THE

SOKUSEKI KATSUYŌ
NINJUTSU KIAI-JUTSU HIDEN
(2019)
 THE TRANSLATION AND TRANSCRIPTION
OF THE

SOKUSEKI KATSUYŌ
NINJUTSU KIAI-JUTSU HIDEN
AN AMATEUR TRANSLATION PRODUCED
FOR THE INTERESTS OF

THE AMERICAN FEDERATION OF JUJUTSU

PRODUCED FROM A COPY OF

THE ORIGINAL TEXT
PROVIDED BY

THE JAPANESE NATIONAL DIET LIBRARY

(Digital Collections)

Privately Published
BY

LOGAN WEYMOUTH, SHIHAN

AUSTIN, MINNESOTA
2019

2
TRANSLATOR’S PREFACE

These translations and transcriptions, of which the Sokuseki Katsuyō Ninjutsu Kiai-jutsu Hiden text is a part of, were
produced in the interests of the American Federation of Jujutsu. Any party or person is free to avail themselves of a
copy of this text or any other found therein. It would be appreciated if you would acknowledge the AFJ in doing so.

As always, we used the blue font color to make further distinction between the actual body of the text and this
Translator's Preface (as well as any Translator Notes.)

It was necessary to include a Translator's Preface due to the case facts of this kind of text, the sort of books that we’ll
be adding and have already added to the Collection so far. These sorts of texts are handbooks on various forms of the
necessary Hōjutsu (補術 or, 防術 or, 方術) “Auxiliary artifice”. The Hōjutsu are a series of various minor arts that are
integral and inalienable to Jujutsu and Goshin-jutsu. Collectively together, with the principle artifices, they help make
up the entirety of Jujutsu and Goshin-jutsu. One really cannot hope to become proficient at, or master, the art of Jujutsu
and Goshin-jutsu without having a fair knowledge of the Auxiliary artifice necessary the occasion. Given the actual
objective of the Library Collection of Shihan Weymouth is to provide both a General Practitioner and a Master
Practitioner Handbook and Scroll set, one really must have some number of texts on these Hōjutsu. Obviously then,
that explains why certain kinds of texts like these had to appear in the Collection.

To discuss this immediate text, the Sokuseki Katsuyō Ninjutsu Kiai-jutsu Hiden, it was written by the same author as
the Karate (or, ‘mute’) Goshin Hijutsu, that being Buyōken Kensai. Like several of the other books made at the Turn-
of-the-Century, the Japanese language found in the text is NOT always entirely inconsistent with 19th and early 20th
Century Japanese, but at times does seem to be overlapped with that later form of the language. The passages of the
text come largely through Adaptive Quotation of older source material, but otherwise, as a representative of the
materials and literary traditions of the parent schools and other relevant sources on the subject matter, it is highly
reliable. How do we know this is a certain fact about the text? There are words and phrases commonly used in the text
that would never appear, or never appear in those forms, in the Japanese language of the late 19th and early 20th
Century. Some of these come, in fact, from the Sino-Japanese Classics dated between 1400-1785. They are actually
Old Chinese language as it gets used by the Japanese. The text has drawn upon some generalised writings such as are
held in common within Japanese Budo and Jujutsu, specifically of such subject matter as Kiai-jutsu, Aiki No Jutsu and
also Ninjutsu (we will need to discuss in this Preface what definition(s) the text is using for ‘ninjutsu’.). When
expressing the tenets of some of it's sections, the text we have here (unlike some of the other texts in the Collection)
makes good use of terminology native to the artifice. Terminology and sub-terminology is a “must have” because it
helps reveal the structure and content of the artifice itself. So that helps us to understand the context of this particular
text.

