The document discusses a 1990 survey that found most respondents, both white and non-white, believed negative stereotypes about African Americans, such as thinking they are lazier, more violent, less intelligent, and prefer to live on welfare. However, progressive views in contemporary American society still contain preconceived notions of African Americans. As an interviewee in a documentary pointed out, historical images of African Americans as lazy, violent, shiftless, untrustworthy, unintelligible and unintelligent have persisted in popular culture through caricatures like "mammy", "pickaninny", "coon" and "sambo" well into the 20th century. These caricatures permeated American culture through decorations and entertainment.
The document discusses a 1990 survey that found most respondents, both white and non-white, believed negative stereotypes about African Americans, such as thinking they are lazier, more violent, less intelligent, and prefer to live on welfare. However, progressive views in contemporary American society still contain preconceived notions of African Americans. As an interviewee in a documentary pointed out, historical images of African Americans as lazy, violent, shiftless, untrustworthy, unintelligible and unintelligent have persisted in popular culture through caricatures like "mammy", "pickaninny", "coon" and "sambo" well into the 20th century. These caricatures permeated American culture through decorations and entertainment.
The document discusses a 1990 survey that found most respondents, both white and non-white, believed negative stereotypes about African Americans, such as thinking they are lazier, more violent, less intelligent, and prefer to live on welfare. However, progressive views in contemporary American society still contain preconceived notions of African Americans. As an interviewee in a documentary pointed out, historical images of African Americans as lazy, violent, shiftless, untrustworthy, unintelligible and unintelligent have persisted in popular culture through caricatures like "mammy", "pickaninny", "coon" and "sambo" well into the 20th century. These caricatures permeated American culture through decorations and entertainment.
According to a December 1990 survey on "Ethnic Images" con-
ducted by the National Opinion Research Center of the University of Chicago, the majority of respondents—both white and non- white—believe that "blacks are more likely [than whites] to be lazy, violence prone, less intelligent, and less patriotic." Respon- dents also felt that blacks, more so than whites, "prefer to live on welfare."1 However progressive our contemporary American soci- ety considers itself in terms of effective and open communications and diverse life experiences, preconceived notions of African Amer- icans persist. As narrator Esther Rolle asserts in the documentary film Ethnic Notions: Black Images in White Minds (1987), images of blacks being lazy, violence prone, shiftless, untrustworthy, un- intelligible, and unintelligent are historically embodied in negative and offensive character representations:
The mammy. . . the pickaninny. .. the coon . . . the sambo . . . the
uncle: well into the middle of the twentieth century, these were some of the most popular depictions of black Americans. . . . [Ijmages like these permeated American culture. These were the images that decorated our homes, they served and amused and made us laugh. Taken for granted, they worked their way into the mainstream of American life. Of ethnic caricatures in America, these
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