Professional Documents
Culture Documents
Bibliography PDF
Bibliography PDF
C.P.E. Bach: Essay On The True Art of Playing Keyboard Instruments. (Norton)
S. Berkowitz: Improvisation Through Keyboard Harmony. (Prentice-Hall)
B. Chung, D. Thurmond: Improvisation At The Piano (Alfred)
L. Ferrara, K. E. Ferrara: Keyboard Harmony And Improvisation (Visionary Music)
B. Burns: You Do It: Jazz, Rock, Pop, And Blues: Piano Improvisation (Kjos)
C. Carlos: Latin Jazz Piano (A.D.G.)
M. Harrison: Blues Piano (Hal Leonard)
M. Mann: Improvising Blues Piano (Amsco)
N. Morales: Latin-American Rhythms And Improvisations For Piano (Adler)
J. Moser: Discovering Rock Piano (Schott)
CLASSICAL THEORY
H.K. Andrews, R.O. Morris: The Oxford Harmony, Vols.1 & 2. (OUP)
D. Stewart: The Musician’s Guide To Reading And Writing Music (Miller Freeman)
E. Taylor: The AB Guide To Music Theory (ABRSM)
CLASSICAL COMPOSITION
MUSIC ANALYSIS
J. Dunsby, A. Whittall: Music Analysis In Theory And Practice (Faber & Faber)
A. Forte, S. Gilbert: Introduction To Schenkerian Analysis (Norton)
A. Forte: The Structure Of Atonal Music (Yale University Press)
F. Lerdahl, R. Jackendoff: A Generative Theory of Tonal Music (MIT)
ETHNIC MUSIC
FREE IMPROVISATION
John Cage: Silence (Wesleyan University Press)
Cornelius Cardew: Treatise Handbook (Peters Edition)
Roger Dean: Creative Improvisation: Jazz, Contemporary Music And Beyond (Open
University Press)
M. Huxley and N. Witts (editors): The Twentieth Century Performance Reader (Routledge)
R. Laban: The Mastery Of Movement (Northcote House)
J. Milling, G. Ley: Modern Theories Of Performance (Palgrave)
J. Rink (editor): Musical Performance. A Guide to Understanding (CUP)
R. Schechner: Performance Studies: An Introduction (Routledge)
GENERAL REFERENCE
S. Sadie and J. Tyrrell (editors): The New Revised Grove Dictionary Of Music And Musicians
(OUP)
C. Small: Music, Society, Education (Wesleyan University Press)