Professional Documents
Culture Documents
Tommy Ngo
Professor Cole
English Composition II
12 May 2020
Conformity in YouTube
Debra Bradley Ruder of Harvard Magazine stated, “Young brains have both fast-growing
synapses and sections that remain unconnected… leaving teens easily influenced by their
environment” (Harvardmagazine.com). Throughout the past decade, young adults have been
influenced by video creators on platforms, such as YouTube, which often leads to teenagers
imitating similar behaviors. YouTube can prevent certain aspects of their personalities and
behavioral traits to not fully develop, individually. According to Jean Piaget, a world-renowned
psychologist, there are four stages for the cognitive development of a child. The final stage of
development from ages 12 and up depend more on logic and deductive reasoning. But within
these stages, children also “begin to think about how other people might think and feel”
(Cherry). Being concerned with other’s opinions brings the idea of individuality into concern,
with a world full of technology, such as YouTube. The YouTube platform has negatively
influenced the new generation as it leads to conformity, risk-taking behaviors, and in some cases
With the creation of YouTube came the incentive to imitate the creators, oftentimes to fit
in. YouTube, an online video streaming service, was initially thought of as a dating website. The
original intention was for users to record videos of themselves, exhibiting their personalities and
interests for the masses to see. This, in turn, would get them a date. This did not pan out well, so
YouTube eventually established itself with the intention of “having a simple interface that
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allowed the user to publish and view videos through standard web browsers” (McFadden). The
content that people would record on their cellphones from events such as the graduations or even
a birthday party. This was the goal and the creators succeeded, but these homemade videos
slowly turned into high production-quality shows. YouTube became more of a business than just
a family video sharing site. But with the success of creators came the imitation of viewers.
YouTube has an average of 300 hours of videos being uploaded every minute (McFadden). In
today’s age, many people are creating their platforms to imitate those of succeeding video
creators to get a portion of the profits. An example of this would be Vogue’s 73 Questions.
Recently, Vogue, a lifestyle magazine, posted videos on their YouTube channel asking
celebrities 73 questions while walking around. Following the popularity of these videos, over
10,000 video creators have created their own “73 Questions with Vogue” as a parody to the
original. Often asking the same or similar questions to that of the original, to get views on their
videos. The smaller creators have begun to imitate these videos, overall showing a sense of
or behavior in order to fit in with a group” (McLeod). Before content creators could make a
large profit, imitation among creators was less common. The creators previously did not record
these imitation videos as consistently as it is done today. Videos such as the previously stated
“73 Questions,” “Day in My Life,” “Mukbangs,” and hundreds of other videos. This can be
proven with the increase in web traffic for YouTube and the increase in video uploads. Susan
Wojcicki, CEO of YouTube, revealed that in 2019 that between June 2017 and May 2019, the
monthly [active] users have increased from 1.5 billion to 2 billion (Iqbal). Having such increase
in viewership and uploads allows the possibility of having growth in imitation videos by creators
Content creators copying other creators have been normalized with the establishment of
the YouTube algorithm. To gain a following, YouTubers must create tactful content targeted
towards a specific audience. This allows the creator’s video to be posted on the main page and
“suggested” to viewers based on keywords, length, and what the video is about. The online social
media outlet, Hootsuite states, “More than 70 percent of time spent on YouTube is spent
watching that the algorithm recommends” (Cooper). This can potentially make YouTubers
imitate other YouTuber’s videos because when one gains popularity, there’s a higher chance that
a similar video can do just as well. This encourages the idea of conformity among video creators
based on the algorithm. To have their videos on the main mage, these creators can follow
YouTube’s preset guidelines, which gives them a higher chance of getting more views and
eventually more subscribers. A prime example of this is RiceGum, an Asian influencer who
started YouTube in 2012. He began on the platform with gaming videos on Call of Duty and
Modern Warfare. Recently, he has gone into a more mainstream content creation process.
Changing his content from gaming to music creation and lifestyle, allowed his channel to
continue to grow over the past eight years. He kept up with the trends and followed what other
creators were doing to stay relevant. Eventually, creators and viewers begin to conform to what
is being asked of each other. RiceGum slowly frayed away from producing gaming videos and
started making music videos and uploading these to music streaming platforms as well as
YouTube. His song, “It’s Everyday Sis” was an imitation of the popular song “It’s Everyday
Bro,” by Jake Paul. He was creating a parody of a popular song to increase his viewership and
subscriber count. Again, bringing the idea of less individuality and more “copy-cat” into
question.
