Professional Documents
Culture Documents
the tall professor
the lugubrious lieutenant
a solid commitment
a month's pay
a six-year-old child
the unhappiest, richest man
Before getting into other usage considerations, one general note about the use —
or over-use — of adjectives: Adjectives are frail; don't ask them to do more work
than they should. Let your broad-shouldered verbs and nouns do the hard work of
description. Be particularly cautious in your use of adjectives that don't have much to
say in the first place: interesting, beautiful, lovely, exciting. It is your job as a writer to
create beauty and excitement and interest, and when you simply insist on its presence
without showing it to your reader — well, you're convincing no one.
Consider the uses of modifiers in this adjectivally rich paragraph from Thomas
Wolfe's Look Homeward, Angel. (Charles Scribner's, 1929, p. 69.) Adjectives are
highlighted in this color; participles, verb forms acting as adjectives, are highlighted
in this blue. Some people would argue that words that are part of a name — like "East
India Tea House — are not really adjectival and that possessive nouns
— father's, farmer's — are not technically adjectives, but we've included them in our
analysis of Wolfe's text.
He remembered yet the East India Tea House at the Fair, the sandalwood, the turbans, and the
robes, the cool interior and the smell of India tea; and he had felt now the nostalgic thrill of dew-
wet mornings in Spring, the cherry scent, the cool clarion earth, the wet loaminess of the
garden, the pungent breakfast smells and the floating snow of blossoms. He knew
the inchoate sharp excitement of hot dandelions in young earth; in July, of
watermelons bedded in sweet hay, inside a farmer's covered wagon; of cantaloupe
and crated peaches; and the scent of orange rind, bitter-sweet, before a fire of coals. He knew
the good male smell of his father's sitting-room; of the smooth worn leather sofa, with
the gaping horse-hair rent; of the blistered varnished wood upon the hearth; of the heated calf-
skin bindings; of the flat moist plug of apple tobacco, stuck with a red flag; of wood-smoke
and burnt leaves in October; of the brown tired autumn earth; of honey-suckle at night;
of warm nasturtiums, of a clean ruddy farmer who comes weekly with printed butter, eggs, and
milk; of fat limp underdone bacon and of coffee; of a bakery-oven in the wind; of large deep-
hued stringbeans smoking-hot and seasoned well with salt and butter; of a room
of old pine boards in which books and carpets have been stored, long closed;
of Concord grapes in their long white baskets.
Position of Adjectives
Unlike Adverbs, which often seem capable of popping up almost anywhere in a
sentence, adjectives nearly always appear immediately before the noun or noun phrase
that they modify. Sometimes they appear in a string of adjectives, and when they do,
they appear in a set order according to category. (See Below.) When indefinite
pronouns — such as something, someone, anybody — are modified by an adjective,
the adjective comes after the pronoun:
And there are certain adjectives that, in combination with certain words, are always
"postpositive" (coming after the thing they modify):
See, also, the note on a- adjectives, below, for the position of such words as
"ablaze, aloof, aghast."
Degrees of Adjectives
Adjectives can express degrees of modification:
Certain adjectives have irregular forms in the comparative and superlative degrees:
Grammar's Response
And sometimes a set phrase, usually an informal noun phrase, is used for this purpose: