Blue Monday Hangover

                         
Bass Line originally played by Johnny '' B Goode '' Gayden As recorded by Albert Collins, 1980
Transcription by Pierre Verger, 2006 Composer : Malone - Caple


For an easier study, my advice to you is to buy the original recording From the Alligator recorded album '' Frosbite ''

1 = 58 2 3 4

 
                              
    
     
5 6 7 8 sl. sl.

     
9

    
sl.

  
  
 10
   
sl.

  
 
11

 
sl.
         
sl. 12

       
   
       
  
           
    
13 14 15 16 sl.
sl. sl.

                                
  
   
 
17 sl. 18 19 20 sl. sl.

     
    
  
           
   
21

      
sl.

  22


sl.

  23 24

                              
  
25 sl. 26 sl. 27 28 sl.

               
             
 
     
       
29 30 31 32

           
33


  34

                   
35 36

    
37

         
38

       
 39
 
     
40

   
     
    
  
    
     
       
    
           
41 42 sl. 43 44
sl.

  
  
   
         
   
   
  
45

         
sl.
46

  
sl. 47

   

48

   
sl.

  sl.

Not For Sale - Free bass transcription for the studies and private use only

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                                    
     
49 sl. 50 sl. 51 52 sl.

                                     
   
53 54 55 sl. 56
sl.

     
   
    
  
           
    
57


     58

 
sl.

 59 60

                                 
    
61 62 sl. sl. 63 64 sl.

       
  
    
  
  
  
     
 
    
    
65 66 sl. 67 sl. sl. 68

                          

      
69 70 71 sl. 72

               

   
      
   
         
73 74 sl. 75 76

                         
  
77 78 79 80

      
81 82

Not For Sale - Free bass transcription for the studies and private use only

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