3
THE DEFINITION OF THE WORD ‘NINJUTSU’
Some of what will be said here might surprise some people, especially on the subject of the relationship of Aiki No
Jutsu to what is being called Ninjutsu. To begin with, most usually, when encountered in relationship to Bujutsu, Budō
and Goshin-jutsu, the word ninjutsu (忍術) is largely equal to the term kenjutsu (剣術) “sword arts”. But even then, it
is practically a Hōjutsu derivative form of the word kenjutsu that really, more than anything else, means “the Art of
Persevering by the Sword”. The associative term ninja (忍者) is similar, it usually has the same force of meaning as the
word kenja (剣者) “swordsman”, but most correctly means “One who Perseveres by the Sword” . So the first and most
common definition is the same as kenjutsu, “swordsmanship” Secondary definitions of the word ninjutsu ( 忍 術 )
involve the Art of Escape and Evasion. When encountered as such, it would commonly be translated as “Art of Self
Concealment” and usually lists items consistent with the Art of Escape and Evasion, as would be useful to a soldier, for
example. Another secondary definition is as the Art of Sabotage-in-assassination, this incarnation most usually
integrates the definition of Self concealment in hopes of keeping the intended victims fully ignorant of the identity of
their pursuer. Tertiary definition include ninjutsu ( 忍 術 ) as a form of magic or paramilitary sorcery. In some cases,
under this definition, the word ninjutsu ( 忍 術 ) means “Stage magic” and the associative term ninja ( 忍 者 ) means
“Stage magician”. When reverting back to the Paramilitary arts, a form of deceptive magic tricks used in conjunction
with armed and unarmed combat techniques to defeat an opponent. May begin to resemble, or revert back fully into
ninjutsu ( 忍 術 ) as “Art of Sabotage-in-assassination” Further tertiary definitions include usage of Buddhist
terminology which, on the surface, seems unrelated to any of these other definitions. Namely, in that the term ninjutsu
(忍術) and ninpō (忍法) refers to “Persevering as a Buddhist or Shinto-Buddhist”, remaining Buddhist and Japanese no
matter what. Combined together with the term Intonjutsu ( 隠 遁 術 ) or similar of the jutsu artifice, under Buddhist
definitions it means “Hiding oneself away (at a remote position) for the purpose of in depth studies of Buddhist literary
tradition”.
Then there are various incarnations of the term ninjutsu (忍術) that combine two or more of all the definitions. In a text
like the Ninjutsu Kiaijutsu Hiden, some form of this intercombination will often be evidenced. Often more than one
form of it.
A lesser known definition and associative context of the word ninjutsu (忍術) that we will discuss here is actually why
this book exists and seemingly links the art of Kiai-jutsu to the art of Ninjutsu. In some contexts the word ninjutsu (忍
術) and the word aiki (no) jutsu are completely inter-changeable. They are the same word and the same artifice. That is
why there are so many older Japanese Handbook (dated from 1845-1935) that list and group Kiai-jutsu and Ninjutsu
together. This is mainly owed to the definition of Aiki-jutsu as “thwarting an enemy attack (against your person or
group) by escaping off into a remote mountain ravine or remote coast-line”. Ninjutsu, under the definition of “the Art of
Escape and Evasion”, would obviously provide the connection that produces an inter-changeability between the words
Aiki-jutsu and Ninjutsu.
• Perhaps surprisingly, the various ‘alternate’ definitions of the word ninjutsu, even when inter-combined, still come
to apply within the context and conduct of this form of Aiki no jutsu:
• Aiki-jutsu application of ninjutsu escape and evasion tactic to thwart an enemy attack or arrest by exiting
early (thus forestalling them). Using Hensō-jutsu techniques changing your appearance and dress to dissuade
easy recognition so that you could escape to the safety of the remote position. Later, sneaking back down the
same way to carry out acts of sabotage (ninjutsu), making it harder for the pursuant to continue pursuing you.
This is all expressed as the conduct of Aiki-jutsu.

4
 AN EXTREMELY IMPORTANT SUBJECT
In the text of the Budō Hiketsu Aiki No Jutsu, which was placed in our Library Collection back in 2016, it describes
Aiki no jutsu as being an umbrella name and artifice, there being several arts which are all called ‘aikijutsu’ (but are not
always written with the same kanji, so the name meaning is not always the same.) These various sub-forms of Aiki no
jutsu are described as smaller umbrellas sitting under the main umbrella canopy (because of their commonality of usage
and direct connection to the main artifice). Whereas other of these artifice, as an umbrella, are siting well outside the
main umbrella being that they have far less direct relationship to the main artifice itself. The practitioner is said to reach
out from under the main umbrella and pull any of them he wants in under the main umbrella to make temporary use of
it. Why were umbrellas used to describe it? Umbrellas are used to shield oneself from the heat of the sun (hot episodes
in life) and to shield oneself from storm winds and rain (troubling times). Ninjutsu, similarly, is described as having the
same structure by the Japanese. Given the inter-changeable nature of the terms ninjutsu and aiki-jutsu, one thinks that
it’s obvious as to why? And obviously, some “umbrellas” actually belong to the ‘Ninjutsu’ main umbrella which, in the
course of the conduct of Aiki no jutsu, can itself be brought into full play (along with all its sub-umbrellas.) In texts like
the Sokuseki Katsuyō Ninjutsu Kiai-jutsu Hiden here, one sees direct and indirect references to this exchanging trade-
out, all through the text.

