house with a live chain saw to figuratively emasculate Ron. Jack
is also easily manipulated into joining the athletic competition at Caroline’s work party, where
he tries to demonstrate his virility to his family, and more importantly, to Ron. Jack struggles
with his change in employment status and seems to be unaware of how his actions are impacting
Caroline. For example, Caroline does not tell him that she was promoted at work, and then
Jack continues his progression through the model stages by entering the testing out phase,
when he finally has a positive attitude towards people and responsibilities. For example, Jack
hosts coupon-poker games with his group of “stay-at-home mom” friends, and exhibits expertise
responsibilities at school. He also shows signs of improved self-care when compared to his
slovenly appearance earlier in his transition. This change in appearance is used to convey that he
Jack faces a further crisis when he believes his wife is having an affair with her boss, and
he is tempted into retaliating by having an affair with his attentive neighbor Joan. He overcomes
this temptation because he successfully progressed through his search for meaning stage and
transitioned into internalization. Jack shows that he has come to grips with his reality as a stay-
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at-home dad by demonstrating the ability to cope with his multiple crises, and even takes pride in
misunderstanding with his wife, and demonstrates maturity and personal growth when he finally
shows the support to his wife that she had always shown him.
The Hopson and Adams’ (1977) model is valuable as it emphasizes flexibility, which
permits analysis of a wider range of situations. This is useful, as not all people progress through
its stages in the same order, nor do they have to experience each level. This model offers a
sufficiently broad framework to encompass many behaviors and feelings but is also flexible
enough to accurately track a person’s unique progression. Jack’s progress was characterized by
much time and emotion spent in the immobilization and self-doubt stages, after which he moves
to the letting go stage, and concludes with search for meaning and internalization.
When family breadwinner Jack loses his job, Caroline proposes she go back to work,
much to the obvious discomfort of her husband. She quickly lands a job, gets promoted, and
makes herself invaluable by impressing a demanding client. Her transition, as portrayed, was so
rapid and uncomplicated that it does not serve as a good use of Hopson and Adams’ (1977)
transition model. However, Caroline does experience gender and sexual harassment, which can
sexual harassment, where the categories are determined by severity, with level 1 being the least
When Caroline first begins working, she experiences Level I gender harassment as
described by Till (2008), when her boss Ron arrives at Caroline’s house to bring her to the
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airport for a business trip, Ron puts his hand on her shoulder and squeezes her, telling her how
nice she looks. At first, she does not express much distress at this transgression, and Ron repeats
this level I gender harassment again on the airplane, although this time, Caroline reminds him
that she is married. This depiction of inappropriate workplace behavior might offer the viewer
Later, Ron enters her hotel room without permission and attempts to have sex with her.
This behavior would align with both level I gender harassment characterized by verbal sexist
remarks, and level 5 sexual assault with Ron’s unlawful entry onto Caroline’s room and his
forcible attempts to grab and kiss her. Despite Caroline’s clear verbal objections and demands
for him to leave, Ron continues to pressure her until she resorts to violence and punches him.
Till’s (2008) model is relevant because it can be used to catalogue a wide range of
behavior. This in turn allows for clarity when discussing what can be an emotionally charged
topic. Eliminating confusion in terms may permit speakers to focus on constructive dialogue.
Perhaps the depiction of Caroline’s assertive method of dealing with this harassment—
punching her boss and quitting, after which she is then begged to return to work—is not
constructive, as many women in similar situations are not empowered to deal with workplace
transgressors so forcefully. Women who respond in such a direct manner should not expect to
receive apologies and pleas to return to work but instead may suffer in career progression or
perhaps with a job loss. A study by Gutek and Koss (1993) of 72 women engaged in litigation
regarding such harassment have categorized study participants’ emotional responses into four
categories 1: confusion and blame, 2: fear and anxiety, 3: depression and anger, and 4:
disillusionment (as cited in Sharf, 2013). Caroline, perhaps atypically, skips over confusion and
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blame, as well as fear and anxiety, and goes straight to anger. Her violent reaction is reminiscent
Final Notes
This movie was released in the early 1980s, and society’s views on sexual harassment
and assault have changed since then. In the 1980s, society was more accepting of women facing
harassment and gender discrimination than today. I found the recent “me too#” movement both
frightening and empowering, as many individuals discussed these issues directly and gained a
sense of the pervasiveness of gender discrimination and abuse, including all forms of inequities
and sexual assault. However, the portrayal of job loss and change in this movie seem just as
relevant today as they were in the 1980s; some individuals who leave their jobs experience crisis,
References
(1983). Mr. Mom [motion picture]. United States: 20th Century Fox.
Sharf, R.S. (2013). Applying career development theory to counseling, 6th Edition. Belmont,