Professional Documents
Culture Documents
Charles A. Hobbs
Southern Illinois University Carbondale
HOBBS: Who were some of the teachers and professors that had a
significant impact on you as a student?
HOBBS: Even though you have tended not to change your mind
on substantial issues like someone like Hilary Putnam, as you’ve
mentioned, is there nonetheless anything that you regret having
published?
RESCHER: I hate to say no. I want to say two things. One, there’s
nothing that I have published that I would publish again in exactly
the same way, that is to say where I don’t think that the job could
be done in some way that is improveable upon. Certainly as far as
the elimination of typos is concerned, one of my great regrets is
that I really need a good editor, and I don’t always from publishers
get that, because my style of writing is to write things in long-hand.
I don’t ever compose on a machine. I’ll write it in long-hand. My
handwriting is pretty bad. Estelle (my assistant) can read it. She
can probably read it better than I can. Estelle transforms it into text,
readable text, and then we go on from there, and, you know, often
there are slips between the cup and the lip, and ninety-nine out of
a hundred cases I’ll catch them, but every once in a while they get
by me and ultimately evolve into the printed version too. So it’s
not that I don’t have any perfectionistic view of anything that I’ve
put into print. It can certainly be improved upon, typographically,
I mean, orthographically, but the thing that I want to say is that it’s
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always a matter of working one’s way through later things on the
basis of earlier ones. I would be able to improve the discussion now
if I were to write the same book again, but I wouldn’t be where I
am in the position to do that if I hadn’t worked my way through to
this level on the basis of having gone through this stage.
Now, if you are too perfectionistic about publication, what
you’re going to do is never publish anything, because you will put
it aside, and you will say “experience teaches that every time I’ve
put it aside for six months and have gone back to it, I’ve been able
to improve it, and that having gone on all this time in the past, it
will also go on in the future, and so if I publish it now I’m cutting
off all those possible improvements that would come in the future
if I were to get back to it.” That’s not my way of looking at it. My
way of looking at is “I’ve got to quit thinking about this, because
(a) there’re other things I want to go on to – I want to move the
clock around some more and think about issues, and (b) there’s a
law of diminishing returns, that the improvements that you make
from a first draft to a second draft.” It’s like the paradoxes of Zeno,
right? In order to go from here, you have to hit the halfway point,
and then, from here to here you have to hit the halfway point,
and from here to here. Okay, with each revision you’re going to
improve it, but the first improvement takes you half the way to the
ideal, and the next one takes you half the way from where you’ve
been to here, and the next one takes you half the way, and after a
while you begin to wonder “is it worth it?” I mean, the fact that I’m
sort of ninety-nine percent there doesn’t indicate that I should now
do anything whatever to get that remaining percent. Forget about
the remaining percent! Go on to something else, and that’s my
style. So, anyway, the answer is no, I don’t regret having published
anything, not because I couldn’t do it better, but because of this
general structure that I’ve described.
RESCHER: One would like to think so, but I don’t think this is
in fact the case, and, well, there are two aspects to it. One is that
people are drawn to philosophy often as not, not by sympathies,
but by aversions, that is to say the motivation is not so much to
build forward something that they see as simply positive and to
be approved of, but one goes into to because one wants to set
people straight because one thinks they’re being wrong-headed
and doing things that don’t make any sense, so that there is often in
the motivation to go into philosophy a somewhat negative view of
what others are doing. Moreover, of course, philosophy is sort of
34 Kinesis
often practiced as an adversary procedure. We do in fact help others
by criticizing and by trying to pick holes in what they’re doing.
That is a way of being helpful. It does help to eliminate problems
and strengthen their case and so on, but it does create sort of non-
cooperative frame of mind that doesn’t tend to socialize people.
Moreover, academic life doesn’t really socialize people. In more
business oriented things, you have to live with people. You have to
get on with them, whereas in academic life there is a tendency to
go our own way. We have our own little range of concern, and we
stick with it. We have the security of tenure, so we don’t have to
worry about staying on good terms with our colleagues.
I think the nature of academic life and the nature of
philosophical interaction is such as really not to give much positive
reinforcement to the affective, positive, sharing, interactive side
of humans. So, no, I don’t think so, certainly not philosophy as
a professional activity. It’s an interesting question. If you look at
philosophers, as opposed to people picked on any other basis, have
they been better people? Well, there aren’t any outstandingly bad
guys among them, I guess. I can’t think of a philosopher-serial-
killer or something of that nature.
HOBBS: But you are also concerned – are you not? – to recover
pragmatism’s good name from the clutches of Richard Rorty.