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Sum Synth
Sum Synth
Liz Leighton
Working Thesis:
Jacqueline Woodson’s Brown Girl Dreaming is a queer novel in both form and content.
Body Paragraph:
In the essay “What are Gender Criticism and Queer Theory”, the questions “If there is
such thing as reading like a woman and such a thing as reading like a man, how then do lesbians
read? Are there gay and lesbian ways of reading?” (Smith 386) are raised and shortly answered,
“Many would say that there are.” (Smith 386) The questions brought up immediately validate the
thought that gay and lesbian (and though and stated, other queer readers) readers are coming at
the text from the lens that is inaccessible to their straight counterpart. The experience of the
queer reader is an experience the straight reader will never have, and the two groups will view
the texts in inherently different ways because of their social situations. As a lesbian myself, I
wholeheartedly agree with the concept that lesbians—and other queer people—read works from
a lens fundamentally different from their non-queer counterparts. Being queer is being relegated
to being an outsider, and can lead to potential feelings of disconnect from works that may feel
unreliable to the queer reader. The feelings of otherness and being an outsider is prevalent
throughout the novel, in Jacqueline’s feelings towards the places she’s lived, her religion, and
how she is brought up. This otherness is a contributing factor to the novel’s queer content.
Otherness comes from a feeling of disconnect from the social norm, and an exploration of the
Jacqueline’s mother enforcing proper grammar in her home because “You are from the North,
our mother says. / You know the right way to speak” (Woodson 69). Jacqueline’s mother’s
actions help fuel a feeling of isolation her children feel thought the novel. The isolation
Jacqueline and her siblings feel are akin to the isolation a queer reader may feel. Jacqueline also
feels disconnected from those around her due to her religion, as explored in the poems “flag”
(Woodson 162-163) and “because we’re witnesses” (Woodson 164). She discusses her feelings
of walking through the motions of her religion, not feeling truly a part of her religion while also
not feeling a part of those who are not her religion. I feel that reading as a lesbian, along with the
knowledge that the author is a queer woman, helps inform the reader that Woodson is writing
from a queer perspective, and the isolation and social disconnect she feels helps fuel the idea that