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Control No: _______________

SLK 2 for MUSIC 8


QUARTER:II_ WEEK:2____

Competency
3. improvise simple accompaniment to selected East Asian music;
MU8SE-IIc-h6
4. perform music from East Asia with own accompaniment;
MU8SE-IIb-h7
5. evaluates music and music performances using guided rubrics
applying knowledge of musical elements and style.
MU8SE-IIb-h8

Objective  identify the musical instruments in East Asian Country;


 compare and classify the musical instruments in east Asian country and;
 evaluate the quality of your own performances and improvisations of East
Asian musical instruments through drawing.

Topic/  EAST ASIAN MUSIC


Subject A. Japan
Matter B. China
C. Korea

Textbook Music and Arts 8 Book


Materials Pencil, Coloring Materials, long bond paper
Copyrights
Total
Points
Date

I. CONTENT MAP

II. CONTENT NOTES


MUSICAL
INSTRUMENTS
JAPAN IN EAST CHINA
ASIA
Lesson 1: Japanese Music
Japanese vocal music is quite different from the Western vocal music, and is based on
the intervals of human breathing rather than mathematical timing, and how Japanese
musicians show their spiritual self-mastery in mastering his or her instrument more than
simply perfecting a technique of some sort and how they give value to their performance
and composure.
KOREA
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Instrumental music of Japan
Traditional Japanese music is basically meditative in character. Its performance is highly
ritualized, as much in the music itself, as in the composure of the musicians when performing it.
Japanese chamber and solo music have a slow meditative pace.
 The performance of Japanese music has traditionally been of a spiritual character, similarly to
martial arts and other forms of art such as the tea ceremony and calligraphy. It is usually
about religious festivals, work, dance, love, and regional songs.
 Audiences are looking for this self-mastery in musicians. This is the reason why music has
become highly ritualized. Musicians must show this spiritual self-mastery in their
performance and composure. They work on an inner strength in mastering his or her
instrument, more than simply perfecting a technique of some sort and providing
entertainment.

A. Percussion Instruments
(Membranophone):
1. Odaiko- (big drum). The physical energy and sheer excitement of an Odaiko
performance is an integral part of many Japanese matsuri (festivals).
ODAIKO

2. Tsuzumi (hourglass-shape) – There are two varieties, the smaller kotsuzumi and the
larger otsuzumi. They are used in both noh and kabuki performances. The kotsuzumi is
held on the right shoulder and the player alters the tone by squeezing the laces. The
otsuzumi is placed on the left thigh. Like all other traditional arts in Japan, there are
several schools of tsuzumimatsuri (festivals).

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TSUZUMI

3.Tsuridaiko – a large hanging barrel drum.

4. Taiko - is a Japanese drum that comes in various sizes and is used to play a variety of musical
genres. It has become particularly popular in recent years as the central instrument of percussion
ensembles whose repertory is based on a variety of folk and festival music of the past.

TAIKO
B. String Instruments (Chordophone)
1. Koto - is a 13-string zither, about two meters long and made of Paulownia wood. It is
plucked using picks on the thumb and first two fingers of the right hand, while the left hand
can be used to modify pitch and tone. Koto is used in an ensemble in gagaku or as a solo
instrument.

KOTO

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2. Shamisen- is a plucked stringed instrument. Its construction follows a model similar to that
of a guitar or a banjo, employing a neck, and strings stretched across a resonating body.
The neck of the shamisen is fretless, and is slimmer than that of a guitar or a banjo.

SHAMISEN

3. Biwa - is a Japanese short-necked fretted lute, often used in narrative storytelling. The
biwa is the chosen instrument of Benten, the goddess of music, eloquence, poetry, and
education in Japanese Shinto.

BIWA
C. Wind Instruments (Aerophone)
1. Shakuhachi- the most famous flute made from bamboo. It has 4 or 5 finger holes on the front
face and a thumbhole on the rear face. As with other instruments above, it was imported from
China for gagaku.

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2. Nokan - a parallel, bamboo flute (fue) is the only melodic instrument used in noh. The melody of the flute
has no specific pitch relationship with the melody of the chanting.

4. Hichiriki - is a double reed Japanese fue (flute) used as one of two main melodic
instruments in Japanese gagaku music, the other being the ryūteki.

4. Sho - is a Japanese free reed musical instrument that was introduced from China during the
Nara period.

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5. Shinobue – also called takebue in the context of Japanese traditional arts) is a Japanese
transverse flute or fue that has a high-pitched sound.

6. Ryūteki - literally "dragon flute" is a Japanese transverse fue made of bamboo. It is used in
gagaku.

Lesson 2: Chinese Music


For several thousand years Chinese culture was dominated by the teachings of the
philosopher Confucius, he conceived music in the highest sense as a means of calming the
passion of dispelling of unrest and lust, rather than as a form of amusement.
Traditionally the Chinese have believed that sound influences the harmony of the universe.
Significantly, one of the most important duties of the first emperor of each new dynasty was to
search out and establish that dynasty’s through standard of pitch. A result of this philosophical
orientation was that the Chinese theoretically opposed music performed solely for entertainment.
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Chinese Musical Instruments
1. Yueqin - Moon-shaped lute with shorter neck and four strings, played with a spectrum,
used for accompanying local operas.

2. Pipa - Four-stringed lute with 30 frets and a pear-shaped body. This instrument has an
extremely wide
dynamic range and remarkable expressive power.

3. Erhu - Two-stringed fiddle and one of the most popular Chinese instruments. It is used as a
solo instrument as well as in small ensembles or large orchestra, and by various ethnic groups.

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4. Yunluo - Literally "cloud gongs" or "cloud of gongs", the yunluo is a set of ten small tuned gongs
mounted in a wooden frame. The yunluo's gongs are generally of equal diameter but different
Thicknesses. The thicker gongs produce a higher pitch.

5. Sheng - Sheng, or Chinese mouth organ, looks like a set of panpipes, with 12 to 36
bamboo pipes. Each pipe is of different length with a brass reed at the bottom and a hole
that must be blocked in order for the note to sound. This makes it possible to sound several
notes simultaneously, so chords and melody can be performed at the same time. Sheng is
one of the oldest Chinese musical instruments.

6. Dizi - Dizi is the traditional Chinese flute. It can have a membrane over an extra hole to give
the characteristic rattle effect. The player plays the Dizi by blowing across the mouthpiece
and produces the different notes by stopping the six holes found in the rod.

7. Zheng - An ancient Chinese instrument that has an arched surface and an elongated-
trapezoid with 13 to 21 strings stretched over individualbridges. Its playing range spans
three to four octaves.

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8. Pengling
These are two small bells made of high-tin bronze, without internal clappers, and hemispheric or
bottomless gourd-like in shape. The instrument has a delicate, clarion and melodious tone. It is a
coloring rhythmic instrument, either in ensembles or in theater music, bringing an effect of
peaceful dreams.

Lesson 3: Korean Music


Korea's folk music tradition, with its generous use of bright rhythms and melodies, offers a
more energetic and capricious contrast to the nation's collection of classical music works. Folk
music represents the soul and sound of traditional Korean villages with an eclectic array of music
forms including numerous folk songs, various forms of instrumental pieces, pansori, and shaman
ritual music.
Chong-ak means literally "right (or correct) music", and its tradition includes both
instrumental and vocal music, which were cultivated mainly by the upper-class literati of the
Joseon society. Chong-ak also refers to ensemble music for men of high social status outside of
the court. In this category, three important terms are a-ak, tang-ak, and hyang-ak.
Sog-ak or minsogak is a category of Korean music traditionally associated with the lower
classes or for the general public and are vibrant and energetic. It includes genres such as pansori
and minyo.

Instrumental music of Korea


Korean music especially in South Korea has a rich vocal tradition, and diverse instruments and
music forms. Folk songs, religious works, court music, and shaman rituals all express the soul of a
nation whose history is filled with colorful and fascinating tales. Traditional Korean music
represents a world of captivating rhythms and melodies whose sounds draw listeners in like a
breath. Koreans sang songs when they could not hold their sadness in.

String Instruments
1. Kayagum (gayageum) - is a traditionalKorean zither-like string instrument, with 12 strings,
although more recently variants have been constructed with 21 or more numbers of strings.
It is probably the best-known traditional Korean musical instrument.

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2. Geomungo - Six-string plucked zither is a traditional Korean stringed musical instrument of
the zither family of instruments with both bridges and frets. Scholars believe that the name
refers to Goguryeo and translates to "Goguryeo zither" or that it refers to the colour and
translatesto "black crane zither".

3. Haegum (two-string vertical fiddle) – It has a rodlike neck, a hollow wooden soundbox, two
silk strings, and is held vertically on the knee of the performer and played with a bow.

Wind Instruments
1. Piri - used in both the folk and classical (court) music of Korea. It is made of bamboo. Its
large reed and cylindrical bore gives it a sound mellower than that of many other types of
oboe.

