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Lesson 1
Grade: 3rd
Subject: Literacy
Standards:
- 3.RL.3.2 Distinguish personal point of view from that of the narrator or those of the
characters.
conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or
setting).
groups, and teacher-led) on grade-appropriate topics and texts, building on others’ ideas
- (Ethnic studies standard) Standard 1.3: Students evaluate how society’s responses to
different social identities lead to access and/or barriers for ethnic and racial groups in
relation to various societal institutions, including but not limited to education, healthcare,
Goals
- Students will be able to have critical discussions about a read aloud text as a whole group
different culture.
Objectives
- Students will write/draw a summary and identify the theme with textual evidence of a
- Students will be able to answer questions about points of view in a story as well as how
Materials
- A critical picture book at grade level. (For this lesson, I will be using “Richard Wright
-
- Sticky notes (to cover the words in the book for the picture walk) (all students will have
sticky notes as well to write down thoughts they have while the teacher is reading)
For the book that I have chosen, it is about a boy who loves to read. As a class, we will
talk about all of the different types of books that my students have read. Some specific questions
If students are having trouble answering the questions, answer them yourself. After we
have this conversation, I will ask students to imagine if they weren’t allowed to read anymore.
What if they enjoyed reading but couldn’t go to the library anymore and check out books? How
would that make them feel? They will record their answers in their writers' journals and then
Lesson Activities
First gather all students to the reading rug with a writing utensil and wait for them to
get comfortable then pass around some sticky notes to all of the students. Once students are
settled in, the very first thing we will do as a class is make basic observations of the cover of the
book and make predictions on what the story will be about based off of the title and cover. Based
on our conversation during our launch, students may be able to piece together that the boy in the
picture enjoys reading, but he may not be able to have access to books. All student predictions
based on the cover will be written on the board to reference at the end of the lesson.
After making predictions based on the cover page, we will do a picture walk as a class
(3.RL.4.1). The words in the book should be covered with sticky notes so only pictures are
visible. I will flip through each page of the book and ask students to explain what is happening in
3. What emotion do you get from this picture? Sad? Happy? Why?
Students may also start annotating on their sticky notes at this time.
After the picture walk, I will read through the picture book and my students will utilize
sticky note annotations to interact with the book on an individual level first. This strategy tracks
student’s thinking while reading a text. I am using this strategy to allow students to remind
themselves of all of their thoughts and feelings, but without interrupting the story. We will come
back to these at the end. As a class, we have a sticky note code which is…
outloud to set a precedent for the students. I will read until I find a good spot to use the devices
and then stop reading and say “It looks like here I have a question. I wonder “why can’t Richard
get a library card?” So on my sticky note I will write, why can’t Richard get a library card? And
then keep it to myself to talk about later. My question may even be answered soon!” and then
continue reading to the end of the sentence/paragraph. Use a thumbs up/thumbs down system to
Once I have finished reading the books, students will be tasked with sticking all of their
sticky notes on the board in our 6 categories. This should take about 5 minutes, make sure all of
the sticky notes are relatively in the same categories and transition from the reading rug to
normal seating. Once all of the sticky notes have been placed on the board, we will have a
general discussion about the book before looking at the sticky notes (3.SL.2.1 )((3.SL.2.5). Some
4. How do you think the author portrayed the story? Do you agree/disagree? (3.RL.3.2 )
After we have a general discussion about the story and what it means, I will start looking
at the sticky note on the board and choosing some to talk about. This is all based on what the
students wrote down. I will find some questions that were answered later in the book, and some
questions will probably have to be looked up, such as “why couldn’t people of color get library
sticky notes will vary on time based on what the students wrote. Once the conversation is over,
have students get out their writers' journals for the post activity.
Post Activities
Students will be tasked to write the story from a different perspective. They can do
another character in the story or put themselves in the story. Some questions/statements to
Students will conduct this task individually at their desks. While students are writing, go
to the board and clear it of all sticky notes and writing. Give students about 10-15 minutes to
fter students are done writing, some may share if they would like to. Once students are
write. A
done reading, have them put their notebooks away and get ready for the next lesson.
Expected outcome
Students will be able to recognize societal barriers for those in a minority group by
interacting with a critical picture book (Standard 1.3). Students will be more self aware while
Lesson 2
Standards:
theatrical work.
- TH:Cn11.1.3. Identify connections to community, social issues and other content areas
in theatrical work.
- TH:Cr1.1.3. Create roles, imagined worlds, and improvised stories in a theatrical work
- 3.RN.3.3 Distinguish one’s own perspective from that of the author of the text.
- 3.SL.2.3 Demonstrate knowledge and use of agreed-upon rules for discussions and
Goals
Objectives
Materials
- A critical picture book relating to an inequity. I will be using “Richard Wright and the
warmup/launch
For today’s warmup, we will discuss as a class what we learned about the book
yesterday. We will talk about the plot of the story and the significance that the students learned
from the book. Once student’s memories have been jogged, we will conduct our warm up drama
game. Have students push all desks to the sides of the classroom to make a large open space (the
open space will be needed for the lesson today as well). Students then need to get in a circle. The
warmup game is called “freeze and justify”. This warm up game helps students with their
creativity, improv, and justification which are all skills they will be utilizing in today’s lesson.
A few students volunteer (or chosen) to walk around the circle and explore different
movements and poses as music plays. They can move around however they please (crawling,
walking, jumping, rolling etc. as long as they are moving safely). Pause the music at a random
they have to say what they are doing and do that action. It is their job to come up with a story for
the pose. For example, say if they are crawling on the ground, they can say “I’m a tiger hunting
my prey” and then continue to do that action by maybe growling or pretending to pounce on its
prey. Call on a few students to justify then get a new group of students into the circle. Continue
Lesson activities
After the warmup game, get students into groups of 3-4 and have them sit on the floor
while listening to instructions for today’s activity. For today’s activities, students are going to be
creating tableaus. A tableau is a theatrical technique in which individuals freeze in place to create
an important image in a play or text. Students will be doing these today to portray a scene from
Once the students have heard the instructions of creating a tableau (and what a tableau is)
they may start conversing with their groups. There are several ways that they can create their
tableaus.
