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Tiger Music - Free Download

Donations Strongly Encouraged


I must stress the point that this download is free but the music itself is not free. I legally retain all of my rights
as the owner of this intellectual property. My copyright notice is properly displayed at the bottom of the first page
of each and every part.

What does this mean to you?

It means that I have given you permission to download this file for viewing purposes only. If you try it, like it
and use it, then I do expect some sort of monetary compensation. The recommended donation amount for this
item is listed below.

I offer these free downloads in the good faith that most people will do what is right and send at least some
money if they actually use the music or book in this file. If you download a book and practice it regularly, and if
that book helps you become a better musician, then what reason would you have for not sending anything at all?
If you download a composition and practice it then perform it, what reason would you have for not sending a
donation?

So please, let me appeal to your sense of honor and dignity. Help me to continue to offer this music in this
way by showing your support with a minimal token payment.

Thank you.

Sincerely,

Eddie “Tiger” Lewis

The recommended donation amount for:

“Step Back, Man!!!”

is $3.00

You can make this payment online, via PayPal, at the “Tip Jar” page of my web site. Here’s
the URL for that page: http://www.eddielewis.com/tipjar.htm

Otherwise you can send me a check, cash or money order to my post office box at:

Eddie “Tiger” Lewis


PO Box 34027
Houston, TX
77234
Email me at pdf@eddielewis.com if you have any questions concerning this file.
Step Back, Man!!!
Step Back, Man!!! started off as a horn feature which I wrote for the Cold Sweat
horns to play without the rhythm section. I’m no longer a member of that band,
but I hear they still perform this piece on occasion. Since then, this tune has
seen several transformations. I’ve written an arrangement of it for brass quintet
(available in the 21 Brass Quintets collection) and made it the second half of a
big band chart I call “Prelude and Funk”. This fourth version of the tune is one
which I’ve been using as the opening tune for my seven piece combo, Living
Rhythms.

Since I use this version of the tune as an opener, there are no solo sections. We
play the tune down and end it…..short and sweet.
 




            
        

 
             

 
A
 
      
    
        

        
B

          
      
    
  


                             

 




  
            
C

             
 


               
     
                   
  


          

 
        
     
  


            

                     
   
Repeat 3Xs for Tag

   
         
 










              
        
            


                                     
A

    

                             
      

                        

             
B

    


            


           
     



  


    
       
 
C

          

          



                        
 


                           
   


 
           




     
                
Repeat 3Xs for Tag

   
       
 







   
                 
A

    


       

   
     
             

                     

 
B

               
 
      

    
       
    
 




   
   
                     
C

         
 
          
 
 
         
      
          
           


       

           
              
 
 
 
 
 
 

Repeat 3Xs for Tag

     
 







             


     
A
 
                  

                   
    
      
        

     


                                     

 

   
       
 

   
  
         
B


    
      
    


           
 
   
  
 

    
  


        
     
          
         
C

  

              


  
      
      

   

    
 
 
 
 
 
 
 
 


                   
Repeat 3Xs for Tag

    
 








      
     
                    



A

                


 
                  

 
 
   
B  

     
   
                         


 
    
        
C

        
 

  
 
                      


        
  
           
 
    
       
            
Repeat 3Xs for Tag

 









                  
     
                                         
  

             

A

      



      
                                          

B
  
      



  
 

              
        
  
                    
    
 
  



C

                       


                            
        
               
Repeat 3Xs for Tag

 












                   
                      
      

       
A

                      

               

     
               
                    
B 




                   

               
     

 
C
       
                     




                 
Repeat 3Xs for Tag



                





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