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19
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Image from LS
Prior Knowledge:
- How to use scissors
- How to use glue
- How to use hot glue
- How to respond to creative prompts
- How to define important vocabulary words
4. Practice: Students will practice using the language function by answering questions
pertaining to the assigned article, defining important vocabulary terms, responding to in-
progress questions, and by participating in group discussions.
Key Materials:
- Cardboard
- Hot Glue Sticks
- Hot Glue Guns
- Glue (liquid and stick)
- Fabric Glue
- Markers/Sharpies
- Crayons
- Scissors
- Assorted Fabrics
- “Mill Village and Factory: Introduction” Article
- “Mill Village and Factory: Introduction” Follow-Up Questions Worksheet
- “Mill Village and Factory: Introduction” Vocabulary Worksheet
- “The Mill Village” Google Slides Presentation
- Written Reflection Chart
Lesson I of 3
Standard Objective Formative Assessment
VA.CR AM.1 I CAN document the planning Before students come to class,
I can document and and development of my they are to read an article,
justify the planning and cardboard mill house complete follow-up questions
development of an sculpture from the inception of about the article, and define
artwork from the the idea to the completion. important vocabulary. The
inception of the idea to formative assessment for this
the completion. lesson is a VTS session.
Students will look at a painting by
Louise Fletcher titled “Mill
Village,” and will answer verbal
prompts such as “What is going
on in this image?” And “What can
we find?” Students will also
complete sketches of what their
mill houses will look like before
they begin creating them.
Instructional Strategies and Learning Tasks (Procedures & Timelines)
- Begin class by asking students about the assigned reading. Discuss the follow-up questions
that pertain to the reading as well as the vocabulary that the students were to look up and
define.
- Connect this discussion and vocabulary to the project students will be undertaking. Tell them
that the assigned reading was to give them background information about mill villages as well
as mill houses.
- Begin showing students the Google Slides presentation titled “The Mill Village.” As you show
it, tell students that it is important they remember this information for later in the creation
process.
- Have students engage in a VTS session. VTS stands for “Visual Thinking Strategies,” and was
first created by Phillip Yenawine and Abigail Housen (Research and Theory). This strategy
involves students looking at an image and answering verbal prompts that ask “What is going
on in this image?” And “What can we find?”
- Start the VTS by giving students a moment to silently look at the image. Once they have
had time to thoroughly look at it, begin by asking “What is going on in this image?”
When students answer, repeat their answers to them and point at the image at the same
time.
ARTE Learning Segment (LS) Template 11.10.19
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Lesson 2 of 3
Standard Objective Formative Assessment
VA.CR IM.2.1 I CAN apply a variety of The formative assessment for this
I can use a variety of artistic mediums and lesson is an entrance ticket.
art media, techniques, processes to the creation of Students will write on an index
and processes in my my own cardboard mill house. card one fact they learned and
artwork. remember from the previous
class.
Instructional Strategies and Learning Tasks (Procedures & Timelines)
- Have students enter the classroom and sit down. Once they are seated, pass out an index
card to each student.
- After ensuring each student has an index card, ask them to write down one fact they
remember from the previous class about textile mills, mill houses, or mill villages.
- When they have all answered the question and written it down, ask them if anyone would like
to share their answer. Once students are done writing and sharing, collect the index cards.
- Distribute the materials from the previous class, and briefly review how to safely use a hot
glue gun.
- Bring out the different fabrics students will be able to use for their houses. Allow them to pick
which ones they wish they use.
- After they choose their fabric, pass out fabric glue and Sharpies, as well as any remaining
materials students may need.
- Students should have already decided how they want their houses to be constructed. Walk
students through how they should glue their houses together, starting with the walls, then
gluing them onto the base, and finishing with the roof.
ARTE Learning Segment (LS) Template 11.10.19
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- Students should glue the walls of their mill house together first. Two pieces of cardboard
should be glued together to create an “L” shape. Then, the two “L” shapes can be glued
together to create the walls of the house. Glue is to then be placed along the bottom of
the walls, and the walls gently pressed onto the base. The roof is to then be constructed
from the top of the walls.
- After students have finished gluing their mill houses together, allow them to begin decorating
the outside of the house.
- Walk around during this process, and ask students questions to challenge their thinking and
creative process.
- “Why did you choose that specific fabric?”
- “What do you plan to draw on the outside of your house?”
- “Why did you draw that detail there?”
- “How is your mill house similar to the example? How is it different?”
- Allow students to work until the class is over. Have the presentation pulled up on the
Promethean board for students to reference, if need be. Answer any questions they may have
and review any process demonstrations they may require.
- Encourage them to bring their cardboard sculptures as close to complete as they possibly
can.
- Near the end of class, have students clean their areas. Ask them to make sure every hot glue
gun is unplugged. Have them place their in-progress projects on a corner of their table.
Lesson 3 of 3
Standard Objective Formative Assessment
VA:Pr5.1.8a TSWBAT construct a The formative assessment for this
Collaboratively prepare collaborative gallery lesson plan is the student’s ability
and present selected installation of their work with to answer a set of in-progress
theme-based artworks their peers in the form of a questions. These questions can
for display and “mill village” that illustrates the be:
formulate exhibition theme of the lesson. - “What else do you need to do
narratives for the before you can call this piece
viewer. complete?”
- “What made you decide to
change that?”
- “Why did you add that piece of
fabric there?”
- “What can you add to this part
of your house to make it more
complete?”
Instructional Strategies and Learning Tasks (Procedures & Timelines)
- On their desks, have the materials necessary for students to finish their projects. Also have
the presentation pulled up for reference.
- Allow students to begin working as soon as they come in.
