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Diminished/Pentatonic Practice Pattern


from Lesson #4
Peter Martin
Bº[G7] Cm7
    
                      

 
   


 




Cº[A¨7] D¨m7
              

                 

  
   
  
  


D¨º[A7] Dm7
    
           

             
   







Dº [B¨7] E¨m7
        
                 
    
      
    
cont. thru all keys
petermartinmusic.com/lessons
© Peter Martin Music 2011

2 Bº[G7] Cm7
         
                      

         
                     
 


Cº[A¨7] D¨m7
             

          
       

    
           



D¨º[A7] Dm7
                  
             

        
                     
     


Dº [B¨7] E¨m7
             
       
                 
      
                           
   
cont. thru all keys
petermartinmusic.com/lessons
© Peter Martin Music 2011

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