Charles Correa – Gandhi Smarak Sangrahalaya and

Jeevan Bharti
JANUARY 9, 20111 COMMENT
Gandhi Smarak  Sangrahalaya:
Material used:
 Tiled roof
 Brick wall
 Stone floor
 Wooden floor
Light and ventilation by operable wooden louvers

These elements combine to form a pattern of tiled roofs which are grouped in casual
meandering pattern, creating a pathway along which the visitors progresses towards
the centrality of the water court

Philosophy:
 Successfully  shows the life of Gandhiji
 Minimalist  architecture
 Material honesty
 Contemporary  architecture
 Glow of spaces
JEEWAN BHARTI , DELHI
 This office complex of LIC is situated on the outer road of Connaught circle and acts
as a pivot between the colonnades of CP and new generation of high rise towers that
now surround it . Thus the building is both a proscenium and a backdrop:  a 12 storey
stage set  whose faceted glass surface reflects  the buildings and trees around CP.
 Two lower levels of the complex consists of shopping decks  and restaurants while
upper level are offices located in two separate wings . A pergola connects the two
buildings .
 A city proposal for an elevated pedestrian walkways if constructed will pass through
the two blocks , allowing pedestrians to traverse the building as the great darwaza  ie
gateway defined by a portico form.
Charles Correa:
Education
 1946-1948 inter-science. St. Xavier’s college, university of Bombay
 1949-1955 B.Arch., University of Michigan.
 1953-1955 M.Arch., Massachusetts institute of technology.
Professional Experience
 1955-1958 partner with G.M. BHUTA associates
 1958- to date in private practice.
 1964-1965 prepared master plan proposing twin city across the harbor from Bombay.
 1969-1971 invited by the govt. of Peru
 1971-1975 chief architect to CIDCO
 1975-1976 consultant to UN secretory-general for HABITAT
 1975-1983 Chairman Housing Urban Renewal & Ecology Board
 1985 chairman dharavavi palnning commision
About him:
 Born into a middle-class Catholic family in Bombay
 Became fascinated with the principles of design as a child
 At Michigan two professors who influenced him the most – Walter Salders and
Buckminister Fuller.
 Kevin lynch , then in the process of developing his themes for image of the
city triggered Correa’s interest in urban issues
 ‘India of those days was a different place, it was a brand-new country, there was so
much hope; India stimulated me.’
 —Architect, planner, activist and theoretician, an international lecturer and traveler.
 —Correa’s work in India shows a careful development, understanding and adaptation
of Modernism to a non-western culture. Correa’s early works attempt to explore a
local vernacular within a modern environment. Correa’s land-use planning and
community projects continually try to go beyond typical solutions to third world
problems.
 —India’s first man of architecture has a very simple philosophy: “Unless you believe
in what you do, it becomes … boring,”
AWARDS:
 1961 Prize for low-income housing early
 1972 Correa was awarded the PadmaShri by the President of India
 1980 Correa was awarded an Honorary Doctorate by the University of Michigan
 1984 He was awarded the Gold Medal of the Royal          Institute of British
Architects
 1985 Prize for the Improvement in the Quality of Human
 Settlements from the International Union of Architects.
 1986 Chicago Architecture Award.
 1987 the Gold Medal of the Indian Institute of Architects
 1990 the Gold Medal of the UIA (International Union of Architects)
 1994 the Premium Imperial from Japan society of art.
 1999 Aga khan award for vidhan sabha, bhopal
Diversity
 In Bombay – Salvacao Church at Dadar ; Kanchanjunga Apartments
 In Goa for the Cidade de Goa Hotel and the Kala Academy,
 In Ahmedabad – Gandhi Smarak Sangrahalaya ; Ramkrishna House
 Delhi – The LIC Centre; British Council Building
 Kerala – Kovalam Beach Resort Hotel
 Andamans – Bay Island Hotel in Port Blair
Architectural utility and grandeur spread over the subcontinent

Principles
 Few cardinal principles in his vast body of work;
 incrementality
 pluralism
 participation
 income generation
 equity
 open-to-sky space
 disaggregation.
Belapur housing being the one project where he has literally used these principals

Correa and Corbusier

Like most architects of his generation he has been influenced by Le Corbusier , but
by his response to the Mediterranean sun with his grand sculptural decisions he
believes that Corbusier’s  influence in the colder climates has not been beneficial
because these heroic gestures had to withdraw into defensible space, into
mechanically heated (and cooled) interiors of the building.

On way back to Bombay in 1955 – saw the Jaoul House (le Corbusier)  in Paris
under construction

‘I was absolutely knocked out . It was a whole new world way beyond anything being
taught in America at that time .then I saw Chandigarh and his buildings in
Ahmedabad . They seemed the only way to build.”

