AN ART MOVEMENT, OR ISM, IS A STYLE IN ART. IT MAY HAVE COMMON PHILOSOPHY, FOLLOWED BY A GROUP OF ARTIST.

IT MAY BE A
LABEL GIVEN BY CRITIC TO DESCRIBE A TYPE OF ARTWORK. IT IS TYPICAL OF POST-PHOTOGRAPHY ERA THAT ART EXPLORES NEW
ART MOVEMENT DIRECTIONS.

R I E
C P
E M X
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N P P
B P
A R R
I E E I
S A
S S S
M R
S S S
T
A PRIMAVERA 1478 I I
N SANDRO BOTTICELLI N O THE KISS 1961
C I N 1947 MARE CHARGALL GEORGES BRAQUE ROY LICHENESTIEN
E S CLAUDE MONET 1897-1899 I POPOVA: TWO FIGURES
1300’S IT WAS STARTED TO S 1950-1960 REFLECTED THE
M WATER LILY POND 1905-1925 SHOWS THE (1913-1914)
MOVE AWAY FROM THE M AFFLUENCE IN POST WAR
EMOTION RESPONCES
RELIGION DOMINATED MIDDLE 1867-1886 STARTED WHEN A 1908-1914 BROKE TRADITIONAL SOCIETY AND CELEBRATED
THAT THE SUBJECT GIVES
AGES AND TURN YO SHOW THE CHANGE OF METHODOLOGY, PAINTING BY REJECTING A EVERYDAY OBJECTS.
ARTIST INSTEAD OF THE
INDIVIDUAL MAN APPLYING SMALL STROKES OF PURE SINGLE VIEW POINT, SIMPLER
LIGHT OF IMPRESSINISTIC
COLOR. HAS A LOT OF BRIGHT FORMS IN BRIGHTER COLOR. P
STYLE.
COLORS AND OUTDOOR SCENE O
D S
A E T
N B -
R
C A I
I R D M
S
E O A P
T
N Q D R
I
T U A E
G
E S
L 1942-43 PEIT MONDRAIN 1892 CAFÉ TERRACE AT
A 1932 REMBRANDT MAX ERNST- DESIGN S
15000 B.C. BROADWAY BOOGIE NIGHT, VINCENT VAN GOGH
R ANATOMY LESSON OF DR.TULP IN NATURE 1947 I
T FAVOURS DRWING
WOOGIE O
BEGAN AS A REACTION AGAINST EMPHASISED THE ROLEOF IT REJECTED THE LIMITATIONS
OVER COLORS. VERY THE UNPREDICTABLE IN ART. SHOWS PURE ABSRACTION AND N
THE INTRICATE MANNERIST STYLE. OF LIGHT AND NATURE OF
CHARACTERISED BY A SPIRIT SIMPLICITY. GEOMETRIC SHAPES I
LITTLE IS LEFT MORE REALISTIC AND IMPRESSIONISM.
EMOTIONALLY AFFECTING OF ANARCHIC REVOLT. AND PRIMARY COLORS ARE USED S
M

SUBMITTED TO
Art Appreciate and Architectural Graphics SHIPRA
Ar. Namita
ART MOVEMENT 2-C Artist Jagmohan
 EDVARD MUNCH
BORN- 12 DECEMBER 1863
DIED- 23 JANUARY 1944
EXPRESSIONISM
Expressionist art tried to convey emotion and
meaning rather than reality. Each artist had
their own unique way of "expressing" their
emotions in their art. In order to express
emotion, the subjects are often distorted or
exaggerated. At the same time colors are often
vivid and shocking.
Art Appreciate and Architectural Graphics
ART MOVEMENT
FAMOUS ART WORKS
WORKING STYLE
Munch was a leader in the revolt against the naturalistic dictates of 19th-century academic painting and
also went beyond the naturalism still inherent in Impressionism. His concentration on emotional essentials
sometimes led to radical simplifications of form and an expressive, rather than descriptive, use of colour.
All these tendencies were taken up by a number of younger artists, notably the leading proponents of
German Expressionism. Perhaps his most direct formal influence on subsequent art can be seen in the area
of the woodcut. His most profound legacy to modern art, however, lay particularly in his sense of art’s
purpose to address universal aspects of human experience. Munch was heir to the traditional mysticism
and anxiety of northern European painting, which he re-created in a highly personal art of the archetypal
and symbolic. His work continues to speak to the typically modern situation of the individual facing the
uncertainty of a rapidly changing contemporary world.
SUBMITTED TO
SHIPRA
Ar. Namita
2-C Artist Jagmohan