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Brexit Impact on the Audio Visual Industry UK 2
The UK audio visual on the United States involves the film production and the TV production is
the leading industry in terms of the size of the company and the number of exports they carry on
daily basis. Statistics have been proven that the UK audio visual generates $ 5.4 billion of
revenue of Europe in the year 2008, statistics have also proven that, the UK films contributes to
better exposure of films and fictional acts done by the United kingdom, which makes it maintain
competition among its competitors (Dhingra, and Van 2016). In 2009, the UK audio Visual
increased its revenue, as to that of Germany and France at the same time having higher revenue
than Spain and Italy. The essay below majorly describes the UK audio Visual, with the impacts
of brexit on its structure. Further majors on the scoop of cultural policy and the challenges they
According to the data collected by the UKFC, the inward investments of the audio visual
increased with a fifteen percent of 1.5 billion in the year 2010, as compared to 2009 where it had
dropped in the domestic UK audio visual films. Of the 357,195 hours of film broadcast done in
the Europe, in 2009 5% of the channels were from the UK, it was later singled out as the major
source of the European source of films, which was followed by the German films and the French
films followed by 2.5%. On march the midnight of 29th the UK audio visual will be quitting
form the Europe broadcast channel, which is quite not healthy for the European as they will lose
their major source of fiction providers. Brexit is one of the considerations that Europe is
considering to ensure that they do not fail in their TV production by lacking much of the fictional
shows they broadcast which are provided by the UK audio visual (Busch, and Matthes, 2016).
Brexit Impact on the Audio Visual Industry UK 3
The audio visual industry in the UK is the major source of jobs in the Europe and also in the UK.
In 2017it served the high company that involved in employing the youth. It also contributes to
the funding functions, in the state emergency aid. They took part in aid whenever the state could
incur any of the emergencies including the natural calamities. They recorded the higher
percentage of help in the country. However the post Brexit, which confirms the freedom of
movement for the access on films and the TV programs including the news raised concerns that
the UK possibility of benefiting from the European funding system which had been established,
which was against the wish of the UK from withdrawing from the Europeans Films. They argued
that despite the fact that it was the major supplier of films to the European it had large
capabilities of getting support and increasing its revenue from the programs the European had
established.
The Brexit industry stakeholders raised concerns over maintain their stakeholders, which was
majorly based on maintaining the European Works which could help maintain the UK
stakeholders as they could maintain vast spread of their services through broadcasting their
products which are the films they produce(Busch, and Matthes, 2016). They argue that
maintaining the stakeholders of the company would contribute towards the UK success and the
films will be programed in a manner that they receive large audiences which is a great success to
the UK Company.
Despite the earlier proposal, proposed by the UK, which requested them to have a longer
relationship with the European, concerning their disputes solution which had not been properly
done, the European has not come up with a reply if they should maintain their rules and their
relationship.
Brexit Impact on the Audio Visual Industry UK 4
UK has to reconsider the Brexit deal on how it has impacted the daily on their progress as the
audio visual industry. As it nears towards the end of their work with the European, there are still
huge certainties pertaining the effects of the audio visual sector to the production industry. If the
Brexit could restrain the movements of their personalities then it would be a great doom to their
organization. Brexit plays a role in production matter, by taking care of the production team from
the fallout. Being a member of the council of Europe it contributes greatly to the production of
. Their withdrawal from the European society will be a great impact to the production of the
European which is a great influence to the European productions. The largest percentage that is
situated in the UK being workers of the audio visual film, as said by the chief executive miss
white, who approximated that 40% of the people who were working under the UK most of the
films industries are European nationals who have no UK citizenships. She claims that, upon the
decision they have to consider these workers as they would lose their jobs which is a reduce to
The Executive director of the commercial broadcaster Association addressed people claiming
that, the ability of the UK recruiting people from the European is an issue that has to be
reconsidered by both parties. The UK uses the EU talents for production at the same time the EU
uses the UK talents for production, which means they help each other and the brexit might bring
along some of the disadvantages they never expected advising them to reconsider the brexit
Brexit Impact on the Audio Visual Industry UK 5
On the other side Young claims that using different skills form the two different countries is one
among the major contributors to the industries success he says that, restricting the movements is
not just an effect to the two, but also to the industry. He raises concern that the industry in
general might lose its competitive ability and it might drag down as the two are the major
producers of talented members who contribute towards the success of the industry.
