Professional Documents
Culture Documents
Occupation Poet
Philanthropist
Signature
Florence Van Leer Earle Nicholson Coates (July 1, 1850 – April 6, 1927) was an
American poet.
Contents
1Biography
2List of works
3Gallery
4References
5External links
Biography[edit]
Coates was born in Philadelphia, Pennsylvania, as the granddaughter of noted
abolitionist and philanthropist Thomas Earle, and American Revolutionary
War officer Samuel Van Leer, and the eldest daughter of Philadelphia lawyer George
Hussey Earle Sr. and Mrs. Frances ("Fanny") Van Leer Earle.[1][2] She gained fame
both at home and abroad for her works of poetry—nearly three-hundred of which
were published in literary magazines such as the Atlantic Monthly, Scribner's
Magazine, The Literary Digest, Lippincott's, The Century Magazine, and Harper's.
Many of her poems were set to music by composers such as Amy Beach (Amy
Cheney Beach), Clayton Johns, and Charles Gilbert Spross. She attended school in
New England under the instruction of abolitionist and teacher Theodore Dwight
Weld, and would further her education abroad at the Convent of the Sacred Heart in
Paris (Rue de Varenne),[3] and by studying music in Brussels under noted instructors
of the day.
Coates, pre-1894
Tulip-tree
"My remembrance of our last visit and of your tulip-trees and maples I shall never lose ..." —Matthew
Arnold, in a letter to Coates[4]
In the March 1913 issue of Lippincott's Monthly Magazine, noted anthologist and
poet, William Stanley Braithwaite (1878–1962), gives a detailed nine-page review of
Coates's poetry, relating how "she draws from the Olympian world figures that typify
some motive or desire in human conduct, and in the modern world the praise of men
and women, heroic in attainment or sacrifice; or laments events that effect social and
ethical progress, showing how beneficently she has brought her art, without
modifying in the least its abstract function as a creator of beauty and pleasure, into
the service of profound and vital problems".[13] Much of Coates's later published work
was written during the years spanning World War I and showcased her concern for
such "profound and vital problems" as her voice joined the chorus of "singers" in
support of American involvement in the war—evidenced in her privately published
pamphlet of war poetry, Pro Patria (1917). Coates also penned several other works
of fugitive verse, much of which is patriotic and war-related, describing the selfless
sacrifices made by soldiers and citizens alike for the cause of freedom and liberty.
Invitation to the 1895–96 Browning Society elections, the year Coates was elected president.