Professional Documents
Culture Documents
Contents
1History
o 1.11968–1974: Early era
o 1.21974–1976: Sheer Heart Attack to A Night at the Opera
o 1.31976–1979: A Day at the Races to Live Killers
o 1.41980–1984: The Game to The Works
o 1.51985–1988: Live Aid and tours
o 1.61988–1992: Mercury's final years
o 1.71995–2003: Made in Heaven to 46664 Concert
o 1.82004–2009: Queen + Paul Rodgers
o 1.92009–2011: Departure from EMI, 40th anniversary
o 1.102011–present: Queen + Adam Lambert, Queen Forever
2Music style and influences
3Music videos
4Legacy
o 4.1Influence
5In other media
o 5.1Musical theatre
o 5.2Digital realm
o 5.3Film and television
5.3.1Bohemian Rhapsody
6Band members
o 6.1Current members
o 6.2Former members
o 6.3Long-term Queen + vocalists
o 6.4Current touring members
o 6.5Former touring members
o 6.6Early members
o 6.7Timeline
7Awards and nominations
8Concert tours
9Discography
10References
11Further reading
12External links
History
1968–1974: Early era
PRS for Music heritage award commemorating Queen's first performance, Prince Consort Road, London
In 1968, guitarist Brian May, a student at London's Imperial College, and bassist Tim Staffell decided to form a band. May placed an advertisement on
a college notice board for a "Mitch Mitchell/Ginger Baker type" drummer; Roger Taylor, a young dental student, auditioned and got the job. The group
called themselves Smile.[1] While attending Ealing Art College in west London, Staffell became friends with Farrokh "Freddie" Bulsara, a fellow student
from Zanzibar of Indian Parsi descent.[2] Bulsara, who was working as a baggage handler at London's Heathrow Airport, felt that he and the band had
the same tastes and soon became a keen fan of Smile.[3]
In 1970, after Staffell left to join the band Humpy Bong, the remaining Smile members, encouraged by now-member Bulsara, changed their name to
"Queen" and performed their first gig on 18 July.[4] The band had a number of bass players during this period who did not fit with the band's chemistry.
It was not until March 1971 that they settled on John Deacon and began to rehearse for their first album.[5] They recorded four of their own songs,
"Liar", "Keep Yourself Alive", "The Night Comes Down" and "Jesus", for a demo tape; no record companies were interested.[6] It was also around this
time Freddie changed his surname to "Mercury", inspired by the line "Mother Mercury, look what they've done to me" in the song "My Fairy King".[7] On
2 July 1971, Queen played their first show in the classic line-up of Mercury, May, Taylor and Deacon at a Surrey college outside London.[9]
Having attended art college, Mercury also designed Queen's logo, called the Queen crest, shortly before the release of the band's first album.[10] The
logo combines the zodiac signs of all four members: two lions for Leo (Deacon and Taylor), a crab for Cancer (May), and
two fairies for Virgo (Mercury).[10] The lions embrace a stylised letter Q, the crab rests atop the letter with flames rising directly above it, and the fairies
are each sheltering below a lion.[10] There is also a crown inside the Q and the whole logo is over-shadowed by an enormous phoenix. The whole
symbol bears a passing resemblance to the Royal coat of arms of the United Kingdom, particularly with the lion supporters.[10] The original logo, as
found on the reverse-side of the cover of the band's first album, was a simple line drawing. Later sleeves bore more intricate-coloured versions of the
logo.[10][11]
Queen guitar (right, next to a Rolling Stones guitar) at the Cavern Club in Liverpool, marking a 31 October 1970 Queen concert at the venue
In 1972, Queen entered discussions with Trident Studios after being spotted at De Lane Lea Studios by John Anthony. After these
discussions, Norman Sheffield offered the band a management deal under Neptune Productions, a subsidiary of Trident, to manage the band and
enable them to use the facilities at Trident to record new material, whilst the management searched for a record label to sign Queen. This suited both
parties, as Trident were expanding into management, and under the deal, Queen were able to make use of the hi-tech recording facilities used by
other musicians such as the Beatles and Elton John to produce new material.[12] Roger Taylor later described these early off-peak studio hours as "gold
dust".[13]
In 1973, Queen signed to a deal with Trident/EMI. By July of that year, they released their eponymous debut album, an effort influenced by heavy
metal and progressive rock.[14] The album was received well by critics; Gordon Fletcher of Rolling Stone called it "superb",[15] and Chicago's Daily
Herald called it an "above average debut".[16] However, it drew little mainstream attention, and the lead single "Keep Yourself Alive" sold poorly.
Retrospectively, it is cited as the highlight of the album, and in 2008 Rolling Stone ranked it 31st in the "100 Greatest Guitar Songs of All Time",
describing it as "an entire album's worth of riffs crammed into a single song".[17] The album was certified gold in the UK and the US.[18][19]
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A sample of "The March of
the Black Queen"
from Queen II (1974). The
band's earlier songs (such
as this) leaned more
towards progressive rock
and heavy metal
compared to their later
work.
The group's second LP, Queen II, was released in 1974, and features rock photographer Mick Rock's iconic image of the band on the cover.[20] This
image would be used as the basis for the 1975 "Bohemian Rhapsody" music video production.[20][21] The album reached number five on the British
album chart and became the first Queen album to chart in the UK.[18] The Freddie Mercury-written lead single "Seven Seas of Rhye" reached number
ten in the UK, giving the band their first hit.[18] The album is the first real testament to the band's distinctive layered sound, and features long complex
instrumental passages, fantasy-themed lyrics, and musical virtuosity.[22][23] Aside from its only single, the album also included the song "The March of the
Black Queen", a six-minute epic which lacks a chorus. The Daily Vault described the number as "menacing".[24] Critical reaction was mixed;
the Winnipeg Free Press, while praising the band's debut album, described Queen II as an "over-produced monstrosity".[25] AllMusic has described the
album as a favourite among the band's hardcore fans,[26] and it is the first of three Queen albums to feature in the book 1001 Albums You Must Hear
Before You Die.[27]