A Note on the Page Numbering of the San Francisco Oracle CD “Table of Contents.
” When no identification can be made, the
The San Francisco Oracle lies within the San Francisco Oracle work is attributed to the unknown. CD like an egg lies in a nest. Thus there are two numbering sys- The editor has given names to certain works of art that were tems in the book. The numbers on the bottom center of the page originally untitled in order to illuminate their meaning or are the numbers of the Oracle CD. These numbers are continu- context. ous from the beginning to end. Other numbers that are anywhere The last 5 pages of the text are variations to printings in the else on the page are from the original Oracle. These numbers start body of the text. From Issue #6 on, the Oracle was brought to over from page one with each issue. Some pages are not num- press several times because we lacked the funds to print it all at bered at all in the original Oracle. To locate continuations the once. Most of the time we would only make changes in the reader should follow the original Oracle’s numbering system. The colors we were using, but occasionally we would change the page numbers in the “Table of Contents” refer to the CD’s num- content as well. The variations contain one color change (the first bering system. use of the rainbow or split fountain) and four content changes. Many of the contributing artists and a few of the writers in Explanation of these changes can be found in the “Brief History” the Oracle didn’t sign their names on their works. When the edi- section. The page numbers in parentheses refer to where a varia- tor has remembered, recognized or researched the identity of tion originally appeared. the author or artist, he has made the identification known in the
Notes on Certain Maya and Mexican Manuscripts
Third Annual Report of the Bureau of Ethnology to the
Secretary of the Smithsonian Institution, 1881-82,
Government Printing Office, Washington, 1884, pages 3-66