What else could one say about the text of the Sokuseki Katsuyō Ninjutsu Kiai-jutsu Hiden that would be relevant? Well,
the text is an expanded edition of an earlier text (written around 1915) originally entitled slightly different as: Ninjutsu
Kiai-jutsu Hiden Sokuseki Katsuyō. When comparing the two texts, it becomes apparent that the first was heavily
rewritten and then expanded (they almost seem to be two different texts). The text commonly uses the word Aiki (no)
jutsu (合氣(之)術) under the lesser known pronunciation Gōki (no) jutsu (same written characters: 合氣(之)術). Many
people don’t know that it is pronounced either way: Aiki (no) jutsu or Gōki (no) jutsu. You might ask, is there any real
difference in meaning between the two pronunciations? Yes and no, it all depends upon the context in which the word
was used. For example, the word Kongōki (混合気) in which the word ‘aiki’ has the pronunciation of ‘gōki’. This word
is usually used as a mechanical and chemical term denoting “admixture or infusion of air/oxygen/gaseous chemical to a
chemical or substance, especially fluid chemicals or substances” (such as the “air-fuel mixture” in an engine.) The term
is a contraction of Kongō (混合) “(fluid) admixture” + Gōki (合気), contracted to avoid unnecessarily doubling the
character and syllable gō (合). In this example, Gōki (合気) has the definition of “something in a gaseous state that is
admixing (with something else)”. WHEN USED in Kiai-jutsu type descriptions, for such purposes as would interest us,
the term Kongōki (混 合気 ) means “the admixturing and effects of (various) spirit/mood or cadence (especially in a
densely packed grouping of people)” And perhaps forestalling or escaping by use of such phenomenon. (This comes by
way of the verbal form of the construct Kongō (混合) as Komi-au (混み合う) “to be Crowded in; to be Packed in”) If
one wanted to speak at greater length about possible differences in meaning between Aiki-jutsu ( 合 氣 術 ) and its
pronunciation as Gōki-jutsu, it would be generally correct to say that the pronunciation as Gōki-jutsu implies that there
is an active (and at times violent) exchange going on while one is conducting the tenets of Aiki no jutsu. One could say
that, when the tenets of Aiki no jutsu are in motion, actions being taken in response to such active exchanges: that is

5
Gōki-jutsu. This explanation would be somewhere between generally accurate to pointedly accurate, depending upon
the literary context in which the term Gōki-jutsu (合氣術) had actually occurred in. Please bear in mind that books
like this one were written to assist practitioners in learning possible ways to make “immediate practical usage” of
Ninjutsu and Kiai-jutsu. It makes some sense then, that the Gōki-jutsu (合氣術) incarnation of Aiki-jutsu was included,
since their would certainly be a fundamental difference between the implementation of Aiki no jutsu during times of
direct active exchange as opposed to when there really is no such exchange occurring.
• It might surprise some people, but schools such as the Yōshin Ryū, Tenjin Shinyō Ryū, Kitō Ryū, Kiraku Ryū,
Araki Ryū and etc etc ALL THESE hold as integral and inalienable such elements of Ninjutsu as we have been
discussing in this preface. Such as are of the order describing a relation between Ninjutsu and Kiai-jutsu. Some
of them do not commonly list the items in their curriculum.
• There are several books in the Japanese National Diet Library that clearly, in their contents as a book,
spell this out rather clearly. Almost all of them use this Ninjutsu-Kiaijutsu form to express it. This book,
the text of the Sokuseki Katsuyō Ninjutsu Kiai-jutsu Hiden, and the other texts in the National Diet Library,
all use the form associated with the Tenjin Shinyō Ryū and the Kitō Ryū, which is extremely important
because not all schools use the same form of the stuff (nomenclature and terminology differ somewhat, or
differ pointedly.) The texts we have included in the Library Collection of Shihan Weymouth are all of
them coming from the proper strains of schools (nomenclature and terminology as used in Early Kodokan
associative ryūha.) It all applies for many forms of Japanese and Okinawan Karate-do, Jujutsu, Aiki-
Jujutsu, Aikido and etc (in every major form, including Western ecclectric forms.)