McVay also raises concerns and looks beyond people who work within the UK and EU, who
have established their lives and their career in the two should be clarified on the way forward as
if the restriction will be amended than they have to come up with a way in which they relocate
Brexit also contributes greatly to the European funding. The European has contributed greatly to
the success of the UK film industry (Davies, and Studnicka, 2018). Statistics state that the EU
has invested £120.3millions to support may of the film projects in the UK, like the Paddington 2
to get to the audiences. The funding has also supported the UK animation production studio in
developing the Aardman to develop variety of series that later turned into the common watched
long program in the EU televisions. The EU has also invested in research and innovation project
which will be live in2020 by £79.6m and in screen related projects. Not only screen related
projects but also educational projects and the European Social fund which supports the
Despite the fact that the UK said that they are till open to innovations, it is clear that it might be
disadvantaged to the EU funds which have been supporting them to fund projects that have
turned into winning films. The BFI warned the UK saying that they should come up with a more
effective strategy that will not make sure they still enjoy the benefits they have been enjoying. At
the same time (Oehler, and Wendt, 2017), Young addresses people at the creative foundation
claiming that the EU has a great position in the partnership as it supports the co-products and
distribution across the border, which has benefited the UK greatly. Young says the UK cannot
The brexit has an influence on the licensing. Any media institution whether filming animation or
television must acquire licensing which is majorly satisfied by the EU .Brexit might be an impact
to the licensing of the UK industry as it means there will be totally nothing to do with the EU in
order to certify to offer their services to others. Brexit eliminated the UK from the guidelines and
the rules under the licensing, which is still unclear if it will be passed along or not. According to
the European statistics 1202 of the EU TV channels have been situated in the UK, which has
brought concern as many of the broadcasters who are working under the UK will still be licensed
and if there can be an added period for the post Brexit to be reviewed. However Minns address
the issue and claims that the government is coming up with more effective ways to deal with the
issue but he however surprises many by saying that the strategies are not yet known, but they are
In the cultural policy soup, governance has been the major key to base in the US an EU. The UK
legislation is one among the policies that are affecting the UK audio Visual sector. The current U
Economy is majorly contributed by the legislative structure of the UK, and the regulatory frame
work, it is however linked that its major governance is controlled by the EU which is majorly
influenced by its funding and it being one of the EU (Saundry, and Antcliff, 2012). Upon
withdrawing from the EU, some of the laws created with the influence of the EU law will no
longer be applicable once they withdraw from the EU. However some of the authorities have
claimed that some of the laws could be modified to come out with some laws of their selves.
They will be released form some of the key aspects they usually have to consider while doing
trades in other markets that are not of EU. Legislation in The UK will fall under six factors
which are; Macroeconomic factors, which majors with the exchange rate. Freedom of movement,
in that they might consider being restricted form movement upon living the EU, Funding of the
EU which has been a great contribution to the success of the UK, it also includes the state aid
and policy to taxing which is major impact to development. Lastly video games related issues
A good number of the UK legislation affects the development and how various film and TV
screen activities are carried out. Governance includes how the games and programs are restricted
including what they should include in the programs and what they should not include in the
programs to fit in the society. The governance has gone ahead to set rules in that various
programs are rated according to the age in that people under eighteen years are protected from
the trauma they might get upon watching some of the content (Huffingtonpost.com, 2019).