3. Create a scene that may have happened in the same time frame as the book
Groups will have approximately 10 minutes to think of and create different tableaus they
would like to present in front of the class. I will go around and observe each group and ask what
completely different tableaus but some groups may choose to do similar scenes, which will be
tableau. Other groups will be encouraged to look at the tableau closely and to see it from all
Then after the other students talk about the tableau group, the tableau group will be told
to do something else. This works on their improv skills and shows their understanding of their
work because they do not know what they're going to be asked to do. Some of the variations for
4. Say a line.
5. What are you doing? Who are you in relation to the scene?
This process will happen for each group. Each group will never say what their original
plan of their tableau was, this activity is meant to be subjective. Once each group has gone, have
them push the seats back together and go back to their seats.
Post activities
On a sheet of paper, students will write one thing that they liked from another group and
one thing that they learned from another group. Students will then write about how they can use
the information that they've learned the past two days and apply it to their everyday lives
Expected outcome
The students will be able to understand the situation in the story enough to portray it to
their classmates and to improvise what a character in the book might do.
Rational
The student population these lessons are aimed for are for third graders in a public school
setting. The lesson activities can also be used for older grades, but the critical literacy piece and
standards will have to be adjusted accordingly. They are english speaking students who will
learn about the ideas of multiculturalism through literacy in the lessons while still engaging in
Indiana state standards. The skeleton of this lesson plan will remain the same, but a multitude of
children’s picture books can be used. I chose a book that focuses on race and the culture of
african americans during the 1920s in the United States. The main character, Richard, is unable
to get a library card at the public library because he is black. Richard is just a child but loves to
read whenever he can. I chose this book because it is a book that students will be able to relate to
on a certain level. All students in a public school know the feeling of going to the school library
and checking out new books so this story allows them to think about if they were unable to get
The need for lessons such as these two is because third grade is around the time where
children are able to start thinking critically about what they are hearing and reading. They are no
longer struggling to sound out sight words and are starting to read and comprehend more
fluently. By engaging in critical thinking, my students will be expanding their zone of proximal
development.
Students are “worldmaking” as they engage in these lessons, especially the second lesson.
Roswell and Pahl (2015) define worldmaking as “a process of building multiple, shared
interpretive realms out of an array of cultural resources in the service of communicating across
those differences” (p. 568). The piece of critical literacy you choose as a teacher is the cultural
resource and the different realms are the different modalities that are being used to interact with
the text, in this case our modalities include, writing, speaking, acting, moving and portraying.
“Worldmaking” is how students are being diversified through literacy and drama. These lessons
open up possibilities for an entire unit connecting standards from the whole curriculum and can
even engage students in their communities. I chose the topic of race (with socioeconomic status
as well) because I plan on moving to the south to teach where a large population of people is
caucasian. There are some rural parts of the United States where there are no people of color in
the community and children don't see a person of color until they are an adult. That is why I find
it important to teach young students about hardships for those in minority groups.
As an educator, it is my job to create critical thinkers who are able to think and make
rational decisions on their own. Worldmaking students are also “intertwining issues of diversity
and identity with questions of process and becoming, (which) helps to shift focus to activity and
agentive, collaborative work” (Roswell & Pahl, p. 568). Diversity and identity shouldn’t be
something that is taught separate from the curriculum, but something that is intertwined with the
curriculum. Having conversations about the “hard to talk about subjects” is what creates a safe
classroom environment where students feel safe to learn. Communication and collaborative skills
Another way that the students will be diversified is through the tableau activities.
Tableaus are a theatrical technique used to portray something. It is similar to a still frame in a
text or play. It is also a form of “children’s play”. Children’s play is “a literacy of possibilities,
that is, as a set of imaginative practices that change the meanings of ordinary artifacts and alter
opportunities for social participation” (Wohlwend, p. 556). Dr. Wohlwend also mentions in her
chapter on page 552 that “children’s play involves emotional investments (Jones and Shackelford
2013) and attachments to characters”. This means that the students get invested into what they
are doing and the characters they are portraying during play time (the tableau activity). By
having control of what they are portraying, each student gets to represent their perspective on the
topic and get to hear/see the perspective of others. A black student will most likely have different
life experience than those of a white student that allows them to see the tableaus in a different
way. All of the tableaus are subjective as well, meaning that there is no right or wrong way to
interpret them. When students participate in this form of children’s play, they are diversifying
These lessons can also be used in a larger unit that connects across cultures subjects,
mainly social studies. Social studies, literacy and drama can all work hand in hand to create high
quality diversifying instruction. The students can research their home community during the time
that the book took place and distinguish between facts from their research and fiction from the
book. This would cover standards 3.1.7 distinguish between fact and fiction in historical
accounts by comparing documentary sources on historical figures and events with fictional
characters and events in stories and 3.1.8 describe how one’s local community has changed over
time and how it has stayed the same. If the community has any museums or libraries, students
can take a field trip to learn more about the history of their community and how it may relate to
the stories that we’re reading in classes. By engaging in the community and researching, students
will be able to tie the curriculum they are learning inside the classroom into their real lives and
The Routledge Handbook of Literacy Studies, edited by Jennifer Rowsell, and Kate Pahl,
https://ebookcentral.proquest.com/lib/iub-ebooks/detail.action?docID=3569017.