The woman sits at her dressing table looking at her reflection in the mirror. She feels her face lacks definition and resembles either a piece of technology or the moon reflected in something obscure. She feels her face expresses everything at once, which means it expresses nothing. She decides applying makeup on this occasion would be embarrassing. Without breaking eye contact with herself, she applies lip balm. Her brother asks where she is going when she takes her coat, and she replies simply "Out."
Original Description:
Original Title
She sits at her dressing table looking at her face in the mirror
The woman sits at her dressing table looking at her reflection in the mirror. She feels her face lacks definition and resembles either a piece of technology or the moon reflected in something obscure. She feels her face expresses everything at once, which means it expresses nothing. She decides applying makeup on this occasion would be embarrassing. Without breaking eye contact with herself, she applies lip balm. Her brother asks where she is going when she takes her coat, and she replies simply "Out."
The woman sits at her dressing table looking at her reflection in the mirror. She feels her face lacks definition and resembles either a piece of technology or the moon reflected in something obscure. She feels her face expresses everything at once, which means it expresses nothing. She decides applying makeup on this occasion would be embarrassing. Without breaking eye contact with herself, she applies lip balm. Her brother asks where she is going when she takes her coat, and she replies simply "Out."
She sits at her dressing table looking at her face in the mirror.
Her face lacks definition around
the cheeks and jaw. It’s a face like a piece of technology, and her two eyes are cursors blinking. Or it’s reminiscent of the moon reflected in something, wobbly and oblique. It expresses everything all at once, which is the same as expressing nothing. To wear make-up for this occasion would be, she concludes, embarrassing. Without breaking eye contact with herself, she dips her finger in an open pot of clear lip balm and applies it. Downstairs, when she takes her coat off the hook, her brother Alan comes out from the living room. -Where are you going? he says. -Out. -Where’s out? -She puts her arms through the sleeves of her coat and adjusts the collar. She’s beginning to feel nervous now and hopes her silence is communicating insolence rather than uncertainty. -Just out for a walk, she says. I chose a fragment from the novel "Normal People" by Sally Rooney. I tried to analyze this fragment from a lexical and grammar cohesion point of view. The author uses Present Simple, because he wants to underline the actions happen at the present. The addresser ,also uses the Present Continuous, because the actions happen at the moment of speaking and it is a dialog between two people. From the point of view of references we have a cataphoric references, because the author uses the pronoun "She", "her", because something is introduced in the abstract before it is identified. In this fragment we have not found the substitution. Ellipsis is another cohesive device. For example: Out, because word is omitted when the phrase must be repeated. The full form of the character' s reply would be : " I'm am going Out". The addresser uses Addition connectives to make discourse cohesive. One of them is "and" . It is use to emphasize the her gaze. Other connectives is " just" which is time connective. At the lexical level cohesion is achieved by the use of repetition for example "she", "her”, “at””the”,’says’. At the same time I also found the superordinates. Such as example the word "coat' and "collar. The link here is between coat and the collar. Сoat refers back to collar but has a higher level of generality and is therefore a superordinate term.