This document provides a list of orchestral excerpts that second year double bass students at Guildhall School of Music & Drama are expected to prepare, including short bass variations or solos from works by Britten, Haydn, Mussorgsky, Prokofiev, Berlioz, Beethoven, Mozart, Mendelssohn, Brahms, Verdi, and Strauss. Selections are drawn from symphonies, overtures, and other orchestral pieces and specified by movement and bar numbers.
This document provides a list of orchestral excerpts that second year double bass students at Guildhall School of Music & Drama are expected to prepare, including short bass variations or solos from works by Britten, Haydn, Mussorgsky, Prokofiev, Berlioz, Beethoven, Mozart, Mendelssohn, Brahms, Verdi, and Strauss. Selections are drawn from symphonies, overtures, and other orchestral pieces and specified by movement and bar numbers.
This document provides a list of orchestral excerpts that second year double bass students at Guildhall School of Music & Drama are expected to prepare, including short bass variations or solos from works by Britten, Haydn, Mussorgsky, Prokofiev, Berlioz, Beethoven, Mozart, Mendelssohn, Brahms, Verdi, and Strauss. Selections are drawn from symphonies, overtures, and other orchestral pieces and specified by movement and bar numbers.
(1st movement bars 134-153, 4th movement bars 53-73 and 95-115)
Mendelssohn Symphony No. 4
(1st movement bars 67-90 & 210-230, 4th movement bars 34-52 & 226-235)
Brahms Symphony No.2
(4th movement, bars 1-32, 244-279)
Verdi overture from ‘La Forza del Destino’
(Fig. C – J)
Strauss Don Juan
(bars 1-5, letter A for 7 bars; 3 bars before B till 4 bars after B; letter F bars 3-18, letter I bar 5 till K)
Strauss Till Eulenspiegels Lustige Streiche
(fig.2 bars 3-4; 2 bars before fig.3 up to 8 bars after fig.3; 2 bars before fig.5 up to fig.6; 5 bars before fig.10 up to 2 bars before fig.11; 4 bars before fig.18 up to 6 bars before fig.20; 8 bars before fig.31 up to fig.31; fig.35 up to 4 bars before fig.38)