Correa and Gandhi

 Gandhi’s goal for an independent India had been a village model, non-industrial, its
architecture simple and traditional
 In these early works Correa demonstrates uncompromising execution of an idea as a
powerful statement of form
Charles Correa – Kanchenjunga apartments
JANUARY 9, 20113 COMMENTS
KANCHENJUNGA  APARTMENTS:
 The building had to be oriented east – west to capture  prevailing sea breeze and
views to the city.
 But also the orientation for hot sun and heavy rains
 Solution in old bungalows – wrapping a protective layer of verandahs around the
main living areas
 Kanchanjunga an attempt to apply these principles to a high-rise building
 This building has 32 different apartments with 4 types of flats varying from 3 to 6
bedrooms.
 Interlocking of these variations expressed externally by shear end walls that hold up
the cantilevers
 Minimalist surfaces cut away to open up double-height terrace gardens at the corners
 Complex spatial organization of living spaces
 Superficially, this 28-story tower, with its concrete construction and large areas of
white panels, bears a strong resemblance to modern apartment buildings in the West
 Tower’s proportion 1:4
 (21 sqm and 84 m high)
 Garden terraces actually a modern interpretation of a feature of the traditional Indian
bungalow: the verandah
 Each apartment provided with a deep, two-story-high garden terrace that is oriented
away from the sun so as to afford protection from the elements
Charles Correa:
Education
 1946-1948 inter-science. St. Xavier’s college, university of Bombay
 1949-1955 B.Arch., University of Michigan.
 1953-1955 M.Arch., Massachusetts institute of technology.
Professional Experience
 1955-1958 partner with G.M. BHUTA associates
 1958- to date in private practice.
 1964-1965 prepared master plan proposing twin city across the harbor from Bombay.
 1969-1971 invited by the govt. of Peru
 1971-1975 chief architect to CIDCO
 1975-1976 consultant to UN secretory-general for HABITAT
 1975-1983 Chairman Housing Urban Renewal & Ecology Board
 1985 chairman dharavavi palnning commision
About him:
 Born into a middle-class Catholic family in Bombay
 Became fascinated with the principles of design as a child
 At Michigan two professors who influenced him the most – Walter Salders and
Buckminister Fuller.
 Kevin lynch , then in the process of developing his themes for image of the
city triggered Correa’s interest in urban issues
 ‘India of those days was a different place, it was a brand-new country, there was so
much hope; India stimulated me.’
 —Architect, planner, activist and theoretician, an international lecturer and traveler.
  —Correa’s work in India shows a careful development, understanding and adaptation
of Modernism to a non-western culture. Correa’s early works attempt to explore a
local vernacular within a modern environment. Correa’s land-use planning and
community projects continually try to go beyond typical solutions to third world
problems.
 —India’s first man of architecture has a very simple philosophy: “Unless you believe
in what you do, it becomes … boring,”
AWARDS:
 1961 Prize for low-income housing early
 1972 Correa was awarded the PadmaShri by the President of India
 1980 Correa was awarded an Honorary Doctorate by the University of Michigan
 1984 He was awarded the Gold Medal of the Royal          Institute of British
Architects
 1985 Prize for the Improvement in the Quality of Human
 Settlements from the International Union of Architects.
 1986 Chicago Architecture Award.
 1987 the Gold Medal of the Indian Institute of Architects
 1990 the Gold Medal of the UIA (International Union of Architects)
 1994 the Premium Imperial from Japan society of art.
 1999 Aga khan award for vidhan sabha, bhopal
Diversity
 In Bombay – Salvacao Church at Dadar ; Kanchanjunga Apartments
 In Goa for the Cidade de Goa Hotel and the Kala Academy,
 In Ahmedabad – Gandhi Smarak Sangrahalaya ; Ramkrishna House
 Delhi – The LIC Centre; British Council Building
 Kerala – Kovalam Beach Resort Hotel
 Andamans – Bay Island Hotel in Port Blair
Architectural utility and grandeur spread over the subcontinent

Principles
 Few cardinal principles in his vast body of work;
 incrementality
 pluralism
 participation
 income generation
 equity
 open-to-sky space
 disaggregation.
Belapur housing being the one project where he has literally used these principals

Correa and Corbusier

Like most architects of his generation he has been influenced by Le Corbusier , but by his
response to the Mediterranean sun with his grand sculptural decisions he believes that
Corbusier’s  influence in the colder climates has not been beneficial because these heroic
gestures had to withdraw into defensible space, into mechanically heated (and cooled)
interiors of the building.
On way back to Bombay in 1955 – saw the Jaoul House (le Corbusier)  in Paris under
construction

‘I was absolutely knocked out . It was a whole new world way beyond anything being taught
in America at that time .then I saw Chandigarh and his buildings in Ahmedabad . They
seemed the only way to build.”

Correa and Gandhi

 Gandhi’s goal for an independent India had been a village model, non-industrial, its
architecture simple and traditional
 In these early works Correa demonstrates uncompromising execution of an idea as a
powerful statement of form