Here in the last word of the introduction, I hope to make it perfectly clear that only linguistics and legitimate academics
was applied in the course of rendering translation and the making of these transcriptions, hoping to remain true to the
original content and feel of the Sokuseki Katsuyō Ninjutsu Kiai-jutsu Hiden text itself. This was thought best, so as to
provide a more authentic experience that is devoid of 'stained glass' colourations which offers to obscure the text's
content. I mean, namely, that one ought not to approach such important works of translation, having a biased view
caused by insistence upon interpreting things according to one's own beliefs or martial arts experiences.

Logan (J.T.) Weymouth

Shihan, Rokudan (6D)
AFJ Shinden Yōshin Ryū
Yudansha, AFJ American Judo.
October 19th, 2019

6
 即席活用

忍術氣合術秘傳
SOKUSEKI KATSUYŌ
NINJUTSU KIAI-JUTSU HIDEN
Immediate Practical Usage Of
The Secret Traditions Of Ninjutsu and Kiaijutsu
by Buyōken Kensai
1917

7
 SOKUSEKI KATSUYŌ
NINJUTSU KIAI-JUTSU HIDEN
Immediate Practical Usage Of
The Secret Traditions Of Ninjutsu and Kiaijutsu

8
改訂の辭

本書一たび世に率先して發表せらるヽや甚大の歡迎と好評を受け賣行は三旬ならずして一萬部
を賣盡せり實に出版界稀に見る盛况と謂ふべし、されど秘奧にして傳書口授の遺漏するもの多
きを發見し更にあらゆる和漢の占書を渉獵參酌して茲に大改訂の增補をなし、殊に靈妙不可思
議なる幻術の一篇を附加し細大漏す所なきを期し刊行する所以である、聊か改訂の辭に代ぶ

大正六年六月中旬
武掦 軒謹白

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9
 〇はしがき

忍術即ち隱身術は古くからあつて一時は忘れられたのであるが近來は新らたに流行し出したの
で世人の口々に繰返されるのである、忍術とは活動寫眞や赤表紙にある樣なものではない、决
して人を誤魔化したり惡い方面に用ゆべきものではない、忍術は直覺的では人の家に窃かに忍
び込むとか、人に見られて惡い塲合に自身を隱し去るのであるからさも盗賊術の樣に思はれ
る、然し忍術の奥秘には重要なる要約がある
曰く、忍術は世間に認められた公道に依つて行ふものであつて决して私慾の爲めにするのでな
い私慾の爲めにすれば其の術が破れる••••••••••••この要約より見れば忍術は私慾の盗賊には用
られぬ譯である、盗賊術と忍術は

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第一に出發點が異なるのである、讀者はこの點を誤解してはならぬのである。

編者 警告

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一、本書は主として斯道の秘訣を編纂したるものである。
一、本書中省略の箇所は明記を虛りたるものである。
一、本書中往々意義、熟語、難解の個所なしとせずそは原書によるものにして
略解せば却つて秘訣の意義を誤ることを憂ひたる次第である。
一、本書編纂するに當りては武備志、正忍記、最高武術極意水の巻氣合術獨習書、仙術と忍
術、武道秘訣合氣の術、催眠術獨習稽古、警神的大魔術忍術極意、武家名目抄、軍法極秘
傳書、殺活自在氣合術、刀劍と歴史、天狗藝術、日本百科大辭典、特科虎の巻、北條五代
記其他忍術氣合術等に關する新聞雜誌敷十種に亘りて綜合せるものである。

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 緒言

本書に記述する忍術の奥秘や氣合術合氣術の秘訣は昔ならば到底其の一端だも窺ひ知る事の出
來ぬ國法を以て禁じ、家憲を以て秘したる奥義であつた、聖代の今日科學の進歩と社會の推移
とで數百年來の機密も奥の手も開放するの福音に接するのである、記する處は悉く皆な期道の
眞髓である讀者は此の意味に於て熟讀玩味その蘊奥を極めなば現社會の生存競爭塲裡に活動す
るの利器として稗益大なるべきを信ずるのである。
大正六年四月中旬櫻花爛熳の節

