Roses

Turn
Quinteto Jazz

    

  
        
 
Swing  = 116

Saxofón tenor

         

3 3 3

         
          


Guitarra eléctrica


3 3 3

                   
 
3 3 3

         
                 
Piano

  
3 3 3

         
                   
Bajo eléctrico  

   
         
3 3 3

       
3 3 3
Set de percusión

 

              
             
4

Sax. T.

           
      
    
3 3

             
3 3

        


     
Guit. El.

          


  
         

 

  
  

3 3 3 3

     
       
      
Pno. 3 3 3 3

        
         
Baj. El.            

                                   
  
3 3 3 3

       
Perc. Set.

 
                 
             
8

Sax. T.

                          


  

  
          
3 3

    


   
Guit. El.

        
                            
   
3 3

    
 
                   
       
  
Pno. 3 3

  
   
        
                  
Baj. El.          

  
                        
            
   
Perc. Set.




        

(Shake)

             
13

   3  
  
Sax. T.

      


              

      
 


  

Guit. El.

     
                           
3

  
3

             

 
              
Pno.

            
     
                      
         
  
  
    
Baj. El.

                       
        
3

                 

Perc. Set.

2
         

      
    
 
19

Sax. T.

     



    

                 
G C B♭


A♭ F

 


Guit. El.

  
                   


    
                
 
  
                
Pno.

      
   
       
              
       


Baj. El. 
                 
           


 
Perc. Set.                   


   
              
      
25

Sax. T.

                     

                     
3 3 3 3 3

       
 cresc. 

    
         

          



Guit. El.

    
                            
3 3 3 3 3

        
 cresc. 

         
3 3 3

    
       
3 3


 cresc. 

 
Pno.

 
            
                  
   
cresc.

Baj. El.   
               
 cresc. 

                      
3 3 3

Perc. Set.
 
 cresc. 

3
                             
         
30

Sax. T.

            

     
         
             
3 3 3 3 3 3 3

          
3

        
 

             


  
Guit. El.

                             
3

                          
3 3 3 3 3 3 3


  
 
      
3 3 3 3 3 3 3 3


    
Pno.

   


      
 
         
         

Baj. El.  
                


      
  
 
Perc. Set.



                      
           
33

Sax. T.

                    
3 3

                       
3 3

 


     
Guit. El.

                         
  
                         
3 3 3 3

   

             
        
 
3 3

     
Pno. 3 3

  
     
            
Baj. El.                

    
   
 
Perc. Set.

4
                 
                 
     
37

Sax. T.

   
                               
 



Guit. El.
      
 
   
  
                          
 


       
           
 
    
        
    
Pno.

  
  
              
       



  

Baj. El.
 
                 
           


    
   
   
Perc. Set.

                              
   
       
42

Sax. T.

 
                                          


   
Guit. El.

                                         
       
 
        
                  
Pno.

       
   
                    
Baj. El.    

  
Perc. Set.  

5
              
 
49

Sax. T.

  
             


Guit. El.

  
                                          
                   
                       
          
Pno.

       
               
Baj. El. 

   
Perc. Set.       

  = 108
        

60

Sax. T.

                                        
  mute


Guit. El.
   

   


                                       
  
Pno. 

       
          

Baj. El.

Perc. Set.          

6
           
 
68

Sax. T.


                                           


Guit. El.
   

                                           
        
        
Pno.

 
Baj. El.
          

Perc. Set.          

         

77

Sax. T.


                                          


Guit. El.
    

                                          
        
          
Pno.

     
          
     
mute

Baj. El.

         


Perc. Set.

7
           
 
86

Sax. T.


                                            


Guit. El.
    

                                           
        
 
            
Pno.

 
            
Baj. El.

Perc. Set.          

        
    
95

Sax. T.



                                          
3 3


Guit. El.
   

                                          
      
 
Pno.

       

 
Baj. El.        

Perc. Set.         

8
          
 
103

Sax. T.

                                    ord.

              
 


Guit. El.


                          
                       
          
      
Pno.

  
             
Baj. El.   

Perc. Set.         

                               

111

Sax. T.

                  
                              


Guit. El.

                    
                           
    
     
   
                                        
Pno.

                
            
Baj. El.                  

Perc. Set.                                    

9
                    
   
122  = 92

Sax. T.

           
            

3 3 3 3

      
A F♯m Bm Eaug


Guit. El.

                  
    
3 3 3 3

       
  



  
 
   
          
3 3

 
Pno.


3 3

    
    
                 
Baj. El.        

             
         
            
rit...


3 3 3

 
Perc. Set.

           
     
129

 
Sax. T.

       
            
F♯m/E

 
3 3

         
3
A F♯m A F♯m Bm


 3
Guit. El.

                 


3

      
3

      

     
         
       
Pno.

     
3 3 3


         
Baj. El.               
             