- Remind them that they need to complete their project during this class period. Tell them that
they will be stopped about twenty minutes before class is complete in order to discuss how
they would like their pieces displayed, as well as to complete the summative assessment.
- Once they are steadily working, walk around and ask them this question: “What else do you
need to do to before you can call this piece complete?”
- Along with that specific question, ask them other in-progress questions.
- “What made you decide to change that?”
- “Why did you add that piece of fabric there?”
- “What can you add to this part of your house to make it more complete?”
- As they work, remind them of the time remaining until they have to stop.
- When there are around twenty minutes left in the class, have students cease working and
place their materials to the side of their table.
ARTE Learning Segment (LS) Template 11.10.19
-----EACH LESSON IN LEARNING SEGMENT TO BE 3-4 PAGES-----
- Remind students that their work is to be displayed in a gallery. Begin a discussion by asking
them how they think their pieces should be displayed in order to create the idea of a mill
village and to reinforce the idea of them creating a community.
- Write down their ideas on the Promethean board.
- Once they have all contributed, and a general consensus has been reached, pass out the
written reflection chart for students to fill in.
- If necessary, read over and discuss the questions with students.
- “Describe your work. What does your cardboard sculpture consist of and how is it
arranged?”
- “Why did you choose to decorate your cardboard sculpture the way you did?
What made you choose those particular colors or fabrics?"
- “How did you use the Elements and Principles of Art that we discussed? How did you
use geometric forms? How did you create unity? Does the sculpture feel finished?”
- “Reflect on your work. How do you feel that you did? Is there anything that you could
have done differently that might have improved the sculpture?”
- Once complete, collect the written reflection chart.
- If there is still time remaining, allow students to put the finishing touches on their work. If class
has ended, have them quickly clean up, unplug the hot glue guns, and place their completed
works on a corner of their table.
Theory/Theorists:
- Robert Gagne:
- Robert Gagne is credited with creating the Nine Events of Instruction. These nine
events help to establish an effective learning process and, once complete, learners are
more likely to retain the information learned (Gagne’s Nine Events of Instruction).
- Each of the steps of Gagne’s Nine Events of Instruction were used to create the format
of this learning segment, as well as the project, activities, and assessments contained
within it.
- Lev Vygotsky:
- Lev Vygotsky created the Cognitive Development Theory, which states that social
interaction is fundamental to cognitive development (Vygotsky’s Cognitive Development
Theory).
- Throughout this learning segment students engage in multiple discussions. This
encourages social interaction, furthering their cognitive development. It also reinforces
the information and skills gained throughout this learning segment.
Accommodations
• Representation: The teacher will use a Google Slide presentation to introduce the lesson
and will supply the materials for the project. The teacher will provide students with the
selected reading and accompanying questions and vocabulary. The teacher will also lead
the final discussion and reflection of the creation process. The teacher will display an
example of a finished cardboard mill house for students to see, and will create one with
them.
• Engagement: Students will assemble their own cardboard mill houses. Students will select
the materials, media, and fabrics they use for the decoration of their mill houses. Students
will define important vocabulary.
• Expression: Students will show what they know by completing an assigned reading and
answering accompanying questions. Students will define important vocabulary terms and
will engage in multiple in-progress discussions. Students will answer an entrance ticket
where they show what they learned in a prior class. Students will produce a finished
cardboard sculpture in the form of a textile mill house and will also fill out a project reflection
chart as a summative assessment.
• Individual student with special needs: The article is posted online, where students can
have it read to them if needed. The follow-up questions and vocabulary worksheet are also
posted online, where students can use speech-to-text to fill them out. The materials can be
pre-cut for this student, and they will receive aid in constructing their mill house. When they
have selected their fabric, they will have help in cutting that as well. If necessary, all pieces
ARTE Learning Segment (LS) Template 11.10.19
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of the cardboard sculpture can be pre-cut and ready for assembly. A student from their class
an also be appointed to sit beside them and help.
Resources:
Esaak, S. (2019, September 28). What is artistic unity? Retrieved October 01, 2020, from
https://www.thoughtco.com/unity-definition-in-art-182473
Gagne's nine events of instruction. (n.d.). Retrieved October 02, 2020, from https://
thepeakperformancecenter.com/business/learning/business-training/gagnes-nine-
events-instruction/
Leloudis, J. (n.d.). Like a Family: The making of a southern cotton mill world. Retrieved October
01, 2020, from https://www.historians.org/teaching-and-learning/teaching-resources-for-
historians/teaching-and-learning-in-the-digital-age/the-history-of-the-americas/like-a-
family-the-making-of-a-southern-cotton-mill-world
Marder, L. (2020, January 24). The definition of form in art. Retrieved October 01, 2020, from
https://www.thoughtco.com/definition-of-form-in-art-182437
Mill village and factory: introduction. (n.d.). Retrieved October 01, 2020, from https://
www.historians.org/teaching-and-learning/teaching-resources-for-historians/teaching-
and-learning-in-the-digital-age/the-history-of-the-americas/like-a-family-the-making-of-a-
southern-cotton-mill-world/mill-village-and-factory-introduction
Research and theory. (n.d.). Retrieved October 01, 2020, from https://vtshome.org/research/
The southern mill industry. (n.d.). Retrieved October 01, 2020, from https://www.wm.edu/sites/
wmcar/research/danvilledig/history/southern-mill-industry/index.php
Vygotsky's cognitive development theory. (2011). Retrieved October 02, 2020, from https://
link.springer.com/referenceworkentry/10.1007/978-0-387-79061-9_3054
Artifacts:
- “The Mill Village” Google Slides presentation
- “Mill Village and Factory: Introduction” Follow-Up Questions Worksheet
- “Mill Village and Factory: Introduction” Vocabulary Worksheet
- Teacher made example of a finished cardboard mill house