Brexit Impact on the Audio Visual Industry UK 8
The legislative has also come up with policies which are based under the AVMSD, where
standards have been set regarding advertising and content regulation for the hosts who host
different shows and other channels across the EU. The policies have also taken a position where
they regulate the member state who are considered available not considering the regulation with
other members who are based under the COOP. The policies affect a large position of the games
where specific ages are termed to view and participate in various games as other are not due to
different content that might be based as vulgar or sex content that might bring trauma to the
young in the society at times rapturing the moral being of the youngsters in the society
(Pratt,1997). The policies are also widened to affect different business chains through different
The governance has maintained the cultural diversity by ensuring that employment in different
private industries which acts the same as the UK chain of employees (Sutherland, 2017), comply
with the culture impacts that do not affect the diversity majorly they majored on the counter mix
of employees from different cultures within different workstations, including people who have
different languages and religion beliefs. The legislative main aim was to bring different people
with different faith and cultures together so that the world might see the need of oneness and
start viewing people from different cultures and different societies plus; languages as the same.
However depending on the kind of scenario, there depend on the type of law and policy that will
be included or applied, in relation to its effect on the film industry. However the governance
ensures that the type of law created by different departments does not affect any of the normal
The governance has also considered the assets such as forex which major with exchange rates,
which has been classified as a macroeconomic factor in the company. However, leaving EU at
the same time is going to affect the normal being of the UK as its micro variables still require
support that has been back then being offered by the EU, which means it will fluctuate and
experience different sale rates. The micro variable will also fluctuate due to reduced screen
content. Many of the US films are usually broadcasted in the EU which creates a large audience
to their micro variables and films. Leaving the EU will make it fluctuate due to reduced audience
(Igoe, 2017). It brings a call to the legislative to instead come up with effective ways and
reconsider the loss they might incur upon leaning the EU which will impact its industry as the
UK. Forex determines the price by which the exports will be charged and at the same time the
legislatives uses forex to determine the amount on which imports will cost. It is at the same time
used to determine that tax charge rate between the exports and imports(Huffingtonpost.com,
2019).
Since the negotiations started the dollar has depreciated for 16% to 13% from when the split was
announced. There are chances that in future forex is likely to charge higher to compensate on the
lost charges, which at the same time will affect the growth rate of the economy of the UK, which
has an impact on domestic and international demand. The legislative should set strategies to
overcome the losses as according to the depreciating dollar the UK is likely to experience slow
growth and low demands which will reduce the revenue of the UK, which is a great effect on its
economy
Brexit Impact on the Audio Visual Industry UK 10
However from the policies analysis, chances are, the UK might increase in its screen production
as they will be self-depended which will motivate them to keep on moving and at the same time
chances are they might incur loses which is a great effect to their economy. The legislative
therefore should come up with strategies that will ensure they do not incur too much loses
(Huffingtonpost.com, 2019).
In culture policy making, there are several problems that comes along, when it’s time to set down
and decide which policy will work better. In relation to the UK audio visual industry addressing
the people, the strategy advisor personnel referred by the name Jonathan Davis in the year 2004
declared that he is not the spokesperson of the UK visual audio industry but he was making the
statement in a personal view of things (Doctor, and Tsang, 2018). He advised the company that;
the network of the EU has helped come together to access all the EU film producers and their
representatives which according to the UK they could have not managed. One of the greatest
problems is lack of verification, and while one of the policies might seem right the same policy
in another way is totally wrong. The cultural diversity maintenance is seen in the EU, but it
comes along different effects such as drop in trade low demand which is not good for the growth
of the economy.