編者識す

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即席活用 忍術氣合術秘傳
附 變現自在 幻術の極意
目次
緒言
凡例
改訂の辭
忍術秘奧の卷
〇はしがき
〇忍術とはどんなものか…………………………………………………………………………..一
〇忍術の別名………………………………………………………………………………………..一
〇忍術と盗賊術との相違…………………………………………………………………………..六

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〇學術上より研究した忍術……………………………………………………………………………四
〇忍術の應用……………………………………………………………………………………………七
〇忍術の起源と來歴……………………………………………………………………………………八
〇忍術の流派…………………………………………………………………………………………十一
〇忍術に關する考證…………………………………………………………………………………十一
〇忍術は秘密相傳……………………………………………………………………………………一七
〇忍術を行ふに必要なる道具………………………………………………………………………一八
〇忍術に必ず實行出來る術…………………………………………………………………………二〇
〇忍術に關する實話の表……………………………………………………………………………二一
〇忍術に關る實話の裏………………………………………………………………………………二一
〇誰れにも出來る虛實法の實地的說明……………………………………………………………二二
〇忍術は誰れにも出來る虛實轉換の法……………………………………………………………二四

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〇戰略に用ゆる虛實轉換法…………………………………………………………………………二五
△虛實循環の實例
〇忍術秘奧五遁の術と其他遁形の術………………………………………………………………三四
〇忍術遁形の術は護身に必要………………………………………………………………………三六
〇忍術の極意訓………………………………………………………………………………………三七
〇陣中忍込む術………………………………………………………………………………………三七
〇人を謀るの術………………………………………………………………………………………三九
△（第一）一人忍び
△（第二）二人忍び
△（第三）三人忍び
〇忍術的眞言秘密の秘傳……………………………………………………………………………四二
〇九字の印の結び方…………………………………………………………………………………四五

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〇忍術に用ゆる變裝術………………………………………………………………………………四七
〇忍術變化の妙術（變相術）………………………………………………………………………四八
〇忍術秘傳忍步き〇速步きの法……………………………………………………………………五一
△忍步きの法
△速步きの法
〇忍術者の探偵秘術…………………………………………………………………………………五五
△夜道の事（原文）
△狐狼の習（原文）
△牛馬の習（原文）
△宮寺計聞習（原文）
〇忍術的素人探偵術…………………………………………………………………………………五七
〇目を眩ます法………………………………………………………………………………………五八

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〇忍術に用ゐた兇文結印の秘傳……………………………………………………………………五九
△人に狙はれざる秘法の守
△人の中を能し或は惡する守
〇蛇や蝦蟇を懷にして步く法………………………………………………………………………六〇
〇小さき蛇や蝦蟇を大きく思はせる術……………………………………………………………六一
△大入道の術
〇分身變化の術………………………………………………………………………………………六四
〇天狗飛切の術（空中飛行術）……………………………………………………………………六五
〇切支丹バテレンの秘傳……………………………………………………………………………六七
〇忍術遁形變化術の實例……………………………………………………………………………六九
〇木遁の術……………………………………………………………………………………………六九
〇火遁の術……………………………………………………………………………………………六九

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〇土遁の術……………………………………………………………………………………………七一
〇金遁の術……………………………………………………………………………………………七一
〇水遁の術……………………………………………………………………………………………七二
〇人遁の術……………………………………………………………………………………………七三
〇禽遁の術……………………………………………………………………………………………七四
〇獸の術………………………………………………………………………………………………七五
〇魚遁の術……………………………………………………………………………………………七六
〇蟲遁の術……………………………………………………………………………………………七六
△蛇の術
△蝦蟇の術
△蜘蛛の術
△雲遁の術（雲隱れの術）

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 △霧遁の術（霧隱れの術）
△風遁の術
〇忍術者となるべき準備……………………………………………………………………………八〇
〇 變現自在 幻術の極意………………………………………………………………………………八二
〇幻術は魔法と同じ…………………………………………………………………………………八二
〇幻術の科學的說明…………………………………………………………………………………八四
〇幻術の流行時代……………………………………………………………………………………八四
△神出鬼沒の實驗
〇變現自在幻術の秘傳………………………………………………………………………………八五
〇忍術の最大眼目隱身術の秘奧……………………………………………………………………八六
〇古來傳へられたる忍術の方式……………………………………………………………………八六
〇忍術氣合術幻術催眠術を習得活用せんとする者の心得べき法規……………………………八七

