This is a small, rectangular image produced in colour.

I focused on looking up at the old

church to give my audience a new unique perspective/viewpoint of old architecture. I sat
right underneath the building and pointed my camera straight up to get this effect and I think
it worked really nicely. I used the compositional technique, the rule of thirds, to position my
camera at the centre of the building wall in order for the photograph to feel balanced.
Balance in an image is important as it makes it more appealing to the human eye and this is
crucial for the viewers to even look at my image to start with. I made sure that the stained
glass window was I the centre and the base of the frame to do this. This image doest feel
very spacious because there isn’t much open/empty space in the frame to open it up and
the dark stone walls don’t help with this. Another thing that limits the spaciousness in this
image is how there are some shadows on the wall form trees that were behind me, this
makes the stone wall even darker, making the image feel quite confined. finally, the window
at the base of the frame isn’t reflective which is normal for old architecture however this is
something I liked about shooting modern architecture in a spacious way because the
reflective nature of the windows open the photograph up a whole lot more making it feel
spacious and therefore conveying my meaning a whole lot better. One thing I do like about
this image and something that does make it feel a little bit spacious is the bright blue sky.
The bright blue colour evokes happy emotions and this is great because it means my
audience can look at this image in a good mood and think clearly about the meaning and
purpose behind it.

This is a small, rectangular image produced in colour. Once again, I used the ‘looking up’
perspective/viewpoint to photograph this old church to give my audience a different way of
looking at old architecture. This shot is interesting because it is sort of unclear what it is at
first. I shot this from a different angle where I set my camera up on one of the corners of the
building. I used the same compositional technique here, the rule of thirds, to ensure that this
corner edge was in the centre of the frame. This creates the balance that is needed for the
image to be more appealing for my audience. This photograph also uses the compositional
technique, leading lines, as this corner/edge of the building leads the viewers eyes up
through the centre of the image to the open space. This is important because I am trying to
make the image feel spacious and highlighting this open space helps to convey this idea. I
used a fast shutter speed and low aperture to take this photograph so that the sky was a
bright blue colour, similar to how it looked in real life, and also so that the stone wall was
deportable to the audience through its crisp clear nature. This is important swell because the
blue sky is a key factor in making the image feel open and spacious and the stone wall is a
key factor in making the audience aware that this is a form of old architecture. Both of this
key factors help to convey my meaning and help to viewers to understand the meaning and
purpose of the image itself.
 This is a small, rectangular image produced in colour. This is the most spacious image out of
all the final images in this shoot because it has the most open/empty space in the frame. I
used the looking up perspective in this image too however it is not as noticeable in this
image because I didn’t show the building from the top to the bottom, I only showed the top
because I wanted to have more empty space to make it feel spacious. The spaciousness is
good but the perspective could be better. I used the compositional technique, the rule of
thirds, again here to make sure the turret of the church was in the centre of the frame. I, not
sure why I did this as there is more to the building on the right of the turret and then nothing
on the left so this doesn’t make the image feel balanced at all really. With that said, I do like
how there some open/empty space to the left of the turret because it brightens the
photograph up and makes it feel more spacious which is good. One thing I don’t like about
this photograph is the tree branches that just slightly enter the frame, I think this is unity and
unnecessary. If I was to shoot this again I would make sure to not include it or even crop it
our of the frame using photoshop.

This is a small, rectangular image produced in colour. This image is very similar to the
previous one, it uses the exact same angle however this time I included more of the building
in the frame to produce a better looking up perspective. This image is a lot better than the
previous one because I still created spaciousness within the frame but I also included a
better looking up perspective. This means that both key factors of my meaning have been
conveyed in this photograph. I used a fast shutter speed and a low aperture in this image to
make sure that the tone wall was deportable for the blind audience and so that the sky was
a bright bleu colour, representative of real life. This gives the audience a sense of reality,
making them realise that this is real life and they should just stop and look up at the beautiful
architecture surrounding them. The stone wall needs to be deportable because this is a
crucial element of old architecture and therefore conveys my ending even better. I framed
this image so there was a lot of space to the left of the building, none on the right and a little
bit on the top. I think this is interesting because although its unbalanced, it feels slightly
balanced to me because two key factors to this image is the open/empty space and the old
building. The fact these two thing are side by side really emphasis my meaning I am trying to
convey here.