Professional Documents
Culture Documents
o W
ho and what gets visibility in culture, accepted as “legitimate”
o H
ow visual art reflects division within the culture
o H
ow visual art projects changes/challenges to accepted values
o P
rogressives and conservatives contest morals
o Lippman argues (on1929!) that religion less important than it was (“Lost
Province”)
o P
rogressives and conservatives contest the limits of aspiration
o Trend argues the United States an “unfinished project”? (The One and
the Many,” 299)
o M
ore first author to make up a fictional world
o U
topia = idyllic, perfect world (contrasted with corrupt society)
§ R
eflects aspirational tone of renaissance culture
o E
xhortation to colonist for New World to be better than the Old
o O
ften quoted by politicians
- Founding documents
o D
eclaration of Independence (1776): life, liberty, pursuit of happiness
o “give me your tired, your poor” Emma Lazarus “The New Colossus”
(1883)
o S
ymbol of hope on sight
o O
pportunity exists for everyone (work hard)
- The Movement
o P
ublication, legacy
o M
ain Ideas
o B
usiness
o F
amily
o T
he Arts
o S
ee p.98: the church dictates subject matter of art
- Lippman: Modern art lacks “any theory of destiny” , fials to express “human
mood in the presence of destiny.” (103)
o Lippman questions whether in modern art,” art has.. only to do with art”
104
o E
mergence of a commonly recurring theme in science-fiction
o The underpinnings of 19th century socialism (especially as regards
private property)
o The gap between capitalism’s promise (hard work = success) and its
reality (divide into winners and losers)
- Agency
o “manifests from particular forms of knowledge about the world and its
working” 298
o Rhetorical question: “what does one ‘care’ about enough to take action”
298
§ P
erhaps the answer may not be linked to morals
o H
ow to heal divided culture?
§ D
evise “new forms of belonging” 299