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IMSLP452893-PMLP40483-lemoine-Etudes Enfantines, For Piano, Op. 37 PDF
IMSLP452893-PMLP40483-lemoine-Etudes Enfantines, For Piano, Op. 37 PDF
MU 736.3 LT5M0INE
Etudes enfantines
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LEMOINE
Etudes Enfantines
for Piano
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' music that could be used for early piano study. This has
*•
music easy enough for the average child yet important and in-
been the cause of the widening gap between the piano teacher teresting musically. It represents a group of compositions by the
and the modern composer. The average child studying along outstanding composers of our times written for the youth of today.
the lines of Czerny and Clementi gets little that would make him
sympathetic to Stravinsky and Ravel. To meet this problem, Carl All of the compositions in the series are provided with explanatory
Fischer, Inc. invited great contemporary composers to write notes and many have 3- or 4- measure preparatory finger exer-
simple compositions to introduce the piano student to modern cises.
The gradation is based on the number of years of piano study, as follows: Group A — IV2 *° 2 years. Group B —2 to 21/6 years.
^^ '^Z^'^^/yi^
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Solos ^3 Sei
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rf The Happy
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;o.er„„--n.o.o;e^:-;-.
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other
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03198 ^ and
032W
SILVIO SCIONTI
noted pianist -teacher
ROAD TO
C. p. E.Bach Grieg Liszt
Bach Mendelssohn
PIANO ARTISTRY J. S.
W, F. Bach
Handel
Mozart
Haydn
Beethoven Reinecke
Heller
Burgmueller Scarlatti
Chopin Jensen Schubert
Clementi Kuhlau Schumann
Debussy Kullak Tschaikowsky
Gade LeCouppey Turk
VILLA-LOBOS
THE THREE MARIES
Tlie leader of tiie Brazilian sciiool of composers and Director of Music for
Rio de Janeiro contributes three cnariiiing pieces written on a native
folk tale.
(0 4146)
ROY HARRIS
AMERICAN BALLADS
Five compositions based on familiar American themes: "Streets of
Laredo," "Wayfaring Stranger," "The Bird." "Black is the Color of My
True Love's Hair," "Cod Liver Isle."
(0 3502)
VIRGIL THOMSON
TEN ETUDES FOR PIANO
A group of distinctive piano etudes by the celebrated American composer, critic and
lecturer. Each composition is an attractive program-piece elaborating on a par-
ticular aspect of technique. Fingering and annotations have been supplied by
E. Robert Schmitz.
REPEATING TREMOLO (Fanfare) -TENOR LEAD (Madrigal) FINGERED FIFTHS
(Canon) - FINGERED GLISSANDO (Aeolian Harp) - DOUBLE GLISSANDO
(Waltz) - FOR THE WEAKER FINGERS (Music-Box Lullaby) - OSCIL-
LATING ARM (Spinning Song) -FIVE-FINGER EXERCISE (Por-
trait of Briggs Buchanan) PARALLEL CHORDS (Tango)
- -
RAGTIME BASS
(0:1430 !
P 100
I