                    
3 3

      
Perc. Set.

10
                      
            
133

Sax. T.

 
3 3 3 3

               
A F♯m Bm F♯m/E A F♯m Bm


Guit. El.

      3           
                
    
3

   
     
       
Pno. 3 3 3 3

        

    
   
Baj. El.              

  
  
          
  
   
          
3 3


    
Perc. Set.

Accel.


                  
    
      
137

3  
Sax. T.

     
                              
3 3 3 3 3


Guit. El.  
   
                          
3


3 3 3 3 3

  


              
       
3 3 3 3 3 3

   
Pno.

           

    
         
3

Baj. El.     
 3         3       3    
      
   
3 3 3

Perc. Set.

11
 Saxofón tenor Roses Turn
Quinteto Jazz

     
                                       
       
Swing  = 116


   
3 3 3 3 3

  
3 3

     
 
(Shake)

            
             
8

3 3

     
3


                          

  
18

                      


 
     
26

3 3 3 3 3 3 3

       
                     
 cresc.  

         
31

3 3 3 3 3 3

                        
3 3


                   
      
36

                               
3

 


  
       
42

   

  
 
                        
 = 108


60

       
3 3

  = 92
 
 
 


      
115


3 3 3 3 3 3 3 3 3

                                   
       
135

3 3 3 3 3 3 3 3
Guitarra eléctrica Roses Turn
Quinteto Jazz


                    
                                       
 = 116


  
Swing

 
    
                  
3 3 3

 
3 3 3 3

                                        


7

    
 3       
        
 
 
    

                                     
3


A♭

  
13

 
              
             
3

  


                  
        
G C F B♭

   
21


                         
          
                         
3 3 3
 cresc.

             
 
28

  3
               
3 3 3 3 3 3 3


                                         
32

        

3 3 3 3 3 3

        
                                             

38

    
 


           
                       
43

 

                               

  mute

 = 108

        
   
60


                                   
        
   
68

                                  
        
   
76

                                   
         
84

                                  
        
92

                                             
  

100

             ord.
                          
                           
108

                       


 = 92
A F♯m
B m Eaug A F♯m


115

3 3 3 3

       A F♯m Bm  

A

                     
F♯m/E

                
F♯m Bm F♯m/E A F♯m


130

 3
  
  
3 3

      
               

 
 
 
 
 
         
    
 Bm


136

3

3 3 3 3 3

2
Piano Roses Turn


Quinteto Jazz

           

         
               
Swing  = 116 3 3 3

            
        
3 3

               
           
3 3 3

 


                            
                
5

     
            
3 3 3 3

            


            
              
    
9

 
             
      
       
   


        
                 
 
13 3

          
           
         
           


                   

 
                          
18

    
   
  
                        



          
                  
    

25

          
3 3 3

 
  
3 3

    
 cresc. 

  
  

    


cresc.


            
                  
 
29

  3
    
3 3 3 3 3


    
        


                    
       

 
32

   
        

             
3 3

       
3 3

         


    




            

    
              
 
36

 
             
       


   
3 3

   
  


                 
                          
40

   
 
         

          
       

   

2

                  
                
       
44

         
     

       
                    
 


   
           






       
   
52

         


                     
     
 


 

 = 108

                           
60

 
  
  
 
  


      





                      
67

               
     
  



                      
74

               
         

3


                      
81

               
  
     
                 



  
                                  
88

       
                  



                      
95

               
 
      



                      
                    
102

 
       
   


                       
        
                    
109

   
          
               

        
               

4

         
     
          
116

        
                     
  
          



        
              
             
 = 92

   

127

    
 
   
       
3

      
3 3


3 3 3 3

    
 


                   3

         
131
3

     
               
3 3

          


                
                   
135


          
     
3 3 3 3 3 3

          
 


       
       
 
139


 
           
3 3

  
     
3

5
 Bajo eléctrico Roses Turn
Quinteto Jazz


                          
  
      
     
 = 116

   
Swing

         
              
3 3 3

        
      
           
9


   
                                              
 
  
16

                                       


         
26

                                   
 cresc.  

      
     
35

  


     
  
 = 108

        

43 mute

 
             
86

                          
         
100

       
                
          
 = 92

      
114

                   
rit...

    
                       
131

 
  
  
140
 Set de percusión Roses Turn
Quinteto Jazz

   3 3 3   

                       
                      
                        
Swing  = 116 3 3 3 3

      
  

                                      
                    
           
8

    

           


                              

                                 
3

   
16



      3 3 3                     

                        
                        
25

 cresc.     


              
                      
34

   



                 
 = 108

      
      
49

    
                           
 = 92

   
114

 

                  
                                                    
128 3 3 3 3 3

        
 
Accel.

                                    
   
 3      
 

134 3 3 3 3 3
3 3

  