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….…..……合
氣合術 氣 秘奧の卷
….…..……術

〇はしがき
〇氣合術とはどんなものか………………………………………………………………… 九三
〇氣合術を行ふ極意…………………………………………………………………………九四
〇第一準備の修養法…………………………………………..………………………………九四
（イ）氣海丹田の修養
（ロ）無我無慾の修養
（ハ）自信力の修養
〇第二漸々秘術を行ふ極意…………………………………..………………………………九八
（イ）術者の姿勢
（ロ）氣合術方式の種類

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 〇福來博士の精神の虛（弱點）を故意的に誘起する法……………………………………九九
〇大喝一聲法…………………………………………………………………………………一〇一
〇阿呍の呼吸法………………………………………………………………………………一〇一
〇氣合術は昔から武道の奥秘………………………………………………………………一〇二
〇氣合術と合氣きとの區別…………………………………………………………………一〇三
〇氣合術は文明的の護身用…………………………………………………………………一〇三
△ビストルに優る
〇金儲の秘訣として氣合術の應用…………………………………………………………一〇五
〇人心を操縱に用ゐる氣合術………………………………………………………………一〇五
〇氣合術は絶好の膽力養成法の秘訣………………………………………………………一〇六
〇柔術に應用する氣合術……………………………………………………………………一〇六
〇相撲に應用する氣合術……………………………………………………………………一〇七

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 〇氣合術を應用すべき塲合
〇氣合の術………………………………………………………………………………………一一三
〇合氣の術とは何ぞ……………………………………………………………………………一一三
〇合氣の秘密の奥義……………………………………………………………………………一一四
〇一瞬間讀心術…………………………………………………………………………………一一四
〇掛聲の氣合……………………………………………………………………………………一一六
〇合氣の術秘密の奥義…………………………………………………………………………一一七
〇氣合術の實例………………………………………………………………………..……… 一一九
〇豐臣秀吉の行へる氣合術……………………………………………………………………一一九
〇伊藤一刀齋の行へる氣合術…………………………………………………………………一二〇
〇小野治郎左衛門と柳生宗矩との氣合術の試合……………………………………………一二一

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〇觀相の秘術………………………………………..…………………………………………一二四
黒子之吉凶
筋紋之吉凶
〇三日前に總ての災害を前知する法…………………………………………………………一三一
〇火災溢難のある前兆…………………………………………………………………………一三一
〇水難のある前兆………………………………………………………………………………一三二
〇爭ひ事のある前兆……………………………………………………………………………一三二
〇劍難のある人物………………………………………………………………………………一三三
〇死相の前兆……………………………………………………………………………………一三三
〇破壊思想ある人の前兆………………………………………………………………………一三三
〇掛合勝負事に當る日取………………………………………………………………………一三四
〇金品を得る前徴………………………………………………………………………………一三四

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 〇萬事成就せざる日は
〇生離の日
〇死別の日
〇方除の秘訣
〇大望成就する前兆
〇男女骨格五行の相生の見立
〇笑聲にて賢愚を知る法
〇男女觀破術の秘傳
〇悋氣深き女と薄き女
〇女の眼にて善惡を知る法
〇女の鼻にて善惡を知る法
〇女の口にて善惡を知る法

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 〇貞女で利口の女
〇表面よくも内心不義性の女
〇美人でも薄命の女
〇美人でも内心惡しき女
〇美人でも生活を誤る女
〇女子の心中を時々知る法
〇意ある特兆.
〇嫌ひし特兆
〇男女觀破術の秘傳
〇義理堅き信用すべき男
〇金滿家となる男
〇貧乏性の男

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 〇立身出世する男
〇失敗性の男
〇不品行の男
附録
〇活動と忍術
…

〇忍術元日月太郎
〇忍術破り天童神力丸
頁外
〇誰れにも出來る鼠の忍術
〇忍術練磨の最始の心得
〇忍術練習の要素

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 〇雅れにも出来る飛下り飛上りの練習術
〇特別の忍び步き術
〇忍び泳ぎ術
〇特種なる忍びの道具

即席活用 忍術氣合術秘傳目次 終

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