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Chords can move up and down in each column. This is less of a chord progression and
considered more of a change in color. Play C major to E minor to A minor. This creates a sense
of color change and not so much forward momentum.
D7 to G (V of the V chord) this sounds as if we are moving to the key of G. G is really the V chord
in the key of C, but the D7 chord make G sound like the new Tonic (I) chord. This is used in
almost every country song.
E7 to Am
A7 to Dm
B7 to Em
C7 to F
Borrowed chords:
We can create fresh sounding progressions by borrowing chords from the parallel minor key
(parallel keys share the same root note but have different scale construction).
C Major = C D E F G A B
C Major’s parallel minor scale is C minor = C D Eb F G Ab Bb
Check out the Beatles “In My Life”. The song is in the key of A Major, but when the words “in
my life” are sung, the chord is D minor. The minor iv chord. In the key of (I)C major this would
be (iv)F minor.
Many Southern Rock progressions use the bVII chord. In “Can’t You See” the key is D Major and
the chords move from (I) D Major – (bVII) C Major – (IV) G Major. Yes, D C and G major are the
V, IV, and I chords in the key of G respectively, but because D sounds like the Tonic chord (the
song want to end on D) D is actually the tonic.
Chord Functions:
bVII7 = Sub bV of III, leads to vi sometimes leads back to I as a vamp, use Lydian Dominant
bvii7b5 = not common and would be part of a ii-V for modulation to bvi
bviiº7 = Passing Diminished chord, like biiº7, iiiº7 or vº7 diminished, use whole half diminished
substitute for VI7