Percussion Instrument
1. Changgo - is the most widely used drum used in the traditional music of Korea. It is
available in most kinds, and consists of an hourglass-shaped body with two heads made
from animal skin. The two heads produce sounds of different pitch and timbre, which when
played together are believed to represent the harmony of man and woman.

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Control No: _______________
Name: __________________________________ Year & Sec: ____________ Contact
No:______________
School: _________________________________ Teacher:
_______________________________________

III. ACTIVITIES

Activity 1 (Competency ___ )


Date: __________
Direction: ______________________________________________________________
Score: ______

I. Name the following instruments.Rearrange the scrambled letters to find the answer.
__________1. DOAIKO-big drum of Japan.
__________2. SUZUMIT -hourglass-shape drum of Japan.
__________ 3. RADIIKOSUT– a large hanging barrel drum
__________ 4. ATIKO - is a Japanese drum that comes in various sizes
__________ 5. OKOT- plucked13-string zither, about two meters long considered as national
instrument of Japan.
__________ 6. MISENASH- is a plucked stringed instrument follows a model similar to that of a
guitar or a banjo, employing a fretless neck, and strings stretched across a
resonating body.
__________ 7. AIWB - is a Japanese short-necked fretted lute
__________ 8. KONAN - a parallel, bamboo flute (fue) is the only melodic instrument used in
noh.
__________ 9. KUHACHIASH- the most famous flute made from Bamboo with 4 or 5 finger
holes on the front face and a thumbhole on the rear face, it was imported from
China for gagaku.
__________ 10. HSO - is a Japanese free reed musical instrument that was introduced from
China during the Nara period.

Activity 2 (Competency _3___)


Date: ___________________________
Title: ___________________________ Score: ___________

Direction: On a separate sheet of long size bond paper, draw at least five each musical
instrument in East Asian Country. (Please apply color on your drawing)
1. JAPAN
2. CHINA
3. KOREA

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Activity 3
(Competency __1__)
Date: _____________ Title: ___________________________
Score: ______
Identify the country of origin of each instruments and classify each using the Hornbostel – Sachs
classification.

Musical Instruments Name of Country Hornbostel-Sachs


Classification
1. Odaiko

2. Koto

3. Biwa

4. Ryuteki

5. Yunluo

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6. Shakuhachi

7. Sho

8. Erhu

9. Geomungo

10. Sheng

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IV. Evaluation
Direction: Choose the correct answer, write your answer on the space provided.
_____ 1. It is a double reed Japanese flute used as one of two main melodic in Japanese Gagaku
music.
A. Biwa B. Hichiriki C. Nokan D. Sho

_____ 2. A Japanese drum that comes in various sizes and is used to play a variety musical genres.
A. Koto B. Odaiko C. Taiko D. Tsuridaiko

_____ 3. The following are group of percussion instrument EXCEPT;


A. Odaiko B. Shamisen C. Taiko D. Tsuzumi

_____ 4. What do you call of an instrument that has a four-stringed lute with 30 frets and a pear-
shaped body.
A. Erhu B. Dizi C. Pipa D. Yunluo

_____ 5. Which of the following that is NOT belongs to the group?


A. Biwa B. Shamisen C. Koto D. Shakuhachi

_____ 6. It is a Japanese free reed musical instrument that was introduced from China during the
Nara period.
A. Hichiriki B. Nokan C. Sho D. Shakuhachi

_____ 7. A Japanese short necked freted lute, often used in narrative storytelling.
A. Biwa B. Koto C. Shamisen D. Sho

_____ 8. What do you call to an instrument that has two-stringed fiddle and one of the most popular
Chinese instruments.
A. Erhu B. Pipa C. Sheng D. Yunluo

_____ 9. It is the traditional Chinese flute. It can have a membrane over an extra hole to give the
characteristic rattle effect.
A. Pengling B. Zheng C. Dizi D. Sheng

_____ 10. What do you call to an instrument that has six-string plucked zither and it is a traditional
Korean stringed musical instrument.
A. Piri B. Kayagum C. Geomungo D. Haegum

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V. FEEDBACK NOTES

PARENTS’/GUARDIANS’ FEEDBACK
LEARNER’S FEEDBACK
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VI. ANSWER KEY

VI. REFERENCES

https://pdfslide.net/education/east-asian-music-grade-8-k-12-music-topic-second-quarter.html

VII. ADDITIONAL READINGS / AGREEMENT / ASSIGNMENT

Subject Teacher: RIZA MAE F. REYES_


Contact Number: 09569863806

Prepared by:
Name: RIZA MAE F. REYES
School: SAN ROQUE NATIONAL HIGH SCHOOL
Contact No: 09569863806
kdm11/12/2020

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