The Two business partners fail to consider that culture that culture does not always stay in the
right side in some of the circumstances it is wrong but they fail to consider in the name of they
are maintaining culture diversity which seems to have gotten lost long time back then. The two
business partners are forgetting on the impacts that could come along if the Brexit will be
Brexit Impact on the Audio Visual Industry UK 11
accepted in the coming few hours and they are majorly considering the culture whereas not
creating strategies that could help them overcome some of the shortcomings that are overseen
The UK has also forgotten that all its help to support different projects comes from the EU, they
embrace diversity at the same time abandon their help. If the brexit is set to be signed then it
means they will lose all the experts talented people who live in the UK but are from the EU who
does not have the nationality identification, The UK does not consider it as a risk to lower quality
of their services instead it only majors on culture diversity in their policy making. The EU at the
same time does not consider that the UK I their major contributor to some of the hitting fictional
shows that are shown in the 5% of the daily shows on their screens, instead they too major on
culture diversity which can be maintained in other ways withought influencing or altering their
However the governance authority should take full responsibility of researching on the possible
outcomes before settling to make decisions. They should not only consider the benefit but also
the loss in that they should lie on the side that contribute greatly to the company and not lying on
Conclusion
In conclusion, if no more further talking will be done between the two parties, if no policies will
be changed the UK would still remain in the EEA and still gain the benefits of the pound
depreciation upon leaving the EU. If The UK abandons the EEA and partner with the EU,,
working this time round under the “PURE” rules than it could lose e it freedom of movement, of
Brexit Impact on the Audio Visual Industry UK 12
their products and services and it could also miss the EU funding which has been helping them in
completion of new projects that have been trending in the EU (Etemire, 2018).If the UK were to
maintain their freedom of movement, then a type of policy including the EFTA could be
developed which will be of more profit to the UK screens, if only the UK would opt out for some
of the EU policies (Lead, and Assessment, 2018). However the UK has proposed to achieve the
copyright law in fear the EU might use their films for their personal profit. The same time, the
country will experience drop in revenue and it would still experience drop in the dollar forex sale
However the UK still should review their decisions as they are pond to experience losses before
they catch up with their normal activities which is quite risky for their economy. They would
also loose freedom which gives them a major reason why they don’t need to end the partnership
with the EU instead come up with more effective strategies on how they can maintain their
culture diversity (Baker, and Hesmondhalgh, 2013). They can still get involved with the EU, or
else they will be termed out of the copyright that is under the EU and start offering their services
under the COOP. If the UK still sticks on their decision then they should early start coming up
with ways before they leave for instance they will have to increase the domestic tax to ensure
they over up all the loses and still maintain their economy.
Brexit Impact on the Audio Visual Industry UK 13
References
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Lawless, M. and Morgenroth, E.L., 2019. The Product and Sector Level impact of a hard Brexit
Oehler, A., Horn, M. and Wendt, S., 2017. Brexit: Short-term stock price effects and the impact
Davies, R.B. and Studnicka, Z., 2018. The heterogeneous impact of Brexit: Early indications
Saundry, R., Stuart, M. and Antcliff, V., 2012. Social Capital and Union Revitalization: A Study
Relations, 50(2), pp.263-286.
Holgate, J. and McKay, S., 2009. Equal opportunities policies: how effective are they in
Pratt, A.C., 1997. The cultural industries production system: a case study of employment change
Sutherland, E., 2017. The implications of Brexit for the governance of telecommunications
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Doctor, F., Galvan-Lopez, E. and Tsang, E., 2018. Guest Editorial Special Issue on Data-Driven
pp.171-173.
Igoe, M., 2017. Pulling up the Drawbridge: From Vote Leave to the Brexit White Paper.
Wel, M.J., 2017. The Brexit Roadmap: Mapping the Choices and Consequences During the
Twente).
Etemire, U., 2018. Critical Thoughts on the Implications of Brexit for Procedural Environmental
Lead, D.I., Director, R., Assessment, E.E.I. and Assessment, H.I., 2018. Information Governance
Policy. Policy.
Baker, S. and Hesmondhalgh, D., 2013. Creative labour: Media work in three cultural
industries. Routledge.
http://www.huffingtonpost.com/2013/11/08/prison-overcrowding_n_4235691.html