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Imitation is often caused by the environment and social influences that the viewer of
these videos is in. As Lumen Learning states, “Individual behavior and decision making can be
influenced by the presence of others” (Boundless). To further this point, when the viewer
watches a video, they are simply interacting with another human being through a screen, that can
potentially influence their actions. This was proven with The Asch Conformity Experiment where
50 students went through 18 trials to prove that conformity is based on that specific environment.
In the test, the participant had to pick a matching line from a group of three other lines. The
experiment concluded that 75% of the participants went along with the group at least once. The
reason as the participants stated, “while they knew the rest of the group was wrong, they did not
want to risk facing ridicule” (Cherry). In a world where almost all actions are being watched,
people are often cautious of their actions, which creates an environment of “trying to fit in.” This
leads to the idea of viewers following along with the video creators in risky behaviors. “If your
friends jumped off a bridge, would you?” The idea that one would partake in such behaviors
because of their environment has been proven with the implementation of YouTube and social
media into the world. As Doctor Tamasine Preece states, “YouTubers who talk about sensitive
issues… may [cause] viewers to imitate behaviors” (Internet Matters). Individuals who watch
these videos slowly conform to what is told. This was proven in 2012 when an online challenge
became widespread. The “Cinnamon Challenge” is when someone films themselves eating a
spoonful of cinnamon powder under 60 seconds without liquid. Millions of people took in the
event from what started as a fun online challenge but quickly became a hazard. A 13-year-old
boy who did the challenge resulted in a coma and a 4-year-old boy died from ingestion of the
powder. These children were influenced by the trend because everyone was doing it. Another
example of risk-taking behavior was the recent “Tide-Pod Challenge.” It began by a single video
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by Narc Pagan, but eventually thousands of the viewers following in his footsteps and began to
bandwagon the trend (Bever). It became a “fad” and the chemicals inside these detergent pods
are detrimental to one’s health system. The imitation has led to serious dangerous behavior
among the viewer. This is what Dr. Preece qualifies as “identity-play.” This is when young
adults enact behaviors they see online and begin to feel pressure to act along with their
surroundings. Also, this often impacts the ability to develop critical thinking. When an individual
is following the masses, it’s harder for them to think and solve problems for themselves. They
become dependent on others' opinions and anecdotes. This begins at a very young age. YouTube
encourages the idea that users should be over the age of 13 to use its platform, but with
children’s shows and channels, children can begin using it as early as birth. Parents put on the
alphabet song or children’s show for their kids to watch and this eventually leads them into other
videos when not supervised. ChuChu TV is a YouTube channel that is directed towards toddlers.
The channel creator initially began making videos with Hindu influences, but one video with his
daughter caused a massive uproar, and his channel gained over 34 million subscribers. He stated,
“If she is going to like it, the kids around the world should like it” (Story). He began to use his
daughter as the leading influence and direction of his channel. This shows that social influences
and critical thinking are influenced from a young age. A virtual environment is created, and
everyone begins to use it and put themselves into that space. A space where the idea of
Having a large platform with millions of viewers oftentimes create an environment for
the video creators to induce in extreme amounts of stress and anxiety, which can potentially lead
to depression. Throughout the YouTube platform, there are hundreds of videos about the
creator’s stress and mental illnesses that have come because of the platform. One of the most
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well-known cases of a YouTuber who experienced stress and depression due to the platform is
Michelle Phan, a beauty blogger. Phan grew up in poverty and desired “to make the world a
more beautiful place,” because that’s what her mother did by being a nail technician. Phan
eventually established a following of more than nine million subscribers and a cosmetics
company that is valued at $500 million. These two business ventures eventually took a drain to
her mental health. She stated that she cried every night and eventually needed to go “off-grid” to
reestablish her well-being. A creator was driven to the point where she had no more motivation
to continue, where she had to relocate and isolate for a year to regain parts of her mental health
that diminished. Another example of this is YouTuber Ethika. A YouTuber that started off with
posting gaming videos, but slowly developed mental health issues due to his audience. Slowly he
frayed away from gaming videos and posted graphic pornography on his YouTube channel and
pictures of himself with various guns. This eventually led his channel to get suspended and a
stand-off with the police, but this allowed his fame to grow. Some of the viewers encouraged
what he was doing, so to gain a larger following, he continued, but eventually, he took his own
life due to the stress and “trolls.” Ethika stated, “it can give you an image of what you want your
life to be,” and “[People} forget they are not immune to mental health problems,” right before he
committed suicide (Alexander). Michelle Phan and Ethika are cases where creators slowly
developed mental health problems while filming these videos for their audience.
One of the most important tasks a creator must do is to stay relevant and remain
consistent in their uploads. This allows them to build a following and a potential brand. As
schools give students winter break or spring break to give students time to relieve their stress, it’s
harder for a video creator to do this. In an article on Engadget, it stated that Slade, a Tech
YouTuber, always worries about going on vacations and taking a day off. He always has
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questions such as “What’s [not having content] gonna do to me?” and “When I come back, are
people still gonna watch my videos?” Questions like this put immense amounts of pressure on
the creator to pour out videos to their viewers to gain a larger audience, resulting in a larger
paycheck. Karen North, a professor at USC and expert on psychology, states in the article that
“Internet creators have a more direct connection with their audience… their struggles feel more
public.” Many creators have stated that their personal lives are impacted by their online life.
Internet comments often harass and create a toxic environment for creators as well, causing them
to feel “burned out.” And without an upload, there is always a new or different creator coming
With the (new) creators pumping out video content every single day, there are some
viewers that have become addicted to YouTube. As American Psychiatric Association defines it,
YouTube would be the substance. Spending multiple hours of the day on the website, while
isolating themselves from human interaction. This, in some cases, can be detrimental to their
health. Many have stated that “YouTube was my drug of choice.” In The Guardian, an online
news agency, a man states that he developed an eating disorder due to the amount of time he
spent watching YouTube. He spent most of his time looking at a screen, so he always forgot to
eat or get some fresh air. He eventually developed an eating disorder due to his addiction, which
many people have begun developing. With over 400,000 hours of YouTube content being
uploaded every day, there is always something new to watch. This allows more people to slowly
become addicted to the platform which in turn “distorts thinking, behavior, and body functions.”
The YouTube platform has drastically changed over the past two decades from a place
where people can post videos for enjoyment to a place of business and conformity. The first
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YouTube video was a simple “home-production” video of a man visiting the zoo. There was no
context behind it. It followed the original goal of YouTube, to have a simple interface that would
allow anyone to share what they captured. Recently, these videos have ramped up and had
equipment set-ups totaling tens or even hundreds of thousands of dollars. It’s no longer an
environment of sharing what you simply captured, but an environment where television-style
productions are crafted to the viewer’s liking. YouTube has succeeded in showing people the
world from their own bedrooms, but they limit the production of showing the creator’s individual
voices. It has created an online media outlet that allows the creators to be influenced by money
and sponsorships.
As The Guardian states, “Today’s YouTubers will be tomorrow’s moguls.” With this
magazine predicting the future in 2015, five years later, this is 100% correct. YouTubers have
built themselves a platform where they are the celebrities and main focus. The world now
revolves around them and celebrities alike. It has been normalized that YouTubers can have
clothing brands and million-dollar contracts for their looks or skills. They have turned
“influencing” into a career and billion-dollar business, but will it continue to conform to the
mind of young adults into something that excludes individuality and creativity, but endorse risk-
taking behaviors?
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Works Cited
Alexander, Julia. “YouTuber Etika's Death Spurs Conversation about How Viewers React to
Creators' Mental Health Struggles.” The Verge, The Verge, 27 June 2019,
www.theverge.com/2019/6/27/18759603/desmond-etika-amofah-death-youtube-creator-
mental-health.
Bever, Lindsey. “Teens Are Daring Each Other to Eat Tide Pods. We Don't Need to Tell You
www.washingtonpost.com/news/to-your-health/wp/2018/01/13/teens-are-daring-each-
other-to-eat-tide-pods-we-dont-need-to-tell-you-thats-a-bad-idea/.
psychology/chapter/social-influence/.
experiments-2794996.
Cooper, Paige. “How Does the YouTube Algorithm Work? A Guide to Getting More Views.”
algorithm-works/.
www.internetmatters.org/hub/expert-opinion/youtubers-influencing-children/.
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“InBrief: The Science of Early Childhood Development.” Center on the Developing Child at
ecd/.
Jahromi, Neima, et al. “The Fight for the Future of YouTube.” The New Yorker,
www.newyorker.com/tech/annals-of-technology/the-fight-for-the-future-of-youtube.
history-and-impact-on-the-internet.
“Our Thoughts Are Susceptible to External Influence, Even against Our Will.” ScienceDaily,
Ruder, Debra Bradley. “The Teen Brain.” Harvard Magazine, 16 Oct. 2008,
harvardmagazine.com/2008/09/the-teen-brain.html.
Story by Alexis C. Madrigal. “Raised by YouTube.” The Atlantic, Atlantic Media Company, 4